Creative geographies of Islam: the case of Islamic and traditional visual arts scene in Istanbul

2021 ◽  
pp. 147447402110536
Author(s):  
Hulya Arik
Keyword(s):  
Cultural Politics ◽  
Visual Arts ◽  
Urban Governance ◽  
Middle Eastern ◽  
Creative Industries ◽  
Limited Attention ◽  
The Past ◽  
Art Scene ◽  
Core Concepts ◽  
Early Republican

While research on geographies of creativity have proliferated in the last few years, there has been scant attention to religious cultural and artistic practices, particularly in the context of the Middle East. This research seeks to address such gap with a focus on the Islamic and traditional visual arts scene which has flourished in Istanbul in the past decade and a half along with the rise of political Islam in Turkey. Rendered obsolete through the Western-oriented and secular cultural politics since the early republican era, art forms such as Arabic calligraphy ( hat), miniature ( minyatür), and illumination ( tezhip) have now found currency as ‘authentically Turkish and Islamic’ in an art scene that emerged alongside Islamist politics. This paper examines the trajectory of Islamic and traditional visual arts through the lens of cultural and creative industries starting from the cultural politics of Islamic urban governance through the 1990s and 2000s, and to the emergence of an Islamist-nationalist authoritarianism in the past decade. In doing so, it aims to situate Islamic and traditional visual arts on the map in studies on geographies of creativity, particularly in the Middle Eastern and Islamic context, where limited attention has been paid to cultural and artistic practices. With ethnographic reflections from the field, it highlights the internal dynamics of an art scene and the potential it bears in unsettling the core concepts of Turkish Islamic nationalism from within.

scholarly journals Way Beyond Art

2021 ◽  
Vol 11 (1) ◽  
pp. 69-83
Author(s):  
Liviu Nedelcu
Keyword(s):  
Visual Arts ◽  
Artistic Expression ◽  
Male And Female ◽  
Political Issues ◽  
The Past ◽  
Art Scene ◽  
Close Relationship ◽  
History Of ◽  
Performance Projects ◽  
Sensitive Issues

Abstract On the private and independent art scene, the male and female artist and curator addressing socio-political issues are recurring presences, explained by the art historian Beti Zerovc through the spreading of curating accompanied by a politicized discourse on how art and its institutions can contribute to building a better, more democratic, more egalitarian and freer world1. In this article, I will focus on male and female artists who address sensitive issues in society either to make them visible or to offer possible alternatives, using performance as a means of artistic expression due to its immaterial character and specific immediacy it implies. I propose a brief account of the history of performance in the field of visual arts, to review the role given to art in a close relationship with society, in a transversal and close relationship with the viewer, in a relationship with artistic institutions which is often critical. Finally, I will present a series of artistic projects carried out in the past ten years in Romania, to explore the dynamics of art - society - artist - spectator - institution and to identify the sensitive issues involved and the forms, values, lifestyles that art performance projects that I propose.

From Burning Paintings to Domestic Anxieties

2019 ◽  
pp. 219-240
Author(s):  
Jorge Duany
Keyword(s):  
United States ◽  
Cultural Politics ◽  
Visual Arts ◽  
The United States ◽  
Cultural Institutions ◽  
The Past ◽  
Fault Lines ◽  
Florida Straits ◽  
Cuban Americans

Jorge Duany examines the shifting cultural ties between Cuba and the United States since 1959, and how they have reframed relations between Cubans on and off the island. Duany argues that the cultural politics of Miami’s Cuban community have changed substantially because of demographic and generational transitions over the last three decades. Until the 1980s, Cuban artists and other intellectuals in the United States had limited contact with their island counterparts. However, it is now customary for U.S. museums and galleries to collect and exhibit artworks produced in post-1959 Cuba without much protest or opposition from Cuban Americans. Although some exile artists and critics still believe that U.S. cultural institutions should not display such artworks, the fault lines between Cubans residing on the island and abroad seem more porous than in the past. The author concludes that the visual arts may serve as cultural bridges across the Florida Straits.

Policy Making Introduction

2019 ◽  
Vol 1 (1) ◽  
Author(s):  
Nina TERREY ◽  
Sabine JUNGINGER
Keyword(s):  
Policy Implementation ◽  
Policy Making ◽  
Creative Industries ◽  
Design Management ◽  
Support Design ◽  
The Past ◽  
Academic Researchers ◽  
Design Activities ◽  
The Relationship ◽  
Professional Impact

The relationship that exists between design, policies and governance is quite complex and presents academic researchers continuously with new opportunities to engage and explore aspects relevant to design management. Over the past years, we have witnessed how the earlier focus on developing policies for design has shifted to an interest in understanding the ways in which design contributes to policy-making and policy implementation. Research into policies for design has produced insights into how policy-making decisions can advance professional impact and opportunities for designers and the creative industries. This research looked into how design researchers and design practitioners themselves can benefit from specific policies that support design activities and create the space for emerging design processes.

The Fall of Tripoli in 1289 in the Perception of Christian Communities of the Middle East

2020 ◽  
Author(s):  
К.А. Панченко
Keyword(s):  
Educational Level ◽  
Historical Memory ◽  
Middle Eastern ◽  
Political Orientation ◽  
13Th Century ◽  
Christian Communities ◽  
The Past ◽  
History Of ◽  
Modern Era ◽  
Religious Polemics

Abstract The article examines the conquest of the County of Tripoli by the Mamelukes in 1289, and the reaction of various Middle Eastern ethnoreligious groups to this event. Along with the Monophysite perspective (the Syriac chronicle of Bar Hebraeus’ Continuator and the work of the Coptic historian Mufaddal ibn Abi-l-Fadail), and the propagandist texts of Muslim Arabic panegyric poets, we will pay special attention to the historical memory of the Orthodox (Melkite) and Maronite communities of northern Lebanon. The contemporary of these events — the Orthodox author Suleiman al-Ashluhi, a native of one of the villages of the Akkar Plateau — laments the fall of Tripoli in his rhymed eulogy. It is noteworthy that this author belongs to the rural Melkite subculture, which — in spite of its conservative character — was capable of producing original literature. Suleiman al-Ashluhi’s work was forsaken by the following generations of Melkites; his poem was only preserved in Maronite manuscripts. Maronite historical memory is just as fragmented. The father of the Modern Era Maronite historiography — Gabriel ibn al-Qilaʿî († 1516) only had fragmentary information on the history of his people in the 13th century: local chronicles and the heroic epos that glorified the Maronite struggle against the Muslim lords that tried to conquer Mount Lebanon. Gabriel’s depiction of the past is not only biased and subject to aims of religious polemics, but also factually inaccurate. Nevertheless, the texts of Suleiman al-Ashluhi and Gabriel ibn al-Qilaʿî give us the opportunity to draw conclusions on the worldview, educational level, political orientation and peculiar traits of the historical memory of various Christian communities of Mount Lebanon.

scholarly journals The Resolution of International Commercial Disputes – What Role (if any) for Continental Europe?

AJIL Unbound ◽  
2021 ◽  
Vol 115 ◽  
pp. 11-16
Author(s):  
Giesela Rühl
Keyword(s):  
The Netherlands ◽  
Dispute Settlement ◽  
Middle Eastern ◽  
National Level ◽  
High Volume ◽  
Radical Change ◽  
The Past ◽  
The World ◽  
Traditional Market ◽  
Commercial Courts

The past sixteen years have witnessed the proliferation of international commercial courts around the world. However, up until recently, this was largely an Asian and a Middle Eastern phenomenon. Only during the past decade have Continental European countries, notably Germany, France and the Netherlands, joined the bandwagon and started to create new judicial bodies for international commercial cases. Driven by the desire to attract high-volume commercial litigation, these bodies try to offer international businesses a better dispute settlement framework. But what are their chances of success? Will more international litigants decide to settle their disputes in these countries? In this essay, I argue that, despite its recently displayed activism, Continental Europe lags behind on international commercial courts. In fact, although the various European initiatives are laudable, most cannot compete with the traditional market leaders, especially the London Commercial Court, or with new rivals in Asia and the Middle East. If Continental Europe wants a role in the international litigation market, it must embrace more radical change. And this change will most likely have to happen on the European––not the national––level.

Republican conception of liberty in early republican Turkey and its contemporary implications

2015 ◽  
Vol 42 (4-5) ◽  
pp. 429-439
Author(s):  
Boğaç Erozan
Keyword(s):  
Problem Solving ◽  
Ample Evidence ◽  
Republican Period ◽  
Initial Failure ◽  
The Past ◽  
Political Problem ◽  
The Republic ◽  
Early Republican

Established in 1923, Turkey has been a republic without a dominant republican conception of liberty. A chance to install such a conception was missed in the early republican period and never recaptured. The republic was unable to get rid of vestiges of the authoritarian tradition of the past. Centuries-old authoritarian tradition persisted well into the recent and the contemporary periods. Presenting ample evidence, the article underlines the weight of history and the legacy of authoritarian mentality that promoted the use of authority, not liberty, in political problem-solving. The initial failure to abandon an authoritarian problem-solving approach proved fateful for the chances of the deepening of democracy in Turkey.

scholarly journals Measuring the “Why” of Interaction: Development and Validation of the User Motivation Inventory (UMI)

2018 ◽  
Author(s):  
Florian Brühlmann ◽  
Beat Vollenwyder ◽  
Klaus Opwis ◽  
Elisa D Mekler
Keyword(s):  
Discriminant Validity ◽  
High Reliability ◽  
Need Satisfaction ◽  
Interactive System ◽  
Limited Attention ◽  
Total N ◽  
Convergent And Discriminant Validity ◽  
Core Concepts ◽  
Development And Validation ◽  
User Motivation

Motivation is a fundamental concept in understanding people’s experiences and behavior. Yet, motivation to engage with an interactive system has received only limited attention in HCI. We report the development and validation of the User Motivation Inventory (UMI). The UMI is an 18-item multidimensional measure of motivation, rooted in self-determination theory (SDT). It is designed to measure intrinsic motivation, integrated, identified, introjected, and external regulation, as well as amotivation. Results of two studies (total N = 941) confirm the six-factor structure of the UMI with high reliability, as well as convergent and discriminant validity of each subscale. Relationships with core concepts such as need satisfaction, vitality, and usability were studied. Additionally, the UMI was found to detect differences in motivation for people who consider abandoning a technology compared to those who do not question their use. The central role of motivation in users’ behavior and experience is discussed.

scholarly journals Electronic Imaging & the Visual Arts. EVA 2013 Florence

2013 ◽  
Keyword(s):  
Visual Arts ◽  
Data Access ◽  
Cultural Tourism ◽  
Creative Industries ◽  
Multimedia Systems ◽  
Archaeological Sites ◽  
Cultural Institutions ◽  
Data Bases ◽  
Strategic Issues ◽  
Electronic Imaging

Important Information Technology topics are presented: multimedia systems, data-bases, protection of data, access to the content. Particular reference is reserved to digital images (2D, 3D) regarding Cultural Institutions (Museums, Libraries, Palace – Monuments, Archaeological Sites). The main parts of the Conference Proceedings regard: Strategic Issues, EC Projects and Related Networks & Initiatives, International Forum on “Culture & Technology”, 2D – 3D Technologies & Applications, Virtual Galleries – Museums and Related Initiatives, Access to the Culture Information. Three Workshops are related to: International Cooperation, Innovation and Enterprise, Creative Industries and Cultural Tourism.

scholarly journals Role of Creative Industries in the Post-Socialist Urban Transformation

2014 ◽  
Vol 33 (2) ◽  
pp. 19-35 ◽  
Author(s):  
Tadeusz Stryjakiewicz ◽  
Michał Męczyński ◽  
Krzysztof Stachowiak
Keyword(s):  
Eastern Europe ◽  
Central And Eastern Europe ◽  
Creative Industries ◽  
Urban Transformation ◽  
The West ◽  
Local Networks ◽  
The Past ◽  
Path Dependent ◽  
Basic Features

Abstract Over the past two decades the cities in Central and Eastern Europe have witnessed a wide-ranging transformation in many aspects. The introduction of a market-oriented economy after half a century of socialism has brought about deep social, economic, cultural and political changes. The first stage of the changes, the 1990s, involved the patching up of structural holes left by the previous system. The post-socialist city had to face challenges of the future while carrying the ballast of the past. Rapid progress in catching up with the West transformed the city a great deal. Later on, the advent of the 21st century brought a new wave of development processes based, among other things, on creativity and innovation. Hence our contribution aims to explore the role of creativity and creative industries in the post-socialist urban transformation. The article consists of three basic parts. In the first we present the concept of a ‘creative post-socialist city’ and define the position of creative industries in it. We also indicate some similarities to and differences from the West European approaches to this issue. In the second part, examples from Central and Eastern Europe are used in an attempt to elucidate the concept of a ‘creative post-socialist city’ by identifying some basic features of creative actions /processes as well as a creative environment, both exogenous and endogenous. The former is embedded in different local networks, both formal (institutionalised) and informal, whereas the structure of the latter is strongly path-dependent. In the third part we critically discuss the role of local policies on the development of creative industries, pointing out some of their shortcomings and drawing up recommendations for future policy measures.

Sign in / Sign up

Export Citation Format

Share Document