‘Does Your Highness feel like a gold person or a silver one?’ Princess Margaret and Dior

Costume ◽  
2012 ◽  
Vol 46 (1) ◽  
pp. 55-74 ◽  
Author(s):  
Beatrice Behlen
Keyword(s):  
Close Association ◽  
Public Image ◽  
Royal Family ◽  
The Public ◽  
Early Adoption ◽  
The Relationship ◽  
New Look

This article charts the relationship between Princess Margaret (1930–2002) and the House of Dior. Her relatively early adoption of the New Look accelerated her rise to a major fashion icon. Choosing a Dior ball gown for her offi? cial twenty-first birthday photographs cemented her image as the archetypal princess. Unusually for a member of the British royal family, Princess Margaret visited the French fashion house in Paris in 1949, 1951 and 1959, ordering couture gowns on several occasions, and also attended Dior fashion shows at Blenheim Palace in 1952, 1954 and 1958. While the close association between the Princess and Christian Dior (1905–1957) was relatively short-lived, it was mutually beneficial and important to the public image of both royal patron and couturier. 1

Questions of style: notes on Italian hip hop

Popular Music ◽  
1995 ◽  
Vol 14 (3) ◽  
pp. 333-348 ◽  
Author(s):  
Tony Mitchell
Keyword(s):  
Communist Party ◽  
Political Party ◽  
Hip Hop ◽  
Rock Music ◽  
Public Image ◽  
Slow Process ◽  
Explosive Material ◽  
The Public ◽  
Music And Politics ◽  
The Relationship

In his article ‘Rock music and politics in Italy’, Umberto Fiori deploys the example of an open-air concert by Genesis in Tirrenia in the province of Pisa, promoted in the summer of 1982 by the Italian Communist Party (PCI) as part of its annual Feste dell'Unita, as a summary example of de-politicisation of the consumption and production of rock music in Italy, and the institutionalisation of the oppositional, dissenting aspects of rock music that had previously been so potent there throughout the 1970s. To Fiori, the Genesis concert representedan unmistakeable step forward in the slow process of the ‘normalisation’ of the relationship between rock and politics in Italy. Explosive material until a few years before, rock music in the 1980s seems to have returned to being a commodity like any other, even in Italy. The songs are once again simply songs, the public is the public. The musicians are only interested in their work, and the organisers make their expected profits. If they happen to be a political party, so much the better: they can also profit in terms of public image and perhaps even votes. … Italy now learnt how to institutionalise deviation and transgression. An ‘acceptable’ gap was re-established between fiction and reality, desire and action, and music and political practice. (Fiori 1984, pp. 261–2)

The public image of women in post-Taliban Afghanistan

2021 ◽  
pp. 44-49
Author(s):  
Dr Rose Fazli ◽  
Dr Anahita Seifi
Keyword(s):  
World War Ii ◽  
Political Development ◽  
Public Image ◽  
World War ◽  
Afghan Women ◽  
The Public ◽  
The Common ◽  
The One ◽  
The Relationship ◽  
Afghan Woman

The present article is an attempt to offer the concept of political development from a novel perspective and perceive the Afghan Women image in accordance with the aforementioned viewpoint. To do so, first many efforts have been made to elucidate the author’s outlook as it contrasts with the classic stance of the concept of power and political development by reviewing the literature in development and particularly political development during the previous decades. For example Post-World War II approaches to political development which consider political development, from the Hobbesian perspective toward power, as one of the functions of government. However in a different view of power, political development found another place when it has been understood via postmodern approaches, it means power in a network of relationships, not limited to the one-way relationship between ruler and obedient. Therefore newer concept and forces find their way on political development likewise “image” as a considerable social, political and cultural concept and women as the new force. Then, the meaning of “image” as a symbolic one portraying the common universal aspect is explained. The Afghan woman image emphasizing the historic period of 2001 till now is scrutinized both formally and informally and finally the relationship between this reproduced image of Afghan women and Afghanistan political development from a novel perspective of understanding is represented.

Theatre Censorship in South Korea: a Nation in Permanent Crisis

2018 ◽  
Vol 34 (3) ◽  
pp. 249-259
Author(s):  
Seong-kwan Cho
Keyword(s):  
South Korea ◽  
Public Funding ◽  
Ethics Committee ◽  
Public Image ◽  
Global Communication ◽  
Public Performance ◽  
The Public ◽  
Extreme Violence ◽  
The Relationship

Between 1975 and 1988, the Korean Public Performance Ethics Committee (KPPEC) censored obscene language, body exposure, and extreme violence, as is common in all forms of theatre censorship. However, the KPPEC focused in particular on depictions of the President of South Korea, and proscribed any work that challenged or even questioned the public image of the President as a strong leader for a nation in crisis. Despite the official abolition of censorship in 1988, it was discovered in 2016 that a blacklist had been in operation that excluded ‘left’ and ‘pro-Pyongyang’ theatre directors and actors from accessing public funding. By exploring the process of censorship, Seong-kwan Cho in this article interrogates the relationship between the theatre and the nation. Seong-kwan Cho is a lecturer at the School of Global Communication at Kyung Hee University. With Jae-beom Hong, in his current research he has been exploring North Korean performance, and his article on this subject is forthcoming in Asian Theatre Journal.

From Birth to Death

2020 ◽  
pp. 230-320
Author(s):  
Alejandro Vera
Keyword(s):  
Final Section ◽  
Colonial Period ◽  
Royal Family ◽  
Music Participation ◽  
The Public ◽  
The Relationship ◽  
The City ◽  
Public Theater

This chapter deals with music participation in the public fiestas, both religious and secular, and other public spectacles during the colonial period. The first section studies “Nativity celebrations,” such as Christmas, the birth of members of the royal family, and others. The analysis of two villancicos, composed for some of these occasions, shows how the genre was integrated into these festive contexts and how it interacted with other genres and styles. The second section is dedicated to different kinds of fiestas, in both the city itself and its margins, also dealing with official prohibitions to non-official music. Along with civic and religious ceremonies, this section considers the stage as a privileged space for the performance of music and dance, in spite of the absence of a public theater during most of the period studied. The final section examines music presence in burials and, in a broader sense, the relationship between music and death, showing that the former was frequently considered as a tool to reach the supernatural life.

The place of people in our knowledge

1999 ◽  
Vol 7 (2) ◽  
pp. 247-262 ◽  
Author(s):  
Helga Nowotny
Keyword(s):  
Knowledge Production ◽  
Actual Practice ◽  
Public Image ◽  
Western Civilization ◽  
Science System ◽  
The Public ◽  
Local Embeddedness ◽  
The Relationship

The science system of Western civilization is facing irreversible transformations. These transformations will affect the relationship between the public image of science and the actual practice within the sciences. In a situation in which scientists are increasingly asked ‘what have you lately done for us’, the alleged purity and objectivity of the sciences have to be reconsidered and we have to rethink the place of people in the knowledge produced by the sciences. Bringing together insights from social and historical studies of science, this article argues for the awareness of a more local, historically and socially contingent knowledge production, which – due to this local embeddedness – can lead to a socially more robust science.

scholarly journals The Power of Reputation: A Case Study on Artistic Directors of Austria's Music Festivals

2021 ◽  
Vol 0 (0) ◽  
Author(s):  
Martina Kalser-Gruber
Keyword(s):  
Point Of View ◽  
Public Image ◽  
Music Festivals ◽  
The Public ◽  
Public Consciousness ◽  
Artistic Directors ◽  
The Impact ◽  
The Relationship ◽  
A Company

Abstract Reputation represents the standing of a person or organisation in the public field and illustrates/marks their contribution towards the implementation of collectively shared values and goals. From a business point of view, reputation belongs to the intangible assets of a company and is therefore part of the goodwill. Especially, the leader of an organisation—particularly in a cultural enterprise—shapes the external public image of the organisation, studies the impact of the image on the public consciousness by assessing public opinion about the organisation's achievements and consequently also gauges the economic and/or artistic success of the organisation. Based on the statements of experts about music festivals of high culture in Austria alongside the big players such as Salzburg or Bregenz Festival, the aim of this paper is to investigate the relationship between reputation of artistic directors (ADs) and the performance of cultural enterprises. It will also be demonstrated how the reputation of these individuals has an impact on tourism, hospitality and trade in the vicinity of cultural enterprises.

scholarly journals País de gordos/país de muertos: Obesity, death and nation in biomedical and forensic genetics in Mexico

2015 ◽  
Vol 45 (6) ◽  
pp. 797-815 ◽  
Author(s):  
Vivette García-Deister ◽  
Carlos López-Beltrán
Keyword(s):  
Forensic Genetics ◽  
Genomic Medicine ◽  
Perceived Health ◽  
The State ◽  
Public Image ◽  
Health Crisis ◽  
The Public ◽  
Genetic Science ◽  
The Dead ◽  
The Relationship

This article provides a comparison between genomic medicine and forensic genetics in Mexico, in light of recent depictions of the nation as a ‘ país de gordos’ (country of the fat) and a ‘ país de muertos’ (country of the dead). We examine the continuities and ruptures in the public image of genetics in these two areas of attention, health and security, focusing especially on how the relevant publics of genetic science are assembled in each case. Publics of biomedical and forensic genetics are assembled through processes of recruitment and interpellation, in ways that modulate current theorizations of co-production. The comparison also provides a vista onto discussions regarding the involvement of genetics in regimes of governance and citizenship and about the relationship between the state and biopower in a context of perceived health crisis and war-like violence.

scholarly journals (In)Visible (a)sexuality? Media discourses and representations on asexuality in Portugal

2021 ◽  
pp. 23-42
Author(s):  
Rita Alcaire
Keyword(s):  
Social Representations ◽  
Public Image ◽  
Sexual Diversity ◽  
The Public ◽  
Mainstream Media ◽  
Multimodal Analysis ◽  
The Media ◽  
The Subject ◽  
Media Discourses ◽  
The Relationship

This article presents the result of a multimodal analysis of the representation of asexuality in Portuguese mainstream media. In Portugal, the media played a pivotal role in the relationship between the newly formed Portuguese asexual community and the wider audience. Media attention on asexuality in Portugal generated a discussion on how asexual people are represented, but also on social representations of sexual diversity in general. As a result, the Portuguese asexual community and LGBTQI+ movement were impelled to reflect on their activity and on the public image they wanted to send out. Therefore, the community had to make choices: which media to participate in; who participates; whose faces the message is associated to; to what extent the allies are to be taken into consideration; which types of discourses get privileged, and which become excluded. Amongst other public effects, the Portuguese LGBTQI+ movement started to acknowledge asexuality in documents produced by them. The corpus of materials on the subject grew, and asexuality left a significant footprint. The major tendency points towards a positive portrayal of asexuality that puts asexual people centre stage, owning narratives about themselves.

The Dynamics of Egypt’s “Semi-opposition,” 2004–11

2019 ◽  
Vol 12 (4) ◽  
pp. 83-103
Author(s):  
Mai Mogib Mosad
Keyword(s):  
Public Sphere ◽  
Political System ◽  
Muslim Brotherhood ◽  
The Public ◽  
The Muslim Brotherhood ◽  
The Public Sphere ◽  
The Relationship

This paper maps the basic opposition groups that influenced the Egyptian political system in the last years of Hosni Mubarak’s rule. It approaches the nature of the relationship between the system and the opposition through use of the concept of “semi-opposition.” An examination and evaluation of the opposition groups shows the extent to which the regime—in order to appear that it was opening the public sphere to the opposition—had channels of communication with the Muslim Brotherhood. The paper also shows the system’s relations with other groups, such as “Kifaya” and “April 6”; it then explains the reasons behind the success of the Muslim Brotherhood at seizing power after the ousting of President Mubarak.

Tanggung Jawab Hukum Penilai Publik terhadap Laporan Penilaian Kegiatan Pengadaan Tanah bagi Pembangunan untuk Kepentingan Umum (Studi Atas Kantor Jasa Penilai Publik Toto Suharto)

2020 ◽  
Vol 2 (1) ◽  
Author(s):  
Gagah Yaumiyya Riyoprakoso ◽  
AM Hasan Ali ◽  
Fitriyani Zein
Keyword(s):  
Future Development ◽  
Public Interest ◽  
Legal Responsibility ◽  
Legal Research ◽  
The Public ◽  
The Government ◽  
Conducting Research ◽  
The Right ◽  
The Relationship ◽  
Systematic Explanation

This study is based on the legal responsibility of the assessment of public appraisal reports they make in land procurement activities for development in the public interest. Public assessment is obliged to always be accountable for their assessment. The type of research found in this thesis is a type of normative legal research with the right-hand of the statue approach and case approach. Normative legal research is a study that provides systematic explanation of rules governing a certain legal category, analyzing the relationship between regulations explaining areas of difficulty and possibly predicting future development. . After conducting research, researchers found that one of the causes that made the dispute was a lack of communication conducted between the Government and the landlord. In deliberation which should be the place where the parties find the meeting point between the parties on the magnitude of the damages that will be given, in the field is often used only for the delivery of the assessment of the compensation that has been done.

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