Episodic Depersonalization

1964 ◽  
Vol 110 (467) ◽  
pp. 505-513 ◽  
Author(s):  
K. Davison
Keyword(s):  
Body Image ◽  
Historical Development ◽  
Essential Feature ◽  
External Environment ◽  
The Body ◽  
Auditory Hallucinations ◽  
Perceptual Distortion ◽  
Cerebral Dysfunction ◽  
The Individual ◽  
As If

The constellation of symptoms which is termed depersonalization is often as perplexing to the doctor as to the patient. It is more easily diagnosed than defined, and much of the controversy over its nosological position can be attributed to this vagueness of outline. Saperstein (1949) reviewed the historical development of the concept and concluded that the essential feature is the experience of a sense of strangeness or unreality to the individual of his personality, his body or the external environment. Other symptoms of cerebral dysfunction, such as perceptual distortion of the body image, déjà vu experiences, olfactory and auditory hallucinations, metamorphopsia, autoscopy and a disordered time sense, are frequently, but not necessarily, associated (Antoni, 1946; Roth, 1959). The difficulty of expressing unusual subjective events in words gives rise to descriptions remarkable for their rich and often bizarre metaphor (e.g. Lewis, 1934; Bockner, 1949; Roth, 1959). Saperstein (1949) and Bird (1958) emphasize the “as if” qualification of these accounts, which distinguishes them from the delusional experiences of depression and schizophrenia.

The Shroud of Turin

1997 ◽  
Vol 9 (1) ◽  
pp. 121-140
Author(s):  
Thaddeus J. Trenn ◽  
Keyword(s):  
Body Image ◽  
Scientific Evidence ◽  
The Body ◽  
Religious Art ◽  
Satisfactory Explanation ◽  
Marshall Mcluhan ◽  
Modern Age ◽  
Shroud Of Turin ◽  
High Degree ◽  
As If

The Shroud of Turin, a linen cloth with but a faint image, continues to capture the interest of many people of diverse beliefs. Although the measured age of the cloth is relatively recent, other scientific findings indicate an earlier provenance. Any firm conclusions regarding the cloth's history remain premature. No satisfactory explanation has been found as yet for how the image on the cloth was produced structurally or stylistically. Iconographic evidence suggests that the image was the source of facial peculiarities found in early works of religious art. The body image bears a striking yet preternatural correlation with Scriptural accounts of wounds. Curiously, the image on the cloth functions as a photographic negative, exhibiting a high degree of resolution, as if the original were produced in pixels. Despite serious efforts to discover some artistic origin md medium, scientific evidence points in the direction that it was not produced by hands. If it is tme that the medium is the message, as Marshall McLuhan wrote, then the Turin Shroud may be a parable for the modern age.

Masterpieces of Oriental Art. 7

1946 ◽  
Vol 78 (3-4) ◽  
pp. 123-123
Author(s):  
Dora Gordine
Keyword(s):  
The Body ◽  
Slight Variation ◽  
Prominent Feature ◽  
The Individual ◽  
Modern Sense ◽  
As If

The border of this stone is composed of several rows of ornament. The outermost rim is carved in low relief that not only confines but gives width to the row of animals next to it. Those animals chase one another with the vigour of beasts in a circus ring, their exuberance apparent not only in the general rhythm but in the individual shape of every one of them. Each elephant is modelled with extreme sensitiveness in spite of his monumental form. The horses trot briskly with an air of concentration. The lions are alert and aggressive as if in. the presence of danger, while the cows are tame and placid. In every animal the massiveness of the body is a prominent feature, while sculptural stability is retained by the exaggerated shortness of the legs. The animals tread a row of foliated pattern, which gives the feeling of ground for their support and by its elaboration brings out the simplicity of the animals above and the geese beneath. The geese at first glance look symmetrical, yet they are not only pattern but alive, and the reason is that though they are subdued to an architectural purpose, there is individuality in every goose, and a slight variation in the gesture of every head. The lowest part of the border consists of two rows of lotus petals, delicate and faintly traced, the larger row climbing a swelling curve in the stone. The plain centre underlines the smallest modulation in the carving. This stone, which at first sight might be taken for decoration in the modern sense of a trade piece, proves on examination to be particularly rich and beautiful. How very different, for example, from Mestrovic's “Canadian War Memorial” illustrated in Some Modern Sculptors, by Stanley Casson.

scholarly journals A short history of bodily sensation

1990 ◽  
Vol 20 (1) ◽  
pp. 23-33 ◽  
Author(s):  
Jean Starobinski
Keyword(s):  
Body Image ◽  
Body Language ◽  
The Body ◽  
Body Consciousness ◽  
Short History ◽  
Bodily Sensation ◽  
Human Understanding ◽  
History Of ◽  
Paul Valéry ◽  
As If

In one of his Cahiers, Paul Valéry has the note. Somatism (heresy of the end of time),Adoration, cult of the machine for living.† Have we come to the end of time? The heresy anticipated by Valéry has almost become the official religion. Everything is related to the body, as if it had just been rediscovered after being long forgotten; body image, body language, body consciousness, liberation of the body are the passwords. Historians, prey to the same infection, have begun inquiring into what previous cultures have done with the body, in way of tattooing, mutilation, celebration all the rituals related to the various bodily functions.2 Past writers from Rabelais to Flaubert are ransacked for evidence, and immediately it becomes apparent that we are far from being the first discoverers of bodily reality. That reality was the first knowledge to enter human understanding: ‘They knew that they were naked’ (Genesis 3.7). From then on, it has impossible to ignore the body.

Body Image and its Disorders

1974 ◽  
Vol 5 (4) ◽  
pp. 461-472 ◽  
Author(s):  
Franklin C. Shontz
Keyword(s):  
Body Image ◽  
Behavioral Treatment ◽  
Interpersonal Relations ◽  
The Body ◽  
Body Experience ◽  
Psychotherapeutic Techniques ◽  
Body Organ ◽  
Body Image Disorder ◽  
Four Levels ◽  
The Individual

The body image is not a body organ, a psychological picture, or a little-person-in-the-head. It is best described in terms of the functions it serves and the levels at which it is experienced. The body functions as a sensory register, an instrument for action, a source of drives, a stimulus to the self and others, a private world, and an expressive instrument. The four levels of body experience are schemata, self, fantasy, and concept. A complete description of a body image disorder identifies the source of the disorder and its effects on the functions and levels of experience. Behavioral treatment for body image disorder may develop basic sensory-motor capacities, teach specific skills, promote interpersonal relations with others having similar problems, or use traditional psychotherapeutic techniques, depending upon the needs of the individual patient.

scholarly journals PERSONALITY’S CORPOREALITY INTELLIGENCE INDICATORS RESEARCH

2021 ◽  
Vol 5 (1) ◽  
Author(s):  
Olena Siliytina ◽  
Keyword(s):  
Body Image ◽  
Theoretical Analysis ◽  
Self Regulation ◽  
Subjective Assessment ◽  
The Body ◽  
Actual State ◽  
Self Assessment ◽  
Data Set ◽  
Study Results ◽  
The Individual

The article contains a personality’s corporeality intelligence phenomenon specifics theoretical analysis statement. The article presents the personality’s corporeality intelligence shaping factors - self-assessment, gender roles of the individual and his sexuality, regulatory, cognitive and emotional structures of the personality, assessment of their appearance and body image, health and subjective assessment – theoretical analysis results. The procedure and methodical bases of personality’s corporeality intelligence formation factors studying are described. The specifics of self- assessment, self-regulation, attitude to health and the severity of its emotional and social components empirical study results are presented. The results of empirical data set factor analysis were analyzed, which made it possible to identify individual’s body intelligence manifestation trends. It is established that the body image acts as a system-repeating factor in the self-identity system formation; corporeality intelligence acts as a combination of perception of the body, sexuality and actual state of health; loss of interest in oneself and one's body is a consequence of guilt or the need for self-restraint; emotional response to the sphere of the body depends on the success of human self-regulation; competence and self-regulation as components of corporeality intelligence form an inseparable unity; sexuality as an aspect of the individual’s corporeality intelligence is socially conditioned and depends on the system of personal relationships; independence and self-sufficiency are important factors in the social health of the individual, etc.

BODY PHYSICALITY AS A KEY FACTOR OF MEDIA SELF PRESENTATION – BODY IMAGE IN ADVERTISING

2019 ◽  
Vol 20 (4) ◽  
pp. 133-146
Author(s):  
Miroslav Zelinský ◽  
Ivana Bulanda
Keyword(s):  
Body Image ◽  
Human Body ◽  
Emotional Processing ◽  
Mental Image ◽  
Modern Society ◽  
The Body ◽  
Self Presentation ◽  
Starting Point ◽  
Key Factor ◽  
The Individual

The contribution is a consideration of the role of a human body in personal, physical reflections, in the field of art and in media space. The presented text is a thought starting point for a scientific study of the role and forms of the human body in contemporary advertising. In contemporary modern society, there is an increasing interest in the appearance and presentation of the body in its female or male modality. Body image is a complex, dynamic and multidimensional aspect of an individual’s personality, determined by a number of individual and socio-cultural factors. Body image creation takes place under the influence and experience of information and it can change throughout life. The perception of body image is linked to the general ideas that the culture connects with the ideal form of the body. It is not only a mental image, but also includes an assessment component, an attitude based on cognitive schemes and emotional processing of information with which the individual is confronted

Developmental biodynamics: the development of coordination in children

2013 ◽  
Author(s):  
James Watkins
Keyword(s):  
External Environment ◽  
Human Movement ◽  
The Body ◽  
Physical Contact ◽  
Developmental Biomechanics ◽  
Internal Forces ◽  
Muscle Groups ◽  
The Individual ◽  
External Forces ◽  
The Relationship

Human movement is brought about by the musculoskeletal system under the control of the nervous system. By coordinated activity between the various muscle groups, forces generated by the muscles are transmitted by the bones and joints to enable the individual to maintain an upright or partially upright posture and bring about voluntary controlled movements. Biomechanics of human movement is the study of the relationship between the external forces (due to body weight and physical contact with the external environment) and internal forces (active forces generated by muscles and passive forces exerted on other structures) that act on the body and the eff ect of these forces on the movement of the body. This chapter specifically addresses developmental biomechanics as it relates to the development of coordination in children.

Tireless Translation

2020 ◽  
pp. 65-88
Author(s):  
Alison Rice
Keyword(s):  
Mother Tongue ◽  
The Body ◽  
Adopted Child ◽  
Abdelkebir Khatibi ◽  
The World ◽  
Multiple Meanings ◽  
Linguistic Innovation ◽  
Multiple Levels ◽  
The Individual ◽  
As If

In Féerie d’un mutant, Abdelkébir Khatibi creates a dialogue in which one of the interlocutors declares that he is an “étranger professionnel,” a recurring expression in the Moroccan writer’s work that isn’t easily translated from French into English because of the multiple meanings of the first word: “étranger” is most often rendered as either foreigner or stranger, though these terms carry decidedly different connotations for Anglophone readers. This very resistance to translation may be what inspires the individual in the aforementioned textual exchange to specify that this self-description does not refer to a profession, but instead constitutes “a mobile position in the world” that entails “crossing borders: between languages, civilizations, markets.” (Féérie d’un mutant 2005, 38-39). This way of approaching the planet brings the “étranger professionnel” to embrace a stance that stands out in stark contrast to nationalist and xenophobic sentiments: “A foreigner, I must attach myself to all that is foreign on this earth.” (Amour bilingue 1983, 11). The ever-moving, ever-adjusting position that Khatibi extolls has consequences on multiple levels, affecting the body and the relationships of the “étranger professionnel,” but the effects are perhaps most evident on the use of language, which is never taken for granted or considered to be a “given”: “Language belongs to no one […] Hadn’t I grown up, in my mother tongue, as if I were an adopted child? From one adoption to another, I believed I was being born to my own language.” (Amour bilingue 1983, 11). The constant rebirth into language that characterizes Khatibi’s written work involves tireless translation in texts that depict travel as synonymous with self-creation and linguistic innovation that benefit from transnational perspectives that render all things foreign, in complicated but fruitful ways.

scholarly journals The concept of a positive body image in modern foreign psychology

2021 ◽  
Vol 10 (2) ◽  
pp. 55-69
Author(s):  
T.A. Meshkova
Keyword(s):  
Body Image ◽  
The Body ◽  
Concept Of Disease ◽  
Negative Attitudes ◽  
Positive Body Image ◽  
Opposite Pole ◽  
Body Dysmorphic Disorders ◽  
Independent Entity ◽  
Main Components ◽  
The Individual

Research into the problem of body image has more than a century of history, most of which is associated with the study of negative attitudes towards the body and related psychopathology - eating disorders, body dysmorphic disorders, etc. In the last decade there has been a growing tendency in this area to shift the emphasis to the study of a positive body image, just as in psychology in general there are more and more works performed in the paradigm of positive psychology, which calls for abandoning the concept of disease and searching for new approaches based on the positive potential of the individual. This review presents the main stages in the study of the problem of body image in foreign psychology, the origin and development of ideas about a positive body image as a special construct that is not the opposite pole in the general “negative-positive” continuum, the key works of leading researchers who have formed the concept of a positive body image as an independent entity, the main components of a positive body image, methodological tools used to assess a positive body image, and the results of studies of a positive body image in various social groups. The modern perspectives of research in the field of body image are presented in accordance with the views of leading foreign experts.

Self-Harm Disorders

2019 ◽  
pp. 381-432
Author(s):  
James C. Raines ◽  
Stephanie Ochocki
Keyword(s):  
Suicidal Behavior ◽  
Essential Feature ◽  
Behavior Disorder ◽  
The Body ◽  
Diagnostic And Statistical Manual ◽  
School Based ◽  
Self Injury ◽  
Self Harm ◽  
The Individual ◽  
Nonsuicidal Self Injury

The Diagnostic and Statistical Manual of Mental Disorders, Fifth Edition (DSM-5) lists both suicidal behavior disorder and nonsuicidal self-injury as conditions for further study. The essential feature of suicidal behavior disorder is that the individual has at least some intent to die. The essential feature of nonsuicidal self-harm is that the individual repeatedly inflicts superficial injuries to the body. Controversy continues to exist about whether the proposed disorders are part of a continuum of self-harm or distinct categories. Suicidal behavior is growing fastest in pre- and early adolescent girls. Nonsuicidal self-injury should be distinguished from stereotypic self-injury. Screeners can help to identify students who need a thorough assessment. Full assessments should utilize a crisis team. Recommendations are made for each tier using a multitiered system of supports framework. A case example illustrates school-based intervention for nonsuicidal self-injury.

Sign in / Sign up

Export Citation Format

Share Document