Self-Injuring Body Art

2019 ◽  
Vol 46 (2) ◽  
pp. 151-170
Author(s):  
Rosemarie Brucher

AbstractArtistic self-injury, established as an art form since the late 1960s, polarizes the audience and still raises questions about the motivations behind such actions as well as about the narrative contexts in which they occur. While past research has focused on either specific performers or specific trajectories of violence in the contexts in which each artist was working, for instance, the Vietnam War (Kathy O’Dell), this article localizes artistic self-injury within the larger coherencies of the history of mind with respect to aesthetic theories. Questions of subjectivation and desubjectivation seem especially productive for such a discussion. Read against the backdrop of the aesthetics of the Kantian sublime as a strategy of self-empowerment that sets the independence of the will against the powerlessness of the body, the self-wounding act can also be understood with Georges Bataille as a purposeful desubjectivation, in which the artist strives for a radical disempowerment through pain. A consideration of selected artists sounds out the range between these two theoretical references.

Divine Bodies ◽  
2019 ◽  
pp. 1-21
Author(s):  
Candida R. Moss

The resurrection of the body is a key place to think about who we are and which facets of ourselves are integral to ourselves. The introduction to this book places the resurrection of the body within the context of ancient anxieties about the self: What makes us who we are? It also reviews the history of scholarship on this question and traces the way that ideas about resurrection have been divorced from broader thinking about the self.


2021 ◽  
Vol 13 ◽  
pp. 372-377
Author(s):  
Boyang Xiao

Body art is difficult to be commercialized because of its time limited characteristics. However, the core connotation of the expression of its art form not only satirizes and criticizes the real society, but also exerts a subtle influence on human life. The current virtual reality game upgrades people's experience from a single plane to an immersive mode, reaching a new height in the sense. In a sense, it makes the body and mind touch a broader direction, which provides an excellent medium for the dissemination of body art in the virtual reality game experience.


Literator ◽  
1996 ◽  
Vol 17 (2) ◽  
pp. 105-116 ◽  
Author(s):  
J. Sey

Central to this paper is the understanding that much of crucial importance to psychoanalytic thought rests on a conception of the subject as inseparable from a history of the body a history in turn inseparable from the central tenets of Oedipus, in its turn a concept which originates in and is illustrated by literature. The paper will suggest that when recent cultural theorists, drawing on the implications of cybernetics and infoculture theory, contest the psychoanalytic notion of the subject, it is not surprising that they do so in terms of the possibility of an alternative body - a hybrid form of subjectivity between human and machine. Nor, the paper suggests, is it surprising that it should be science fiction, a genre with a long-standing concern with the possibility of such an amalgam, which supplies the key evidence for a post-oedipal theory of this "cyborg" subject. The paper concludes by speculating on the productivity of the conjunction between literature and thinking about the body, inasmuch as this conjunction attempts to establish a new anthropology of the self.


2001 ◽  
Vol 19 (2) ◽  
pp. 343-385 ◽  
Author(s):  
Carolyn Strange

In the wake of Foucault's provocative philosophical contributions to the study of discipline and punishment, social and legal historians no longer narrate penal history as a straightforward tale of moral and political progress. In its place is a schematic picture of a large-scale retreat from the body to the prison as the prime site of punishment. Historiographical proclivities perpetuate that image: early modernists tend to concentrate on the Bloody Code and similar régimes of terror, whereas historians of the twentieth century specialize in studies of regulatory modes of punishment and “normalization.” These latter works include histories of reformatories, family courts, social workers, psychiatric experts—in short the institutions and agents that best instantiate the reorientation toward disciplining the soul and governing the self. Scholars who study corporal and capital punishment in the twentieth century would seem to have nothing to add, other than to remark that there were exceptions in the wider history of penal change.


Archaeology ◽  
2021 ◽  
pp. 54-71
Author(s):  
Maksym Osypenko ◽  

To bridge a riding war horse and subordinate it to the will of the rider is possible through the usage of harness and other special equipment, which were fixed on an animal or operated by a person. In addition, a whip was used to execute the orders of the rider more effectively. The whip occured in the complex of weapons of the Ancient Rus warrior from a nomadic environment, where it simultaneously acted as a cult attribute and a kind of amulet. The structure of the whip provided the following components: a whip woven made of leather straps, a whip-handle, which ended with a knob at the pommel. Nowadays, there are different whip pommels according to their shape, material of manufacture and construction. The parts of the handle are divided into groups due to the material of manufacture (bone/horn, metal), into types according to the body shape, and into ornamental schemes if possible. All of them are connected by the presence of a typical protrusion, which prevented the whip from falling out of the rider’s hand and, in some cases, acquired a certain visual similarity to the head of a bird, or had specific zoomorphic (ornithological) features. Four types are distinguished for bone knobs (group I): spherical flattened; barrel-shaped rounded and with elongated proportions; with zoomorphic features; attached to the heads of the natural curves of the horny outgrowth. Metal knobs are of five types (group II): spherical; barrel-shaped elongated; zoomorphic; with cut corners; star-shaped. In the Eastern European region, finds of whip pommels with somewhat flattened forms and small beak-like outgrowths begin to be recorded from the X c. and all items are exclusively made of bone. The round, spherical and barrel-shaped knobs with elongated projections appear in the second half of the XI c. and continue to exist in the next two centuries. Zoomorphic knobs in the shape of a bird’s head of small proportions existed for a relatively short time — XI — first half of the XII c., and items on an elongated socket – from the XII — first half of the XIII c. The knobs with cut corners are dated more widely, within the XII—XIII/XIV c. The National Museum of the History of Ukraine contains eight items representing the corresponding pommels or their parts. Two finds are of unknown origin, and six are identified and come from Ancient Rus settlement structures of the XI—XIII c. from the territory of the Ros River region: Nabutiv, Kononcha, Sharky, Kniazha Hora.


2019 ◽  
Author(s):  
Hayley Anne Young ◽  
Jason Davies ◽  
David Benton

Non-suicidal self-injury (NSSI) is the deliberate and direct injury of one’s own body tissue without suicidal intent. As the known risk factors for NSSI predispose to a range of psychiatric disorders, there is a limited understanding of the specific individual differences that result in NSSI. Therefore, in three studies, a multidimensional approach examined the novel proposition that deficiencies in aspects of interoceptive processing represent one such individual difference. Study 1 and study 2 used principal component analysis to explore the underlying structure of the sub-scales from a variety of body awareness questionnaires. Three components emerged that were replicated across both studies; ‘interoceptive and emotional ambivalence’; ‘interoceptive awareness’; ‘interoceptive appreciation’. Study 3 extended the model examining the link between NSSI and the objective interoceptive index; ‘interoceptive accuracy’. Those with a history of NSSI were characterised by a difficulty in distinguishing and interpreting interoceptive signals and this effect was mediated by a low appreciation of these sensations. These effects were reliable across all three studies. In study 3, NSSI was also associated with lower interoceptive accuracy. These data suggest that a failure to accurately detect and conceptualise interoceptive signals may lead to a depreciation of the body, predisposing to NSSI. NSSI may serve to resolve the resulting state of emotional and interoceptive uncertainty associated with the body’s function in emotional experience. These findings offer new insight into the interoceptive processes that underlie NSSI and suggest specific pathways that could be addressed during clinical interventions.


Author(s):  
Refa Emrali

 Along with the history of humankind, the adorable female body which ensures the continuity of the human race has been a field where the socio-cultural structure can be read in a contemporary art. The body, which was preliminarily a whole and a material for aesthetic categories, starkly began to get fragmented with wars in the 17th Century Europe and following the war, with egalitarian, liberal formations of 1968 movement. During the course of the change from modernism to post-modernism, the chaotic structure caused by global lifestyles made it inevitable to review the existing genres. The world wars, genocides that many scientists and artists left their countries, escaping from invasions, the regional and mass destruction, threat, violence and the anxiety caused by them; the fear, the politicisation, racism, poverty, migration, marginalisation, deterritorialisation, discrimination that started during especially the 1980s, have been concepts that were considered with a poststructuralist point-of-view. Keywords: Body, art, female, gender, violence.


1952 ◽  
Vol 5 (1) ◽  
pp. 90-91
Author(s):  
P. G. Lindhardt

Villiam Grønbæk: Psykologiske tanker og teorier hos Grundtvig. (Grundtvig s Psychological Ideas and Theories.) Skrifter udg. Af Grundtvig-Selskabet IV, København 1951. (Publications of the Grundtvig Society IV, Copenhagen 1951). Reviewed by P. G. Lindhardt.This book does not deal with Grundtvig’s own psychological development, but attempts to present Grundtvigs ideas about psychology, and in so doing also prepares the way for a complete presentation of Grundtvig’s anthropological theories. The author, who is well known as an expert on the psychology of religion, uses his thorough knowledge of modern psychology to describe Grundtvig’s theories about “ foreboding” (intuition) and “ longing” (favourite words of the Romantic Movement) and “ experience” and “ self-consciousness” (the leading philosophical concepts of the eighteenth century). Grundtvig in his youth acquired a thorough knowledge of contemporary psychological theories, as is made evident by a series of unpublished notes which Dr. Grønbæk reproduces (with occasional misreadings). But Grundtvig never became the disciple of any particular psychologist; he formed his own theories independently, e. g., his famous tripartite psychological division of man’s mental life into imagination, feeling and understanding. In his treatment of these ideas, which were central in Grundtvig’s work as a writer, the book is of great general interest to all students of Grundtvig.Of great value, too, is the presentation of Grundtvig’s view of man as consisting of body, soul and spirit. For Grundtvig the body is not something base and of no consequence, as it is for so many idealist philosophers; man in his whole nature is created by God and in God’s image (Grundtvig can even conceive of his tripartite psychological division mentioned above as mirroring the Trinity), and his contact with the Divine is maintained, first and last, through the word, which is both physical (spoken by the mouth and apprehended through the ear) and spiritual.The book also discusses Grundtvig’s ideas concerning the will and the conscience, faith and the heart, and the different periods of human life. The fundamental religious experience which Grundtvig describes in the words: “When the heart warmly / Takes hold on the word, / Then we embrace our Saviour” is discussed in the light of the theories of the modern experimental psychologist, W. Gruehn, and his conception of human nature is compared with Stern’s psychology of the individual. Thus the book not only directs its attention to Grundtvig’s own period, but it is also a contribution to modern psychological studies. The author’s comments on the fundamental questions of the psychology of influence are of the greatest interest. The reviewer also considers that the book not only represents a conquest of new territory in Grundtvig research, but also throws light on many obscure points in the more recent history of Grundtvigianism, and should thus be of great help to students of this most singular sociological and psychological phenomenon in the history of our Church.


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