The body that contemporary art fragments

2018 ◽  
Vol 5 (6) ◽  
pp. 143-147
Author(s):  
Refa Emrali
Keyword(s):  
Contemporary Art ◽  
Female Gender ◽  
Point Of View ◽  
The Body ◽  
Gender Violence ◽  
Body Art ◽  
Mass Destruction ◽  
Post Modernism ◽  
History Of ◽  
Cultural Structure

 Along with the history of humankind, the adorable female body which ensures the continuity of the human race has been a field where the socio-cultural structure can be read in a contemporary art. The body, which was preliminarily a whole and a material for aesthetic categories, starkly began to get fragmented with wars in the 17th Century Europe and following the war, with egalitarian, liberal formations of 1968 movement. During the course of the change from modernism to post-modernism, the chaotic structure caused by global lifestyles made it inevitable to review the existing genres. The world wars, genocides that many scientists and artists left their countries, escaping from invasions, the regional and mass destruction, threat, violence and the anxiety caused by them; the fear, the politicisation, racism, poverty, migration, marginalisation, deterritorialisation, discrimination that started during especially the 1980s, have been concepts that were considered with a poststructuralist point-of-view. Keywords: Body, art, female, gender, violence.

Presentation

2014 ◽  
Vol 2 (3) ◽  
Author(s):  
Redacción CEIICH
Keyword(s):  
Cultural History ◽  
Social Reality ◽  
Point Of View ◽  
The Body ◽  
Literary Studies ◽  
The Third ◽  
The Social ◽  
Feminist Theories ◽  
History Of

<p class="p1">The third number of <span class="s1"><strong>INTER</strong></span><span class="s2"><strong>disciplina </strong></span>underscores this generic reference of <em>Bodies </em>as an approach to a key issue in the understanding of social reality from a humanistic perspective, and to understand, from the social point of view, the contributions of the research in philosophy of the body, cultural history of the anatomy, as well as the approximations queer, feminist theories and the psychoanalytical, and literary studies.</p>

scholarly journals THE BODY IN THE HISTORY OF WESTERN EUROPEAN AND RUSSIAN THEATRE: CULTURAL VARIABILITY OF SHAME

Articult ◽  
2021 ◽  
pp. 19-31
Author(s):  
Leila F. Salimova ◽  
◽  
Keyword(s):  
Scientific Knowledge ◽  
Performing Arts ◽  
Point Of View ◽  
The Body ◽  
Ethical Aspect ◽  
Close Relationship ◽  
History Of ◽  
The Spectator ◽  
The Aesthetic ◽  
Considerable Body

Modern scientific knowledge approaches the study of the physical and aesthetic bodies with a considerable body of texts. However, on the territory of the theater, the body is still considered exclusively from the point of view of the actor's artistic tools. Theatrical physicality and the character of physical empathy in the theater are not limited to the boundaries of the performing arts, but exist in close relationship with the visual and empirical experience of the spectator, performer, and director. The aesthetic and ethical aspect of the attitude to the body in the history of theatrical art has repeatedly changed, including under the influence of changing cultural criteria of "shameful". The culmination of the demarcation of theatrical shame, it would seem, should be an act of pure art, independent of the moral restrictions of society. However, the experiments of modern theater continue to face archaic ethical views. The article attempts to understand the cultural variability of such a phenomenon as shame in its historical and cultural extent using examples from theater art from antiquity to the present day.

scholarly journals Iconografía y uso de la orina en la Historia del Arte / Iconography and Use of Urine in the History of Art

2018 ◽  
Vol 5 (2) ◽  
pp. 81-88
Author(s):  
José Antonio Colón Fraile
Keyword(s):  
Contemporary Art ◽  
The Body ◽  
Artistic Expression ◽  
History Of Art ◽  
History Of ◽  
And Gender ◽  
Complex Images

ABSTRACTWe studied how the urinating action and the use of the own urine have been used as an element of artistic expression in different art throughout history disciplines. This tour was organized by subject indexes, from the simplest to the most complex images semiotically. Contemporary art deserved special attention by incorporating the use of the body and its fluids as examples of human fears and obsessions, characterized the appearance of urine by its radicalism and gender affiliation.RESUMENSe estudia cómo se ha representado la acción de orinar y el uso de la propia orina como elemento de expresión artística en las distintas disciplinas a lo largo de la historia del arte. Se estructura este recorrido por índices temáticos, desde las imágenes más simples hasta las semióticamente más complejas, comenzando por la representación de niños que orinan, utilizados en todas las épocas como imagen de lo anecdótico y motivo decorativo para fuentes y jardines. Se continúa por otras imágenes que, aun siendo protagonizadas también por niños, poseen niveles de lectura culturalmente más elevados. Se divide este estudio en dos grandes épocas antagónicas: el mito de la Edad de Oro, estado natural y privilegiado para el ser humano, y el posterior mito de la caída en el que la sexualidad connota el acto de orinar ofreciéndonos nuevas lecturas desde el erotismo, la pornografía y su uso político-propagandístico. 

scholarly journals Pain at the crossroads between nature and culture

2013 ◽  
pp. 145-148
Author(s):  
Francesco N. Gaspa ◽  
Giuliano Pinna
Keyword(s):  
Social Contexts ◽  
Point Of View ◽  
The Body ◽  
Research Perspective ◽  
Related Data ◽  
Nature And Culture ◽  
History Of ◽  
Pain And Suffering ◽  
Specific Meaning ◽  
Pain Stimuli

Pain and suffering represent unavoidable experiences that have left a deep mark on the history of mankind. In this review, pain is examined from an anthropological point of view, because there is no pain without suffering, and every biophysical event is brought to the consciousness of an individual by an emotional signal. The body is an entity that changes from culture to culture and operates within particular historical and social contexts. Each society incorporates the concept of pain into its particular worldview, assigning it a specific meaning and value. Few human experiences can be read in as many different keys: from neuroscience to linguistic research, perspective selection, and emotional and cognitive functions. Although pain is currently regarded as a destructive force that is per se pathological, it is actually a form of protection. In today’s society, pain is experienced as a problem in itself, a disease within a disease, and its physiopathological aspects have been extensively characterized. But pain must also be analyzed within its anthropological, sociological, political, and economic contexts. The phenomenon of pain lies at the crossroads between nature and culture, and analysis from this perspective is essential for explaining the multiplicity of related data. The ‘‘anthropology of pain’’ explains, among other things, the assortment of reactions to identical pain stimuli among individuals and groups: for example, the higher opposition to pain observed among individuals living in poverty, the phenomenon of ‘‘combat analgesia’’, and the wide variety of analgesics used by traditional populations.

scholarly journals On a convenient terminology for the various stages of the malaria parasite

1902 ◽  
Vol 70 (459-466) ◽  
pp. 74-79
Keyword(s):  
Life History ◽  
Natural History ◽  
Human Blood ◽  
Malaria Parasite ◽  
Point Of View ◽  
The Body ◽  
History Museum ◽  
General Morphology ◽  
History Of ◽  
Reproductive Phases

I have found it necessary in labelling a series of models of the malaria parasite in the Central Hall of the Natural History Museum to use as simple and clear a terminology as possible. I think that this terminology will be found useful by others who are perplexed by such terms as “sporozoites,” “blasts,” “ookinetes,” “schizonts,” “amphionts,” and “sporonts”—terms which have their place in schemes dealing with the general morphology and life-history of the group Sporozoa, but are not, as experience shows, well suited for immediate use in describing and referring to the stages of the malaria parasite. It is necessary to treat the malaria parasite from the point of view of malaria; that is to say, to consider its significant phases to be those which it passes in the human blood. In reality its mature condition and most important motile, as well as its most prolific reproductive, phases are passed in the body of the mosquito.

scholarly journals Performance Art After The 1990s

2020 ◽  
Vol 10 (1) ◽  
pp. 74-87
Author(s):  
Liviu Nedelcu
Keyword(s):  
North America ◽  
Contemporary Art ◽  
Performance Art ◽  
Performing Arts ◽  
Art Museums ◽  
The Body ◽  
International Exhibitions ◽  
History Of

AbstractPerformance art has become over-represented in contemporary art museums, at art fairs, at major international exhibitions. In this context, I have proposed a brief overview of the history of performance in North America and Europe, to identify conceptual variations or continuities in post-1989 performing arts practices. What kind of queries caused the resort to the body? Which of the criticisms are still current and which new issues are formulated in the present geopolitical framework or in particular socio-political contexts? In order to answer these questions, I’ve selected a number of national and international male/ female artists whose practices illustrate the main directions in today’s performance art.

scholarly journals Epidemology and clinical aspects of human rabies in Minas Gerais, Brasil: misdiagnosis and misunderstandings on the psychopathological disturbances

1980 ◽  
Vol 13 (1) ◽  
pp. 55-64
Author(s):  
Jayme Neves ◽  
Antônio Cândido de Melo Carvalho ◽  
Sylvio Megre Velloso
Keyword(s):  
Central Nervous System ◽  
Preventive Measures ◽  
Minas Gerais ◽  
Point Of View ◽  
Human Rabies ◽  
Clinical Aspects ◽  
Central Nervous System Infections ◽  
Mental Symptoms ◽  
History Of ◽  
Cultural Structure

This paper reports 40 cases of human rabies studied at the Carlos Chagas Hospital of UFMC, State of Minas Gerais, Brazil, from 1963 through 1976. From the epidemioiogical point of view it is concluded that the magnitude of the problem of human rabies in underdeveioped countries remains quite unknown. Speciai emphasis is given to the lack of apropriate knowledge of the recommended preventive measures, and to the influence of health education and socio-economic-cultural structure of the communities. The classic clinical picture of human rabies is briefiy described, particular attention being drawn to psychopathologic features of rabies encephalomyeiitis. it is pointed out that in some cases the mental symptoms may predominate from the onset of the illness, adding difficuity to the diagnosis. According to the Authors, human rabies must be differentiated from several psychopathologic syndromes and also from encephalomyelitis due to other central nervous system infections. It is discussed whether the fataiistic concept of human rabies would be somehow contributing to delay a better understanding of the natural history of the disease.

scholarly journals Sports education an element of academic development

2020 ◽  
pp. 1-6
Author(s):  
Brenda Ivonne MORALES-BENÍTEZ ◽  
Ramiro MORALES-HERNÁNDEZ ◽  
Ramsés Josafath ALCARAZ-GONZÁLEZ
Keyword(s):  
Positive Influence ◽  
Point Of View ◽  
The Body ◽  
Middle Level ◽  
Control Group ◽  
Participation Decision ◽  
History Of ◽  
Academic Competencies ◽  
Middle Level Students ◽  
Made In

Sport is regularly seen as one of the forms of activation of the body that provide motor skills and contribute to healthy health, however it is important to appreciate it from the point of view of knowledge, so its contribution in aspects of academic competencies in students was analyzed upper middle level. In the first part, the history of sport was discussed, as well as the contributions of authors about educational sport and the learning generated. Subsequently, a comparison was made in young upper-middle-level students divided into two groups: the experiential group (they practice and perform exercise, sport and physical activity) and the control group (individuals who are totally sedentary), in order to observe performance. in school performance, class participation, decision making as well as knowing how influential or manipulable their peers can be to analyze and solve problems, in the study a questionnaire was applied to both groups using the Likert scale to know these results. The information obtained shows the positive influence that sport has on the development of educational capacities in students.

Self-Injuring Body Art

2019 ◽  
Vol 46 (2) ◽  
pp. 151-170
Author(s):  
Rosemarie Brucher
Keyword(s):  
Vietnam War ◽  
Past Research ◽  
The Body ◽  
The Self ◽  
Body Art ◽  
Self Injury ◽  
Art Form ◽  
History Of ◽  
The Will ◽  
Artistic Self

AbstractArtistic self-injury, established as an art form since the late 1960s, polarizes the audience and still raises questions about the motivations behind such actions as well as about the narrative contexts in which they occur. While past research has focused on either specific performers or specific trajectories of violence in the contexts in which each artist was working, for instance, the Vietnam War (Kathy O’Dell), this article localizes artistic self-injury within the larger coherencies of the history of mind with respect to aesthetic theories. Questions of subjectivation and desubjectivation seem especially productive for such a discussion. Read against the backdrop of the aesthetics of the Kantian sublime as a strategy of self-empowerment that sets the independence of the will against the powerlessness of the body, the self-wounding act can also be understood with Georges Bataille as a purposeful desubjectivation, in which the artist strives for a radical disempowerment through pain. A consideration of selected artists sounds out the range between these two theoretical references.

scholarly journals CLASSICAL ARTWORK ANALYSIS IN THE CONTEXT OF ART CRITICISM: THE OATH OF THE HORATII

2018 ◽  
Vol 7 (46) ◽  
Keyword(s):  
Detailed Analysis ◽  
19Th Century ◽  
Contemporary Art ◽  
Visual Arts ◽  
Art Criticism ◽  
Point Of View ◽  
Main Theme ◽  
Conceptual Content ◽  
History Of Art ◽  
History Of

Art criticism was developed in thelate 19th century with the effects of Impressionism. Nowadays, rather than the criticisms that contribute to the conceptual content of contemporary art by contributing, it is the word to reinterpreted as a derivative of the exhibition texts. The aim of this study contributing to the field of art criticism by analyzing in detail the “The Oath of the Horatii” which was made by Jacques Louis David. In this Classical Period piece, the inspiration of the Roman periodremains, has created the main theme of the picture of Neo-Classical; David has taken the lead role in putting this understanding into perspective. The main theme of the work is love of the holy country, side issues are patriotism and heroism. The reason for choosing this work in this study; this masterpiece is not only in the Neo-Classicalism but also its pioneering, guiding and progressive nature of art and Classical understanding, and it has taken its place in the history of art with a highly original style. When dealt with from the point of view of art education, detailed analysis of painting works will be guided teachers in Visual Arts field, students, artists who are working in the field of painting arts, and people who are interested in arts. Keywords: Art Criticism, Jacques Louis David, The Oath of the Horatii.

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