Rewitched: Retextuality and the Queering of Bewitched

2021 ◽  
Vol 36 (3) ◽  
pp. 1-31
Author(s):  
Taylor Cole Miller

Abstract At the same time the 1960s sitcom Bewitched aired in reruns next to drag queens on LOGOtv, a cable channel targeted to LGBTQ viewers, it also aired on the former National Christian Network channel (FamilyNet) immediately preceding a lineup of church programs featuring far-right, anti-gay hosts. Bewitched's ability to appeal to these very different channels’ brands and audiences underscores a textual vigor and sustainability for success in syndication that even the best so-called quality shows today lack. While some may deride a study of syndication (and reruns especially) as irrelevant and passé, syndicated programs are neither of those things if their continued popularity assures our familiarity with them. As a text, Bewitched is already supple enough to motivate two politically opposing media brands to pick it up, but the context of each of these channels’ flow, including commercials, station IDs, and edits to content, can make the experience of watching the same episode of any show on different channels a wholly different textual experience. This article returns to foundational theories of TV flow and intertextuality to propose retextuality as a theoretical and methodological intervention in studies of television. It argues that in syndication, the production labor of syndicators, executives, programmers, and marketing departments effectively retextualizes shows like Bewitched, offering scholars opportunities for new textual analyses and new insight into the marginalized and queer audiences syndicated programming often serves.

2019 ◽  
pp. 224-240
Author(s):  
Eva Namusoke

As the UK looks towards an uncertain future outside of the EU, the conversations surrounding the Anglosphere and interchangeably the Commonwealth have been centred on reconnecting with mostly white ‘kith and kin’. These conversations are distinctly backward-looking, while also featuring a sometimes nostalgic view of the British Empire and ‘Old Commonwealth’. This chapter focuses on the contemporary Commonwealth as a key insight into the ideology surrounding the modern Anglosphere, and posits a closer examination of race in the UK–Commonwealth relationship following the campaign and result of the 2016 EU referendum. The issue of immigration is used to examine the ways in which different white, black and Indian Commonwealth citizens have been treated in Britain. This chapter also includes a reflection on the 1960s and 1970s EEC applications, the contentious role played by India in challenging white, British-centric Commonwealth politics, and the connection between the far right and Old Commonwealth or Anglosphere-supporting Brexit campaigners.


Author(s):  
Kenneth Bertrams ◽  
Julien Del Marmol ◽  
Sander Geerts ◽  
Eline Poelmans

AB InBev is today’s uncontested world leader of the beer market. It represents over 20 per cent of global beer sales, with more than 450 million hectolitres a year flowing all around the world. Its Belgian predecessor, Interbrew, was a success story stemming from the 1971 secret merger of the country’s two leading brewers: Artois and Piedboeuf. Based on first-hand material originating from company and private archives as well as interviews with managers and key family actors, this is the first study to explore the history of the company through the nineteenth and twentieth centuries.The story starts in the mid-nineteenth century with the scientific breakthroughs that revolutionized the beer industry and allowed both Artois and Piedboeuf to prosper in a local environment. Instrumental in this respect were the respective families and their successive heirs in stabilizing and developing their firms. Despite the intense difficulties of two world wars in the decades to follow, they emerged stronger than ever and through the 1960s became undisputed leaders in the national market. Then, in an unprecedented move, Artois and Piedboeuf secretly merged their shareholding in 1971, though keeping their operations separate until 1987 when they openly and operationally merged to become Interbrew. Throughout their histories Artois, Piedboeuf, and their successor companies have kept a controlling family ownership. This book provides a unique insight into both the complex history of these three family breweries and their path to becoming a prominent global company, and the growth and consolidation of the beer market through the nineteenth and twentieth centuries.


2002 ◽  
Vol 18 (2) ◽  
pp. 351-362
Author(s):  
Pablo A. J. Brescia ◽  
Scott M. Bennett

This interview with Mexican writer David Toscana ponders the current state of both Mexican and Latin American narrative and serves as an insight into his own works. Toscana's statements about the recurring themes in his narrative (failure, loneliness, characters put to the test, and a tendency to play with different time frames, especially in his novels) help illustrate some of the characteristics of his fiction, which, according to various critics, is one of the most promising today in Mexico. Also noteworthy are his comments about the tendency of writers from his generation (born in the 1960s and later) to reject the legacy of the "boom" writers. Toscana's own interest is to revisit history and tradition by constructing a different voice and a different vision, a new way of seeing and hearing both the past and the present. Esta entrevista con el escritor mexicano David Toscana trata de explorar el estado actual de la narrativa mexicana y latinoamericana, améén de servir como una aproximacióón a la incipiente obra de este autor. Las respuestas de Toscana sobre los temas recurrentes en su literatura (el fracaso, la soledad, los personajes sometidos a pruebas y una tendencia a proponer diferentes marcos temporales, especialmente en sus novelas) subrayan algunos rasgos de su ficcióón, la cual, segúún la críítica especializada, es una de las máás prometedoras en el panorama mexicano de hoy. De especial interéés son los comentarios de Toscana sobre la tendencia de los escritores de su generacióón a rechazar el legado del "boom" latinoamericano. Toscana reacciona contra ese rechazo y propone una voz personal que vuelva a la historia y a la tradicióón y plantee una nueva manera de ver el pasado y el presente de Mééxico.


2016 ◽  
Vol 60 (4) ◽  
pp. 534-556 ◽  
Author(s):  
Ema Hrešanová

This paper explores the history of the ‘psychoprophylactic method of painless childbirth’ in socialist Czechoslovakia, in particular, in the Czech and Moravian regions of the country, showing that it substantially differs from the course that the method took in other countries. This non-pharmacological method of pain relief originated in the USSR and became well known as the Lamaze method in western English-speaking countries. Use of the method in Czechoslovakia, however, followed a very different path from both the West, where its use was refined mainly outside the biomedical frame, and the USSR, where it ceased to be pursued as a scientific method in the 1950s after Stalin’s death. The method was imported to Czechoslovakia in the early 1950s and it was politically promoted as Soviet science’s gift to women. In the 1960s the method became widespread in practice but research on it diminished and, in the 1970s, its use declined too. However, in the 1980s, in the last decade of the Communist regime, the method resurfaced in the pages of Czechoslovak medical journals and underwent an exciting renaissance, having been reintroduced by a few enthusiastic individuals, most of them women. This article explores the background to the renewed interest in the method while providing insight into the wider social and political context that shaped socialist maternity and birth care in different periods.


2020 ◽  
Vol 2 (2) ◽  
pp. 186-209
Author(s):  
Leanne C. Serbulo

Abstract With the rise of right-wing populist ideologies and ensuing social polarization, political violence has become more widespread. Between 2017 and 2019, far-right extremists and anti-fascists engaged in more than twenty violent protest clashes in Portland, Oregon, USA. Through a protest event analysis of those clashes supplemented with a case study of the protest wave, this paper explores how the mechanisms of radicalization and de-radicalization operate when two violent protest movements collide and interact with state security forces. The three-way interaction among a movement, counter-movement, and the police can produce unanticipated outcomes. For example, rather than de-escalating the situation, police underbidding resulted in an increase in violence between the two movements. Understanding how the mechanisms of radicalization and de-radicalization function in a movement/counter-movement protest cycle can provide insight into the ways in which a movement’s strategy and their adversaries’ responses to it can increase or decrease levels of violence.


2017 ◽  
Vol 16 (1-2) ◽  
pp. 103-127
Author(s):  
Abdalla Uba Adamu

The virtual addiction of Muslim Hausa youth to Indian films has a long history, which stretched to the first Indian films screen in northern Nigerian cinemas in the 1960s. The cultural convergence between what the Hausa see as representations of Indian cultural behavior – in terms of social mores, dressing, social interaction – all served to create what they perceive as a convergence between Indian ‘culure’ and Muslim Hausa culture. This paper traces the evolutionary attachment of the Hausa to Indian films and culture. In particular, it traces the various ways through Hausa youth use various devices to adopt, or adapt Indian popoular culture to suit their own re-worked creative pursuits. As a study of transnational fandom, it provides vital insight into how cultural spaces are collapsed, despite spatial and religious spaces.


Author(s):  
Mark Goodman ◽  
Stephen Brandon ◽  
Melody Fisher

<p>In 1968 social movements sparked rhetorical discourses which occurred in many nations and on hundreds of colleges and in communities across the United States.  These rhetorical discourses ultimately changed the direction of human events.  Sometimes these points of ideological protests shared views on specific issues, especially demonstrations against the Vietnam War, but each conflict was also its own local conflict.  There is no evidence that any specific group organized the protests, or that speakers motivated demonstrations, or that the rhetoric of one protest caused other protests.  Yet, the protests were not just spontaneous fires that happened to occur in the same year. So, how is it that so many protesters shared the desire for change and shared rhetoric, but each protest was sparked by local issues?  Answering that question provides insight into how the rhetoric of social movements occurred in 1968. </p><p>               Many scholars call for the study of the social movements of the 1960s.  Jensen (1996) argues, “The events of the 1960s dramatically increased the interest in studying social movements and forced rhetorical scholars to reconsider their methods for studying public discourse” (p. 28). To Lucas (2006), “Words became weapons in the cultural conflict that divided America” (x). Schippa (2001) wrote, “Many accounts identify the 1960s as a turning point. For better or for worse, there was a confluence of changing rhetorical practices, expanding rhetorical theories, and opportunities for rhetorical criticism. The cultural clashes of the 1960s were felt perhaps most acutely on college campuses. The sufficiency of deliberative argument and public address can be said to have been called into question, whether one was an antiwar activist who hated LBJ's war in Vietnam or a pro-establishment stalwart trying to make sense of the rhetoric of protest and demonstration. Years later, scholars would characterize war itself as rhetorical. What counted as rhetorical practice was up for grabs”(p. 261).</p>               First, this paper will frame the protest movement of 1968.  Then, we will search for the common factors that shaped the protests of 1968, focusing on the role of music. This analysis will provide insight into how music became a rhetorical force in a significant social movement of the 20th Century.


2021 ◽  
pp. 57-73
Author(s):  
John Pollard

This essay will explore the origins of the cult and doctrine of Christ the King in the encyclicals of pope Pius XI and the role which the doctrine it played in his closely-twinned strategies of ‘a Christian restoration of society in a Catholic sense’ and the propaganda battles with the Church’s enemies, especially Communism, as the theological inspiration of Catholic lay mobilisation through the organisations of Catholic Action in the world-wide Church, from the early 1920s to the 1960s. Focussed on the use of the doctrine of Christus Rex as the key tool of Vatican apologetics against the enemies of the Roman Catholic Church, the essay will also show how it came to be exploited by more right-wing Catholic groups in the inter-war period, and how it has remained a major weapon in the armoury of traditionalist Catholics, as well as far right groups, down to the present day.


Author(s):  
Maren Rüsch

Conversation analysis, which began to evolve in the 1960s, studies the structure of talk, and how speakers organize a mostly fluent talk without many gaps or overlaps in order to guarantee maximal mutual understanding. It is based on the analysis of natural speech in a culturally natural environment. In this chapter, basic concepts of conversation analysis as well as the methods used by scholars are explained. A collection of examples from several African languages illustrates terminologies such as turn-taking strategies, sequence organization, and repair of trouble-sources in talk and provides an insight into new linguistic approaches to conversation analysis, especially in African settings.


Sign in / Sign up

Export Citation Format

Share Document