Madness, Medicine, and Masculinity in Kim Tongin’s “Oh, the Frail-Hearted!”

2018 ◽  
Vol 23 (2) ◽  
pp. 423-442
Author(s):  
Yoon Sun Yang

Abstract This article examines how a major twentieth-century Korean writer, Kim Tongin, adopted the language of Western medical science to produce the effect of literary interiority as an iteration of the individual in his novella “Oh, the Frail-Hearted!” (1919–20). My reading of the story unravels the ways in which this work draws several equations between the practice of medical science and that of literature. The main character’s diary and letter are treated as his medical records; a well-known man of letters acts as his doctor by identifying his symptoms through the “medical” gaze; readers are invited to read his “mind” the way doctors examine those of their patients; his illness gives his interiority an identifiable form; and his extramarital affair is not only a love story but also a trigger of his mental illness. The medical gaze allows him to explore his sexuality beyond the traditional conjugal norm—whether via a heterosexual love affair or homoeroticism. His pursuit of individuality is, however, bounded by the “colonial” gaze, under which he appears as an accomplice of the collective debilitation of the colony through a moralistic prism.

Mnemosyne ◽  
2021 ◽  
pp. 1-20
Author(s):  
Jeffrey Murray

Abstract Moving away from the nineteenth century’s concern with Quellenforschung, serious study of Valerius Maximus’ Facta et dicta memorabilia in the twentieth century produced a variety of different approaches to this Tiberian text of exemplary tales. One of the most interesting projects in this regard was produced by T.F. Carney, who scrutinised a key exemplar, Gaius Marius, across the work. In constructing a ‘biography’ from the exempla themselves, Carney’s labour contributed much to Roman history generally, but also pioneered a novel methodology for reading Valerius Maximus—one that was taken up and imitated by later scholars. This methodology, however, is not without problems, particularly in relation to the way that Valerius has shaped, structured, and arranged his work at the level of chapter. By building upon Carney’s methodology, but also considering the context of the individual chapters themselves, I provide in this paper a case study of the way in which Valerius writes the life of Marcus Tullius Cicero—a figure unique in the Facta et dicta memorabilia in being both exemplar and a major source for the work. In doing so, this article elucidates the process of ‘exemplary biography’.


2011 ◽  
Vol 41 (4) ◽  
pp. 565-590 ◽  
Author(s):  
Gervase Phillips

The increased lethality of nineteenth-century “arms of precision” caused military formations to disperse in combat, transforming the ordinary soldier from a near automaton, drilled to deliver random fire under close supervision, into a moral agent who exercised a degree of choice about where, when, and how to fire his weapon. The emerging autonomy of the soldier became a central theme in contemporary tactical debates, which struggled to reconcile the desire for discipline with the individual initiative necessary on the battlefield. This tactical conundrum offers revealing insights about human aggression and mass violence. Its dark legacy was the propagation of military values into civilian society, thus paving the way for the political soldiers of the twentieth century.


2004 ◽  
Vol 48 (4) ◽  
pp. 449-472 ◽  
Author(s):  
Heinz-Peter Schmiedebach ◽  
Stefan Priebe

In the first decades of the twentieth century, German-language papers were published which included the term “soziale Psychiatrie” in their titles. At the same time modern concepts of extramural psychiatric care were being developed. Yet, the meaning of “sozial” (“social” in English) varied widely. This was partly due to its ambiguity. “Social” can be used in the sense of small communities or the wider public; it refers to interpersonal relationships, or to relationships between individuals and social groups or other communities. According to this latter meaning, “social” can emphasize the interests of social groups rather than those of the individual. This is how the term was used at the end of the 1920s and during the National Socialist era. On the other hand, “social” may indicate a friendly and humane intention, a philanthropic approach. It was in this sense that the term was widely used in the 1970s when philanthropic psychiatrists and others called for psychiatric reform and the closure or downsizing of asylums for the mentally ill. Moreover, in association with psychiatry, it can mean both the social dimension of mental illness (including the aetiology) that is assumed to lie in human relationships and in social circumstances, and the social and economic effects of mental illness. In parallel with these shifting meanings of the term “social”, the established models of twentieth-century ambulant psychiatric care also showed a variety of structural characteristics.


PMLA ◽  
1954 ◽  
Vol 69 (4-Part1) ◽  
pp. 887-902
Author(s):  
Hugo M. Reichard

The love affair which has a title part in the Rape of the Lock was perhaps once so obvious as to need no comment; at least Dr. Johnson thought “the subject of the poem … an event below the common incidents of common life.” By the twentieth century the love story seemed so obscure as to defy analysis; at least Geoffrey Tillotson thought that the rejection of the hero by the heroine was unaccountable. A decade ago Cleanth Brooks refurbished the action as a neo-classic campaign in the unending “war of the sexes” over rites of possession. Some such pattern of pre-marital courtship is doubtless a norm assumed for the comedy of the poem, as it is—William K. Wimsatt reminds us—for Molière's Misanthrope, Congreve's Way of the World, and Meredith's Egoist. While suggestively approaching the plan of the action, however, Brooks has rather too closely assimilated Pope's particular campaign to the general war. If the comedy of the poem posits a norm, it also sets forth a divergence. One is free to speculate that in a hypothetical sequel to Pope's poem the Baron and Belinda might have gone on (like other gallivanting young people, indeed like Arabella Fermor and Lord Petre) to get married—he to another woman, she to another man. But as it stands the poem is not directly concerned with what Brooks calls “the elaborate and courtly conventions under which Belinda fulfills her natural function of finding a mate” (p. 84). Both Belinda and the Baron are at the age of exuberance where the armor of courtship fits rather loosely, like the helmet Swift stuck on Dryden. Feigning “death,” sophisticating love, and shunning marriage, they wage a mock war in a mock-heroic poem. Their maneuvers, I wish to show, make the plot of the poem a contest of wiles between commanding personalities—an uninhibited philanderer and an invincible flirt.


2001 ◽  
Vol 209 (2) ◽  
pp. 105-117 ◽  
Author(s):  
Thomas Kleinsorge ◽  
Herbert Heuer ◽  
Volker Schmidtke

Summary. When participants have to shift between four tasks that result from a factorial combination of the task dimensions judgment (numerical vs. spatial) and mapping (compatible vs. incompatible), a characteristic profile of shift costs can be observed that is suggestive of a hierarchical switching mechanism that operates upon a dimensionally ordered task representation, with judgment on the top and the response on the bottom of the task hierarchy ( Kleinsorge & Heuer, 1999 ). This switching mechanism results in unintentional shifts on lower levels of the task hierarchy whenever a shift on a higher level has to be performed, leading to non-shift costs on the lower levels. We investigated whether this profile depends on the way in which the individual task dimensions are cued. When the cues for the task dimensions were exchanged, the basic pattern of shift costs was replicated with only minor modifications. This indicates that the postulated hierarchical switching mechanism operates independently of the specifics of task cueing.


2016 ◽  
Vol 9 (1) ◽  
pp. 32-54 ◽  
Author(s):  
Jesse Tumblin

This article examines the way a group of colonies on the far reaches of British power – Australia, New Zealand, Canada, and India, dealt with the imperatives of their own security in the early twentieth century. Each of these evolved into Dominion status and then to sovereign statehood (India lastly and most thoroughly) over the first half of the twentieth century, and their sovereignties evolved amidst a number of related and often countervailing problems of self-defence and cooperative security strategy within the British Empire. The article examines how security – the abstracted political goods of military force – worked alongside race in the greater Pacific to build colonial sovereignties before the First World War. Its first section examines the internal-domestic dimension of sovereignty and its need to secure territory through the issue of imperial naval subsidies. A number of colonies paid subsidies to Britain to support the Royal Navy and thus to contribute in financial terms to their strategic defense. These subsidies provoked increasing opposition after the turn of the twentieth century, and the article exlpores why colonial actors of various types thought financial subsidies threatened their sovereignties in important ways. The second section of the article examines the external-diplomatic dimension of sovereignty by looking at the way colonial actors responded to the Anglo-Japanese Alliance. I argue that colonial actors deployed security as a logic that allowed them to pursue their own bids for sovereignty and autonomy, leverage racial discourses that shaped state-building projects, and ultimately to attempt to nudge the focus of the British Empire's grand strategy away from Europe and into Asia.


Author(s):  
Beatrice Marovich

‘The art of free society’, A.N. Whitehead declares in his essay on symbolism, is fundamentally dual. It consists of both ‘maintenance of the symbolic code’ and a ‘fearlessness of [its] revision’. This tension, on the surface paradoxical, is what Whitehead believes will prevent social decay, anarchy, or ‘the slow atrophy of a life stifled by useless shadows’. Bearing in mind Whitehead’s own thoughts on the nature of symbolism, this chapter argues that the figure of the creature has been underappreciated in his work as a symbol. It endeavors to examine and contextualize the symbolic potency of creatureliness in Whitehead’s work, with particular attention directed toward the way the creature helps him to both maintain and revise an older symbolic code. In Process and Reality, ‘creature’ serves as Whitehead’s alternate name for the ‘individual fact’ or the ‘actual entity’—including (perhaps scandalously, for his more orthodox readers) the figure of God. What was Whitehead’s strategic motivation for deploying this superfluous title for an already-named category? In this chapter, it is suggested that his motivation was primarily poetic (Whitehead held the British romantic tradition in some reverence) and so, in this sense, always and already aware of its rich symbolic potency.


2010 ◽  
Vol 5 (2) ◽  
pp. 267-290 ◽  
Author(s):  
Susan Currell

Showing how ‘modernist cosmopolitanism’ coexisted with an anti-cosmopolitan municipal control this essay looks at the way utopian ideals about breeding better humans entered into new town and city planning in the early twentieth century. An experiment in eugenic garden city planning which took place in Strasbourg, France, in the 1920s provided a model for modern planning that was keenly observed by the international eugenics movement as well as city planners. The comparative approach taken in this essay shows that while core beliefs about degeneration and the importance of eugenics to improve the national ‘body’ were often transnational and cosmopolitan, attempts to implement eugenic beliefs on a practical level were shaped by national and regional circumstances that were on many levels anti-cosmopolitan. As a way of assuaging the tensions between the local and the global, as well as the traditional with the modern, this unique and now forgotten experiment in eugenic city planning aimed to show that both preservation and progress could succeed at the same time.


2020 ◽  
Vol 8 (1) ◽  
pp. 37-46
Author(s):  
Stanislava Varadinova

The attention sustainability and its impact of social status in the class are current issues concerning the field of education are the reasons for delay in assimilating the learning material and early school dropout. Behind both of those problems stand psychological causes such as low attention sustainability, poor communication skills and lack of positive environment. The presented article aims to prove that sustainability of attention directly influences the social status of students in the class, and hence their overall development and the way they feel in the group. Making efforts to increase students’ attention sustainability could lead to an increase in the social status of the student and hence the creation of a favorable and positive environment for the overall development of the individual.


Author(s):  
Lital Levy

A Palestinian-Israeli poet declares a new state whose language, “Homelandic,” is a combination of Arabic and Hebrew. A Jewish-Israeli author imagines a “language plague” that infects young Hebrew speakers with old world accents, and sends the narrator in search of his Arabic heritage. This book brings together such startling visions to offer the first in-depth study of the relationship between Hebrew and Arabic in the literature and culture of Israel/Palestine. More than that, the book presents a captivating portrait of the literary imagination's power to transgress political boundaries and transform ideas about language and belonging. Blending history and literature, the book traces the interwoven life of Arabic and Hebrew in Israel/Palestine from the turn of the twentieth century to the present, exposing the two languages' intimate entanglements in contemporary works of prose, poetry, film, and visual art by both Palestinian and Jewish citizens of Israel. In a context where intense political and social pressures work to identify Jews with Hebrew and Palestinians with Arabic, the book finds writers who have boldly crossed over this divide to create literature in the language of their “other,” as well as writers who bring the two languages into dialogue to rewrite them from within. Exploring such acts of poetic trespass, the book introduces new readings of canonical and lesser-known authors, including Emile Habiby, Hayyim Nahman Bialik, Anton Shammas, Saul Tchernichowsky, Samir Naqqash, Ronit Matalon, Salman Masalha, A. B. Yehoshua, and Almog Behar. By revealing uncommon visions of what it means to write in Arabic and Hebrew, the book will change the way we understand literature and culture in the shadow of the Israeli–Palestinian conflict.


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