Building aspirations… building ambitions?

2017 ◽  
Vol 8 (1) ◽  
pp. 20-24
Author(s):  
Shan Gandhi

Much has been written of late on the requirements of a patient-centred hospital environment suitable for healing. So much so that, within healthcare, the theoretical concept is referred to as ‘evidence-based design’, in which – through form and function – the positive interaction and outcomes that buildings and their environments can have on the health, recovery, safety and wellbeing of patients and carers – and on the health and morale of its staff – is considered. In view of Birmingham’s new £50 million Dental Hospital and School of Dentistry opening its doors to the public earlier this year, this article provides a précis of the establishment, and illustrates how evidence-based healthcare design concepts have been woven into its design.

2019 ◽  
Vol 87 (4) ◽  
pp. 1008-1049
Author(s):  
M Gail Hamner

Abstract Religion scholars require a theory of public encounter that is evental, technological, and affective. Instead of a spatial public sphere, today’s encounters occur through technological mediations that are affective and image-laden. This essay examines the latter “publicness” and illustrates its roles as an affective technology of whiteness as that which frames and distributes the persevering powers of, and reluctantly tracks resistances to, white supremacy. Film is a fruitful cultural site for examining the whiteness of publicness. The essay turns to Moonlight (Jenkins, 2016) to demonstrate how film can resist and interrupt normative whiteness and to show how this transvaluative cultural labor can be seen as religious. The essay conceptualizes religion as a hinged form and function through which subjects and publics co-emerge and by which social and sedimented valuations are (re)bound. Grappling with religion as social forms and functions of valuation opens it to algorithmic variability that mandates attention to circulations of power as both capacity and intensity.


2017 ◽  
Vol 156 (2_suppl) ◽  
pp. S1-S30 ◽  
Author(s):  
Lisa E. Ishii ◽  
Travis T. Tollefson ◽  
Gregory J. Basura ◽  
Richard M. Rosenfeld ◽  
Peter J. Abramson ◽  
...  

Objective Rhinoplasty, a surgical procedure that alters the shape or appearance of the nose while preserving or enhancing the nasal airway, ranks among the most commonly performed cosmetic procedures in the United States, with >200,000 procedures reported in 2014. While it is difficult to calculate the exact economic burden incurred by rhinoplasty patients following surgery with or without complications, the average rhinoplasty procedure typically exceeds $4000. The costs incurred due to complications, infections, or revision surgery may include the cost of long-term antibiotics, hospitalization, or lost revenue from hours/days of missed work. The resultant psychological impact of rhinoplasty can also be significant. Furthermore, the health care burden from psychological pressures of nasal deformities/aesthetic shortcomings, surgical infections, surgical pain, side effects from antibiotics, and nasal packing materials must also be considered for these patients. Prior to this guideline, limited literature existed on standard care considerations for pre- and postsurgical management and for standard surgical practice to ensure optimal outcomes for patients undergoing rhinoplasty. The impetus for this guideline is to utilize current evidence-based medicine practices and data to build unanimity regarding the peri- and postoperative strategies to maximize patient safety and to optimize surgical results for patients. Purpose The primary purpose of this guideline is to provide evidence-based recommendations for clinicians who either perform rhinoplasty or are involved in the care of a rhinoplasty candidate, as well as to optimize patient care, promote effective diagnosis and therapy, and reduce harmful or unnecessary variations in care. The target audience is any clinician or individual, in any setting, involved in the management of these patients. The target patient population is all patients aged ≥15 years. The guideline is intended to focus on knowledge gaps, practice variations, and clinical concerns associated with this surgical procedure; it is not intended to be a comprehensive reference for improving nasal form and function after rhinoplasty. Recommendations in this guideline concerning education and counseling to the patient are also intended to include the caregiver if the patient is <18 years of age. Action Statements The Guideline Development Group made the following recommendations: (1) Clinicians should ask all patients seeking rhinoplasty about their motivations for surgery and their expectations for outcomes, should provide feedback on whether those expectations are a realistic goal of surgery, and should document this discussion in the medical record. (2) Clinicians should assess rhinoplasty candidates for comorbid conditions that could modify or contraindicate surgery, including obstructive sleep apnea, body dysmorphic disorder, bleeding disorders, or chronic use of topical vasoconstrictive intranasal drugs. (3) The surgeon, or the surgeon’s designee, should evaluate the rhinoplasty candidate for nasal airway obstruction during the preoperative assessment. (4) The surgeon, or the surgeon’s designee, should educate rhinoplasty candidates regarding what to expect after surgery, how surgery might affect the ability to breathe through the nose, potential complications of surgery, and the possible need for future nasal surgery. (5) The clinician, or the clinician’s designee, should counsel rhinoplasty candidates with documented obstructive sleep apnea about the impact of surgery on nasal airway obstruction and how obstructive sleep apnea might affect perioperative management. (6) The surgeon, or the surgeon’s designee, should educate rhinoplasty patients before surgery about strategies to manage discomfort after surgery. (7) Clinicians should document patients’ satisfaction with their nasal appearance and with their nasal function at a minimum of 12 months after rhinoplasty. The Guideline Development Group made recommendations against certain actions: (1) When a surgeon, or the surgeon’s designee, chooses to administer perioperative antibiotics for rhinoplasty, he or she should not routinely prescribe antibiotic therapy for a duration >24 hours after surgery. (2) Surgeons should not routinely place packing in the nasal cavity of rhinoplasty patients (with or without septoplasty) at the conclusion of surgery. The panel group made the following statement an option: (1) The surgeon, or the surgeon’s designee, may administer perioperative systemic steroids to the rhinoplasty patient.


2020 ◽  
Vol 3 (2) ◽  
pp. 53-67
Author(s):  
Karlina Rahadatul Aisy ◽  
Anisa Anisa

This study is aimed to describe typologies in building mental rehabilitation rehabilitation centers. Building typology is obtained through analysis based on form and function. Typological analysis is useful as input in the design of buildings, and rehabilitation center. The research method used is descriptive interpretative qualitative, to get the typology after identifying the activities, functions, and shapes of buildings. As a first step of the patient's activity and space are identified first. The conclusions obtained from the typology study of mental disorder rehabilitation center are the physical arrangement of the rehabilitation center mass: (1) multi-mass and scattered; (2) the zone is divided into several, namely the public in the outermost, semi-public for patient activities, and private for therapy and patient rest. From the physical aspect, it refers to the forms of simple facades, openings that are given a trellis or passive, as well as simple rooms and furniture that do not endangering the patient. In the unstable condition of the patient, an isolation room is controlled by the nurse. In a stable condition, patients can learn a variety of plans which are carried out inside or outside the room.


Author(s):  
Charles Darwin ◽  
Rudy Trisno

Jelambar, Grogol Petamburan, with Jelambar Baru and Wijaya Kusuma, are one united district with a high density of residential population, that have hobby and habit on culinary business, that form many culinary centers and spread unevenly until Jelambar that caused Jelambar to have no culinary center like other districts have. Pawon Jelambar is designed to resolve issues of Jelambar that has no third place that needed by the district with a high density of population; also the low intensity of culinary. However, there are so many neglected small culinary businesses, because of many factors, one of them is a less strategic location. Pawon Jelambar wants to realize Jelambar’s unconsciously need of forming a place of culinary that integrated and has a clarity, by substitute all the small culinary businesses with Pawon Jelambar, with the purpose to increase culinary needs quality of Jelambar. This project is designed through designing stages as a method of design, such as understanding the district segment of Grogol Petamburan; arranging a diagram of issues of Jelambar and issues solving concept; design concept as the result of questionnaire answers analysis; zoning and space programs; analysis of project’s site determination; site analysis. All these analyses form building mass concepts; exterior and interior design; architectural details. The design result is Pawon Jelambar that uses the design concepts, such as green contemporary design, form and function runs together, and contextualism in responding site; with variants of culinary, mini market, culinary workshops, temporary exhibition, and food gallery, as the main architectural programs. Keywords: Architecture; Culinary; Jelambar; Pawon Jelambar; Third place AbstrakJelambar, Grogol Petamburan, bersama Jelambar Baru dan Wijaya Kusuma adalah satu-kesatuan kawasan padat penduduk hunian yang memiliki hobi dan kebiasaan berdagang kuliner, sehingga muncul beberapa pusat-pusat kuliner, namun penyebarannya tidak merata sampai Jelambar, sehingga Jelambar tidak memiliki sebuah pusat kuliner layaknya di titik kawasan lain. Proyek Pawon Jelambar dirancang untuk mengatasi isu-isu yang diangkat, yaitu tidak adanya third place yang menjadi kebutuhan padat penduduk Jelambar; dan intensitas rendah kuliner, namun banyak usaha kuliner kecil yang dibangun warga, tetapi banyak yang mati karena faktor tertentu, seperti lokasi yang kurang strategis. Pawon Jelambar ingin mengwujudkan keinginan tidak sadar Jelambar dalam membentuk sebuah tempat kuliner yang terintegrasi dan jelas, salah satunya dengan cara mensubstitusikan usaha-usaha kecil kuliner tersebut dengan Pawon Jelambar, yaitu untuk meningkatkan kualitas kebutuhan kuliner di kawasannya. Metode perancangan menggunakan serangkaian tahapan perancangan, yaitu pemahaman segmen kawasan Grogol Petamburan; penyusunan diagram isu kawasan dan konsep penyelesaian isu; konsep perancangan hasil analisis jawaban kuisioner; zoning dan program ruang; analisis pemilihan tapak; analisis tapak; menghasilkan konsep massa bangunan; desain eksterior, interior, dan detail arsitektur. Kesimpulan hasil perancangan adalah Pawon Jelambar yang menerapkan konsep green contemporary building design (sustainable architecture), form and function runs together, dan contextualism in responding site; dengan program utama tempat varian kuliner, mini market, pelatihan kuliner, eksibisi temporer dan food gallery.


Author(s):  
Devarajan Ramanujan ◽  
Vinayak ◽  
Yash Nawal ◽  
Tahira Reid ◽  
Karthik Ramani

Customer inputs in the early stages of design can potentially lead to completely new outlooks in concept generation. We propose crowd-based co-creation as a means to this end. Our main idea is to think of the customer as a source of initial design concepts rather than a means for obtaining preferences towards designer-generated concepts. For analyzing a large collection of customer-created prototypes, we develop a framework that focuses on generating hypotheses related to customer perception of design attributes. We demonstrate our approach through a web interface to gather design requirements for a computer mouse, a bicycle seat, a pen holder, and a cola bottle. This interface was used in a crowdsourcing study with 253 users who represented potential end users for these products. Results from this study show that web-based co-creation allows designers to capture a variety of form and function-related design requirements from user-created virtual prototypes. We also found that such studies can be instrumental in identifying innovative product concepts, and gaining insights about how user perception correlates with product form. Therefore, we make the case that customer creation through distributed co-creation platforms can reinforce concept exploration in future early design processes.


Author(s):  
Anthea Garman

The public sphere is a social entity with an important function and powerful effects in modern, democratic societies. The idea of the public sphere rests on the conviction that people living in a society, regardless of their age, gender, religion, economic or social status, professional position, sexual orientation, ethnicity, race, or nationality, should be able to publicly express their thoughts, ideas, and opinions about issues that matter to them and impact their lives. This expression should be as free as possible in form and function and should operate through means and methods that people themselves deem suitable, so not via channels that are official or state-sanctioned. The classic Habermasian idea of the public sphere is that it is used by private individuals (not officials or politicians) who should be able to converse with each other in a public-spirited way to develop opinions that impact state or public-body decisions and policies. Also contained within this classic idea is the conviction that public sphere conversations should be rational (i.e., logical, evidence-based, and properly motivated and argued using an acceptable set of rhetorical devices) in order to convince others of the usefulness of a position, statement, or opinion. In commonsensical, political, and journalistic understandings, the public sphere is a critical component of a democracy that enables ordinary citizens to act as interlocutors to those who hold power and thereby hold them to account. As such it is one of the elements whereby democracy as a system is able to claim legitimacy as the “rule of the people.” Journalism’s imbrication in the social imaginary of the public sphere dates back to 17th- and 18th-century Europe when venues like coffee houses, clubs, and private homes, and media like newspapers and newsletters were being used by a mixture of gentry, nobility, and an emerging middle class of traders and merchants and other educated thinkers to disseminate information and express ideas. The conviction that journalism was the key vehicle for the conveyance of information and ideas of public import was then imbedded in the foundations of the practice of modern journalism and in the form exported from Western Europe to the rest of the world. Journalism’s role as a key institution within and vehicle of the public sphere was thus born. Allied to this was the conviction that journalism, via this public sphere role and working on behalf of the public interest (roughly understood as the consensus of opinions formed in the public sphere), should hold political, social, and economic powers to account. Journalists are therefore understood to be crucial proxies for the millions of people in a democracy who cannot easily wield on their own the collective voices that journalism with its institutional bases can produce.


2012 ◽  
Vol 174-177 ◽  
pp. 1835-1838
Author(s):  
Feng Qiao

By the comprehension of development and change of the public art’s form and function in modern urban, this paper points out the requirement of public art has not been an adornment of public constructions, but an art-oriented construction tendency in accordance with different site regional characteristics, project type restriction and public requirements. By means of the interactive with social circumstance development, the public art will blend positively in the community conditions and everyday life.


Iraq ◽  
2017 ◽  
Vol 79 ◽  
pp. 21-46 ◽  
Author(s):  
Stuart Campbell ◽  
Jane Moon ◽  
Robert Killick ◽  
Daniel Calderbank ◽  
Eleanor Robson ◽  
...  

Excavations at Tell Khaiber in southern Iraq by the Ur Region Archaeological Project have revealed a substantial building (hereafter the Public Building) dating to the mid-second millennium b.c. The results are significant for the light they shed on Babylonian provincial administration, particularly of food production, for revealing a previously unknown type of fortified monumental building, and for producing a dated archive, in context, of the little-understood Sealand Dynasty. The project also represents a return of British field archaeology to long-neglected Babylonia, in collaboration with Iraq's State Board for Antiquities and Heritage. Comments on the historical background and physical location of Tell Khaiber are followed by discussion of the form and function of the Public Building. Preliminary analysis of the associated archive provides insights into the social milieu of the time. Aspects of the material culture, including pottery, are also discussed.


2018 ◽  
Vol 108 (2) ◽  
pp. 215-231
Author(s):  
Laura Suchan

The Reverend Demill opened his boarding school, Demill Ladies’ College in Oshawa, Ontario, in 1876 to offer higher education to young girls in a non-denominational setting. Demill’s vision, to offer a superior educational experience to ensure young women became useful members of society, draws into question the form and function of female education in the late 19th century. This article assesses the curriculum, faculty, moral environment and student success at Demill Ladies College to determine if an education at Demill was supporting the expected role of women in the private sphere or did it provide opportunity for young ladies to pursue opportunities in the public sphere.


Author(s):  
James Cunningham ◽  
Conrad S. Tucker

This work presents a deep neural network method for approximating the performance of generated design concepts. This deep learning meta-modeling approach minimizes the need for costly simulations that test for design concept feasibility by discovering the visual features of a design that correlated to good and bad performance. These form-function relationships are discovered by simply observing the pixels of images of many candidate designs and their corresponding performance in a simulation environment. As opposed to existing metamodeling techniques, this evaluation is agnostic to the simulation environment and applicable to any design space in which form and function are closely linked. A case study is presented in which 2D sketches of boats generated from a deep generative model are evaluated in a simulation environment based on their ability to travel through water without sinking as well as their speed of travel. It is shown through simulation that 57.5% of the designs, which are validated according to their form during the generation process, fail in their intended function. Additionally, the trained VNN is able to classify designs it has never seen before as successful or failing with an accuracy of 86.6% and an F1-Score of 0.806.


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