Historical Memory of the Kuban Cossacks: Translation-Transformation-Continuity in Terms of Modern Model of the Russian Society (the beginning of the XXI century)

2018 ◽  
Vol 4 (1) ◽  
Author(s):  
Elena N. NARKHOVA ◽  
Dmitry Yu. NARKHOV

This article analyzes the degree of demand for works of art (films and television films and series, literary and musical works, works of monumental art) associated with the history of the Great Patriotic War among contemporary students. This research is based on the combination of two theories, which study the dynamics and statics of culture in the society — the theory of the nucleus and periphery by Yu. M. Lotman and the theory of actual culture by L. N. Kogan. The four waves of research (2005, 2010, 2015, 2020) by the Russian Society of Socio¬logists (ROS) have revealed a series of works in various genres on this topic in the core structure and on the periphery of the current student culture; this has also allowed tracing the dynamics of demand and the “movement” of these works in the sociocultural space. The authors introduce the concept of the archetype of the echo of war. The high student recognition of works of all historical periods (from wartime to the present day) is shown. A significant complex of works has been identified, forming two contours of the periphery. Attention is drawn to the artistic work of contemporary students as a way to preserve the historical memory of the Great Patriotic War. This article explains the necessity of preserving the layer of national culture in order to reproduce the national identity in the conditions of informational and ideological pluralism of the post-Soviet period. The authors note the differentiation of youth due to the conditions and specifics of socialization in the polysemantic sociocultural space.


Inter ◽  
2019 ◽  
Vol 11 (18) ◽  
pp. 55-79
Author(s):  
Elena Rozhdestvenskaya

The article deals with the changing social contract in the era of the 90s. Combined several levels of analysis: reconstruction of the era of the 90s by methods of public opinion polls and a qualitative analysis of narratives about the era of the 90s, representatives of various social groups (workers, employees / civil servants, entrepreneurs). If public opinion polls the most important events of the era, which made up the historical memory of the generation who participated in the changes of Russian society, the narratives of the 90s contain a description of the experience and reflection of social actors regarding the limits and possibilities of this era. The conceptual framework of the study describes the concept of a social contract as a balance of expectations between its performing individuals and social institutions. The social contract is operationalized as a set of action strategies that have been implemented by individuals and are the subject of their memories in the biographical interview mode. As a result of the study, a specifcation was made for representatives of the above-mentioned social groups of various social contracts that have undergone devaluation and changed during the 90s.


Author(s):  
Ingunn Lunde

This chapter sets out to investigate how the implications and broader dimensions of the Soviet linguistic legacy is represented in two post-Soviet prose texts, Evgenii Popov’s novel Podlinnaia istoriia ‘zelenykh muzykantov’ (The True Story of the ‘Green Musicians’, 1998) and Vladimir Sorokin’s short-story ‘Monoklon’ (2010). Popov’s ‘novel in footnotes’ comments on a text from the 1970s (reproduced in the novel), using humour and satire to expose the emptiness of clichés and make links to the present-day language debates. Sorokin, in turn, invokes the historical memory of Soviet speak through fragments, slogans, words and concepts, creating in his text a ‘simultaniety of the non-simultaneous’ by juxtaposing elements from two very different parts of the Soviet past and showing the need to tackle this past (or these pasts) in present-day Russian society.


2021 ◽  
Vol 12 (2) ◽  
pp. 19-35
Author(s):  
Galina S. Shirokalova

The article analyzes the results of a sociological study of the historical memory of students about the World War II in general (and the Great Patriotic War in particular), conducted by the Russian Society of Sociologists in 2020, as well as materials from surveys of other research teams. The author comes to the conclusion that historical memory is formed, first of all, by the information field, set by state institutions or encouraged by them (school, mass media, network resources). Contradictory assessment of the events of the twentieth century led to the rupture of the historical memory of generations and the formation of a large group of people ready to accept the revision of the geopolitical results of the war from the standpoint of history falsifiers. The attitude of young people to the past, without taking into account the cause-and-effect liaison of the events of that time, is explained not only by the extinction of communicative memory for the departure of war generations, the desacralization of their life, deed, death. The range of factors is much wider. Since there is no integral picture of the history of the USSR, there is no value core for assessing events of the Great Patriotic War either. In the absence of historical hygiene in the Russian Federation, the entire Soviet period turns into historical antiques for new generations. They treat this in different ways: with reverence, condescension, aggressiveness, indifference, but it is excessive for the daily life of the majority. The slogan “If required, we repeat / can repeat”, replicated on May 9, is nothing more than a short-term emotional reaction, including to PR management, but not the readiness / mindset / promise of action in a real war. The opposition of the state to the country, that is reflected in the popular among young people song of the group Lumen, actually testifies to alienation from both the state and the country, since there is no one without the other. Questions are inevitable: how adequate are the methodologies and techniques based on which social scientists choose the range of factors that form the portrait of modern youth and predict the direction of further socialization of its individual groups? How many meaningful collaborators should there be to lose / win a civilizational battle in which historical memory is only one of the components? According to the author, the conditions and opportunities for the realization of the desired worldview values ​​in modern Russia adjust the attitude to the present and the life strategies of young people to a greater extent than historical memory.


Author(s):  
Sergey V. Ustinkin ◽  
◽  
Natalia M. Morozova ◽  
Pavel I. Kukonkov ◽  
◽  
...  

Changes in Russian society, happened in the last three decades, determine the contradictory process of socialization of the younger generation. The blurry of perceptions about the type of personality demanded by society and the state, in many ways, determines the chaotic process of forming the values of young people, which proceed under the influence of random and sometimes divergent factors. Changing objective living conditions in modern Russian society leads to a significant complication of social self-determination processes, the formation of the problematic identity of various youth groups. The authors of the article focused on identifying local-territorial and sociocultural features of the memory of the Great Patriotic War of the students of the large regional centers of the Volga Federal District. The dynamics of this process are analyzed on the basis of data obtained during the research of historical memory of students of Nizhny Novgorod region and cities of the Volga Federal District in 2005–2015. The Volga branch of FCTAS RAS and LUNN, as well as the all-Russian sociological study of the Russian society of sociologists in 2020. The authors of the article substantiate the conclusion that the structure of the historical memory of young students is very selective, often without sufficient justification fixes attention on some events and ignores others, contributing to the mythologization of historical consciousness, disorienting it and creating a favorable ground for the emergence and strengthening of social destruction. The authors’ conclusion is convincing that without special eff orts of society, the state, educational institutions aimed at forming the historical consciousness of young students, it is impossible to maintain the attitude to the Great Patriotic War, as a landmark event in world and national history.


2021 ◽  
Vol 5 (S3) ◽  
Author(s):  
Aleksey Larionov ◽  
Vardan Baghdasaryan ◽  
Sergey Fedorchenko ◽  
Eduard Shults

This article is devoted to the analysis of exogenous factors in the formation of the historical memory of Russian society about the Soviet era. The author refers to those components of the Russian information and cultural space that are created and broadcast into the consciousness of Russian society with direct influence and interest of foreign entities external to Russia. On the basis of facts and texts, conclusions are made about the systematic and consistent nature of attempts to influence the historical memory of Russian society in order to radically transform Russian national-historical consciousness and a sense of historical identity. The diversity of such effects is also noted. Despite the long and cumulative nature of attempts at external influence on the Russian memorial culture and social memory, a high degree of stability of the collective memory of Russian society should be stated. Not least, this is achieved thanks to the thoughtful historical policy of the Russian state over the past 15-20 years.


2021 ◽  
Vol 3 (1) ◽  
pp. 190-209
Author(s):  
Daniil A. Anikin

The article explores the dynamics of the image of V.I. Chapaev in the Soviet and post-Soviet media space. Using the theory of post-memory by M. Hirsch and S. O’Donoghue as methodology of research, the author analyzes the transformation of the main characteristics of the image, its place in Russian historical memory and in the cultural tradition. V.I. Chapaev became one of the most significant characters in the Soviet cultural tradition. After the fall of the Soviet Union the image of Chapaev however retained its significance in the context of rethinking the Soviet heritage. The article highlights the following stages of transformation of V.I. Chapaev’s image: the inclusion in the "founding myth" and gradual transformation into a Soviet epic hero (crowding out collective trauma); debunking the heroic status within the framework of the "carnival culture" and turning into a character of anecdotes (de-traumatization in the process of post-memory formation); transformation into a hero of Internet memes (transformation of post-memory and de-actualization of the themes of the Civil War). The author argues that the burst of memes depicting Chapaev in 2020 demonstrates a post-ironic attitude to the Black Lives Matter movement in Russian society. The author concludes that the fact that Chapaev’s image was included in a fundamentally different political and cultural context demonstrates that the symbolic potential of the Civil War memory in Russia is entirely exhausted and can no longer serve as a tool for the formation of commemorative practices.


2021 ◽  
Vol 2 (1) ◽  
pp. 47-53
Author(s):  
Olga O. Dmitrieva

The Patriotic War of 1812 occupies a special place in the historical memory of Russia. Сoncurrently, in France, the events of this historical period also left an indelible imprint in the memory of the French society. Based on a historiographical review of the historical works written by French historians (Frédéric François Guillaume de Vaudoncourt, R.J. Durdan, E. Labaume, Gaspard Gourgaud, Philippe-Paul de Ségur, L. de Gouvion Saint-Cyr, G. Chambray, A. Jomini and J. Pelet-Clozeau) the author analyzes the development of French historiography devoted to the personality of Napoleon Bonaparte and the historical period of 1812 taken as a whole. It should be noted that Bonaparte’s invasion into the territory of the Russian Empire entered the Russian historiographical tradition as the «Patriotic War of 1812», while in France these events became known in history as the «Napoleon’s Russian Drive» or «Napoleon’s Russian Campaign». The author analyzes the influence of Bonaparte’s personality on the historical consciousness of the European and the Russian society of the XIX century, when the so-called «Napoleonic myth» was very popular, which idealized the personality of this person. Foreign historiography of the war of 1812 differs in that researchers considered the military campaign in Russia in the context of the Napoleonic era as a whole, as a result of which there were either separate studies on the war with Russia, or general works about the period of Bonaparte’s military campaigns.


2020 ◽  
Vol ahead-of-print (ahead-of-print) ◽  
Author(s):  
Konstantin Vodenko ◽  
Valentina I. Rodionova ◽  
Lyudmila A. Shvachkina ◽  
Maria P. Tikhonovskova

PurposeThe purpose of this paper is to develop a model of management of cultural security of Russian society.Design/methodology/approachThe methodological foundation of this research consists in comprehensive approach and activity approach, which make it possible to comprehend specific aspects of cultural security management as an element of the national security system. The research uses a riskologic approach, which reveals the nature of modern risks and threats to cultural security in the information society. A constructivist approach is used, from the perspective of which the interaction between cultural identity and historical memory of society is analyzed.FindingsIt has been found that historical memory is one of the factors that are able to ensure cultural security of society in the context of threats associated with the processes of cultural intervention, current geopolitical confrontation, during which information and psychological methods of destructive influence on the cultural identity of peoples are abundantly used. Therefore, in the system for managing cultural security of society, one should use a historical memory resource aimed at preserving the cultural identity of the people and transmitting it to the coming generations.Originality/valueIt has been substantiated that the growing geopolitical confrontation in the world and the crisis state of the spiritual realm of Russian society bring up the question of state responsibility for the cultural situation and the need to implement an effective national cultural policy. It has been established that only through the reliance on the cultural factor, crisis phenomena can be overcome and social stability and civil society consolidation can be achieved. The role of historical memory in the preservation of cultural identity of the people and ensuring cultural security of Russian society in the context of external and internal threats has been identified. In order to preserve and transmit historical memory, one should use all the structures responsible for the process of socialization of an individual: family, educational system, mass media, cultural establishments and leisure industry.


Author(s):  
Daniil A. Anikin ◽  

The article reveals the problem of collective responsibility in the works of the Russian philosopher I.A. Ilyin, shows the dynamics of the development of his ideas from early work to articles of the emigrant period. Responsibility is con­sidered by I.A. Ilyin as a key concept that ensures the interconnection of the past and the future, which is especially acute in a situation of war. The First World War was supposed to be a source of spiritual uplift for the Russian people, but the ensuing revolution led to the emergence of a new socio-historical situation. According to I.A. Ilyin, traditional patriotism is replaced by its new form, in which responsibility for preserving Russian society forces neutrality in the armed con­frontation between communist Russia and Nazi Germany. A key element of such a choice is moral justification, which forces us to abandon the idea of overthrow­ing the regime at the cost of the life of the people, but, at the same time, does not allow us to side with this regime. I.A. Ilyin notes the key mistakes of Nazi ideol­ogy that do not allow us to make a choice in its favor: sectarianism, right-wing totalitarianism, party monopoly, nationalism, nationalization of the economy, idolatrous Caesarism. As a result, the Russian thinker considers authoritarian regimes based on traditional social institutions and preserving the primacy of morality over rationality to be the most optimal form of political structure. The article justifies that the ideas of I.A. Ilyin demonstrate the complexity and ambiguity of understanding patriotism in the context of the transformation of collective subjects of responsibility, when there is an inconsistency between the images of historical memory and the real configuration of the political and social space.


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