scholarly journals La representación de la guerra civil y el fascismo en El siglo, de Javier Marías, y O ano da morte de Ricardo Reis, de José Saramago

Author(s):  
Gerard Torres Rabassa

This article analyses the representation of the Spanish Civil War and fascism in the novels O ano da morte de Ricardo Reis, by José Saramago and El siglo, by Javier Marías. Both texts respond to a desire to recover national history and at the same time testify to the search for new narrative aesthetics connected with international literary modernity. The novels, written in contexts of both political and literary transition, propose an elliptical, indirect and fragmentary representation of the Civil War. In dialogue with the theories of Mikhail Bakhtin, we will show that these novels try to produce historical knowledge through the work of the literary form, maintaining a doublé commitment: to historical memory and with the aesthetic renovation of the literary field.

2020 ◽  
Vol 25 (4) ◽  
pp. 428-446
Author(s):  
Layla Renshaw

The Spanish Civil War (1936–1939) was triggered by a military uprising against the democratically elected Popular Front government. Away from the battlefield, this war was characterized by the politically-motivated murder of thousands of civilians, many of whom were buried in clandestine graves throughout Spain. Following Franco’s victory and subsequent dictatorship, there were strong prohibitions on commemorating the Republican dead. A radical rupture in Spain’s memory politics occurred from 2000 onwards with the founding of the Association for the Recovery of Historical Memory and other similar pressure groups that have organized the exhumation and reburial of the Republican dead. This article is based on fieldwork conducted in communities in Castile and León, and Extremadura as they underwent mass grave investigations. It examines the experience of theft and dispossession that occurred as part of the Francoist repression of Republicans. Accounts of these episodes focus on stolen and looted objects robbed from the dead during the killings, from the graves’ post-mortem, or from surviving relatives as part of the systematic dispossession of Republican households that occurred during the war and immediate post-war period. These narratives surface with frequency during the investigation and exhumation of mass graves. Despite the fact that many are lost forever, these stolen possessions can function as powerful mnemonic objects with a strong affective and imaginative hold. The narratives of dispossession explore themes of survival, the experiences of women and children, and the impact of slow violence. By invoking theft and stolen objects, these stories highlight forms of trauma and forms of memory that may not be represented fully by the dominant investigative paradigm of the mass grave exhumation with its inherent focus on death, cataclysmic violence and the tangible, physical traces of the past.


Author(s):  
Екатерина Гранцева ◽  
Ekaterina Granceva

In September 2018, the Russian Academy of Sciences Institute of World History, together with MGIMO of the Ministry of Foreign Affairs of the Russian Federation, ADAR and the Association of Russian Diplomats, the Council of War and Labor Veterans, arranged the International Academic Conference Soviet-Spanish Relations during the Spanish Civil War of 1936–1939. The participants discussed documentary evidence and the most crucial issues related to the study of this period, as well as preservation of historical memory in Russia and Spain.


2011 ◽  
Vol 16 ◽  
pp. 113-122
Author(s):  
Eszter Katona

The anniversary of Federico Garría Lorca's death and the outbreak of the Spanish Civil War is closely intertwined in the Spanish public awareness. The poet's birth date is equally an important date in the his toy of the Iberian nation, as Spain has lost its last colonies in 1898. Besides these two memorable dates, we also have to highlight 2007, when the Historical Memory Law (Ley de Memoria Histórica) was enacted, aiming to rehabilitate the victims of the Civil War and the Franco regime. This measure has launched such an avalanche on Spanish public life, that affected almost all the society in some way. The family of Garcia Lorca also had to take a commitment as the resting place of their world-famous relative was still unknown. In addition to the identification of the body of the dead poet, Lorca's homosexuality is a constant topic in literary and historical arríes. Today, Spanish society accepts the sexual orientation of the poet, but it remains disputed whether it had a real effec t on Lorca's poetry. Lorca's Hungarian popularity began in 1947 when Gypsy Ballads was issued then the premier of Bernarda in 1955, and has remained unbroken ever since. In connection with this year's anniversary, this study aims to present these three topics — the location of Lorca's resting place, Lorca's homosexuality, Lorca's reception in Hungary.


2018 ◽  
Vol 7 ◽  
pp. LWFB80-LWFB87
Author(s):  
Martyn Lyons

In post-Franco Spain, the families of the regime’s victims, as well as other republican supporters, have not only struggled to recover the bodies of victims of the repression, but also have tried to recover a lost historical memory after years of imposed silence. Véronica Sierra Blas’s new study of Franco’s prisoners (there were approximately 280,000 of them) aims to give recognition and some human dignity to their obscure fate. This article offers a critical discussion of her study of a corpus of about 1500 letters written by prisoners during the Spanish Civil War and the subsequent Francoist repression. They include petitions to the authorities, messages secretly smuggled out of jail, and the ‘chapel letters’ written by condemned prisoners on the eve of their execution. Many of the latter were designed to be made public for propaganda purposes. This article suggests that as those condemned to execution reviewed their lives, their final farewells constituted a form of life writing in the face of certain death.


Author(s):  
Ariel Mae Lambe

Taking a longer-term view, the postscript examines the legacy of antifascism and the Spanish Civil War in Cuban politics and historical memory during the early years of the Cuban Revolution that triumphed in 1959. The postscript returns to Teté Casuso during the struggle of the 1950s, when she helped Fidel Castro, and afterward, when she broke with the Revolution and left once again for exile in the United States. It addresses selective memory and forgetting of Cuban antifascists such as Casuso in revolutionary Cuba’s official accounts of antifascism and the Generation of the Thirties. Also, it connects Cuban antifascism to the present by discussing the Antifa movement across time and space.


2009 ◽  
Vol 17 (1) ◽  
pp. 177-185 ◽  
Author(s):  
José M. González

This article analyses the recovery of the historical memory of the Spanish Civil War in the last decade, after so many years of silence, forgetfulness and oblivion. Four points are developed: first, how this recovery is achieved by the civil society in general and by the Association for the Recovery of Historical Memory in particular. Secondly, there is a brief allusion to the quarrel between historians and philosophers about the place of memory and remembrance for the construction of the history of Spain. Thirdly, a reference to the recent Historical Memory Law is made, and finally there is a point about the important role played by literature in recovering the memory of many painful facts of the Civil War and Franco’s dictatorship from the point of view of the victims.


2017 ◽  
Vol 61 (0) ◽  
pp. 11-21 ◽  
Author(s):  
Maja Biernacka

War on Memorials in Catalonia. What to Do with Commemoration of the Battle of the Ebro The article discusses the conflicts taking place in public life over interpretation of the significance of places of national memory. The author presents them on the example of the dispute that arose in Spain over a memorial in the Catalan city of Tortosa. It commemorates the Battle of the Ebro, the military operation of the largest scale and consequences during the Spanish Civil War. The opponents of the memorial consider it as a testimony to the victory of Francoism and an unsightly and disgraceful element in the urban tissue. They appeal for its liquidation, while those arguing for its preservation and reinterpretation of the symbolic meaning treat it as an architecturally valuable distinguishing feature of the city. The fate of the controversial memorial does not rest solely in the hands of local authorities, but it has become a subject of political disagreement, disputes among residents and non-governmental activities. They are taking place against a background of the current legal basis of historical memory (Law 52/2007 of 26 December), which was developed by the political Left to compensate for the harm done to the victims of the Civil War and the Francoist dictatorship, and to implement changes in public space in connection with the traces of Francoism. However, its content leaves quite a big decision-making margin to the public authorities as to removing the traces of the regime from reinterpretation.


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