scholarly journals Between mass-market conventions and everyday life: The domestication of dining furniture in urban Istanbul

2021 ◽  
Vol 6 (1) ◽  
pp. 103-127
Author(s):  
Esra Bici Nasır

Although dining tables and chairs function as the main furniture stereotypes valued for hosting in traditional Turkish households, this practice has been subject to changes and challenges in contemporary urban life in Istanbul. This qualitative study of dining furniture brings insights into the design, production, purchase and use of furnishings from a broad review of literature and from semi-structured in-depth interviews undertaken in the homes of young urban professionals in Istanbul between the years 2013 and 2016. Prescribed as indispensable stereotypes in the furniture retail stores and considered as essential domestic units by the interviewees, dining tables and chairs are found out as not fulfilling their intended hosting functions efficiently or being often replaced by centre tables or coffee tables, because of an increase in casual rather than formal occasions. Domestication of the dining table as an open buffet was considered a practical way to help hold the food and drinks that were also on couches and coffee tables. In addition, the dining table was used for completely different functions unrelated to eating, as study desks or as surfaces for folding and ironing laundry, whereas dining chairs were used as places to drape coats or clothing. Interrogating the disconnect between the consumption and use context of the dining suites yields deeper discussion about the level of intellectual capital of Turkish furniture industry and the consumer culture which advices the enactment of norms. Insights in these complex, changing and sometimes contradictory patterns may influence the design of domestic furnishings in Turkey. Therefore, more user-based design research and a further examination of contemporary patterns of use in urban households are needed to activate this potential for the Turkish furniture design industry.

2020 ◽  
Vol 6 (7) ◽  
pp. 1257-1265
Author(s):  
Fouad El-Gamal

Intellectual capital can generate value for organizations and improve organizational innovation. This study aims to investigate the effects of intellectual capital on corporate innovation. Mixed research methodology approach has been used by combining both qualitative and quantitative analysis to explore and empirical examine the research model. The targeted population of interest is the licensed pharmaceutical manufactures, 90 organizations in the Egyptian pharmaceutical industry throughout its three main sectors (11 public, 70 local private and 9 MNCs). Statistical analyses are employed based on the questionnaires gathered from 39 pharmaceutical manufactures’ companies (44% response rate). In addition, sixty-three “63” in depth interviews have been conducted with both top and middle managers. The research findings indicate that all dimensions of intellectual capital (human, structural, and relational capital) have positive significant effects on organizational innovation of pharmaceutical manufactures’ companies. The study clarifies that the most dominant dimension is structural capital, which provides the largest and strongest support to pharmaceutical manufactures’ companies. The deep realization of the importance intellectual capital and its impact on innovation helps leaders to adopt accurate system to run organizational innovation in a better way, which lead to sustainable competitive advantage for organizations.


Inner Asia ◽  
2009 ◽  
Vol 11 (1) ◽  
pp. 97-114
Author(s):  
Anna Yur'evna Buyanova

AbstractThis article explores the repercussions of the demographic changes currently taking place in Buryatia. In particular, it concerns the mass migration of young rural Buryats to Ulan-Ude, in search of a higher education and, eventually, better career prospects. In-depth interviews with a sample of Buryat university students are used to reveal the challenges rural incomers face in adapting to urban life, and the differing strategies they use to overcome them. As these interviews show, the success of a rural Buryat's university career depends on their capacity to change their behaviour and aspirations to fit urban cultural norms.


2021 ◽  
Author(s):  
◽  
Christian Jacob Squire

<p>Reports throughout New Zealand have highlighted a chronic and growing problem in our urban centres – the effects of alcohol abuse and binge drinking leave our youth vulnerable and unprotected. The results can sometimes be catastrophic. Makeshift paramedic tents have recently been erected in Wellington to provide aid and retreat, but these are temporary structures and only available two nights per week. The vulnerability of New Zealand’s youth occurs not only on nights with too much alcohol, but also in response to the daily stresses brought on by contemporary urban life. New Zealand youth suicide rates are the highest out of 30 OECD nations and more than twice the OECD average (Chapman). Likewise the secularization of contemporary urban society has resulted in the loss of spiritual retreats previously found within churches and religious centres. This thesis examines the need for a permanent urban retreat for all those who are temporarily vulnerable. The thesis investigates how architectural form can provide a new approach to urban retreat by critically engaging analogous theories found in the writings of Plato and Louis Kahn. Both Plato’s theory of Forms (discussed in Plato’s “Dialogues”) and Louis Kahn’s 1961 essay “Form and Design” are centred on the idea of achieving an enlightened state of mind, freeing the mind from the physical realm. Plato’s theory of Forms posits that the universe is separated into two realms: an intelligible realm and a sensible realm. All objects that exist in the sensible realm – perceivable to us by our senses – are merely imperfect shadows of their essences or Forms. By understanding this, we can free our minds from the distractions of life which so often lead to stress and despair. Plato’s theory of Forms has many parallels with the architectural theory of Louis Kahn, as evidenced in Kahn’s “Form and Design”. Kahn describes the ‘measurable’ and ‘immeasurable’ realms, which are analogous to Plato’s sensible and intelligible realms. This thesis critically engages these analogous theories of Plato and Kahn – achieving an enlightened state of mind, freeing the mind from the physical realm – to establish how architectural form can provide urban retreat for those who are temporarily vulnerable. The site for the design research investigation is the nameless alleyway in the Courtenay Place precinct which separates Wellington’s historic St James Theatre from The Mermaid bar and brothel – a site which symbolizes the conflicting stimuli to which our urban residents are now continually exposed.</p>


2019 ◽  
Vol 31 (2) ◽  
pp. 375-396 ◽  
Author(s):  
Heather Mackay

This article arises from an interest in African urbanization and in the food, farming and nutritional transitions that some scholars present as integral to urban life. The paper investigates personal urban food environments, food sources and access strategies in two secondary Ugandan cities, Mbale and Mbarara, drawing on in-depth interviews and applying an intersectional lens. Food sources were similar across dimensions of difference but food access strategies varied. My findings indicate that socioeconomic circumstance (class) was the most salient influence shaping differences in daily food access strategies. Socioeconomic status, in turn, interacted with other identity aspects, an individual’s asset base and broader structural inequalities in influencing urban food environments. Rural land and rural connections, or multispatiality, were also important for food-secure urban lives. The work illuminates geometries of advantage and disadvantage within secondary cities, and highlights similarities and differences between food environments in these cities and Uganda’s capital, Kampala.


2016 ◽  
Vol 8 (2) ◽  
pp. 143-163
Author(s):  
Abhishek Mishra

Purpose Despite the volume of work on the subject, product design and its conceptualization has remained relatively abstract. There is hardly any discussion about the holistic meaning of design, especially with regards to its meaning for a user. This paper aims to explore consumer design perception to provide it a multidimensional definition and measure that is more relevant to industrial designers. Design/methodology/approach The study was done in two qualitative phases: the first to generate and confirm the design dimensions pre-conceived from literature, corroborated with consumer voices; and the second to include gamified depth interviews triangulated with conventional depth interviews and word association-based correspondence analysis to generate items that can measure each of those dimensions. Findings The first study confirms five dimensions of consumer design perception: visual, functional, kinesthetic, interface and information. Following the second phase, the study proposes five items for visual design, seven for functional design, three for kinesthetic design, four for interface design and five for information design. Research limitations/implications Though through multiple qualitative studies, combined with literary evidence, this work provides reasonable qualitative validity to the findings, a semiotic analysis-based methodologies that can further concretize, if not refute, the findings. Rooted in the theory of design value, the study explores transformation of design values, from the designer’s domain to that of a consumer. While each of the design constructs has gone through a thorough investigation in literature, this work is the first to provide a unified theory of consumer design perception. Practical implications Designers have long struggled to know what consumers want. There is a clear divide in designers and consumers’ meanings of design. This study attempts to bridge this divide. Items measuring each construct should enable them in tweaking their offerings to a consumer’s liking. Originality/value Design is an abstract term and can be applied by a designer or a consumer. Dimensionalization of this complex term for better understanding using innovative qualitative tools serves as an original contribution to field of design research.


2012 ◽  
Vol 215-216 ◽  
pp. 551-554
Author(s):  
Zhi Gang Hong

This paper describes carbon reduction techniques as energy saving design and energy saving manufacturing technologies in panel furniture industry. The author points out that reasonable panel furniture design means energy saving design. Designers can get reasonable panel furniture design by using appropriate design platform, doing good color designs and designing wonderful culture characters. Tow examples explained how those did. This paper also classifies the carbon reduction manufacturing process of panel furniture as GT (group technology) technologies, perfect panel board cutting plan and reasonable surface decoration. Some personal working experience is provided to support them.


2021 ◽  
Vol 11 (23) ◽  
pp. 11371
Author(s):  
Xianqing Xiong ◽  
Guozhen Lu ◽  
Danting Lu

Recently, solid wood furniture has become the new direction for the development of Chinese furniture industry. In order to realize solid wood customization, the standardization of solid wood parts is a problem for high priority. In this study, a standardized experimental study on children’s solid wood furniture parts was carried out by using group technology. Twenty pieces of children’s solid wood furniture were selected, including 1084 parts in total with 705 solid wood parts. Then, three key structural features of the parts were analyzed based on the processing similarity principle, including the center line of the long side direction of the parts, the shape of the outside surface of the long side direction and the shape of the outside surface of the short side direction. Moreover, these parts were classified according to the principle of process similarity. Accordingly, a children’s solid wood furniture parts family was established, and the distribution of parts in the family was analyzed. In detail, the parts with the dimensional difference within 2 mm were combined, the dimensional value was mainly based on the value of most parts before the combination and part specifications were optimized on the basis of the original specifications or its 1/2 method. The results show that the category of thickness specification reduced by 20, and the number of parts included in one thickness specification increased by 2.2 times on average. Moreover, the category of width specification reduced by 12, and the number of parts included in one width specification increased by 1.47 times on average. This not only greatly improves the degree of standardization of solid wood parts but also provides theoretical and practical basis for the digital design of mass customized children’s solid wood furniture.


2021 ◽  
Author(s):  
◽  
Claire Ford

<p>Increasingly, research suggests that urban life is characterised by rising levels of distress (Söderström, 2017). We exist in a melee of social, political, cultural and environmental constructs, many of which require individuals to repress emotional expression and experiences. Without consciously doing so, we take cues from the designed environment as to what behaviours should be acted out in that space, and this has a direct impact on our well-being. This thesis explores how the built environment can be designed to support the emotional wellbeing of its occupants.  Current practice addressing well-being predominantly looks at cases of severe mental dysfunction (Söderström, 2017) or designing spaces that privilege physical concerns (Jencks & Heathcote, 2010). The research in this thesis is not directed towards such extreme instances of distress; it focuses on the capacity of designed environments to emotionally enable and empower all building users, taking into account a broad spectrum of emotional expression and responses to space. To accomplish this, existing literary research on emotional well-being is traversed and used to inform a series of design explorations. These aim to discover how the design of space can enable occupants to feel supported; to live their emotional lives with complete agency. A conceptual framework is developed, drawing on philosophy, psychology, sociology, neurology and geography, which informs architectural design experiments that test relationships between the body, the mind, and the architecture we engaged with.  This thesis involves a speculative approach to design research. Using design experiments at multiple scales, this thesis explores the potential of moments in the built environment where people have strong emotional connections to space, in order that a consciously compassionate design approach may be developed. Four architectural briefs are explored at three scales - installation, domestic and public scale - allowing design to inform the research. Each investigation is successive and becomes a testing ground to evaluate and critique the design outcomes prior to it. The design tests also involve progressively more architectural and interactive complexity. This sequence of design tests explores the potential of spaces to empower an inhabitant in architectural space to experience joy and sadness; to directly associate architecture with emotional well-ness.</p>


2021 ◽  
Author(s):  
Henriette Lund Skyberg

Abstract Background: Although diversity, friction, and harmonisation in interprofessional teamwork are aspects frequently conceptualised, no empirical studies discuss them in combination. Focusing on risk and function with respect to each aspect, this paper examines how dynamics between these aspects during interprofessional teamwork interactions can foster (ideal) conditions for productive teamwork.Methods: An ethnographic study of three interprofessional teams in a mental health and substance use context in Norway, was conducted. Data were collected through observations of 14 team meetings and 18 in-depth interviews with health and social work professionals. Thematic analysis was applied to code the data.Results: A conceptual ideal-type model, which includes all three aspects, was developed to represent the emergent findings. The results suggest that the diversity of professional perspectives inherent in interprofessional teams is the foundation of interprofessional teamwork. However, friction is needed to promote innovation, encourage new insights, and intensify discussions. Harmonisation balances professional distinctions, fosters trust, and ties professionals together.Conclusion: This paper presents a comprehensive model of how professionals work together in interprofessional teams that makes visible the functions and risks of each aspect and the dynamics between them. Furthermore, it argues for mobilising all three aspects in combination during interprofessional teamwork to maximise productivity. Such insight can be used to support the development and successful implementation of interprofessional teamwork in health care.


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