»A sculpture that is made up of moving images, object systems, and still images« – skulpturale Dimensionen des CREMASTER Cycle

2014 ◽  
pp. 105-130
Keyword(s):  
Still Images ◽  
Moving Images

Analisis Tata Ungkap Dalam Dan Luar Pada Film Animasi Pendek Death Of The Firstborn Egyptians

2019 ◽  
Vol 2 (02) ◽  
pp. 31-42
Author(s):  
Citra Kemala Putri
Keyword(s):  
Technological Progress ◽  
Qualitative Method ◽  
Space Time ◽  
Visual Language ◽  
Language Theory ◽  
Still Images ◽  
Language System ◽  
Visual Study ◽  
Moving Images ◽  
Animated Films

Visual Language is a knowledge that can be used to interpret various images those presented without text. Primadi Tabrani divides this Visual Language into 2 systems, the visual language system called NPM (Naturalist-Perspective-Momenopname) and another visual language system is STP (Space-Time-Plane). At this time which the technological progress has been developing very rapidly, we met many types of images, not just still images, but also moving images such as animated films, one of them is Death Of The Firstborn Egyptians directed by Nina Paley. This research uses qualitative method and uses the Visual Language Theory in analyzing the various visual towards the visuals of this film. The results of a visual study of this film revealed that there was a slice between Modern ‘Tata Ungkap Dalam’ and Traditional ‘Tata Ungkap Dalam’. Meanwhile,  the researh found that Modern ‘Tata Ungkap Luar’ is dominantly use on the film. Thus it can be concluded that the RWD visual language system is not used to produce traditional images only, but also can be combined with NPM visual language system, those could enrich the result of finishing visual.

scholarly journals From Caméra-Stylo to Photobook: On Chris Marker’s Staring Back

2012 ◽  
Vol 23 (1) ◽  
pp. 113-132
Author(s):  
Jan Baetens
Keyword(s):  
Film Studies ◽  
The Political ◽  
Close Reading ◽  
Still Images ◽  
Moving Image ◽  
Political Issues ◽  
Moving Images ◽  
Strong Emphasis ◽  
The Relationship

In this article, the author analyzes Chris Marker’s photography, in particular the project Staring Back (an exhibition and a book, published in 2007), which offers a synthesis in fixed images of the film career of this author who has always explored the blurred boundaries between the still and the moving image (for example in his 1962 cult movie La jetée, or in later photo-films such as Si j’avais quatre dromadaires, 1966, and Le souvenir d’un avenir, with Yannick Bellon, 2001). The author relies on Marker’s notion of the “superluminal” (which refers to a special way of selecting still images out of the flow of moving images) as well as on contemporary and historical discussions on intermediality (inside and outside the domain of film studies alone) and cinephilia (as a specific way of combining writing and filming), to propose a close reading of Staring Back. In this reading, the author places strong emphasis on the political issues around looking and the relationship between artist and model.

scholarly journals Health teaching and behavioural change

2019 ◽  
pp. 55-69
Author(s):  
Ted Lankester
Keyword(s):  
Behavioural Change ◽  
The Internet ◽  
Health It ◽  
Health Awareness ◽  
Group Discussions ◽  
Still Images ◽  
Internet Radio ◽  
Moving Images ◽  
The Impact ◽  
Health Teaching

This chapter discusses health information and raising health awareness. It explains how these feed into behavioural change, both in individuals and in communities, as a key to improving health. It describes ways in which behavioural change can be brought about, starting with transformation in our own attitudes. It outlines materials, equipment, and preparations needed to teach and to improve heath at community level. It describes methods of raising health awareness, such as group discussions, personal teaching at the point of need, flashcards, flipcharts, flannel boards, stories and songs, roleplay, drama, puppets, live examples, still images (slides and digital photographs), moving images (video, DVD, and films), CD-ROMs and the Internet, radio, and TV. It finishes with a section on how to measure the impact of health teaching.

Multimodal Discourse Analysis of Religious Tourism on Madura Island, Indonesia

2021 ◽  
Vol 7 (1) ◽  
pp. 64
Author(s):  
Rosyida Ekawati ◽  
Desi Puspitasari ◽  
Siti Hanifa
Keyword(s):  
Discourse Analysis ◽  
Semiotic System ◽  
Still Images ◽  
Tourist Attractions ◽  
Verbal Language ◽  
Multimodal Discourse Analysis ◽  
Multimodal Discourse ◽  
Moving Images ◽  
Tourism Promotion ◽  
Religious Tourism

The objective of study is to explore the relationship between visual and verbal elements within the frame of multimodal discourse analysis in Madura tourism promotion. Promotion in the form of moving images with verbal language makes it easier for readers and potential tourists to see tourist attractions more closely and realistically. This study is descriptive qualitative using 3 videos of Madura tourism promotion, in particular tourism promotions of Bangkalan, Pamekasan, and Sampang regencies on Madura Island, Indonesia. Only scene representing religious tourism as the data of this study in which there are 8 data of religious tourism images. There are two parts of data analysis: visual and verbal analyses.  Visual semiotic mode of scenes and images were analyzed using visual grammar by Kress and van Leeuwen (2006).  In addition, verbal data are all of utterances generated during the scenes and the still images were analyzed based on appraisal framework by Martin and White (2005) especially on the attitude system.  Results show that tourism promotional videos use more than one mode of communication or semiotic system elements to create meaning through representational and interactive structures, compositional meanings, and verbal language.  All of the compositions can come together to create messages to the public, in this case information about tourist attractions and their locations that represent the religiosity of Madura.

Fractal Image Coding and Magnification Using Invariant Features

Fractals ◽  
1997 ◽  
Vol 05 (supp01) ◽  
pp. 65-74 ◽  
Author(s):  
Detlef Götting ◽  
Achim Ibenthal ◽  
Rolf-Rainer Grigat
Keyword(s):  
Image Coding ◽  
Multidimensional Space ◽  
Quality Improvements ◽  
Still Images ◽  
Content Quality ◽  
Fractal Image ◽  
Moving Images ◽  
Fractal Image Coding ◽  
Invariant Features ◽  
Affine Transforms

Fractal image coding has significant potential for the compression of still and moving images and also for scaling up images. The objective of our investigations was twofold. First, compression ratios of factor 60 and more for still images have been achieved, yielding a better quality of the decoded picture material than standard methods like JPEG. Second, image enlargement up to factors of 16 per dimension has been realized by means of fractal zoom, leading to natural and sharp representation of the scaled image content. Quality improvements were achieved due to the introduction of an extended luminance transform. In order to reduce the computational complexity of the encoding process, a new class of simple and suited invariant features is proposed, facilitating the search in the multidimensional space spanned by image domains and affine transforms.

Prerecorded telemedicine

2005 ◽  
Vol 11 (6) ◽  
pp. 276-284 ◽  
Author(s):  
Vincenzo Della Mea
Keyword(s):  
Low Cost ◽  
Cost Effective ◽  
The Internet ◽  
Still Images ◽  
Moving Images ◽  
Cost Effective Method ◽  
Wide Availability ◽  
Audio Data ◽  
Store And Forward ◽  
Types Of Information

In prerecorded telemedicine (also known as asynchronous or store-and-forward), the person sending the information and the person receiving it do not need to do so simultaneously; thus, viewing the information can be done at some later time. Prerecorded telemedicine is therefore not appropriate for emergency consultations. In prerecorded telemedicine systems, the following steps can be distinguished: (1) the acquisition of diagnostic information at the remote site; (2) its storage, which can be at either site, or at both; (3) its delivery to the expert site through an appropriate connection; and (4) its display at the expert site. The types of information transferred include audio, data and text, still images and moving images (i.e. video). An increasingly common way of doing prerecorded telemedicine is by email sent via the Internet. Although there are some problems associated with the Internet, its wide availability and low cost have encouraged its use. Examples where email has been used successfully include teleradiology, telecardiology, teledermatology and telepathology. In some situations prerecorded telemedicine is the only way to provide remote medical services, or the most cost-effective method. Clearly, there are also situations when prerecorded telemedicine is not an appropriate way to deliver health services, for example whenever the sender of the information is not qualified to sample the information acquired or the specialist receiving the information must manipulate it, during acquisition, in some way.

‘Word-learning wizardry’ at 1;6

2005 ◽  
Vol 32 (1) ◽  
pp. 175-189 ◽  
Author(s):  
CARMEL HOUSTON-PRICE ◽  
KIM PLUNKETT ◽  
PAUL HARRIS
Keyword(s):  
Word Learning ◽  
Still Images ◽  
Early Stages ◽  
Moving Images ◽  
Preferential Looking ◽  
Learning Conditions

This article explores whether infants are able to learn words as rapidly as has been reported for preschoolers. Sixty-four infants aged 1;6 were taught labels for either two moving images or two still images. Each image–label pair was presented three times, after which comprehension was assessed using an adaptation of the intermodal preferential looking paradigm. Three repetitions of each label were found to be sufficient for learning to occur, fewer than has previously been reported for infants under two years. Moreover, contrary to a previous finding, learning was equally rapid for infants who were taught labels for moving versus still images. The findings indicate that infants in the early stages of acquiring a vocabulary learn new word-referent associations with ease, and that the learning conditions that allow such learning are less restricted that was previously believed.

scholarly journals Accommodating the Mess: The Politics of Appropriation in It for Others (2013)

2016 ◽  
Vol 12 (1) ◽  
pp. 149-165
Author(s):  
Paula Blair
Keyword(s):  
Video Installation ◽  
Still Images ◽  
Convergence Culture ◽  
Moving Images ◽  
Written Texts ◽  
Complex Approach ◽  
Marxist Approach ◽  
Art And Culture ◽  
Chris Marker ◽  
Prize Culture

Abstract In response to Chris Marker and Alain Resnais’s collaborative meditation on art and colonialism in Statues Also Die (1953), Duncan Campbell’s video installation It for Others (2013) takes a complex approach to presenting a Marxist criticism of the commoditization of art and culture. This article considers the intermedial and intertextual properties of It for Others as an example of convergence culture that transcends postmodern quotation and pastiche. While the film is apparently a bricolage of visual artefacts, it is in fact an intricately woven audiovisual essay concerned with the appropriation of not only colonized objects as its narration makes clear, but also of still images, moving images, written texts, sound samples, and the labour that produced them. The article examines how the film troubles notions of documentary realism and truth through its acts of appropriation that reflexively criticize the commercial appropriation and commoditization of artworks and histories. It also reflects on the film’s Marxist approach to related issues around authorship, ownership and access to artworks, particularly in the light of the film’s acknowledgement in prize culture.

Stehblues–Do You Want to Dance with Me?

2017 ◽  
Vol 8 (1) ◽  
pp. 16-25
Author(s):  
Ninel Çam
Keyword(s):  
Public Space ◽  
Dance Performance ◽  
Still Images ◽  
Moving Images ◽  
World Cafe ◽  
The World ◽  
The City

Abstract The participatory dance performance STEHBLUES was created by the duo of Ninel Çam (an artist) and Chris Schaal (a filmmaker), who travel to different cities, mark a 2m x 2m area in a public space, and display an illustrated sign that lets passersby know that they can dance with the standing-and-waiting artist if they want. Chris Schaal documents the performances through still images and videos. Moving images are live-streamed to the World Cafe in Stuttgart. In STEHBLUES, the artist stands in the midst of the marked field in a public space, waiting until a stranger is willing to slow-dance with her. As soon as someone volunteers, a relationship is created in this sphere of dance and becomes an ephemeral part of the city, of the culture, of the world. STEHBLUES travels to different cities that have invited this project to be part of their culture or to cities with which the artists feel a connection.

Sign in / Sign up

Export Citation Format

Share Document