scholarly journals Zabił, nie zabił i kto kogo zabił? O filmie Zabicie ciotki Grzegorza Królikiewicza

2021 ◽  
Vol 30 (39) ◽  
pp. 119-137
Author(s):  
Michał Dondzik
Keyword(s):  
Specific Kind ◽  
Moral Dimension ◽  
History Of ◽  
The Subject ◽  
The Way

The subject of this article is an analysis of the film Killing Auntie (Zabicie ciotki, 1984) by Grzegorz Krolikiewicz. The author reconstructs the history of the film’s making, recalls the memories of actor Robert Herubin, cinematographer Krzysztof Ptak, and director Grzegorz Krolikiewicz. The author reads Killing Auntie through the prism of Andrzej Bursa’s prose, refers to the heritage of surrealism and the way the director refers to it. According to the author it is important to answer the question of whether Killing Auntie is a specific kind of performance. The article concludes with a reflection on the moral dimension of Killing Auntie and an attempt to answer the questions: did the murder in Killing Auntie really happen and could any of us commit it?

The History of the Rechabites— an Initial Commentary

1997 ◽  
Vol 28 (3) ◽  
pp. 413-436
Author(s):  
Chris H. Knights
Keyword(s):  
Greek Text ◽  
Original Language ◽  
The Third ◽  
History Of ◽  
The Subject ◽  
The Way

AbstractThis article is the third in a series of studies on The History of the Rechabites. The first, "The Story of Zosimus or The History of the Rechabites?,"1 established the independent identity of this text within the Christian monastic work, The Story of Zosimus, and was a sort of prolegomena to the study of this text. The second, "Towards a Critical-Introduction to The History of the Rechabites,"2 sought to address the standard introductory issues, such as date, original language, provenance and purpose. The present paper seeks to examine the text verse-by-verse, and to offer a commentary on it. Or, rather, an initial commentary. No commentary of any sort has ever been offered on the Greek text of HistRech before, and it would be foolhardy to claim that any one scholar could perceive all the allusions and meanings in a particular text at a first attempt. This commentary, then, is offered in the same spirit as my two previous studies on HistRech: as a step along the way towards unravelling the meaning of this pseudepigraphon about the Rechabites, not as the last word on the subject.

scholarly journals How computers affected the humanities

2002 ◽  
Vol 01 (03) ◽  
Author(s):  
Emanuele Salerno
Keyword(s):  
Information Technology ◽  
Scientific Revolution ◽  
Computing Technology ◽  
History Of ◽  
The Subject ◽  
The Way

This paper is concerned with the interactions between information technology and the humanities, and focuses on how the humanities have changed since adopting computers. The debate among humanists on the subject initially focuses on the alleged methodological changes brought about by the introduction of computing technology. It subsequently analyses the changes in research that were caused by IT not directly but indirectly, as a consequence of the changes effected on society as a whole. After briefly summarising the history of the interactions between information technology and the humanities, the paper draws on literature to examine the way humanists have perceived the evolution of their disciplines. The paper concludes by fitting the phenomenon into a model of scientific revolution.

Migration, Citizenship and Belonging in Hyderabad (Deccan), 1946–1956

2010 ◽  
Vol 45 (1) ◽  
pp. 81-107 ◽  
Author(s):  
TAYLOR C. SHERMAN
Keyword(s):  
Religious Affiliation ◽  
Indian Diaspora ◽  
History Of ◽  
Princely State ◽  
The Subject ◽  
The Government ◽  
Foreign Birth ◽  
Scholarly Attention ◽  
The Way

AbstractWhilst the history of the Indian diaspora after independence has been the subject of much scholarly attention, very little is known about non-Indian migrants in India. This paper traces the fate of Arabs, Afghans and other Muslim migrants after the forcible integration of the princely state of Hyderabad into the Indian Union in 1948. Because these non-Indian Muslims were doubly marked as outsiders by virtue of their foreign birth and their religious affiliation, the government of India wished to deport these men and their families. But the attempt to repatriate these people floundered on both political and legal shoals. In the process, many were left legally stateless. Nonetheless, migrants were able to creatively change the way they self-identified both to circumvent immigration controls and to secure greater privileges within India.

War and Peace in International Rivalry. By Paul F. Diehl and Gary Goertz. Ann Arbor: University of Michigan Press, 2000. 319p. $49.50.

2001 ◽  
Vol 95 (2) ◽  
pp. 515-516
Author(s):  
John Vasquez
Keyword(s):  
International Relations ◽  
Intellectual History ◽  
University Of Michigan ◽  
War And Peace ◽  
International Rivalry ◽  
Ann Arbor ◽  
History Of ◽  
The Subject ◽  
Peace And War ◽  
The Way

When the intellectual history of international relations in- quiry is written for our time, War and Peace in International Rivalry may very well be seen as a seminal book. Along with Frank Wayman, Diehl and Goertz have been at the forefront of a major conceptual breakthrough in the way peace and war are studied. This book is their major statement of the subject and presents their most important findings.

scholarly journals Soviet Modernity: Stephen Kotkin and the Bolshevik Predicament

2014 ◽  
Vol 23 (2) ◽  
pp. 167-192 ◽  
Author(s):  
ANNA KRYLOVA
Keyword(s):  
Twentieth Century ◽  
Historical Analysis ◽  
Critical Discussion ◽  
Special Role ◽  
Master Narratives ◽  
Modern Times ◽  
Collective Property ◽  
History Of ◽  
The Subject ◽  
The Way

‘Modernity’ has long been a working category of historical analysis in Russian and Soviet studies. Like any established category, it bears a history of its own characterised by founding assumptions, conceptual possibilities and lasting interpretive habits. Stephen Kotkin's work has played a special role in framing the kind of scholarship this category has enabled and the kind of modernity it has assigned to twentieth-century Russia. Kotkin's 1995Magnetic Mountainintroduced the concept of ‘socialist modernity’. His continued work with the concept in his 2001Kritikaarticle ‘Modern Times’ and his 2001Armageddon Avertedmarked crucial moments in the history of the discipline and have positioned the author as a pioneering and dominant voice on the subject for nearly two decades. Given the defining nature of Kotkin's work, a critical discussion of its impact on the way the discipline conceives of Soviet modernisation and presents it to non-Russian fields is perhaps overdue. Here, I approach Kotkin's work on modernity as the field's collective property in need of a critical, deconstructive reading for its underlying assumptions, prescribed master narratives, and resultant paradoxes.

scholarly journals R. Bukharaev’s poem “Prayer for the Cup” as a transcultural text

2021 ◽  
Vol 2 (6) ◽  
pp. 290-299
Author(s):  
Venera R. Amineva ◽  
Keyword(s):  
The Road ◽  
New Meanings ◽  
History Of ◽  
New Type ◽  
The Subject ◽  
Flow Transitions ◽  
Artistic Image ◽  
Homogeneous Culture ◽  
The Way

The characteristics of a new type of literary discourse having a feature of transculturality is given on the material of a poem “Prayer for the Cup” (1989–1991) a significant work by R. Bukharaev. A global, multicultural and international world is reconstructed in the poem, the existence of which is determined by the idea of transitivity — simultaneity and continuous flow, transitions from one into another: epochs, events, topos, languages. The hero of this world — is a lonely stranger, walking along the road of life, linearly opening the autonomous world of his “I”. the history of his spiritual travel correlates with the way of Christ full of suffering. The poem is full of historical and literary allusions and reminiscences from the world literary works, performing an identifying function. It is stated that identification performed by different elements of a literary text is carried out both “on the borders”, “in the interval” between different traditions, as well as “within the limits”, “inside” a homogeneous culture. Therefore, it is multiple, and meanwhile fundamentally incomplete, “split”, “fluid”, “intermediate”, “flickering”, probabilistically multiple, constantly questioning its status and revealing the growing plasticity of the subject, who is in the process of constantly recreating its own “I”. A new form of worldview, the product of which is a phenomenon of transcultural literature, is formed by synthesizing tendency. It functions within the artistic world of the poem and overcomes the boundaries between different types of culture and traditions, demonstrating the way new meanings overcome it, tolerant in their content and functions, can be appear from confrontation. An ability of an artistic image to endless mutual overflowing and transformations of meaning is a new quality of poetic language corresponding to the peculiarities of the transcultural type of artistic consciousness.

scholarly journals O-bi, o-ba: Koniec cywilizacji – postpiśmienny świat Piotra Szulkina

1970 ◽  
pp. 273-284
Author(s):  
Maciej Pietrzak
Keyword(s):  
Science Fiction ◽  
Biblical Text ◽  
The Third ◽  
The Future ◽  
History Of ◽  
The Subject ◽  
Written Word ◽  
The Way ◽  
Adam Mickiewicz

Pietrzak Maciej, O-bi, o-ba: Koniec cywilizacji – postpiśmienny świat Piotra Szulkina [O-Bi, O-Ba: The End of Civilization – The Postliterate World of Piotr Szulkin]. „Przestrzenie Teorii” nr 32. Poznań 2019, Adam Mickiewicz University Press, pp. 273–284. ISSN 1644-6763. DOI 10.14746/pt.2019.32.14. Piotr Szulkin made his mark in the history of cinema primarily as the author of disturbing visions of the future. His four films made between 1979 and 1985 comprised the science-fiction tetralogy, which is still one of the greatest artistic achievements of this genre in Polish cinema. The subject of the article is the third production of Szulkin’s series – the post-apocalyptic film O-Bi, O-Ba: The End of Civilization from 1984. In the film, the director creates a suggestive vision of a world destroyed as a result of nuclear conflict, in which the original functions of literature and the written word are forgotten. The author article analyzes the way in which forsaken literary artifacts are used in the post-literary reality of the film. An important element of his considerations is also the post-apocalyptic reception of the biblical text, on whose elements the mythology of the film’s world is based.

Charles Martin Robertson 1911–2004

2007 ◽  
Author(s):  
BRIAN A. SPARKES
Keyword(s):  
English Language ◽  
Comprehensive Treatment ◽  
History Of ◽  
The Subject ◽  
Greek Art ◽  
The Way

Martin Robertson published the History of Greek Art in 1975, which has continued to hold its place in English language scholarship. It was the culmination of years of patient research that had started when he embraced the teaching of the history of the subject nearly thirty years earlier. Reviewers remarked on the way in which the book was both a personal study of Greek art and also a comprehensive treatment of the whole field. Through its measured structure and the grace and power of its style, it shows the author at the peak of his talent.

Lòk: Pandemics and (Im)mobility in Northern Haiti

2021 ◽  
Vol 2 (1) ◽  
Author(s):  
Rodrigo Bulamah
Keyword(s):  
Respiratory Disease ◽  
Virtual Communication ◽  
Radio Stations ◽  
Social Distancing ◽  
General Feeling ◽  
History Of ◽  
The Subject ◽  
Ethnographic Data ◽  
Radical Uncertainty ◽  
The Way

Rumors of a new respiratory disease began to reach northern Haiti through reports from relatives from the diaspora; the subject soon took over radio stations, virtual communication apps, and everyday conversations in rural neighborhoods and popular markets. The need for social distancing, however, was met with skepticism—not out of disbelief in its effectiveness, but out of resignation to a situation that did not seem new. In this article, I look at the history of past epidemics in Haiti and how these experiences shaped the way people reacted to the arrival of COVID-19 in the country. Through ethnographic data and recent conversations with Haitian friends, I argue that the general feeling of immobility caused by the pandemic intensified a political and existential situation defined as lòk. Nevertheless, it was through a popular epidemiology centered around the household (lakou) that people were able to cope with this new virus. While discussing creative forms of dealing with this sense of stagnation, I try to show that mobility is a form of vitality, creating and structuring life even in situations of radical uncertainty.

How Should We Approach the History of Economic Thought, Fact, Fiction or Moral Tale?

1992 ◽  
Vol 14 (1) ◽  
pp. 18-35 ◽  
Author(s):  
Roger E. Backhouse
Keyword(s):  
Economic Thought ◽  
History Of Economic Thought ◽  
Healthy State ◽  
History Of ◽  
The Subject ◽  
Traditional Approaches ◽  
The Way

This paper reviews the way in which constructivist or anti-representationalist arguments have been used as an argument in favor of changing the way we write the history of economic thought. It is argued that though such arguments provide some important new perspectives on the subject, their use as a comprehensive methodological critique of “traditional” approaches to the subject rests on the theses that a non-foundationalist methodology is impossible, and that we can assume that contemporary economics is in a healthy state. If these theses are not accepted, the case against “traditional” histories collapses.

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