scholarly journals Private Experience and Public-Spirited Critique: Brexit-Era Britain in the Recent Poetry of Vidyan Ravinthiran and Nicholas Hagger

Porównania ◽  
2021 ◽  
Vol 30 (3) ◽  
pp. 107-118
Author(s):  
Jeremy Pomeroy

Two starkly different aspects of the Brexit phenomenon may be seen in the recent work of two British poets, Vidyan Ravinthiran and Nicholas Hagger. Ravinthiran’s most recent book consists of love sonnets composed for his wife. These are addressed to an intimate “you” which, upon publication, is expanded to vicariously include his readership. In the course of their everyday life as a mixed-race couple in northern England, the context of Brexit occasionally intrudes. When it leads him to communicate something to his wife, the poet organically transcribes these experiences. While ultimately a secondary (if often inescapable) theme in Ravinthiran’s sonnet sequence, the Brexit negotiations are the leitmotif of Hagger’s Fools’ Paradise. Taking his cue from the sixteenth and seventeenth century mock epic, the poet offers an erudite satire excoriating a short-sighted political class. Hagger appears to move easily in such circles, presumably due to the diplomatic and intelligence contacts in his past. Assuming the guise of an insider or pundit, “your poet” provides a meticulous, tactical critique of the inefficacy of foolish parliamentarians.

Author(s):  
Daniel Leech-Wilkinson

The concept of shape is widely used by musicians in talking and thinking about performance, yet the mechanisms that afford links between music and shape are little understood. Work on the psychodynamics of everyday life by Daniel Stern and on embodiment by Mark Johnson suggests relationships between the multiple dynamics of musical sound and the dynamics of feeling and motion. Recent work on multisensory and precognitive sensory perception and on the role of bimodal neurons in the sensorimotor system helps to explain how shape, as a percept representing changing quantity in any sensory mode, may be invoked by dynamic processes at many stages of perception and cognition. These processes enable ‘shape’ to do flexible and useful work for musicians needing to describe the quality of musical phenomena that are fundamental to everyday musical practice and yet too complex to calculate during performance.


1979 ◽  
Vol 15 (2) ◽  
pp. 176-188 ◽  
Author(s):  
Philip Jenkins

In the seventeenth century, one of the Catholic strongholds of Britain had lain on the southern Welsh borders, in those areas of north Monmouthshire and southern Herefordshire dependant on the Marquis of Worcester at Raglan, and looking to the Jesuit mission at Cwm. Abergavenny and Monmouth had been largely Catholic towns, while the north Monmouthshire countryside still merited the attention of fifteen priests in the 1670s—after the Civil Wars, and the damaging conversion to Protestantism of the heir of Raglan in 1667. Conspicuous Catholic strength caused fear, and the ‘Popish Plot’ was the excuse for a uniquely violent reaction, in which the Jesuit mission was all but destroyed. What happened after that is less clear. In 1780, Berington wrote that ‘In many [counties], particularly in the west, in south Wales, and some of the Midland counties, there is scarcely a Catholic to be found’. Modern histories tend to reflect this, perhaps because of available evidence. The archives of the Western Vicariate were destroyed in a riot in Bath in 1780, and a recent work like J. H. Aveling's The Handle and the Axe relies heavily on sources and examples from the north of England. This attitude is epitomised by Bossy's remark on the distribution of priests in 1773: ‘In Wales, the mission had collapsed’. However, the question of Catholic survival in eighteenth-century Wales is important. In earlier assessments of Catholic strength (by landholding, or number of recusants gaoled as a proportion of population) Monmouthshire had achieved the rare feat of exceeding the zeal of Lancashire, and Herefordshire was not far behind. If this simply ceased to exist, there was an almost incredible success for the ‘short, sharp’ persecution under Charles II. If, however, the area remained a Catholic fortress, then recent historians of recusancy have unjustifiably neglected it.


1990 ◽  
Vol 20 (3) ◽  
pp. 437
Author(s):  
Theodore K. Rabb ◽  
Gridley McKim-Smith ◽  
Greta Andersen-Bergdol ◽  
Richard Newman ◽  
Erik Larsen ◽  
...  

Author(s):  
Marta Miguel Borge

<p>No cabe duda de que los inventarios de bienes proporcionan una información muy valiosa sobre el léxico de la vida cotidiana. En nuestro caso, hemos realizado un muestreo en la comarca de Tierra de Campos en el siglo XVII. El corpus documental se configura a partir de protocolos notariales obtenido en los Archivos Históricos Provinciales de León, Palencia, Valladolid y Zamora. Estos inventarios constituyen una herramienta fundamental para conocer el léxico de los bienes y objetos que componían el día a día de las personas. En nuestro caso, el campo semántico estudiado se centra en la actividad agrícola.</p><p>There is no doubt that property inventories provide invaluable information about the lexicon of everyday life. In our case, we have carried out a sampling in the Tierra de Campos region (Castile and Leon, Spain) in the 17th century. The documentary corpus has been taken from the notarial protocols from the Provincial Historical Archives of León, Palencia, Valladolid, and Zamora. These inventories are an essential tool to find out the lexicon of the goods and objects of people's daily life. In our case, focused on agricultural activity.</p>


1998 ◽  
Vol 34 ◽  
pp. 175-186
Author(s):  
Susan Hardman Moore

Patriarchs at home, but brides of Christ in spirit: it is an intriguing fact that while puritan writers opposed any confusion of gender roles in everyday life, they were happy for men to adopt a feminine identity in spiritual experience. On one hand, seventeenth-century conduct books and sermons hammered home the divinely-ordained place of husbands and wives in marriage. William Whately (1583-1639) argued that wives should always have on their lips the refrain ‘Mine husband is my superior, my better’, and thatas our Lord Jesus Christ is to his Church … so must [the husband] be to his wife an head and Saviour … the Lord in his Word hath intitled him by the name of head: wherefore hee must not stand lower than the shoulders…. That house is a … crump-shouldered or hutcht-backt house, where the husband hath made himself an underling to his wife, and given away his power to an inferior.


2020 ◽  
Vol 9 (3) ◽  
pp. 123-139 ◽  
Author(s):  
Katie Downs

This article highlights a time when Northern artists were no longer allowed to paint or carve holy images as they had done during the Middle Ages and the Renaissance. The Catholic Church banned this art form due to the interpretation of the second commandment: ‘Thou shalt make no graven image of thy God’. Genre paintings were the outcome of this banishment and a way to represent and depict an everyday life scene in a Dutch seventeenth-century household. The paintings would show the best of a situation and also its worst counterpart in almost a mocking comical way. By exploring these paintings, we come to understand how women were fed propaganda into becoming a better housewife, mother and bearing the weight of physical nourisher to all. Although amusing, the images have been celebrated and considered legendary during the Golden Age of the Netherlands. While taking a closer look at genre paintings and the everyday practices of the Dutch household, we can connect patterns to how these paintings affected women and influenced their domestic duties in the Golden Age.


Author(s):  
Valentin Kitanov

The penetration of tobacco into the Ottoman Empire was followed by a ban on its production and use in the seventeenth century. The lifting of the ban in 1688 led to the rapid spread of production and trade with tobacco products and made smoking widely popular in the Ottoman society. Although smoking was prevalent mainly among Muslims, the chibouk and the hookah became distinctive attributes and, for generations, an integral part of the cultural characteristics of sultan’s subjects, regardless of their religious or national affiliation. Whether it was consumed free or secretly due to penal laws, smoking became emblematic of the social and cultural representation of the Ottoman realm and, in a way, it was affiliated with a particular zone of comfort and tranquillity, an escape from all worries and problems of everyday life.


1997 ◽  
Vol 30 (119) ◽  
pp. 377-392 ◽  
Author(s):  
Neal Garnham

In his recent book dealing with the history of duelling in Ireland, James Kelly comes to the conclusion that eighteenth-century Ireland was essentially ‘a violent society’, peopled at least in part ‘by wilful men who put their individual reputations above their lives, their families, their religion, and the law’. Such comments seem to continue a well-established tradition of interpretation that goes back to the nineteenth century. However, this image of a society in which violence was endemic, and conflict a feature of everyday life, has not gone unquestioned by historians. For example, Thomas Bartlett and Sean Connolly have instead noted the relatively controlled nature of popular protest, the early disappearance of banditry, and the reliance, until the very end of the century, on local enforcement of the law, as possible indications that Ireland may not have been as disorderly a society as has been suggested. These differing interpretations have, in turn, an obvious relevance to the wider debate on how eighteenth-century Ireland should be perceived: as a society irreconcilably and uniquely divided by religious and ethnic conflicts, or as a more or less typical part of the European ancient régime.


1960 ◽  
Vol 92 (1-2) ◽  
pp. 32-47 ◽  
Author(s):  
D. K. Bassett

Much has been written about British activities in the Far East, particularly in China, in the seventeenth, eighteenth, and nineteenth centuries, especially by American historians. Dr. H. B. Morse&apos;s monumental Chronicles of the East India Company trading to China was first in the field and Professor E. H. Pritchard and J. K. Fairbank have been worthy successors. English scholarship on the subject is naturally somewhat older but, possibly for that reason, the work done has not usually been as detailed or thorough: an exception is Michael Greenberg's recent book, British Trade and the Opening of China, 1800–42. To find general surveys of Anglo-Chinese relations by British writers which extend back into the seventeenth century, it is necessary to turn to the books of A. J. Sargent and J. Bromley Eames. But as far as the seventeenth century is concerned historical research has been scanty. That Greenberg should have regarded a summary of events before the period with which he was immediately concerned as sufficient for his purpose was only natural. Fairbank's introductory chapters are more comprehensive but show greater interest in the attitude of the Chinese to external intruders than in the efforts of the East India Company to intrude. Sargent, as he himself acknowledged, was mainly concerned with the nineteenth century and his attempt to provide a historical background was very superficial. Eames paid considerable attention to early British contacts with China but was prone to errors of fact which make him unreliable.


2007 ◽  
Vol 50 (2) ◽  
pp. 449-464 ◽  
Author(s):  
MICHAEL EDWARDS

The historiography of early modern Aristotelian philosophy and its relationship with its seventeenth-century critics, such as Hobbes and Descartes, has expanded in recent years. This article explores the dynamics of this project, focusing on a tendency to complicate and divide up the category of Aristotelianism into multiple ‘Aristotelianisms’, and the significance of this move for attempts to write a contextual history of the relationship of Hobbes and Descartes to their Aristotelian contemporaries and predecessors. In particular, it considers recent work on Cartesian and Hobbesian natural philosophy, and the ways in which historians have related the different forms of early modern Aristotelianism to the projects of the novatores.


Sign in / Sign up

Export Citation Format

Share Document