scholarly journals Patrzenie jako źródło cierpień (z rzymskich dziejów pewnego motywu literackiego)

2021 ◽  
Vol 31 (1) ◽  
pp. 205-225
Author(s):  
Jakub Pigoń

The paper examines a number of Roman literary texts (by Ennius, Cicero, Vergil, Ovid, Seneca the Younger, Lucan, Tacitus, Jerome, etc.) in which viewing is connected with mental or emotional suffering. Usually, the emphasis is laid on a character’s viewing of some dramatic events – a close relative’s death, for example – and on his or her emotional response to what is being seen. In some works, especially in consolatory contexts, someone’s premature death is presented as advantageous because the dead person is now spared the necessity of viewing misfortunes which the living have to witness. Also, people may be compelled (e.g. by an emperor) to watch evil things; in such a situation they are usually viewers and objects of viewing at the same time, since their gestures and facial expression are carefully observed.

2021 ◽  
Vol 3 (4) ◽  
pp. 119-126
Author(s):  
Hadeel EJMAIL

Death is one of the most difficult topics a person can talk about. The human being is busy with how to continue his life and improve its conditions. This study aims is to explore the writing of Facebook pages of the dead. The research used the qualitative approach through a content analysis, where (50) publications were found on fifteen pages of a dead person with an intentional sample, and the results of the research showed that writing people in the pages of the dead included two directions, the first direction is a desire to immortalize the dead and a kind of preserving their roots Alive. As for the other direction, it was weeping over their ruins and showing the end of a person's death and his end life. Sometimes in the same post include both directions together, meaning "the use of the deceased’s account by his family by changing the profile picture of the dead, and at the same time inviting the deceased’s friends through his page to the memorial event. People write on the pages of the dead in order to weep over their ruins on the one hand, and to immortalize their memories on the other side. Facebook as a social platform and the interaction of people with the pages of the dead shows the great social interaction that takes place in this space, and research in this field is not consistent with one and only claim, as some posts are either temporary or permanent; Therefore, I have used screen capture technology to collect and retain information. The pages of the dead included referring to them, writing memorials and longing, etc. Facebook has become a social platform that allows those who lose a dear person to share their grief through it, and enables them to deal with death and relieve their pain


2018 ◽  
Vol 4 (1) ◽  
pp. 30-49
Author(s):  
Amrita Ghosh

This essay studies two literary texts on Kashmir, The Collaborator (2011) by Mirza Waheed and Curfewed Night (2010) by Basharat Peer and analyzes the discourses of power, overt forms of violence that the works present. It first contextualizes events from the last three years that have occurred in Kashmir to present forms of violence Kashmiri subjects undergo in the quotidian of life. The essay, thus, argues that the selected literary works represent Kashmir as a unique postcolonial conflict zone that defies an easy terminology to understand the onslaught of violence, and the varied forms of power. As analyzed in the article, one finds a curious merging of biopolitics and necropolitics that constructs the characters as “living dead” within this emergency zone. For this, the theoretical trajectory of the essay is mapped out to show the transition from Foucault and Agamben’s idea of biopolitics to Mbembe’s concept of necropolitics. Thereafter, essay concludes how the two texts illustrate Agamben’s notion of the bare life is not enough to understand subjects living in this unique postcoloniality. The presence of death and the dead bodies go beyond bare life and shows how that bodies become significant signifiers that construct a varied notion of agency.


Author(s):  
Angelos Chaniotis

This chapter explores how the gamut of responses to the presence of an inscription has to include not just sight and touch but also imagination and vocalisation. Being meant to be read aloud, they convey a reader's voice as well as that of the inscription itself or that of the dead person commemorated on a gravestone. Even more immediate is the potential impact when a person's actual words are preserved and displayed. They may be in direct speech, illustrated by letters and confessions, or in indirect speech as records of manumissions, minutes of meetings, or jokes. They may alternatively be performative speech, in the form of acclamations, formal declarations, oaths, prayers or hymns; and can equally be reports of oral events such as meetings or even public demonstrations. They can also be couched in various forms of emotional language, whether uttered by individuals (graffiti, prayers or the edicts of angry rulers) or more collectively and formally in secular or religious acclamations, and even in decrees of state. A final section emphasises the need for practitioners of the discipline of epigraphy to be missionaries — to spread the word about the value of visible words.


The Lancet ◽  
1918 ◽  
Vol 191 (4946) ◽  
pp. 854
Author(s):  
J.B. Hellier
Keyword(s):  

Classics ◽  
2020 ◽  
Author(s):  
John Pearce

Evidence for death and burial in the Roman age extends across all materials surviving from Antiquity, literary texts, the remnants of memorials to the dead, inscriptions, images, and burials themselves, both the remains of the dead and the objects used in the rituals for burying them. This diversity of source material and the relevance of funerary evidence to so many aspects of ancient life continue to fragment scholarship. The allocation of epitaphs, architecture, images, artifacts, and the remains of the dead to separate disciplines has compounded their decontextualization from funerary ensembles. The subject area has also been divided by different approaches depending on the region and period concerned: the dominant interests in late Roman burials, for example, have been the investigation of Christian conversion or migration into the Roman world. However, some unifying trends can be observed. In recent decades attention has shifted to exploring the mass of burial evidence for what it reveals of Roman society, its social structures, demographic characteristics, and so on. This has been given extra impetus by the results of archaeological fieldwork, creating a sample of well-excavated burials and human skeletal remains which now rivals the numbers of inscribed memorials. The optimism of reading off social structures or demographic characteristics from funerary evidence has been replaced with an emphasis on exploring how groups and individuals negotiated their relationships to their communities through rituals and monuments. This essay presents Roman behavior in relation to death, bereavement, and commemoration, mainly using material evidence in its broadest sense. It is necessarily selective, giving examples of key syntheses and datasets and of developing approaches. In some cases (especially monuments) it gives some greater weighting to English language publications, especially where they provide gateways to non-Anglophone scholarship. After opening sections on general works on death and burial and on the Roman funeral and mourning, the essay discusses in turn monuments, funerary rituals as reconstructed from archaeological evidence, and late Roman burial practice, including its relationship to conversion to Christianity. It concludes with case studies where different forms of evidence, architectural, artistic, artifactual, osteological, etc. combine to produce a richer view of monuments and processes, in specific cultural and social contexts across the empire. Study of human remains from a demographic or paleopathological perspective is outside the scope of this essay, though some bibliographic pointers are given in the first section (Overviews of Death and Burial). Recent work on osteological and biomolecular characteristics of the skeleton is however noted where its integration with the evidence for rituals has significantly enriched the study of identities in death.


Author(s):  
Don Herzog
Keyword(s):  
Tort Law ◽  
The Dead ◽  
The Law ◽  

If you defame the dead, even someone who recently died, tort law does not think that’s an injury: not to the grieving survivors and not to the dead person. This book argues that defamation is an injury to the recently dead. It explores history, including the shaping of the common law, and offers an account of posthumous harm and wrong. Along the way, it offers a sustained exploration of how we and the law think about corpse desecration.


10.17816/cp65 ◽  
2021 ◽  
Vol 2 (1) ◽  
pp. 8-17
Author(s):  
Daria D. Volovik ◽  
Maria A. Omelchenko ◽  
Alyona M. Ivanova

Introduction. Investigating early changes in the emotional sphere within the schizophrenia course is a perspective direction in clinical psychology and psychiatry. Intactness of positive emotions, in particular, humour perception, may be a very important resource for patients. At the same time, humour perception is very sensitive to pathological conditions, such as the fear of being laughed at, known as gelotophobia. Those with gelotophobia perceive laughter as dangerous, rather than pleasant, and they can hardly distinguish between teasing and ridicule. Gelotophobia was confirmed to be expressed among people with mental disorders. Nonetheless, knowledge relating to the fear of being laughed at, was mostly generated among the non-clinical samples. Objectives. Thus, the aim of the study was to provide more clinical data on gelotophobia manifestations associated with schizophrenia spectrum disorders; the emotional response and facial expression of patients with gelotophobia were studied, in particular, regarding their perception of humour, including during the early stages of disorders, by comparison with healthy individuals. Methods. n=30 controls and n=32 patients with schizophrenia and with depression with signs of a high clinical risk of psychosis took part. Two short videos, comic and neutral, were shown to the participants, while videotaping their facial expression, followed each by a self-reported measure of emotional responses. Participants also completed the State-Trait Anxiety Inventory, the PhoPhiKat30 and the Toronto Alexithymia Scale. Results. Gelotophobia was significantly higher within the clinical group. It correlated with a lower frequency of grins among the patients during the comic video, while this was not the case in the control group. Gelotophobia was related to state and trait anxiety in both groups, but only in the clinical group did state anxiety increase after watching the comic video. Gelotophobia correlated with alexithymia and was twice higher among the patients compared to the controls. Conclusion. Thus, gelotophobia has not only quantitative, but also qualitative specifics in patients with schizophrenia, and those with depression with signs of a clinically high risk of psychosis, compared to healthy controls.


2021 ◽  
Vol 3 (3) ◽  
pp. 68-74
Author(s):  
Jayalalitha

As members of Dravidian family of Languages, Kannada and Tamil are close to each other. Apart from linguistic and grammatical similarities there are comparable elements in literary texts also. There are similar motifs and themes in Ancient Kannada and Tamil literary works. Though a few studies have concentrated in the similarities of Kannada and Tamil grammars, very little is done on the similar features of literary works. This paper makes an attempt to bring out a surprising motif of ghosts that occur in Ancient Kannada and Tamil texts. Tolkappiyam is an early grammatical work in Tamil and date of which is believed to be from 1 to 3 AD. This book speaks of a concept of ‘Thodakkaanji’. This concept is explained by commentators as not allowing the evil spirit to eat the body of the hero who died during a war. The same concept, though the technical term to denote the concept is absent, is present in the Kannada text ‘Sahasa Bheema Vijaya or Gadhayuddha’ by the Ranna, who belongs to the tenth century. While the theme of the narration centers around the battle of maces between Bhima and Duryodhana on the last day of the eighteen-day war, the poet uses a technique similar to flashbacks. This technic we can see in Tamil as a “Singanokku” which is used in grammar text to explain the ‘noorpaa’. Ranna the Kannada poet gives the details of an incident of the war field where the dead leader’s body is guarded from evil spirits/ ghosts by the fellow warriors whose wounds are less fatal. Tolkappiyam is an earlier work and Ranna’s work is late period. But that the particular theme of Thodakkanchi occurs in the Kannada and Tamil contexts merits mention and study a rare example which has not been brought out by anybody so far. Such similar points of comparison are brought out elaborately in this article.


2018 ◽  
Vol 3 (2) ◽  
pp. 20-24
Author(s):  
Ponco Mujiono Basuki
Keyword(s):  
The Dead ◽  

God is fully sovereign over the life of His people and He allows everything happening naturally in everyday man experience. But it will be real when examined more deeply, that in all the events of this life, God works to achieve His plan. Practically-theologically, the law about go’el in Israel's history is showing about the love and care of God in the Israel’s life, His people and proof of God's loyalty to His promises and plans. As go’el Boas also had to take Ruth to be his wife in order to uphold the name of the dead person, namely Mahlon, Ruth's husband, through the son who was born to Ruth from Boaz. Thus the name of Mahlon did not disappear from among the Israelites.


Author(s):  
Anna Hollsten

Speaking to the Dead: Poetic Address and Continuing Attachment in Elegies by Paavo Haavikko, Aale Tynni, and Anja Vammelvuo This article focuses on the addressment of the deceased in Finnish elegies from the late 1960s and the early 70s written by Paavo Haavikko, Aale Tynni and Anja Vammelvuo to commemorate their spouses. Until recently, the psychoanalytical theory of grief has been in uential among scholars of elegy. This article, however, aims to revise this dominant paradigm by applying a more up-to-date understanding of grief – the continuing bonds model – to the study of elegiac poetry. In contrast to the psychoanalytical theory of grief, the continuing bonds model emphasizes that relationships with the deceased are continued rather than abandoned; people do not recover from experience of loss, rather, the mourner renegotiates his or her relationship to the deceased. In the elegies analysed in this article, addressing the deceased is used to express the mourning speaker’s experiences of presence as well as the absence of the person passed. The differences in coping with and expressing grief are partly connected to gender in the analysed poems; Haavikko’s male speaker is more reluctant to openly grieve than Tynni’s and Vammelvuo’s female speakers, who beg their spouses to come back and who can feel the presence – and in Vammelvuo’s case, even the touch of the deceased. However, in all these cases the speakers try to make sense of their continuing relationship to the dead person in their present life.


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