scholarly journals Von der Unmöglichkeit nicht zu kommunizieren

2016 ◽  
Vol 57 (2) ◽  
Author(s):  
Katja Patzel-Mattern
Keyword(s):  
Social Acceptance ◽  
Communicative Action ◽  
Industrial Accidents ◽  
Communicative Behavior ◽  
Public Media ◽  
The Media ◽  
Media Reception ◽  
Media Society ◽  
The One ◽  
Societal Expectations

AbstractThe paper examines corporate communication after industrial accidents and the media reception of this communication. It compares the accident at BASF in 1921 with that of 1976 at Meda, better known as the Seveso disaster. The leading thesis is that patriarchal concepts of corporate governance marked the companies’ communications in both cases. They were instrumental, alongside strategic and legal considerations, to the communicative appropriation of actions taken, as well as for public activities of the managements. However, a different configuration of the patriarchal concept of communication on the one hand and changing social conditions on the other, effected a shift in the perception of communicative action in public media. The comparison shows two things. First, successful crisis communication in the sense of social acceptance requires that concepts of order, which define the communicative behavior of companies, match those that characterize societal expectations. And second, the comparison reveals that any kind of corporate activity after industrial accidents, even public restraint, is conceived as an act of communication in a mass media society.

The Media Rituals: The Relationship between Media and Religion

2009 ◽  
Vol 37 (2) ◽  
pp. 284-304 ◽  
Author(s):  
Hassan Khojastea ◽  
Abdolhosein Kalantarib
Keyword(s):  
Philosophical Approach ◽  
Sociological Approach ◽  
Religious Media ◽  
Modern Media ◽  
Public Media ◽  
National Media ◽  
The Media ◽  
The One ◽  
Definition Of ◽  
The Relationship

Abstract What is the relationship between religion and modern media? Are the media in essence anti-religion and a means to remove religion? Or are they a neutral means that can also be in the service of religion? Such questions fall under the category of the relationship between religion, modernization, and the nature of modernization, about which there can be found a rich literature in Iran. As far as the relationship between religion and modernization is concerned, two related approaches can be followed: 1) an historical-sociological approach and 2) a philosophical approach. Under the influence of either approach one would face a spectrum of opinions which, on the one hand, lead to “technological dogmatism” and, on the other, lead to “instrumentalization”. To decide which of these opinions to accept depends upon our historical situation (our destiny) and our definition of dichotomous sides (religion and media), as well as on our historical-sociological and philosophical reasoning in this matter. This article deals with these points. Since the national media attempts to act upon the implications expected by modern media within the framework of moral criteria and religious recommendation, then we will turn to this fundamental question: How can religious matters be addressed in the public media, so as to be able to involve a passive audience that is supposedly not the addressee of the message, and turn him or her into an active audience? In this regard, taken from the media experiences both in Iran and around the world, first the characteristics of “religious media” will be offered. Then a pattern for media rituals will be introduced and experimentally (as a case study) studied through some examples in Iranian society, and next the need for a more exact planning will be tapped. Finally the necessary conditions to develop such rituals in the national media will be dealt with.

Murder with Impunity: The Construction of Arab Masculinities and Honor Crimes

1970 ◽  
pp. 38-45
Author(s):  
May Abu Jaber
Keyword(s):  
Violence Against Women ◽  
Social Boundaries ◽  
Religious Institutions ◽  
The Social ◽  
The Family ◽  
The Media ◽  
The One ◽  
Male Authority ◽  
Cultural Networks ◽  
Gender Specific

Violence against women (VAW) continues to exist as a pervasive, structural,systematic, and institutionalized violation of women’s basic human rights (UNDivision of Advancement for Women, 2006). It cuts across the boundaries of age, race, class, education, and religion which affect women of all ages and all backgrounds in every corner of the world. Such violence is used to control and subjugate women by instilling a sense of insecurity that keeps them “bound to the home, economically exploited and socially suppressed” (Mathu, 2008, p. 65). It is estimated that one out of every five women worldwide will be abused during her lifetime with rates reaching up to 70 percent in some countries (WHO, 2005). Whether this abuse is perpetrated by the state and its agents, by family members, or even by strangers, VAW is closely related to the regulation of sexuality in a gender specific (patriarchal) manner. This regulation is, on the one hand, maintained through the implementation of strict cultural, communal, and religious norms, and on the other hand, through particular legal measures that sustain these norms. Therefore, religious institutions, the media, the family/tribe, cultural networks, and the legal system continually disciplinewomen’s sexuality and punish those women (and in some instances men) who have transgressed or allegedly contravened the social boundaries of ‘appropriateness’ as delineated by each society. Such women/men may include lesbians/gays, women who appear ‘too masculine’ or men who appear ‘too feminine,’ women who try to exercise their rights freely or men who do not assert their rights as ‘real men’ should, women/men who have been sexually assaulted or raped, and women/men who challenge male/older male authority.

Freedom of speech is not freedom from ethics: the 2019 Israel Folau media controversy as a case study

2021 ◽  
pp. 1329878X2199289
Author(s):  
Jay Daniel Thompson ◽  
Denis Muller
Keyword(s):  
Content Analysis ◽  
Freedom Of Speech ◽  
Rugby Player ◽  
Ethical Principles ◽  
Framing Analysis ◽  
The Media ◽  
The One

This article examines how freedom of speech is framed in the media controversy surrounding the Australian rugby player Israel Folau’s April 2019 Instagram post. A content analysis and framing analysis of newspaper reportage reveals that the controversy has been largely discussed in terms of whether or not Folau’s speech was being curtailed and whether this curtailing indicates a broader, ideologically motivated censoriousness. This discussion is problematic in that it says little about the actual substance of Folau’s post. This article argues that debates surrounding freedom of speech such as the one involving Folau could and should be enriched by an engagement with ethical principles. This engagement is premised on a commitment to the free exchange of views, while acknowledging that ‘speech’ is not always inherently beneficial for democracy, nor worth defending.

scholarly journals “As quiet as a mouse”: Media use in Azerbaijan

2020 ◽  
Vol 45 (s1) ◽  
pp. 893-911
Author(s):  
Ilgar Seyidov
Keyword(s):  
Soviet Union ◽  
Media Use ◽  
Structured Interview ◽  
Soviet Period ◽  
Political Systems ◽  
Media System ◽  
The Soviet Union ◽  
Supportive Role ◽  
The Media ◽  
The One

AbstractDuring the Soviet period, the media served as one of the main propagandist tools of the authoritarian regime, using a standardized and monotype media system across the Soviet Republics. After the collapse of the Soviet Union, 15 countries became independent. The transition from Soviet communism to capitalism has led to the reconstruction of economic, socio-cultural, and political systems. One of the most affected institutions in post-Soviet countries was the media. Media have played a supportive role during rough times, when there was, on the one hand, the struggle for liberation and sovereignty, and, on the other hand, the need for nation building. It has been almost 30 years since the Soviet Republics achieved independence, yet the media have not been freed from political control and continue to serve as ideological apparatuses of authoritarian regimes in post-Soviet countries. Freedom of speech and independent media are still under threat. The current study focuses on media use in Azerbaijan, one of the under-researched post-Soviet countries. The interviews for this study were conducted with 40 participants living in Nakhichevan and Baku. In-depth, semi-structured interview techniques were used as research method. Findings are discussed under six main themes in the conclusion.

Die Macht der Bilder und Bilder der Macht: die sprachliche Konstruktion von Nationalismus und Konservatismus in der strategischen politischen Kommunikation von Vox España

2020 ◽  
Vol 136 (2) ◽  
pp. 538-566
Author(s):  
Sandra Issel-Dombert
Keyword(s):  
Language Use ◽  
Point Of View ◽  
Right Wing ◽  
Multimodal Discourse ◽  
The Social ◽  
Core Elements ◽  
The Media ◽  
Right Wing Populism ◽  
The One ◽  
The Relationship

AbstractFrom a theoretical and empirical linguistic point of view, this paper emphasizes the importance of the relationship between populism and the media. The aim of this article is to explore the language use of the Spanish right wing populism party Vox on the basis of its multimodal postings on the social network Instagram. For the analysis of their Instagram account, a suitable multimodal discourse analysis (MDA) provides a variety of methods and allows a theoretical integration into constructivism. A hashtag-analysis reveals that Vox’s ideology consists of a nativist and ethnocentric nationalism on the one hand and conservatism on the other. With a topos analysis, the linguistic realisations of these core elements are illustrated with two case studies.

Language as social practice

2008 ◽  
Vol 7 (1) ◽  
pp. 53-70 ◽  
Author(s):  
Mohammad Amouzadeh
Keyword(s):  
Social Life ◽  
Social Practice ◽  
Social Power ◽  
Analytical Investigation ◽  
Socially Constructed ◽  
Discourse Processes ◽  
Third Stage ◽  
The Media ◽  
Stage Development ◽  
The One

This paper aims to investigate the language used by newspapers in post-revolutionary Iran. More precisely, the paper sets out to analyze how such a language is deployed to represent relevant hegemonic ideologies. The approach adopted for this purpose draws inspiration mainly from critical linguistics, where it is hypothesized that, as far as the pertinent metadiscourse goes, media genres serve to activate and perpetuate social power relations. In keeping with this theoretical stance, the paper argues that socially constructed texts can be said to perform two complementary functions; on the one hand, they shed light on the realities experienced in social life; on the other, they reveal such aspects of those realities as are constructed through the use of language. It is thus in this context that the media language used in the post-revolutionary Iran lends itself to analytical investigation, where the available data reveal the co-existence of three competing discourse processes of ‘Islamization’, ‘Iranian Nationalism’ and ‘Western liberalism’, relating to the third stage development of post-revolutionary Iran.

Political Will and Media Law: A Poland Case Analysis

2021 ◽  
pp. 088832542110495
Author(s):  
Damian Guzek ◽  
Agnieszka Grzesiok-Horosz
Keyword(s):  
Case Analysis ◽  
Legal Order ◽  
Media Law ◽  
Policy Changes ◽  
Political Will ◽  
Media Freedom ◽  
Media Companies ◽  
Public Media ◽  
The Media ◽  
Legal Pressure

A significant element of Central and Eastern Europe’s democracies backsliding process turns out to be changes in the media law. These changes are now leading to a decline in media freedom. The article attempts to understand this phenomenon by analyzing the process of legal and policy changes in Poland. In the course of the analysis, the reader’s attention is drawn to three elements that form the mainline of events related to the weakening of media freedom. These are, in turn, (a) the takeover of public media by influencing the staffing of media companies, (b) introducing a new, completely politicized body into the legal order, which duplicates the already existing and partially politicized media authority, and (c) exerting economic and legal pressure on the media independent of the authorities, so that they can be taken over by state-owned companies or businessmen favoring the authorities. As a whole, this decline in media freedom can be viewed as a strategy that antagonizes society.

scholarly journals Introduction: The Legacy of Graham Spry and the Future of Public Media

2014 ◽  
Vol 6 (1) ◽  
pp. 1-2
Author(s):  
Sibo Chen
Keyword(s):  
Constant Pressure ◽  
Public Communication ◽  
Current Crisis ◽  
Communication Services ◽  
The Past ◽  
Public Media ◽  
Alternative Future ◽  
Media Services ◽  
The Media ◽  
Future Policy

Over the past twenty years, public media services worldwide have been facing increasing pressure from commercialization, marketization, and privatization. This situation is exemplified by the Cana-dian Broadcasting Corporation’s (CBC) latest revenue shortfall and the subsequent austerity measures of the corporation. Indeed, CBC, as an iconic corporation of Canadian’s media landscape, is key to the country’s future policy-making in the media realm. The CBC’s current crisis, already exert-ing significant pressures towards the restructuring of the corporation, is seen by some critics as a warning of the corporation’s potential imminent collapse (Rowland, 2013). However, just as there has be a constant pressure toward marketization over public media, over the past few years the struggles of public media also offer a precious opportunity to re-imagine an alternative future for public communication services.

scholarly journals Graffiti as a sign: the semiotic approach to the study of the phenomenon

2019 ◽  
Vol 9 (18) ◽  
pp. 92-98
Author(s):  
Maria Chikarkova ◽  
Keyword(s):  
Cultural Context ◽  
Single Point ◽  
Point Of View ◽  
Urban Life ◽  
Street Art ◽  
The Media ◽  
Cultural Code ◽  
The One ◽  
Different Characteristics

Although graffiti is a well-known phenomenon of street art, there is still no single point of view on this phenomenon (even if it is considered art at all). Both the essence and the manifestations of graffiti remain a matter of debate - there are dozens of different classifications, that they are based on different characteristics. However, the phenomenon has rarely attracted attention from the point of view of semiotics, though it is the semiotic reading of graffiti that makes it possible to understand its nature more deeply. Due to semiotics we could create an integrative classification, which would combine stylistics and subject matter into one system. The article made exactly such an attempt –providing of the semiotic classification of graffiti, based on Ch. Peirce’s classification of semiotic signs. Graffiti is a sign, because it has a material shell of the latter, a marked object and rules of interpretation. It functions within the subculture and signifies the individual's desire to escape from the deterministic nature of urban life (J. Baudrillard). It is a culture of the semiosphere, which continuously gives rise to new connotations and, accordingly, generates new receptions. An important component of graffiti interpretation is the cultural code; it is not read outside the field of conventionality, cultural context. Decoding of graffiti can occur in three ways. From our point of view, it is appropriate to use S. Hall’sclassification. He suggested a scheme for "decrypting" messages in the media, however, in our opinion, his scheme works for any communicative act (including graffiti). He distinguished dominant ("dominant-hegemonic"), oppositional ("oppositional") and negotiated ("negotiated") decoding. In the graffiti situation, oppositional decoding prevails among ordinary recipients (passers-by). U. Eco called this type aberrant, because it provides "decryption" of text with a different code than the one it was created for. Authors of graffiti themselves are often not fully aware of what they createalso. Modern writers use techniques of op-art, Dadaism, surrealism, etc., without being very oriented in all these directions. When graffiti combines different types of art (for example, the combination of painting with literature), it takes into account the features of inter-semiotic translation, which makes the decoding situation even more complicated. We offercreating a semioticclassificationofgraffiti, that might be based on Ch. Peirce’s classification of semiotic signs, whichdistinguishthesigns-copies, signs-indexes, signs-symbols. It could help the essence of graffiti and decode them.

scholarly journals List apostolski Duodecimum saeculum Ojca Świętego św. Jana Pawła II z okazji tysiąc dwusetnej rocznicy Soboru Nicejskiego II. Miejsce ikony w wierze i rozumieniu św. Jana Pawła II

2020 ◽  
Vol 68 (4 Zeszyt specjalny) ◽  
pp. 57-71
Author(s):  
Urszula Mazurczak
Keyword(s):  
Religious Practice ◽  
Virgin Mary ◽  
Religious Art ◽  
Second Vatican Council ◽  
Vatican Council ◽  
The Media ◽  
The Many ◽  
The One ◽  
Spiritual Expression ◽  
The Church

The letter of the Holy Father John Paul II written in Rome in 1987, in the tenth year of His pontificate, on December 4th, on the day of memorial of Saint John Damascene, the doctor of the Church, on the Twelfth Centenary of finishing the controversy over the icon, is of great importance for the Pope’s program of ecumenism. The Holy Father indicated various directions of the dialogue, however, the one of the utmost importance concerned the agreement with the Orthodox Church, which was confirmed in the letters and in His other documents quoted in this paper. The image used to be essential for religious practice, for illustrating the word of prayer and of the song, in order to preserve the tradition of the Church. The strict prohibition introduced by the iconoclasm depreciated not only the artistic tradition of paintings but also the basic dogmas of Christ’s Incarnation and the one which introduced Virgin Mary as the Theotokos (the God-bearer). The ban constituted a threat not only for the icons but also for the Christian faith. In His Letter, the Pope underlined the important role of the Second Council of Nicaea which reintroduced icons and maintained and deepened the meaning of the cult in the faith of believers. Furthermore, the Holy Father indicated the connection with the Second Vatican Council in understanding the function and form of images in contemporary Church. Contemporary trends are overwhelmed by the impotence of the spiritual expression of sacral art, which is a great concern for the Pope. The Letter is, therefore, a dramatic warning of the threats for religious art in contemporary time, expressed by the Holy Father with these words: ‘The rediscovery of the Christian icon will also help in raising the awareness of the urgency of reacting against the depersonalizing and at times degrading effects of the many images that condition our lives in advertisements and the media.’ (DS, 11).

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