scholarly journals Проблема личности в диалоге автора и героя «Записок из подполья» Ф.М. Достоевского

SlavVaria ◽  
2021 ◽  
Vol 1 (1) ◽  
Author(s):  
АЛЕКСАНДР СЕМЕНОВИЧ СМИРНОВ
Keyword(s):  
Twentieth Century ◽  
Point Of View ◽  
Compositional Structure ◽  
The Creation

The problem of personality in the dialogue of the author and the hero of “Notes from the Underground” by F.M. Dostoevsky. The problem of personality in “Notes from the Underground” is considered in the article in two interrelated aspects. The first is an analysis of the anthropological views of Dostoevsky’s hero, radical for the time of the creation of the story, but positively presented in the existentialism of the twentieth century (Sartre, Camus, Frankl). The second is an analysis of the forms of expression of the author’s position, which paradoxically combines distance from the hero's ideology and attention to his point of view. Dialogism and the internal contradictoriness of the author’s position are considered as a factor that determines the structure of authorship, the organization of the narrative, the functioning of temporal images (“forty years”), the peculiarities of the plot-compositional structure of “Notes from the Underground”.

scholarly journals REAL FORTE PRÍNCIPE DA BEIRA EM COSTA MARQUES – RO: UMA PERSPECTIVA ARQUEOLÓGICA PARA SUA PRESERVAÇÃO

2020 ◽  
Vol II (5) ◽  
pp. 03-42
Author(s):  
Marcos Antonio Gomes de de Albuquerque ◽  
Veleda Christina de Albuquerque
Keyword(s):  
Twentieth Century ◽  
Oral Tradition ◽  
Point Of View ◽  
Military Installations ◽  
The Real ◽  
Popular Memory ◽  
Western Border ◽  
Military Mission ◽  
The Creation ◽  
The Republic

The Real Forte Príncipe da Beira, in Rondônia, is one of the largest forts ever built in Brazil. It was abandoned after the establishment of the Republic, it entered in process of destruction possibly accelerated by actions of looting as it says oral tradition. Located in the western border of the country, in the midst of Amazon jungle, it practically disappeared of popular memory, until a military mission that crossed the area, in the twentieth century, discovered it. It remained abandoned until, in 1930, with the creation of Contingentes de Fronteiras, the Brazilian Army started to build military installations near the fort. Listed by IPHAN in 1950, nowadays the fort is under the protection of 1º Pelotão Especial de Fronteira “Real Forte Príncipe da Beira” of Brazilian Army, which is responsible for its preservation. Several actions and studies have been carried out aiming the preservation of that monument. This work is a result of a technical visit, an invitation of Diretoria do Patrimônio Histórico e Cultural do Exército, which included several specialists of different areas. Our observations, expressed here, addressed the issue from an archaeological point of view.

scholarly journals Ledentsov society: to study of the issue

2020 ◽  
Vol 311 ◽  
pp. 02006 ◽  
Author(s):  
Andrey Kuzmichev
Keyword(s):  
Twentieth Century ◽  
Point Of View ◽  
Scientific School ◽  
Science And Society ◽  
Entrepreneurial Ecosystem ◽  
European Tradition ◽  
The Creation ◽  
Organization Of Production ◽  
Production Organization ◽  
Society Research

Subject. Ledentsov Society - Russia’s first private science foundation, combining the interests of business, science and society. Research hypotheses: The first - at the beginning of the twentieth century in Russia, traditionally gravitating to the European tradition, public organizations were created aimed at the connection of science and business, one of them was the Ledentsov Society; The second is how the Ledentsov Society formed a new entrepreneurial ecosystem in Russia at the beginning of the 20th century; Third - one of the most important results of the activity of the Ledentsov Society was the support of the scientific school of production organization at the Imperial Moscow Technical School. The topic of creating private scientific foundations of the early twentieth century is mainly related to the study of foreign experience. This article attempts to present a different point of view representing Russian researchers. Methodology. Narrative, comparative, and historical research methods are used. Results. As a result of the study, it was shown that in Russia at the beginning of the twentieth century, the creation of the Ledentsov Society became an important element of the new entrepreneurial ecosystem. Conclusions. The Ledentsov Society is closely connected with the creation of a new scientific school for the organization of production at IMTU. N. Czarnowski is not only the creator of a scientific school, but also the author of the world’s first production organization textbook.

Friend and foe: Wei Te-Sheng on Taiwanese emotions towards Japanese colonization and the Japanese perspectives of Ryotaro Shiba and Yoshinori Kobayashi

2020 ◽  
Vol 7 (2) ◽  
pp. 169-188
Author(s):  
Tets Kimura ◽  
Shih-Ying Lin
Keyword(s):  
Twentieth Century ◽  
Popular Culture ◽  
Freedom Of Expression ◽  
Point Of View ◽  
Taiwanese Identity ◽  
Collective Emotions ◽  
Japanese Colonial ◽  
Late Twentieth ◽  
The Creation ◽  
Late Twentieth Century

In Warriors of the Rainbow, Wei Te-Sheng sharply distinguished between heroes and villains in the 1930 Musha incident – the Taiwanese heroes fight against the Japanese villains. This contrasts with Kano, where Wei presents the romantic Orient of Japanese colonization through baseball games. Although his films are not always historically accurate in details, they realistically represent Taiwanese collective emotions towards Japanese colonization. Preferencing Japanese colonization over Chinese administration is not unusual in today’s Taiwan and thus not original to Wei. Taiwan’s Japanese colonial past was previously acknowledged by two well-known Japanese writers, Ryotaro Shiba and Yoshinori Kobayashi, in the late twentieth century when Taiwan newly asserted its freedom of expression. This article will analyse the role played by Japan in establishing the creation and projection of a unique Taiwanese identity in the field of popular culture by employing a ‘point of view’ framework from narratology.

Introduction

2020 ◽  
pp. 1-20
Author(s):  
Kathleen C. Oberlin
Keyword(s):  
Twentieth Century ◽  
Social Movements ◽  
Well Being ◽  
Point Of View ◽  
The Public ◽  
The Us ◽  
Sociopolitical Context ◽  
The Creation

This introduction provides an overview of the cultural, historical, rand sociopolitical context of creationism in the US throughout the twentieth century. It introduces plausibility politics as a key concept for understanding why Answers in Genesis built the Creation Museum. Plausibility politics is the process of disentangling accuracy from reasonableness and the opening is leveraged by a group to advance its point of view. For many, this feels new. For seasoned political pundits and historians, it does not. It is a dynamic as old as the institutions and representatives entrusted to govern society. Yet it is not just media outlets, politicians, or scientists who attempt to persuade the public of their claims. Social movements, like creationists, seek to carve out a sense of plausibility for their own arguments as well. Being able to closely examine how this unfolds in a particular location, at the Creation Museum, affords a better understanding of how groups fight to stretch and expand what we, as a public, find plausible and later credible.

CAPRICCIOʼS GENRE IN MANDOLIN MUSIC AT THE END OF THE 19th – THE EARLY OF THE 20th CENTURIES (for example of the concert pieces by С. Munier)

2019 ◽  
pp. 60-71
Author(s):  
N. V. Bashmakova ◽  
K. V. Kravchenko
Keyword(s):  
19Th Century ◽  
Analytical Methods ◽  
17Th Century ◽  
Point Of View ◽  
Historical Approach ◽  
The Creation ◽  
Characteristic Features ◽  
Concert Works ◽  
In The Beginning ◽  
The 19Th Century

The purpose of this article is process of analyzing in reference to concert capriccio by C. Munier for mandolin with piano («Bizzarria», op. 201, Spanish сapriccio, op. 276) from the point of view of their genre specificity. Methodology. The research is based on the historical approach, which determines the specifics of the genre of Capriccio in the music of the late 19th and early 20th centuries and in the work of C. Munier; the computational and analytical methods used to identify the peculiarities of the formulation and the performing interpretation of the original concert pianos for mandolins with piano that, according to the genre orientation (according to the composerʼs remarks), are defined as capriccio. Scientific novelty. The creation of Florentine composer,61mandolinist-vertuoso and pedagog C. Munier, which made about 300 compositions, is exponential for represented scientific vector. Concert works by C. Munier for mandolin and piano, created in the capriccio genre, were not yet considered in the art of the outdoors, as the creativity and composer’s style of the famous mandolinist. Conclusions. Thus, appealing to capriccio by С. Munier, which created only two works, embodied in them virtually all the evolutionary stages of the development of genre. In his opus of this genre there are a vocal, inherent in capriccio of the 17th century solo presentation, virtuosity, originality, which were embodied in the works of 17th – 18th centuries and the national color of the 19th century is clearly expressed. Thus, the Spanish capriccio is a kind of «musical encyclopedia» of national dance, which features are characteristic features of bolero, tarantella, habanera, and so forth. The originality of opus number 201 – «Bizzarria», is embodied in the parameters of shaping (expanded cadence of the soloist in the beginning) and emphasized virtuosity, which is realized in a wide register range, a variety of technical elements.

LES AXES DE LA CRÉATION ET LA NAISSANCE DE LʹIMAGINAIRE COMME LANGAGE MYTHIQUE

Trictrac ◽  
2016 ◽  
Vol 9 ◽  
Author(s):  
Liliana Danciu ◽  
Petru Adrian Danciu
Keyword(s):  
Sacred Space ◽  
Physical World ◽  
Spoken Word ◽  
Point Of View ◽  
Philosophical Approach ◽  
Starting Point ◽  
Written Form ◽  
The Creation ◽  
Religious Systems ◽  
Rich Spectrum

The axes of the creation and birth of the imaginary as a mythical language. Our research follows the relationships of the concepts that are taking into account creation on the double axis of verticality and horizontality. We highlight those symbolic elements which would later constitute the mythical language about the sacred space-temporality. Inside this space-temporality a rich spectrum of mythical images develops; images capable of explaining the relationships of the creation plans. Without a religious perception of the temporality, the conceptualization of the axis would remain a philosophical approach. Through our point of view, the two are born simultaneously. Thanks to them, creation can be imagined. The first “frozen” formula of the mystical human spirit can be thought, brought to a palpable reality, expressed in an oral and then a written form. Studied together, temporality (sacred or not) and space are permanently imagined together. For example, a loss of mundane temporality in the secret ecstasy that offers to the soul an ascending direction does not mean getting out of universal temporality, but of its mundane section. In the sacred space the soul relates to time. Even the gods are submitted by the sacred, Aeon sometimes being synonymous to destiny. The universal creator seems to evade every touch, but not consistently, only when he avoids the descent into its created worlds. In sacredness, time and space seem or become confused, both expressing the same reality, by the immediate swing from thinking to deed. The mythical imagery conceives the displacement in the primary space-temporality by the spoken word. So, for something to appear and live, the spoken word is required. Even the divine dream appears as a pre-word of a creator’s thought. The thought follows the spoken word, the spoken word follows the gestures which finally indicate the meanings of the creative act, controlling the rhythm of the creation days. These three will later be adapted through imitation in rite. We are now situated at the limit of the physical world, a real challenge for the mythical imagery. The general feature of the mythical expression on the creation of the material world is the state of the divinity’s exhaustion, most often conceptualized by sacrifice or divine fatigue. The world geography identifies with the anatomy of a self-gutted god. Practically, material creation is most likely the complete revelation of God’s body autopsy. As each body decomposes, everything in it is an illusion. An axial approach of the phenomenon exists in all religious systems. The created element’s origin is exterior, with or without a pre-existing matter, by a god’s sacrifice or only because it has to be that way. This is the starting point of the discussion on the symbolism of axiality as a reason for the constitution of the language of creation, capable of retelling the imaginary construction of myth in an oral and then written form.

The Children’s Novel

2018 ◽  
Author(s):  
Peter Hunt
Keyword(s):  
Twentieth Century ◽  
Children's Literature ◽  
Children’S Literature ◽  
Point Of View ◽  
Literary System

This chapter explores the development of the children’s novel throughout the twentieth century. This period represents a change from the protection of childhood to the commodification of childhood, and from essentially gentleman-amateur publishing to highly professional production and marketing. But for all its successes, the idea that the children’s novel is necessary inferior to its adult counterpart dies hard. This is the more illogical because novels for children do not have exact counterparts in the adult literary ‘system’. From an adult point of view, all children’s literature is necessarily ‘popular’ or ‘lowbrow’, or at its ‘best’ merely ‘middlebrow’. Equally, the term ‘literature’ is not useful or relevant in the criticism of children’s novels, and the most valued texts in children’s literature may be precisely those that have the least to offer the adult.

Two Centuries of Excavating Merovingian-Era Cemeteries In France

2020 ◽  
pp. 76-95
Author(s):  
Bonnie Effros
Keyword(s):  
Twentieth Century ◽  
Ethnic Identity ◽  
Central Place ◽  
State Funding ◽  
Formal Training ◽  
Negative Consequences ◽  
Private Funding ◽  
Research Questions ◽  
The Creation

The excavation of Merovingian-period cemeteries in France began in earnest in the 1830s spurred by industrialization, the creation of many new antiquarian societies across the country, and French nationalism. However, the professionalization of the discipline of archaeology occurred slowly due to the lack of formal training in France, weak legal protections for antiquities, and insufficient state funding for archaeological endeavors. This chapter identifies the implications of the central place occupied by cemeterial excavations up until the mid-twentieth century and its impact on broader discussions in France of national origins and ethnic identity. In more recent years, with the creation of archaeological agencies such as Afan and Inrap, the central place once occupied by grave remains has been diminished. Rescue excavations and private funding for new structures have brought about a shift to other priorities and research questions, with both positive and negative consequences, though cemeteries remain an important source of evidence for our understanding of Merovingian society.

Hegel's Conception of the Study of Human Nature

1970 ◽  
Vol 4 ◽  
pp. 32-47
Author(s):  
H. B. Acton
Keyword(s):  
Twentieth Century ◽  
Human Nature ◽  
Dialectical Materialism ◽  
Philosophy Of History ◽  
Formal Logic ◽  
Human Society ◽  
Royal Family ◽  
Dialectical Method ◽  
English Speaking ◽  
The Creation

It is easy to understand why Hegel's philosophy should be little studied by English-speaking philosophers today. Those who at the beginning of the twentieth century initiated the movement we are now caught up in presented their earliest philosophical arguments as criticisms of the prevailing Anglo-Hegelian views. It may now be thought illiberal to take much interest in this perhaps excusably slaughtered royal family, and positively reactionary to hanker after the foreign dynasty from which it sometimes claimed descent. Hegel was a systematic philosopher with a scope hardly to be found today, and men who, as we say, wish to keep up with their subject may well be daunted at the idea of having to understand a way of looking at philosophy which they suspect would not repay them for their trouble anyway. Furthermore, since Hegel wrote, formal logic has advanced in ways he could not have foreseen, and has, it seems to many, destroyed the whole basis of his dialectical method. At the same time, the creation of a science of sociology, it is supposed, has rendered obsolete the philosophy of history for which Hegel was at one time admired. In countries where there are Marxist intellectuals, Hegel does get discussed as the inadvertent forerunner of historical and dialectical materialism. But in England, where there is no such need or presence, there do not seem to be any very strong ideological reasons for discussing him. In what follows I shall be asking you to direct your thoughts to certain forgotten far-off things which I hope you will find historically interesting even if you do not agree with me that they give important clues for an understanding of human nature and human society.

Sir Lionel Carden's Proposed Agreement on Central America, 1912

1959 ◽  
Vol 15 (3) ◽  
pp. 291-295
Author(s):  
Walter V. Scholes
Keyword(s):  
Twentieth Century ◽  
Central America ◽  
Point Of View ◽  
Central American ◽  
Economic Interests ◽  
Department Of State ◽  
Secretary Of State ◽  
Early Twentieth Century ◽  
Foreign Office

As American economic interests expanded in Central America in the early twentieth century, many British representatives concluded that the Foreign Office would have to devise some method to protect existing British investments against American encroachment. When Secretary of State Knox visited Central America in 1912, he and Sir Lionel E. G. Carden, the British Minister to Central America, discussed Central American affairs when they met in Guatemala on March 16. Knox could scarcely have been very sympathetic as Carden expounded the British point of view, for the Department of State believed that the greatest obstacle to the success of its policy in Central America was none other than the British Minister. As early as April, 1910, Knox had unsuccessfully tried to have Carden transferred from his post; the attempt failed because Sir Edward Grey backed up his Minister.

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