Evangelicals and Unevangelicals: The Contested History of a Word, 1500–1950

2016 ◽  
Vol 26 (2) ◽  
pp. 184-226 ◽  
Author(s):  
Linford D. Fisher

Abstract“Not Evangelical”! and who is this,With serpent’s tongue, that dares the sentence hiss?1—Day K. Lee, Universalist minister, 1841Recent academic use of the word “evangelical” in American history has been surprisingly static. Drawing upon scholars of “evangelicalism,” historians have been tied to an “essentialist,” or doctrinal, definition of evangelicalism that stretches unbroken from the early eighteenth century to the present. Such ahistorical readings, however, obscure a far more interesting and complex reality. This essay argues that from the Protestant Reformation through the early twentieth century, to be “evangelical” was most often a Protestant-inflected way of being in the world, which at times could have multiple, changing, and contested doctrinal associations. It was a flexible and dynamic idiom, intended to communicate a relative biblical authenticity by those who wielded it. In particular, this essay seeks to recover three overlooked dimensions of the use of the word “evangelical”: first, the firmly Protestant and even anti-Catholic implication of the term that spanned the history of Protestantism from the 1520s to the twentieth century; second, the relative authenticity, “true-Christian” usage, which contained within it a strong “primitivist” impulse with reference to New Testament Christianity; and third, the contested nature of the word, particularly in the nineteenth and early twentieth centuries, when “evangelical” identity supposedly started to become more recognizable.

1990 ◽  
Vol 23 (1) ◽  
pp. 3-24 ◽  
Author(s):  
Michael Ben-Chaim

The concept of electrical conductivity, or, as initially coined by Stephen Gray (1666–1736), ‘electrical communication’, has always been assigned an important role in the history of electrical research. Some thirty-five years after Gray's ‘electrical communication’ acquired wide attention, Priestley employed the concept of conductivity to define physical reality, thus giving a privileged position to the science he himself endeavoured to cultivate. As he argued in the introduction to The History and Present State of Electricity (1767), ‘the electrical fluid is no local, or occasional agent in the theatre of the world. Late discoveries show that its presence and effects are every where … It is not, like magnetism, confined to one kind of bodies, but every thing we know is a conductor or nonconductor of electricity’. Contemporary historians, for example, Heilbron, Home and Hackmann, link the concept of conductivity to a radical transformation of electrical research which pertained to its mode of organization and the definition of its subject-matter, and which culminated in its emergence as a distinctive branch of eighteenth-century ‘experimental philosophy’.


2018 ◽  
Vol 79 (4) ◽  
pp. 373-396
Author(s):  
James Mulholland

Abstract For decades scholars have relied on the concept of circulation to explain the operation of texts and to animate the significance of literary studies. Its overuse has elided differences in the virtual relationships created by reading and has blurred empirical details about the production and consumption of texts. Circulation has been turned into a “widespread cultural ideal” and remains one of the least examined stipulations of literary study. For these reasons, reconsidering its role in literary study is essential. The eighteenth century was a vital period for the creation of a modern definition of circulation, so this essay returns to one especially pertinent case from that period, Helenus Scott’s it-narrative The Adventures of a Rupee (1782), which describes the movements of a rupee coin in the world economy. Attending to the linguistic form and publication history of Scott’s novel offers a model of circulation that emphasizes coagulation and stasis rather than liquidity, mobility, and flows. This model explains how texts repeat while altering preexisting forms of circulation, which has consequences for understanding how reading publics arise and reproduce themselves.


2021 ◽  
pp. 323-333
Author(s):  
Jin Han Jeong

Silla was one of two places in East Asia frequently described by medieval Muslim writers from the mid ninth-century onwards. The earliest study of Silla in antique documents can be traced back to eighteenth-century Arabists who attached a short note to the word “Sīlā” when editing or translating manuscripts.1 From the nineteenth century, not only in quantitative terms but also qualitatively, Muslim authors’ eagerness to catalogue their knowledge about Silla caught the attention of contemporary scholars in both the East and West. In addition to Europeans, Japanese academics attempted to study the definition of Silla at this time, and owing to the colonization of Korea, Silla came to be considered not only as part of Korean, but also Japanese “history.” From the early twentieth century, pioneering Korean scholars were also challenged by the task of deciphering medieval Muslim knowledge of Silla, often in conjunction with Arabic researchers.


2018 ◽  
Vol 15 ◽  
pp. 34-58
Author(s):  
Anna Cullhed

‘Blond Souls’: Johan Runius, Masculinity, Nation and Genre in Literary HistoryThis paper shows that the historiographical accounts of Johan Runius (1679–1713) remain remarkably stable, from the early stages of national literary history of the nineteenth century to the late twentieth century, despite the radical theoretical shifts taking place during the period. The poet Runius is generally described as an occasional poet, a rhyme virtuoso, a good-tempered man, and as a precursor of the celebrated Carl Michael Bellman, considered a uniquely Swedish genius. These features are connected to nineteenth- and early twentieth-century ideals of masculinity and the nation. Whereas Runius in the early nineteenth century was described as childish, during the later nineteenth century his good temper was interpreted as an ideal, steadfast masculinity in the face of the hardships of early eighteenth-century Sweden. Further, the historiographical tradition set greater store by poems defined as lyrical. The hailed poems were, in fact, occasional poems, but they were recontextualised by the literary historians as proof of Runius’ personal feelings. The article ends with new suggestions for reading Runius beyond nation as the ordering principle of literary history.


2018 ◽  
Vol 13 (4) ◽  
pp. 496-517
Author(s):  
Ned Hercock

This essay examines the objects in George Oppen's Discrete Series (1934). It considers their primary property to be their hardness – many of them have distinctively uniform and impenetrable surfaces. This hardness and uniformity is contrasted with 19th century organicism (Gerard Manley Hopkins and John Ruskin). Taking my cue from Kirsten Blythe Painter I show how in their work with hard objects these poems participate within a wider cultural and philosophical turn towards hardness in the early twentieth century (Marcel Duchamp, Adolf Loos, Ludwig Wittgenstein and others). I describe the thinking these poems do with regard to industrialization and to human experience of a resolutely object world – I argue that the presentation of these objects bears witness to the production history of the type of objects which in this era are becoming preponderant in parts of the world. Finally, I suggest that the objects’ impenetrability offers a kind of anti-aesthetic relief: perception without conception. If ‘philosophy recognizes the Concept in everything’ it is still possible, these poems show, to experience resistance to this imperious process of conceptualization. Within thinking objects (poems) these are objects which do not think.


Author(s):  
Huaping Lu-Adler

This chapter discusses certain exegetical challenges posed by Kant’s logic corpus, which comprises the Logic compiled by Jäsche, Kant’s notes on logic, transcripts of his logic lectures, and remarks about logic in his own publications. It argues for a “history of philosophical problems” method by which to reconstruct a Kantian theory of logic that is maximally coherent, philosophically interesting, and historically significant. To ensure a principled application of this method, the chapter considers Kant’s conception of history against the background of the controversy between eclecticism and systematic philosophy that shaped the German philosophical discourse during the early eighteenth century. It thereby looks for an angle to make educated decisions about how to select materials from each of the periods considered in the book and builds a historical narrative that can best inform our understanding of Kant’s theory of logic.


Author(s):  
Mark Migotti

In this chapter, the author attempts to establish what is philosophically living and what is philosophically dead in Schopenhauer’s pessimism. Against the background of the intriguing the history of the terms “optimism” and “pessimism”—in debates about Leibniz’s theodicy in the early eighteenth century and the popularity of Schopenhauer in the late nineteenth century, respectively—the author points up the distinction between affirming life, which all living beings do naturally, and subscribing to philosophical optimism (or pessimism), which is possible only for reflective beings like us. Next, the author notes the significance of Schopenhauer’s claim that optimism is a necessary condition of theism and explains its bearing on his pessimistic argument for the moral unacceptability of suicide. The chapter concludes that Schopenhauer’s case for pessimism is not conclusive, but instructive; his dim view of the prospects for leading a truly rewarding, worthwhile human life draws vivid attention to important questions about how and to what degree an atheistic world can nevertheless be conducive to human flourishing.


2017 ◽  
Vol 80 (4) ◽  
pp. 474-487
Author(s):  
Marie-Pauline Martin

Abstract Today there is a consensus on the definition of the term ‘rococo’: it designates a style both particular and homogeneous, artistically related to the reigns of Louis XV and Louis XVI. But we must not forget that in its primitive formulations, the rococo has no objective existence. As a witty, sneering, and impertinent word, it can adapt itself to the most varied discourses and needs, far beyond references to the eighteenth century. Its malleability guarantees its sparkling success in different languages, but also its highly contradictory uses. By tracing the genealogy of the word ‘rococo’, this article will show that the association of the term with the century of Louis XV is a form of historical discrimination that still prevails widely in the history of the art of the Enlightenment.


Modern China ◽  
2020 ◽  
pp. 009770042096992
Author(s):  
Huasha Zhang

This article analyzes the transformation of Lhasa’s Chinese community from the embodiment of an expansionist power in the early eighteenth century to the orphan of a fallen regime after the Qing Empire’s demise in 1911. Throughout the imperial era, this remote Chinese enclave represented Qing authority in Tibet and remained under the metropole’s strong political and social influence. Its members intermarried with the locals and adopted many Tibetan cultural traits. During the years surrounding the 1911 Xinhai Revolution, this community played a significant role in a series of interconnected political and ethnic confrontations that gave birth to the two antagonistic national bodies of Tibet and China. The community’s history and experiences challenge not only the academic assessment that Tibet’s Chinese population had fully assimilated into Tibetan society by the twentieth century but also the widespread image of pre-1951 Lhasa as a harmonious town of peaceful ethnic coexistence.


Author(s):  
Brent A. R. Hege

AbstractAs dialectical theology rose to prominence in the years following World War I, the new theologians sought to distance themselves from liberalism in a number of ways, an important one being a rejection of Schleiermacher’s methods and conclusions. In reading the history of Weimar-era theology as it has been written in the twentieth century one would be forgiven for assuming that Schleiermacher found no defenders during this time, as liberal theology quietly faded into the twilight. However, a closer examination of this period reveals a different story. The last generation of liberal theologians consistently appealed to Schleiermacher for support and inspiration, perhaps none more so than Georg Wobbermin, whom B. A. Gerrish has called a “captain of the liberal rearguard.” Wobbermin sought to construct a religio-psychological method on the basis of Schleiermacher’s definition of religion and on his “Copernican turn” toward the subject and resolutely defended such a method against the new dialectical theology long after liberal theology’s supposed demise. A consideration of Wobbermin’s appeals to Schleiermacher in his defense of the liberal program reveals a more complex picture of the state of theology in the Weimar period and of Schleiermacher’s legacy in German Protestant thought.


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