Buddhist Print Culture in Nineteenth-Century Northern Vietnam

2018 ◽  
Vol 13 (3) ◽  
pp. 51-87
Author(s):  
Nguyễn Tuấn Cường ◽  
Phạm Văn Tuấn ◽  
Nguyễn Văn Thanh
Keyword(s):  
Nineteenth Century ◽  
Public Sphere ◽  
Print Culture ◽  
The Public ◽  
Northern Vietnam ◽  
History Of ◽  
Secular Society ◽  
The Creation ◽  
The Public Sphere ◽  
Modern Form

This essay is a study of the woodblock print culture at Khê Hồi temple in Thường Tín district, Hà Tây province (belonging to present day Hà Nội), a temple that is located in the same area as two other temples addressed in this volume (Thắng Nghiêm temple and Phổ Nhân temple). After describing the temple’s history and the various Buddhist schools that have influenced Khê Hồi temple, this essay proceeds to describe and analyze the temple’s extant woodblock collection (over 700 plates, and many books), which was discovered in 2001. The essay goes on to examine the circulation of books printed from the temple’s woodblock collection by means of: (1) comparing the temple’s woodblocks with Buddhist texts in the collection of the Institute of Sino-Nôm Studies and (2) examining neighboring temples to determine whether or not they have preserved books printed from Khê Hồi temple’s woodblocks. Through analyzing the history of woodblocks and their circulation pertaining to Khê Hồi temple in the context of nineteenth-century Buddhist woodblocks and texts in Northern Vietnam, this essay argues that Buddhism played a preponderant role in the creation and dissemination of printed texts in nineteenth-century Vietnam. During this period, although Buddhist print culture was already quite developed, the circulation of printed texts was largely limited to temples, and had not yet become widespread in secular society or the “public sphere” at large. This would later change during the “Buddhist Revival” of 1920–1945, when printing and print culture had already taken on their modern form.

scholarly journals ”Kampagnen med Blæk i stedet for Blod”: Håndskrifter, trykk og opinionskamp i skandinavisk offentlighet, 1801–1814

2017 ◽  
Vol 14 ◽  
pp. 106-128
Author(s):  
Ruth Hemstad
Keyword(s):  
Nineteenth Century ◽  
Public Sphere ◽  
Print Culture ◽  
The Public ◽  
Vital Part ◽  
Monitoring Activities ◽  
The Public Sphere ◽  
Secret War

“The campaign with ink instead of blood”: Manuscripts, print and the war of opinion in the Scandinavian public sphere, 1801–1814Handwritten pamphlets circulated to a high extend as part of the war of opinion which went on in the Norwegian-Swedish borderland around 1814. This ‘campaign with ink instead of blood’, as Danish writers soon characterized this detested activity, was a vital part of the Swedish policy of conquering Norway from Denmark through the means of propaganda. This ‘secret war of opinion’, as it was described in 1803, culminated around 1814, when Sweden accomplished its long-term goal of forming a union with Norway. In this article I am concerned with the role and scope of handwritten letters, actively distributed as pamphlets as part of the Swedish monitoring activities in the borderland, especially in the period 1812 to 1813. These manuscripts were integrated parts of the manifold of publications circulating within a common, although conflict oriented Scandinavian public sphere in the making at this time. The duplication and distribution of handwritten pamphlets, and the interaction with printed material, as Danish counter pamphlets quoting and discussing these manuscripts, illustrates that manuscripts remained important at the beginning of the nineteenth century. They coexisted and interacted with printed material of different kinds, and have to be taken into consideration when studying the public sphere and the print culture in this period.

Pages from a Yellow Press: Print Culture, Public Life and Political Genealogies in Modern Brazil

2014 ◽  
Vol 46 (2) ◽  
pp. 353-379
Author(s):  
JAMES P. WOODARD
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Public Sphere ◽  
Print Culture ◽  
Public Life ◽  
Spanish America ◽  
Original Formulation ◽  
The Public ◽  
The Public Sphere ◽  
Radical Republicanism

AbstractAn examination of the Brazilian newspaper O Combate, this article accomplishes four goals. First, it defines the politics of a periodical long cited but little understood by historians. Second, it documents O Combate's place, alongside other ‘yellow press’ outlets, in the making of a ‘public sphere’ in São Paulo. Third, it situates the same publications' role in the bringing into being of a more commercial, publicity-driven press, which would shed the yellow press's radicalism and abet the collapse of the public sphere of its heyday. Fourth, it suggests that O Combate's radical republicanism was one fount of the democratic radicalism of the late 1920s and early 1930s, as well as of the regionally chauvinist constitutionalism of 1932–7. In this rare application of the ‘public sphere’ idea to twentieth-century Brazil, readers may also detect an account closer to Jürgen Habermas’ original formulation than that found in the historiography of nineteenth-century Spanish America.

Race Matters: Orientalism and Religion, India and Beyond c. 1770–1880

2007 ◽  
Vol 41 (3) ◽  
pp. 471-513 ◽  
Author(s):  
SHRUTI KAPILA
Keyword(s):  
Public Sphere ◽  
Print Culture ◽  
Colonial India ◽  
The Public ◽  
Conventional View ◽  
History Of ◽  
The Public Sphere ◽  
Political Opinions ◽  
History Of Race

In tracing the history of the concept of race, this article revises the conventional view that race acquired significance only after the mid-nineteenth century in colonial India. Instead, it situates the history of race in the connected realms of enlightenment science in both the metropolitan and colonial worlds and in the public sphere of Indian print culture. From the 1770s onwards the emerging ‘science’ of race was intimately related to orientalism and was salient for civilisational concepts, above all, religion. Precisely because it was a capacious concept that encompassed both cultural and biological ideas, race became an inescapable category for world-comparative distinctions between human types and religions, but it also held implications for the role of empire. Phrenology was a popular dimension of this set of ideas and found votaries among both imperial and also Indian literati of radical, conservative and liberal political opinions. The Calcutta Phrenological Society became an active site of debate on these issues. Yet in the popular realm of vernacular print culture analogous notions of physical typology and distinction (particularly samudrikvidya) remained distant from such concerns. As a form of ‘insurgent knowledge’ samudrikvidya was part of the techniques for the reconstitution of an Indian selfhood. Race then was not only a powerful concept, but also one that was remarkably mutable in its meanings and uses from the eighteenth century onwards.

Archiving the British Raj

2018 ◽  
Author(s):  
Sabyasachi Bhattacharya
Keyword(s):  
Public Sphere ◽  
Colonial Rule ◽  
Historical Records ◽  
The Public ◽  
British Raj ◽  
National Archives ◽  
The World ◽  
The Creation ◽  
The Public Sphere ◽  
Central Archive

The archives are generally sites where historians conduct research into our past. Seldom are they objects of research. Sabyasachi Bhattacharya traces the path that led to the creation of a central archive in India, from the setting up of the Imperial Record Department, the precursor of the National Archives of India, and the Indian Historical Records Commission, to the framing of archival policies and the change in those policies over the years. In the last two decades of colonial rule in India, there were anticipations of freedom in many areas of the public sphere. These were felt in the domain of archiving as well, chiefly in the form of reversal of earlier policies. From this perspective, Bhattacharya explores the relation between knowledge and power and discusses how the World Wars and the decline of Britain, among other factors, effected a transition from a Eurocentric and disparaging approach to India towards a more liberal and less ethnocentric one.

Pictorial Debates: The Tatar Satirical Journal Yalt-Yolt and Muslim Modernity Discourses, 1906-1917

Experiment ◽  
2013 ◽  
Vol 19 (1) ◽  
pp. 149-181
Author(s):  
Azade-Ayse Rorlich
Keyword(s):  
Public Sphere ◽  
Ottoman Empire ◽  
Russian Empire ◽  
Reform Era ◽  
The Public ◽  
The Creation ◽  
The Public Sphere ◽  
The Russian Empire

Abstract The Great Reform era in Russia, as well as the modernist movements in the Ottoman Empire and other Muslim lands represent the background against which the Muslims of the Russian Empire engaged in the scrutiny of the reasons behind the backwardness of their societies and began advocating the compatibility of Islam with modernity. After 1906, the Muslim press became the most important instrument in the creation of the public sphere where issues of tradition and modernity were debated. This essay focuses on the Tatar satirical journal Yalt-Yolt to explore its contribution to the critique of the old Muslim mentalité, as well as its role as an instrument of modernity.

scholarly journals The Public Sphere in the Field of Power

2010 ◽  
Vol 34 (3) ◽  
pp. 301-335 ◽  
Author(s):  
Craig Calhoun
Keyword(s):  
Nineteenth Century ◽  
Public Sphere ◽  
Public Life ◽  
Early Nineteenth Century ◽  
Public Spheres ◽  
Social Foundations ◽  
The Public ◽  
The Social ◽  
Late Eighteenth ◽  
The Public Sphere

In this article I ask (1) whether the ways in which the early bourgeois public sphere was structured—precisely by exclusion—are instructive for considering its later development, (2) how a consideration of the social foundations of public life calls into question abstract formulations of it as an escape from social determination into a realm of discursive reason, (3) to what extent “counterpublics” may offer useful accommodations to failures of larger public spheres without necessarily becoming completely attractive alternatives, and (4) to what extent considering the organization of the public sphere as a field might prove helpful in analyzing differentiated publics, rather than thinking of them simply as parallel but each based on discrete conditions. These considerations are informed by an account of the way that the public sphere developed as a concrete ideal and an object of struggle in late-eighteenth- and early-nineteenth-century Britain.

scholarly journals Heiner Goebbels's Stifters Dinge and the Arendtian Public Sphere

2019 ◽  
Vol 5 (1) ◽  
pp. 109-127
Author(s):  
Luke Matthews
Keyword(s):  
Public Sphere ◽  
Participatory Democracy ◽  
The Political ◽  
The Public ◽  
Collaborative Working ◽  
The Creation ◽  
The Public Sphere ◽  
Working Processes

Heiner Goebbels’s works are examples of “postdramatic” theatre works that engage with the political by seeking to challenge socially ingrained habits of perception rather than by presenting traditional, literary-based theatre of political didacticism or agitation. Goebbels claims to work toward a “non-hierarchical” theatre in the contexts of his arrangement of the various theatrical elements, in fostering collaborative working processes between the artists involved, and in the creation of audience-artist relationships. In offering a reading of Goebbels’s “no-man show” Stifters Dinge, this paper seeks to situate Goebbels’s practice within a theoretical tradition that also encompasses Hannah Arendt’s deployment of the theatre as a metaphor for the public sphere. Within this analysis, I suggest, theatre can be seen to offer the possibility of a participatory democracy through its attention to disappearance and absence.

Père Trump

October ◽  
2017 ◽  
Vol 159 ◽  
pp. 3-6
Author(s):  
Hal Foster
Keyword(s):  
Social Media ◽  
Public Sphere ◽  
Print Culture ◽  
Theoretical Concepts ◽  
Fourth Estate ◽  
The Public ◽  
Higher Power ◽  
The Face ◽  
The Law ◽  
The Public Sphere

In the face of Trumpism and its peculiar mix of the buffoonish and the lethal, Foster suggests that we “pump up” past theoretical concepts by raising them to a higher degree. Social media, for example, could thereby be considered the “fifth estate,” a force that outdoes the “fourth estate” of journalistic media and thereby evacuates the last residues of the public sphere that, over fifty years ago, Jürgen Habermas associated with the advent of print culture. Peter Sloterdijk's notion of cynical reason, too, must be raised to a higher power in order to comprehend the Trumpist mentality; perhaps in this post-truth era, we should speak instead of “noncynical unreason”? And while the concept of the “primal father” is so outrageous that it cannot be inflated, Foster argues, it is one that we must grapple with in the face of a figure who, like Freud's figure, embodies the law and simultaneously performs its transgression.

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