scholarly journals The Kajian Sosiopragmatik Strategi Tindak Tutur Kritik Karakter Antagonis Ibu Jawa; Bu Tejo dalam Film Tilik

2021 ◽  
Vol 9 (1) ◽  
pp. 116-128
Author(s):  
Nora Dita Zakiah Ridho'i

  Abstract The sociopragmatic study is one that can explore the reflection of local wisdom that can be learned by the Javanese and even nationally. This research data is working from the Short Film - Tilik (2018) by focusing on the main character who is also the antagonist, Bu Tejo. Performed with an image of cynical Javanese mothers, it is good to see how the strategy is used and what are the motivations rely upon behind the utterances. Analysis of the study of speech act of criticism strategies can be used to hone of forms this characters often use. To conduct this research, the method used is transcribing all dialogues that are focused on only Bu Tejo's dialogue. There were 81 strategies of critical speech acts classified based on the form of direct criticism speech acts and indirect criticism speech acts. Direct speech acts criticism includes negative evaluation strategies, disapproval, expressions of disagreement, identify of problems, statements of difficulty and consequences. Meanwhile, the strategy of indirect speech acts criticism are corrections, identifying standards, demanding for change, request for change, suggestions of change, expressions of certainty and asking/presupposing. In examining the narrative using these strategies, it is also discovered the social motive implied by the main character of this antagonist through his critical utterances. Keywords: Speech act of criticism, sociopragmatics, film

Author(s):  
Ima Frafika Sari

Direct and indirect speech acts are the two types of speech acts. This study aims to know how indirect speech acts are employed in the movie "SpongeBob SquarePants." It employs descriptive qualitative research to explain the main character's speech act types. There is currently a scarcity of studies examining speech act types in cartoon or animation films; yet, it is necessary. According to this study, the result of this article is: first, there are seventy-four discussions of indirect speech acts obtained from all characters in the movie SpongeBob SquarePants. Each dialogue in the film SpongeBob SquarePants can be deduced to reveal the meaning of indirect speech acts. Second, The reader can use the domain analysis indirect speech acts summary to help them understand each dialogue in this movie that has a different meaning. This stage permitted the main characters to say literal things to the listener. The main character did not make a difficult-to-understand statement to the listener. This research looks at Yule's theory's utterances of indirect speech activities. As a result, the outcome differed from the prior study, despite the same issue.


2019 ◽  
Vol 4 (4) ◽  
pp. 388
Author(s):  
Siti Hunsawati ◽  
Rohmana Rohamana ◽  
Siam Siam

This thesis is about the analysis of speech act in Barbie as Rapunzel movie. The research questions of this thesis were (1) what are the direct and indirect speech acts used by the main character in Barbie as Rapunzel movie? And (2) What are the perlocutionary acts of the main character’s utterances in Barbie as Rapunzel movie?. The objectives of this research were (1) To decribe the direct and indirect speech acts used by the main character in Barbie as Rapunzel  movie  and  (2)  To  describe  the perlocutionary acts   of   the   main   character’s   utterances   in   Barbie  as Rapunzel movie. This research used a qualitative method to describe and analyze  the  utterance.  The  technique  of  data  collection were (1) The researcher download Barbie as Rapunzel movie on youtube. (2) The researcher watched the movie of Barbie as Rapunzel  repetedly. (3) Reading and checking dialogue which related with research from the movie script “Barbie as Rapunzel” movie. (4) The researcher classified the dirrect, indirect speech, and perlocutionary acts. The technique   of   data   analysis   were  (1)   The   researcher identified the direct, indirect speech act and perlocutionary acts from Barbie as Rapunzel movie. (2) Described and analized the utterances which include direct, indirect, and perlocutionary acts. (3) Concluding the data analysis. The result of this thesis show that direct speech acts is the dominant types of speech acts. Where, there are 58 direct speech acts, 2 indirect speech acts, and 41 perlocutionary acts. Keywords: Speech Act, Movie


LINGUISTICA ◽  
2020 ◽  
Vol 8 (4) ◽  
pp. 220
Author(s):  
Taufan Fadilah ◽  
Isli Iriani Indiah Pane

This study focused on indirect speech act used by the main characters in Toba Dream movie. The objectives of the study were to: (1) find out the types of indirect speech acts used in Toba Dream movie, and (2) describe how types of indirect speech acts used in Toba Dream movie. This research was conducted by using descriptive qualitative method. The data of the study were all utterances uttered by the main character in Toba Dream movie and collected by watching the movie.  The result of the study showed that there were four types of indirect speech acts found in Toba Dream movie, they were: representative, directive, commisive, expressive containing indirect speech acts in Toba dream Movie. Representative (25,71%) were realized by interrogative sentences and imperative sentences. Directive (21,43%) were realized by declarative sentences and interrogative sentences. Commisive (14,28%) were realized by declarative sentences. The main characters in Toba dream movie dominated the use of indirect speech act to express statement, command and warning. It showed that they could produce the language more politely and keep the hearer’s face while getting instruction or information indirectly.Keywords: indirect speech act, movie pragmatic, Toba Dream


2018 ◽  
Vol 2 (1) ◽  
pp. 59-67
Author(s):  
Fyngky Oktadistio ◽  
Mazrul Aziz ◽  
Zahrida .

This Research Entitled “An Analysis Of Direct And Indirect Speech Acts Performed By Main Character In The Movie Revenant Script”. This research was a descriptive analysis that discusses direct and indirect speech acts in movie script entitled ‘The Revenant.’ In analyzing the script, there was used theory by Yule (1996).The data in this research based on main characters’ utterances. The purpose of this analysis was to find out the types, and functions of speech act whether it is direct speech act or indirect speech act in the movie script entitled ‘The Revenant.’ From the analysis, it was found that both direct speech acts and indirect speech acts are used by main characters in this movie. The most dominant type of speech act used in the movie script was direct speech act (13 utterances) and then followed by indirect speech act (9 utterances). The direct speech act was classified again into declarative type (2 utterances) imperative type (5 utterances) and interrogative type (6 utterances). Indirect speech acts were also classified again into declarative type (8 utterances) and Interrogative (1 utterance). For the functions, direct speech acts are classified into the statement (2 utterances), order/request (5 utterances), and the last function of the question (6 utterances). Indirect speech act also classified into question (9 utterances), and no functions of statement and order. Based on the result, the researcher found that Felicity Conditions and genre were the factors affected main characters in producing direct speech acts more than indirect speech acts.


2016 ◽  
Vol 12 (1) ◽  
pp. 27
Author(s):  
Eka Suryatin

Abstrak: Penelitian ini membahas bentuk dan maksud tindak tutur pada baliho kampanye legislatif Pemilu tahun 2009 di Kalimantan Selatan. Tujuan penelitian untuk mendeskripsikan bentuk dan maksud tindak tutur pada baliho kampanye legislatif Pemilu tahun 2009 di Kalimantan Selatan. Metode yang digunakan deskriptif  kualitatif. Teknik pengumpulan data dilakukan dengan cara teknik simak dan teknik catat. Sumber data penelitian berupa Buku “Lebih Tepat Lebih Baik: Penggunaan Bahasa Indonesia pada Baliho Kampanye Calon Legislatif Pemilu Tahun 2009”. Hasil penelitian menunjukkan bahwa pada baliho kampanye calon legislatif pemilu tahun 2009 di Kalimantan Selatan menggunakan tindak tutur lokusi, ilokusi, dan perlokusi. Selain itu, tuturan pada baliho juga menggunakan tindak tutur langsung berupa kalimat perintah dan tindak tutur tak langsung berupa kalimat berita.Kata kunci: Bentuk, maksud, tindak tutur, baliho, kampanye. Abstract: This study discusses the shape and purpose of the speech act on a billboard campaign in the 2009 legislative elections in South Kalimantan . The research objective to describe the shape and purpose of the speech act on a billboard campaign in the 2009 legislative elections in South Kalimantan. The method used descriptive qualitative . Data was collected by means of techniques and techniques refer to the note . Source of research data in the form of book " More Right Better : Use of Indonesian on Billboard Campaign Legislative Candidate Election Year 2009 " . The results showed that on a billboard campaign Election candidates in 2009 in South Kalimantan , using locutions speech acts , illocutionary , and perlokusi . In addition, the speech on billboards also uses speech act directly in the form of imperative sentences and indirect speech acts in the form of news sentences .Key words : Form, intention, speech act , billboard , campaign.


2018 ◽  
Vol 8 (4) ◽  
pp. 226 ◽  
Author(s):  
Azweed Mohamad ◽  
Radzuwan Ab Rashid ◽  
Kamariah Yunus ◽  
Shireena Basree Abdul Rahman ◽  
Saadiyah Darus ◽  
...  

This paper discusses the speech acts in Facebook Status Updates posted by an apostate of Islam. The Facebook Timeline was observed for a duration of two years (January 2015 to December 2016). More than 4000 postings were made in the data collection period. However, only 648 postings are related to apostasy. The data were classified according to the types of speech acts. Expressive speech act is the most frequent speech act (33%, n=215), followed by the directive (27%, n=177), assertive (22%, n=141), and commissive (18%, n=115), respectively. Based on the speech acts used, it is discernible that the apostate attempts to engage other Facebook users and persuade them into accepting her ideology while gaining their support. This paper is novel in the sense that it puts forth the social actions of an apostate which is very scarce in literature. It is also methodologically innovative as it uses social media postings as a tool to explore the apostate’s social actions in an online space.


2020 ◽  
Vol 34 (06) ◽  
pp. 10410-10417
Author(s):  
Ruchen Wen ◽  
Mohammed Aun Siddiqui ◽  
Tom Williams

For robots to successfully operate as members of human-robot teams, it is crucial for robots to correctly understand the intentions of their human teammates. This task is particularly difficult due to human sociocultural norms: for reasons of social courtesy (e.g., politeness), people rarely express their intentions directly, instead typically employing polite utterance forms such as Indirect Speech Acts (ISAs). It is thus critical for robots to be capable of inferring the intentions behind their teammates' utterances based on both their interaction context (including, e.g., social roles) and their knowledge of the sociocultural norms that are applicable within that context. This work builds off of previous research on understanding and generation of ISAs using Dempster-Shafer Theoretic Uncertain Logic, by showing how other recent work in Dempster-Shafer Theoretic rule learning can be used to learn appropriate uncertainty intervals for robots' representations of sociocultural politeness norms.


PARADIGM ◽  
2020 ◽  
Vol 3 (1) ◽  
pp. 1
Author(s):  
Widdya Syafitri

<p>This research is conducted based on two purposes; they are to identify the types of expressive speech act found in the statuses of the Facebook users, and to explain the modes of expressive utterance used in the statuses. Therefore, the data source is the social network that is Facebook and the data are the statuses of the Facebook users. The data are collected by using observational method, followed by non-participant observational technique and taking-note technique. The data analysis is based on pragmatic identity method proposed by Sudaryanto (2015) which is also supported by the theory of the types of expressive speech act by Ronan (2015), and theory about the modes of utterance from Alwi, et al (2000). The analysis result shows that there are fourteen types of expressive speech act in the statuses. They are the expression of agreement, disagreement, apology, gratitude, sorrow (sadness), exclamation (complaint), volition (hope), anger, disappointment, encouragement, satire, annoyance, pride, and congratulation. Meanwhile, the modes of expressive speech act that are used consist of declarative mode, interrogative mode, and exclamative mode. The importance of this research is to reveal or show that there is something else the Facebook users want to say behind their statuses. Sometimes, they do not really state what they mean in their statuses. They use indirect way and there lies the use of expressive speech act which can be stated in different way.</p>


2019 ◽  
Vol 96 (3) ◽  
pp. 401-418
Author(s):  
Claudia Bianchi

According to Mitchell Green, speech act theory traditionally idealizes away from crucial aspects of conversational contexts, including those in which the speaker’s social position affects the possibility of her performing certain speech acts. In recent times, asymmetries in communicative situations have become a lively object of study for linguists, philosophers of language and moral philosophers: several scholars view hate speech itself in terms of speech acts, namely acts of subordination (acts establishing or reinforcing unfair hierarchies). The aim of this paper is to address one of the main objections to accounts of hate speech in terms of illocutionary speech acts, that is the Authority Problem. While the social role of the speaker is the focus of several approaches (Langton 2018a, 2018b; Maitra 2012; Kukla 2014; Green 2014, 2017a, 2017b), the social role of the audience has too often been neglected. The author will show that not only must the speaker have a certain kind of standing or social position in order to perform speech acts of subordination, but also the audience must typically have a certain kind of standing or social position in order to either license or object to the speaker’s authority, and her acts of subordination.


2019 ◽  
Vol 26 (1) ◽  
pp. 61-84
Author(s):  
Jörg Meibauer

Abstract The notion of an indirect speech act is at the very heart of cognitive pragmatics, yet, after nearly 50 years of orthodox (Searlean) speech act theory, it remains largely unclear how this notion can be explicated in a proper way. In recent years, two debates about indirect speech acts have stood out. First, a debate about the Searlean idea that indirect speech acts constitute a simultaneous realization of a secondary and a primary act. Second, a debate about the reasons for the use of indirect speech acts, in particular about whether this reason is to be seen in strategic advantages and/or observation of politeness demands. In these debates, the original pragmatic conception of sentence types as indicators of illocutionary force seems to have been getting lost. Here, I go back to the seemingly outdated “literal force hypothesis” (see Levinson 1983: 263–264) and point out how it is still relevant for cognitive pragmatics.


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