scholarly journals The Semantic and Syntactic Evolution of Conjunctions in French: The Case of ains

2021 ◽  
Vol 15 ◽  
pp. 1-8
Author(s):  
Swietłana Niewzorowa
Keyword(s):  
Semantic Analysis ◽  
Old French ◽  
17Th Century ◽  
Literary Texts ◽  
Rapid Decline ◽  
French Academy ◽  
The Past ◽  
Functional Analyses

The present study is part of the current of diachronic research on conjunctions. All linguists confirm that in Old French two opposing conjunctions were used: ains / mais. However, in modern French, only one contrast conjunction provides an opposing connection, namely mais. The reasons for the rapid decline of the ains conjunction are not clear, and the time of its disappearance is not precise. In this article, the author focuses on the semantic analysis of ains from Old French until the 17th century, i.e. until the time where this conjunction passed into archaism and when the Academy declared: “it is old” (Dictionary of the French Academy 1694). The study deals with the specific syntactic uses of the conjunction in question in various literary texts. By referring to descriptive, semantic and functional analyses, it is possible to identify specific features of the ains conjunction, as well as to reveal the conditions under which its disappearance took place. The study is also trying to answer the question why this Old French conjunction, very common in the past, disappeared.

Ale na razie tu cisza” – fotografie sprzed katastrofy w wybranych zapisach literackich (Stefan Chwin, Ryszard Kapuściński, Wisława Szymborska)

2020 ◽  
pp. 65-80
Author(s):  
Magdalena Strąk
Keyword(s):  
Time Perspective ◽  
Terrorist Attack ◽  
First World War ◽  
General Concept ◽  
Literary Texts ◽  
World War ◽  
The Past ◽  
The First World War ◽  
History Of ◽  
First World

The work aims to show a peculiar perspective of looking at photographs taken on the eve of the broadly understood disaster, which is specified in a slightly different way in each of the literary texts (Stefan Chwin’s autobiographical novel Krótka historia pewnego żartu [The brief history of a certain joke], a poem by Ryszard Kapuściński Na wystawie „Fotografia chłopów polskich do 1944 r.” [At an exhibition “The Polish peasants in photographs to 1944”] and Wisława Szymborska’s Fotografia z 11 września [Photograph from September 11]) – as death in a concentration camp, a general concept of the First World War or a terrorist attack. Upcoming tragic events – of which the photographed people are not yet aware – become for the subsequent recipient an inseparable element of reality contained in the frame. For the later observers, privileged with time perspective, the characters captured in the photograph are already victims of the catastrophe, which in reality was not yet recorded by the camera. It is a work about coexistence of the past and future in the field of photography.

Collective Memory: Between Values and Historical Knowledge

2020 ◽  
pp. 124-142
Author(s):  
VICTOR BURLACHUK
Keyword(s):  
Twentieth Century ◽  
Soviet Union ◽  
Collective Memory ◽  
Rapid Change ◽  
Modern Society ◽  
The State ◽  
Main Element ◽  
Rapid Decline ◽  
The Past ◽  
The Future

At the end of the twentieth century, questions of a secondary nature suddenly became topical: what do we remember and who owns the memory? Memory as one of the mental characteristics of an individual’s activity is complemented by the concept of collective memory, which requires a different method of analysis than the activity of a separate individual. In the 1970s, a situation arose that gave rise to the so-called "historical politics" or "memory politics." If philosophical studies of memory problems of the 30’s and 40’s of the twentieth century were focused mainly on the peculiarities of perception of the past in the individual and collective consciousness and did not go beyond scientific discussions, then half a century later the situation has changed dramatically. The problem of memory has found its political sound: historians and sociologists, politicians and representatives of the media have entered the discourse on memory. Modern society, including all social, ethnic and family groups, has undergone a profound change in the traditional attitude towards the past, which has been associated with changes in the structure of government. In connection with the discrediting of the Soviet Union, the rapid decline of the Communist Party and its ideology, there was a collapse of Marxism, which provided for a certain model of time and history. The end of the revolutionary idea, a powerful vector that indicated the direction of historical time into the future, inevitably led to a rapid change in perception of the past. Three models of the future, which, according to Pierre Nora, defined the face of the past (the future as a restoration of the past, the future as progress and the future as a revolution) that existed until recently, have now lost their relevance. Today, absolute uncertainty hangs over the future. The inability to predict the future poses certain challenges to the present. The end of any teleology of history imposes on the present a debt of memory. Features of the life of memory, the specifics of its state and functioning directly affect the state of identity, both personal and collective. Distortion of memory, its incorrect work, and its ideological manipulation can give rise to an identity crisis. The memorial phenomenon is a certain political resource in a situation of severe socio-political breaks and changes. In the conditions of the economic crisis and in the absence of a real and clear program for future development, the state often seeks to turn memory into the main element of national consolidation.

What is a Classic in History?

2021 ◽  
pp. 1-38
Author(s):  
Jaume Aurell
Keyword(s):  
Literary Texts ◽  
Historical Writing ◽  
Historical Criticism ◽  
Historical Texts ◽  
The Past ◽  
Science And Art ◽  
Historical Text ◽  
Historical Condition ◽  
Historical Writings ◽  
Narrative Language

Abstract What is the classic in history? What is a classic in historical writing? Very few historians and critics have addressed these questions, and when they have done so, it has been only in a cursory manner. These are queries that require some explanation regarding historical texts because of their peculiar ambivalence between science and art, content and form, sources and imagination, scientific and narrative language. Based on some examples of the Western historiographical tradition, I discuss in this article to what extent historians should engage the concept of the classic – as has been done for literary texts. If one assumes that the historical text is not only a referential account but also a narrative analogous to literary texts, then the concept of the classic becomes one of the keys for understanding the historical text – and may improve our understanding not only of historiography, but of history itself. I will argue in this article that it is possible to identify a category of the classic text in some historical writings, precisely because of the literarity they possess without losing their specific historical condition. Because of their narrative condition, historical texts share some of the features assigned to literary texts – that is, endurance, timelessness, universal meaningfulness, resistance to historical criticism, susceptibility to multiple interpretations, and ability to function as models. Yet, since historical texts do not construct imaginary worlds but reflect external realities, they also have to achieve some specific features according to this referential content – that is, surplus of meaning, historical use of metaphors, effect of contemporaneity without damaging the pastness of the past, and a certain appropriation of literariness. Without seeking to be normative or systematic, this article focuses on some specific features of the historical classic, offering a series of reflections to open rather than try to close a debate on this complex topic.

scholarly journals Glasnost in Soviet literary criticism: current debates on the Russian national character (1988-1990)

Literator ◽  
1991 ◽  
Vol 12 (3) ◽  
pp. 89-102
Author(s):  
H. Mondry
Keyword(s):  
Cultural Heritage ◽  
Literary Criticism ◽  
National Character ◽  
Literary Texts ◽  
The Past ◽  
Political Reforms ◽  
Leading Role

Re-evaluation of the cultural heritage of the past has been an integral part of Soviet literary criticism. From 1987 up to the present, literary criticism has played a leading role in the promotion of the economic, social and political reforms of perestroika. Literary critics use the methodology of social deconstruction in the interpretation of the literary texts of the past, actualising the problematics of the texts in accordance with their relevance to contemporary Soviet issues.

scholarly journals Arheologija Silbe i silbenskih grebena

2017 ◽  
Vol 9 (1) ◽  
Author(s):  
Smiljan Gluščević
Keyword(s):  
Late Antiquity ◽  
17Th Century ◽  
13Th Century ◽  
Neighboring Group ◽  
Late Medieval ◽  
Archaeological Material ◽  
The Past ◽  
Modern Age

The article deals with the archaeological material recorded over the past decade on the island of Silba and on its seabed. The island is located on the most important seafaring route that led from the northern to southern Adriatic. The source of the earliest – albeit scarce – information about its population is the island’s prehistoric hill-fort. As for the life on the island in Antiquity and Late Antiquity, the graves and sarcophagi recorded there can be used as evidence of it. In terms of the number of finds, the seabed off Silba is much richer than the island itself, particularly the area near Sveti Ante Cove and Cape Arat, where Antiquity remains and Modern Age glass objects were found. Grebeni – the neighboring group of three reefs – were also included in the excavations. They were fatal for numerous ships of the Antiquity, as well as for one Late Medieval ship and one Modern Age ship. The most important finds include those from a mid-1st-century AD ship (a large quantity of material which is mostly unique for the Adriatic), a bell from the second half of the 13th century, and a ship with mid-17th-century cannons, anchors and ceramics. We should add to these the find of a shipwreck with Baetical amphorae (type Dr. 20) – the first such find on the Adriatic seabed. 

scholarly journals Convention as the Source of the Avant-Garde. Remarks on the Inventiveness of Poetics of the Past

2019 ◽  
Vol 66 (1 SELECTED PAPERS IN ENGLISH) ◽  
pp. 19-31
Author(s):  
Barbara Niebelska-Rajca
Keyword(s):  
20Th Century ◽  
17Th Century ◽  
16Th Century ◽  
Avant Garde ◽  
The Past ◽  
Polish Version ◽  
Dominant Tendency ◽  
Late Renaissance ◽  
Theoretical Reflection ◽  
Present Text

The Polish version of the article was published in “Roczniki Humanistyczne,” vol. 59 (2011), issue 1. Modern theoretical-literary treatises, defined as normative poetics, are usually connected with the dominance of the convention and normativism, with obligatory rules, canonical concepts and restrictive directives hampering originality. The present text tries to revise the conviction that convention is a dominant tendency in the development of the old theoretical thought; it tends to show the avant-garde aspects of modern poetics and to present the relations between what is conventional and what is innovative in the most original theoretical texts of late Renaissance and Baroque. Examples of two avant-garde modern poetics—Francesco Patrizi’s theory of wonder formed at the end of the 16th century and the 17th century Emanuele Tesauro’s conceptistic theory—show that tradition and convention are necessary elements of inventive theories. The avant-garde of poetics of the past, contrary to the avant-garde of the 20th century, is not born from the defiance of the earlier theories but is formed by way of modernizing and transforming them. Old inventive theories—despite all the departures from tradition—are still part of the classical paradigm. Hence, the avant-garde character of late-Renaissance and Baroque theoretical reflection consists in a peculiar synergy of convention and novelty.

scholarly journals Quantitative and qualitative analysis of the structure of a historical text

2021 ◽  
pp. 1-24
Author(s):  
Grigory Ivanovich Gerasimov ◽  
Andrei Vladimirovich Gerasimov
Keyword(s):  
Cluster Analysis ◽  
Structural Analysis ◽  
Quantitative Methods ◽  
Literary Texts ◽  
Comparison Analysis ◽  
Main Method ◽  
The Past ◽  
Historical Text ◽  
The Subject ◽  
Historical Methods

The subject of this research is the historical writing technique, which allows creating convincing images of the past. The goal of this article is ti analyze the structure of texts written by the historians and covering the period from antiquity to the XXI century. The theoretical framework consists of the idealistic approach towards history developed by the author. This article is first to examine the structure of texts written by the prominent historians of the past, such as Herodotus, Nestor, Karamzin, Klyuchevsky, and some historians of the XX – XX centuries from the perspective of idealistic approach and the use of quantitative methods. For comparison, analysis is conducted on the literary texts of A. S. Pushkin and V. S. Pikul dedicated to historical themes. The article employs content analysis, structural analysis, and terarchical cluster analysis of the texts on the basis of their structure. This revealed that the structure of these texts consists of the factual and theoretical statements, where the firs prevailed until the mid XX century. The use of cluster analysis allowed building a matrix of similarity of the works. The main method of creating convincing historical text lies in selection and interpretation of the the facts in accordance with the dominant worldview or a widespread historical concept. Facts are subordinated to the theory and confirm the fundamental ideas and historical concepts, as well as depict a convincing image of the past. The conducted analysis indicates that theory plays the key role in creating a convincing historical text, while facts are secondary; no significant impact of historical methods is revealed. The major difference between the analyzed historical and literary texts consists in the fact that there is no theory in the literary works.

The Practice Of Pediatrics in the Era of Vaccines Effective Against Haemophilus influenzae Type b

PEDIATRICS ◽  
1994 ◽  
Vol 93 (4) ◽  
pp. 680-681
Author(s):  
Laurence B. Givner ◽  
Charles R. Woods ◽  
Jon S. Abramson
Keyword(s):  
Haemophilus Influenzae ◽  
Invasive Disease ◽  
Haemophilus Influenzae Type ◽  
Rapid Decline ◽  
Haemophilus Influenzae Type B ◽  
Type B ◽  
The Past ◽  
Dramatic Decline ◽  
The Everyday ◽  
The Subject

The practice of pediatrics is forever altered when a vaccine is effective in dramatically reducing the incidence of (or even eradicating) an infectious disease. As the targeted disease is rapidly declining in incidence, there are often exciting changes in the practice of pediatrics, with far-reaching effects in the everyday treatment of patients. Such is the case now due to the effectiveness of the conjugated polysaccharide vaccines against Haemophilus influenzae type b (Hib). The resultant rapid decline in the incidence of invasive disease due to Hib during the past several years has been documented in numerous studies.1-3 The effects of this dramatic decline in Hib disease on the approach to children who have (presumed) infectious diseases are the subject of this editorial.

Ecocriticism extends its boundaries

2017 ◽  
Author(s):  
Peter Barry ◽  
William Welstead
Keyword(s):  
Climate Change ◽  
Social Science ◽  
Environmental Crisis ◽  
Literary Texts ◽  
Creative Arts ◽  
Environmental Humanities ◽  
Common Cause ◽  
The Past ◽  
Increasing Trend ◽  
Heritage Interpretation

This chapter maps out the richness of ecocriticism as it has extended its boundaries during the past decade from environmental literary texts to the wider environmental humanities. The still growing sense of environmental crisis and climate change is significantly influencing both creative methodologies and outputs, and critical responses, in the humanities and beyond. In particular, there is an increasing trend towards collaboration between the creative arts and the sciences, and between writers and artists in different media. At the same time, disciplines from social science and heritage interpretation are finding common cause with the creative arts. These themes are further explored in the introduction to subsequent chapters.

Secular Evolution in Ireland

2017 ◽  
pp. 62-83
Author(s):  
David T. Buckley
Keyword(s):  
Public Opinion ◽  
Education Policy ◽  
Institutional Change ◽  
Rapid Decline ◽  
Quarter Century ◽  
Secular Evolution ◽  
The Past ◽  
Muslim Minority

How has Irish benevolent secularism withstood challenges brought on by rapid decline in Catholic influence over the past quarter century? This chapter documents the role of religious-secular and interfaith partnerships in steering institutional change in Ireland during this period. Benevolent secularism has evolved without changing into a more assertive form of secularism. The chapter traces secular evolution in areas like education policy and accommodating the growing Muslim minority. It traces elite alliances through field interviews, and then documents similar consensus in public opinion data.

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