scholarly journals The matter of mental transformation of logos

2021 ◽  
Vol 76 (1) ◽  
pp. 41-48
Author(s):  
V. V. Sobolnikov ◽  

The article dwells upon a vital matter of the logos’ mental transformation in metamodern logic, which determined its novelty. The article aims to conceptualize the concept of “logos” within the “depth sociology” (sociology of imagination) and study the socio-psychological process of its change in the current socio-crisis conditions. As the methodological basis of the research, the author suggests the psychoanalytic approach and rich scientific heritage of G. Durand, whose 100th anniversary would be celebrated on May 1, 2021, by the world scientific community. In the world, he is known as a sociologist and researcher of forms and functions of imagination, the author of the concept, theory and scientific method of “depth sociology” (sociology of imagination). The study also used general scientific and psychoanalytic methods of cognition and an interdisciplinary approach, which paved the way for the use of culturological and hermeneutic analysis methods. At the same time, other elements of culturological and sociological cases have been adopted, borrowing concepts and perspectives for explaining socio-psychological phenomena that have a complex psychological nature. Based on the theoretical analysis results, a generalized description of the logos is presented within the framework of its conceptualization in the topic of depth sociology, which to some extent reveals the psychological nature and meaning of the concept. The author proposes a modification of the paradigmatic model of logos variability. The socio-psychological process of its transformation is studied based on G. Durand’s construction. Based on the results of the analysis of the logos state in the current social crisis, the paper shows fragments of its varieties and probabilistic mechanisms of variability. Simultaneously, the institutional uncertainty of the modern geopolitical future in the world creates a basis for pressure on the “two-story” (socio-psychological) topic, where the prospect of further research will be the problem of synchronicity (according to C.-G. Jung).

2021 ◽  
pp. 104837132110262
Author(s):  
Jui-Ching Wang

Music cannot be separated from its historical, geographical, and cultural context; therefore, it is important that students be taught music from a variety of genres, cultures, and historical periods relevant to the music to which they are introduced. In this article, I introduce an interdisciplinary approach through contextualization of the content of music, using it to lead to the study of related works in various disciplines. Using a song inspired by Indonesia’s Solo River, a lesson sample demonstrates teaching strategies that motivate students to engage in integrative thinking. By exploring music’s connection with relevant subjects to teach about the natural environment, this contextualized lesson presents a global learning experience to broaden students’ knowledge of the world. Contextualizing the content of Bengawan Solo illustrates how history and culture shaped the song and demonstrates how this work can be used as a springboard for students’ exploration of its history, geography, and ecology.


2021 ◽  
Author(s):  
Mona Mannevuo ◽  
Jenni M Rinne ◽  
Isak Vento

AbstractPoliticians’ work pressure is gaining more attention in parliamentary studies. To participate in the discussion about governing under pressure, this article offers an interdisciplinary approach to investigate how representatives navigate within a flexible, limitless work culture. This article presents a new inquiry to re-examine contemporary political agency by combining cultural studies theories with empirical insights in Nordic countries. By analysing 52 semi-structured interviews with MPs in Denmark, Finland and Sweden, the study finds that politics attracts people who want to change the world, but these attributes may initiate a vicious cycle, taking the form of psychological strain.


2019 ◽  
pp. 17-37
Author(s):  
Иосиф Александрович Фридман

Статья посвящена творческому наследию выдающегося итальянско-еврейского учёного, историка и библеиста Умберто Кассуто (1883-1951). Его основной вклад в науку о Священном Писании - развёрнутая критика документальной гипотезы происхождения Пятикнижия. Основная часть данной статьи представляет собой изложение воззрений Кассуто на первый из «столпов» документальной гипотезы - употребление в тексте Торы Божественных имён. Автор надеется показать, что, используя строго научные методы, Кассуто даёт вполне правдоподобные альтернативные объяснения тем феноменам, на исключительную правоту собственного объяснения которых с момента возникновения претендует документальная гипотеза. Вместо того чтобы опровергать частные аспекты названной теории, Кассуто, последовательно выступая против самого принципа деления текста Пятикнижия на первоначально независимые друг от друга «источники», фактически предложил в библеистике новую научную парадигму, потенциально претендующую на всеохватность и полную замену документальной гипотезы. В последующей статье на эту же тему автор намеревается продемонстрировать подход У. Кассуто ко второму, третьему, четвёртому и пятому «столпам» документальной гипотезы, а также остановить внимание на рецепции идей Кассуто в мире библеистики. The present article is devoted to the scientific heritage left by a major Jewish academician of Italian descent, historian and biblical scholar Umberto Cassuto (1883-1951). His main contribution to this field consists in large-scale criticism of the Documentary Hypothesis of the origin of the Pentateuch. In the main part of our article the author presents an outline of Cassuto’s views on the first of the five «pillars» onwhich the Documentary Hypothesis rests. The author endeavors to demonstrate that, using strictly scientific argumentation, Cassuto gives quite plausible alternative explanations to such phenomena as the Documentary Hypothesis claims its unique right to explain correctly. Instead of attacking and refuting any particular aspects of the hypothesis, Cassutoconsistently argues against the very principle according to which the Torah is divided among a number of «source texts» perceived to have once been independent of one another. As a matter of fact, U. Cassuto has presented a new scholarly paradigm with a potential that would suffice to make it a full-fledged substitution of the Documentary Hypothesis. In a second article on this topic the author intends to demonstrate Cassuto’s approach to the other four «pillars» of the Documentary Hypothesis as well as to devote special attention to the response that Cassuto’s ideas met in the world of Bible studies.


2003 ◽  
Vol 46 (1-4) ◽  
pp. 17-26 ◽  
Author(s):  
Radmila Sajkovic

In this text the author reviews the life and work of Zagorka Micic, famous Serbian woman-philosopher, in honour of the 100th anniversary of her birth. She was one of the first students of Edmund Husserl, and her Ph. D. thesis was among the earliest ones in phaenomenology, which was waking in that time. Her cooperation with Husserl has continued for a decade. After the World War II Zagorka Micic worked as a professor of logic and history of philosophy at the University of Skoplje (now FYRM). Stressing her individual qualities, the paper is full of personal memories and reminiscences of mutual encounters.


Author(s):  
Sara De Castro Cândido ◽  
Nàvia Regina Ribeiro da Costa ◽  
Ruzileide Epifânio Nogueira

This article seeks to an approach between the poetry of Carlos Drummond de Andrade, in Feeling of the world (1940), and the philosophy of Albert Camus, in The Myth of Sisyphus - the work of art as adventure of a spiritual destiny (2012), for, to think through by the language praticed by Drummond in two poems – Poem of necessity and Holding hands –, the be in the world and the passing of the man's condition of the being ontic to the be ontological, using also Durand (2012) and another theorists. Making use, as methodology, by the bibliographical research, and theory express of poetic text, concepts and analysis based on the phenomenological critique. Still in an interdisciplinary approach, to reflect the subject and its constitution as speech, will use theories of French line of discourse analysis (DA) and the line Anglo-Saxon (ADC), whose leading exponents are respectively, Michel Pêcheux and Norman Fairclough, relying on the concept of dialectical materialism. O Homem Absurdo na filosofia camusiana e na poesia drummondiana: a linguagem como fonte da (trans)formação Este artigo busca aproximações entre a poesia de Carlos Drummond de Andrade, em Sentimento do Mundo (1940), e a filosofia de Albert Camus, em O mito de Sísifo – a obra de arte como aventura de um destino espiritual (2012), para, por meio da linguagem praticada por Drummond em dois poemas – Poema da necessidade e Mãos dadas –, pensar o estar no mundo e a passagem do homem da condição de ser ôntico para ser ontológico, valendo-se, também, de Durand (2012) e de outros teóricos. Utiliza, como metodologia, a pesquisa bibliográfica e expressa teorias do texto poético, conceitos e análises com base na crítica fenomenológica. Ainda, numa atitude interdisciplinar, para refletir sobre o sujeito e sua constituição como discurso, baseia-se nas teorias da Análise de Discurso de linha francesa (AD) e de linha anglo-saxã (ADC), cujos principais expoentes são, respectivamente, Michel Pêcheux e Norman Fairclough, apoiando-se na concepção do materialismo dialético.


Author(s):  
Petr N. Bazanov ◽  

A detailed review of the scientific activities of professor I. Ye. Barenbaum (1921–2006), the most famous representative of the St. Petersburg school of bibliology in the field of the history of books and book business, is given. Particular attention is paid to his contribution to the study of the history of books in the second half of the 19th century. The role of I. Ye. Barenbaum as an innovator and pioneer in the study of the history of the publishing activity of revolutionary democrats is substantiated. The scientific heritage of the scientist is about 400 publications. I. Ye. Barenbaum’s main research activities were the history of the book business of St. Petersburg, the history of revolutionary-democratic book publishing in the 19th century, the history of the reader, and the French book in Russia. The article analyzes the main works devoted to the book business of St. Petersburg. His contribution to the creation of textbooks on the history of the book is shown. The work of I. Ye. Barenbaum on the historiography of the history of the book is considered.


2020 ◽  
Vol 15 ◽  
pp. 171-175
Author(s):  
Olga Lozova ◽  
Olga Drobot

Possibilities of research of a pandemic image of the world were theoretically reviewed on the methodological basis of the psychosemantic approach. The pandemic image of the world is positioned as a product and a significant outcome of pandemic consciousness. Pandemic consciousness is a state of mass everyday consciousness that finds its expression in the indirect reflection of everyday life, the essence and content of which is to meet the interests and needs of a given society related to physical and economic survival during a mass pandemic. It is concluded that the content of the pandemic image of the world is formed by activating the following socio-psychological phenomena, mechanisms and coping strategies: stereotyping of mass consciousness, escape into denial, avoidance of an unfavourable reality, infodemia, magical thinking, revival of conspiracy theories and enemy archetypes, creation of new simulacra, increasing alarmism, anxiety about the near future, the search for new meanings of life.


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