scholarly journals The Absurd Man in camusiana philosophy and poetry drummondiana: language as a source of (trans)formation

2017 ◽  
Vol 27 (3) ◽  
pp. 361
Author(s):  
Sara De Castro Cândido ◽  
Nàvia Regina Ribeiro da Costa ◽  
Ruzileide Epifânio Nogueira
Keyword(s):  
Discourse Analysis ◽  
Interdisciplinary Approach ◽  
Albert Camus ◽  
Dialectical Materialism ◽  
Anglo Saxon ◽  
Work Of Art ◽  
Carlos Drummond De Andrade ◽  
The World ◽  
Poetic Text ◽  
The Subject

This article seeks to an approach between the poetry of Carlos Drummond de Andrade, in Feeling of the world (1940), and the philosophy of Albert Camus, in The Myth of Sisyphus - the work of art as adventure of a spiritual destiny (2012), for, to think through by the language praticed by Drummond in two poems – Poem of necessity and Holding hands –, the be in the world and the passing of the man's condition of the being ontic to the be ontological, using also Durand (2012) and another theorists. Making use, as methodology, by the bibliographical research, and theory express of poetic text, concepts and analysis based on the phenomenological critique. Still in an interdisciplinary approach, to reflect the subject and its constitution as speech, will use theories of French line of discourse analysis (DA) and the line Anglo-Saxon (ADC), whose leading exponents are respectively, Michel Pêcheux and Norman Fairclough, relying on the concept of dialectical materialism. O Homem Absurdo na filosofia camusiana e na poesia drummondiana: a linguagem como fonte da (trans)formação Este artigo busca aproximações entre a poesia de Carlos Drummond de Andrade, em Sentimento do Mundo (1940), e a filosofia de Albert Camus, em O mito de Sísifo – a obra de arte como aventura de um destino espiritual (2012), para, por meio da linguagem praticada por Drummond em dois poemas – Poema da necessidade e Mãos dadas –, pensar o estar no mundo e a passagem do homem da condição de ser ôntico para ser ontológico, valendo-se, também, de Durand (2012) e de outros teóricos. Utiliza, como metodologia, a pesquisa bibliográfica e expressa teorias do texto poético, conceitos e análises com base na crítica fenomenológica. Ainda, numa atitude interdisciplinar, para refletir sobre o sujeito e sua constituição como discurso, baseia-se nas teorias da Análise de Discurso de linha francesa (AD) e de linha anglo-saxã (ADC), cujos principais expoentes são, respectivamente, Michel Pêcheux e Norman Fairclough, apoiando-se na concepção do materialismo dialético.

“Stay with me. Talk to me”: reader interaction strategies in modern poetry

2020 ◽  
Vol 7 (2) ◽  
pp. 419-436
Author(s):  
Olga Igorevna Severskaya
Keyword(s):  
Discourse Analysis ◽  
High Impact ◽  
Modern Poetry ◽  
Self Presentation ◽  
Communication Plan ◽  
Communicative Strategies ◽  
The World ◽  
Poetic Text ◽  
Communicative Context

The article is devoted to the consideration of a poetic text as a communicative phenomenon with a high impact potential. The author defines the features of poetic communication, which is both mass and interpersonal, and its main goal, which is the poet’s desire to communicate author’s vision of the world and thereby change the picture of the reader’s world, achieving empathy from it. Based on the understanding of the speech strategy as a cognitive communication plan, a program for generating and perceiving speech, the author talks about the fundamental reversibility of text-generating and interpretative strategies and offers own classification of strategies and tactics that are most often used in modern poetry. In this classification, the main communicative strategies of self-presentation and rapprochement with the reader are associated with auxiliary discursive strategies of actualizing, dramatizing and dialogizing the text and programming interpretations by tactics for highlighting objects and situations using sound “gestures”, pointing to the referent, framing, directly introducing the reader into the communicative context, attracting the recipient’s attention through appeals and pragmatic instructions, interrogation, and some others. Particular attention is paid to the multimodality of interactions and its specific manifestations in poetic discourse. The study is based on the material of Russian poetry of the 1980- 2000s using the methods of intent and discourse analysis.

My Dad. Life and Art of Teacher and Artist Sergiy Solodovnyk

2021 ◽  
Vol 2021 (02) ◽  
pp. 329-344
Author(s):  
S. Solodovnyk ◽  
Keyword(s):  
Personality Traits ◽  
Subject Matter ◽  
Fine Arts ◽  
Work Of Art ◽  
Artistic Creation ◽  
Talented People ◽  
The World ◽  
The Subject ◽  
Life Path

This article dwells upon the life path and the art of an artist and teacher, professor of Kharkiv Art and Industrial Institute (now Kharkiv State Academy of Design and Fine Arts) – Sergiy Solodovnyk (1915–1991) – my Dad. It is described in what way important events or important meetings with talented people can influence the development of personality, the formation of the artist’s and teacher’s views upon the methods of teaching and drawing and imagery in Arts, also the choice of the subject matter and genre. In artistic creation, both innate personality traits and those acquired in the process of studying the world, through which the artist passes in the process of creating a work of art and his formation as a person, as a lecturer or Teacher, are of great importance. The influence of his personality upon the students of several generations. His great importance in my life as a wise, delicate and caring dad. It is underlined in this article that good, honest deeds, love to people, homeland and to his direction in Art, sensitive attitude to the youth will always find reflection in human souls.

scholarly journals GAME PHENOMENON IN MEDIEVAL CULTURE

2020 ◽  
Keyword(s):  
Middle Ages ◽  
Social Role ◽  
Public Life ◽  
Medieval Literature ◽  
World Outlook ◽  
The World ◽  
Poetic Text ◽  
The Subject ◽  
Performing Art ◽  
The Middle Ages

The Middle Ages added their own ludological culture traditions to those which they had inherited from the Ancient Ages. First of all, such notions were connected with the form of existence and perceiving the Christianity which was a basis for the whole civilization. Epistemological notions of those times were also built in accordance to those norms of world outlook. A cognitive act of an individual was understood as entrance of the subject to the world of general tragic game where he is risen up from sensual forms of being to being of over-sensual beauty, which is defined only through forms of mental cognition and through beauty to over-essential being of its Creator. Philosophical thought of the Middle Ages inherited the Platonic ludological tradition. According to these notions, personal creativity of an individual (artistic, scientific etc.) was understood as being identical with cognition and perceived only as reproduction, retrieval of what had already been programmed by the Creator, that is, as a game and through the game. The brightest page of the Middle Ages is connected with chivalry and its comprehension because the phenomenon of chivalry is the top of medieval culture, its ethical and esthetical ideal, which was over-thought by its self-consciousness as a form of game. Distribution of roles covered all main manifestations of individual’s life. Therefore even usual outside manifestation of any personal emotions by an individual in his public life (happiness, satisfaction, anger, despair, sadness and so on) was subject to this “role dictate”. So, a sphere of public emotions display by an individual was also predetermined by imperativeness of his own social role he was playing. We can speak about consciousness of those times perceiving a poetic text as a played game and author art as predominantly performing art. Then constancy of plots and anonymity of works, which is a feature of medieval literature, becomes more understandable; as every author perceived it as a script and tried to play his role as best as possible; his role was written down as a corresponding    text. Moreover, we should add that a similar game was predetermined also by some other peculiarities of medieval mentality. The reason is that medieval people tried to identify themselves with a certain sample which had already had a certain approbation, to achieve full self-expression and make this self-expression understandable for the society. A role was determined and a model of behavior was built according to the admitted interpretation of this sample and its allegoric meanings (most often, there were widely known Biblical images). These established forms of self-expression made processes of understanding and interpersonal dialogue easier.

scholarly journals Menelusuri Daya Tahan Wanita Islam Generasi Awal Bagi Mencapai Keunggulan Melalui Analisis Wacana Hadis Nabawi

2017 ◽  
Vol 9 (1-5) ◽  
Author(s):  
Ariza Abdullah ◽  
Mohd Azidan Abdul Jabar ◽  
Nik Farhan Mustapha ◽  
Pabiyah Toklubok@Hajimaming
Keyword(s):  
Human Capital ◽  
Discourse Analysis ◽  
Social Practice ◽  
Driving Force ◽  
Social Processes ◽  
Female Identity ◽  
The Social ◽  
The World ◽  
The Subject ◽  
History Books

Women are the main driving force of society along side men. High personality of women will  bring into the world strong generation and community in facing challenges of life. If they are weak, the community also will become strengthless. Muslims, regardless being  majorities in Moslem countries or minorities in non Moslem countries should revive excellency as early generations of Islam that bring forth advanced world civilization for several centuries. The stories of the early generations had been written by many authors such as Mohammad Rashid Rida’s writing about the wives of the Prophet, as well as contained in history books known as “sirah”, autobiographies as well as other forms of writings, translations of thousands of titles in the subject but not studied analytically. Thus analyzing the social processes that apply at that time through the content of Prophetic hadith and discourse analysis texts as proposed by social language analysts, prevail to expose the excellency and sustainability of  women implied in the events as had been narrated by themselves and others. Methodology of this study is based on analysis of the content of hadith and Fairclough (2003, 1992, 1989)’s concept of discourse analysis through the dimension of intertextuality. Several prophetic Hadith are selected, analyzed and being related to social practice to formulate the principles that should serve as a model to modern  women especially by Moslim women. This is because the development of human capital especially female identity is the backbone of the nation’s development.

scholarly journals Metamodernism as a discourse of a new anthropological myth

2021 ◽  
pp. 191-202
Author(s):  
Ekaterina A. Nechaeva
Keyword(s):  
Discourse Analysis ◽  
Comparative Method ◽  
Point Of View ◽  
Axiomatic Method ◽  
Human Being ◽  
Analysis Method ◽  
The World ◽  
The Subject ◽  
Western European ◽  
Epistemological Point

The present paper concerns the discourse of metamodernism problem as a type of the anthropological myth. The anthropological myth is considered as a project for describing reality, which models a systematic consistent idea of a human being, reality, status of reality and develops ethic, aesthetic, axiological views of a subject. The article aims to determine the peculiarities of metamodernism as a fictional discourse of the anthropological myth on the basis of XXI century European novel analysis. The analysis is carried out with the use of the comparative method, contextual description methods, axiomatic method, discourse analysis method etc. The topicality of the undertaken research is determined by the appearance of a new fictional discourse in art at the beginning of the XXI century as well as a new aesthetic paradigm, not described yet. The texts of Western European novels written in the first two decades of the XXI century reveal authors’ consistent refusal of the principles traditionally viewed as post-modernist – novels featuring a simulated nature of reality, novels problematizing the relationships between the signifying and the signified, decentralizing the subject etc. The attempts to describe a particular cultural situation as an alternative to postmodernism have been taken since the 80’s of the XX century; metamodernism acts as one of such projects for describing the modern cultural situation. The paper analyzes the interpretation models referring to XXI century art on the basis Western European novels of XXI century. The author of the paper concludes that metamodernism as a fictional discourse of the new anthropological myth reflects a different idea of the reality. Metamodernism as a cultural project aims to “return” ontology, assume the availability of reality outside the cognizing subject’s consciousness, and surpass the iconic nature of reality. From the epistemological point of view, metamodernism offers cognition of the world and “Ego” via experience of “Another Ego”.

scholarly journals Emotivity as an element of the style category in poetry

2019 ◽  
pp. 59-67
Author(s):  
Svetlana Kolyadko
Keyword(s):  
Language Use ◽  
Structural Models ◽  
Interdisciplinary Approach ◽  
Literary Analysis ◽  
Poetic Text ◽  
Depth Study ◽  
The Subject ◽  
Linguistic Approaches ◽  
Traditional Poetry ◽  
Poetic Work

Several approaches to the interpretation of emotion in poetic text are considered in the article — linguistic, traditional literary and emotive (from the point of modern interdisciplinary interpretation of the phenomenon of emotionality). The relevance of the study determines the belief that, without taking into account of achievements of linguistic emotion and traditional linguistics, the analysis of the stylistic individuality of the writer will be incomplete. Novelty of the study is the introduction concepts of poetic emotion and emotivity into the conceptual apparatus of the style of the text. The subject of study — the emotivity of a poetic text — is defined as a formal-stylistic index / factor of author’s individuality, expressed through the images of a work. The relation of emotional and rational in methods of author’s self-expression, coordination of pathos and emotions is considered. The methodology of the research is determined by an interdisciplinary approach, it is determined during the analysis that among the linguistic approaches the most effective for literary analysis is the method of in-depth study of the category of emotivity in the text, worked out by O. Filimonova. As a result of research an emotivity of the form and content components are interpreted as the interconnected stylistic means in recognition of the lyrical work. It is proved that the expressiveness and aesthetic origin of poetry as a kind of artistic creation predetermines the emotivity of all its components. The basis of the theory of the emotivity of a poetic work, which incorporates the concepts of traditional poetry and prosody, is the principle of revealing poetic emotion in the text in three planes: content, expression and image. Stylistic differentiation of emotive means is conditioned by the formal expression of them at all levels of language use — phonological, morphological, lexical-semantic, phraseological, syntactic levels of structural models of works. According to the results of studying various aspects of the author’s emotionality in the poetic text, it is planned to develop a literary theory of poetic emotion and its description in the historical perspective.

Sukarno and Colonialism: An Analysis of Indonesia’s Foreign Policy Discourse, 1955-1961

2020 ◽  
Vol 16 (1) ◽  
pp. 1-17
Author(s):  
Ardhitya Eduard Yeremia
Keyword(s):  
Foreign Policy ◽  
Discourse Analysis ◽  
National Interest ◽  
Policy Discourse ◽  
Depth Analysis ◽  
West Papua ◽  
The World ◽  
Important Player ◽  
The Subject ◽  
The Republic

For the most part, the literature about Indonesia’s foreign policy does not stray far from a descriptive and chronological presentation of the subject. The fact of the matter is that an in-depth analysis of the nation’s foreign policy from a different era will impart valuable lessons to the current policymakers in charge of formulating and implementing such a policy. The era of Sukarno bore witness to the implementation of Indonesia’s foreign policy that was strong in ideas and practices. Employing discourse analysis, this article seeks to analyze five of Sukarno’s speeches, which were delivered in various international forums from 1955 to 1963. It demonstrates that during that time, Indonesia put forward a coherent and consistent foreign policy with colonialism as its master signifier. The promotion of such a discourse contributed positively to the diplomatic effort on the issue of West Papua by mobilizing supports from Asian-African nations, as well as attracting the interest of the superpowers. As a result, Indonesia’s national interest to bring West Papua into the Republic was well served, and furthermore, Indonesia succeeded in enhancing its image, role, and leadership in world affairs. This experience presents a challenge to the contemporary policymakers in producing a configuration of strong ideas and concepts that would allow the implementation of a foreign policy that serves the national interest, when the nation has once again risen as an important player on the world stage.

Introduction

2020 ◽  
pp. 171-182
Author(s):  
Gillian Knoll
Keyword(s):  
Dynamic Process ◽  
Creative Process ◽  
Daily Life ◽  
Collaborative Work ◽  
Kenneth Burke ◽  
Work Of Art ◽  
Twelfth Night ◽  
The World ◽  
The Subject

Part III studies characters who conceive of desire as a dynamic process of mutual creation. These introductory pages explore the world-making capacities of the metaphor ‘Love is a Collaborative Work of Art,’ which conceptualises love as artfully creating a reality. This creative process often invites a third entity—a filter, a buffer, or an instrument—that mediates between the subject and object of desire. When Kenneth Burke writes about the role of instruments in daily life, he emphasises the instrument’s ontological connection, its potential fusion, with the subject who deploys it. This section explores this dynamic connection in the collaborative work of art that is Shakespeare’s Cesario. In Twelfth Night, Cesario is an ongoing process rather than a finished product. An erotic subject, object, and instrument, Cesario keeps becoming Cesario through his/their continued exchanges with Orsino and Olivia.

The Russian Futuristic Experiment: the Language of the Poetic Resistance

2020 ◽  
Vol 29 (2) ◽  
pp. 261-272
Author(s):  
Magdalena Kostova-Panayotova
Keyword(s):  
Nineteenth Century ◽  
20Th Century ◽  
Artistic Expression ◽  
Poetic Language ◽  
Creative Mind ◽  
Avant Garde ◽  
The World ◽  
Poetic Text ◽  
The Subject ◽  
The Mind

The main Avant-garde trend in the first third of the 20th century, Futurism, through its various groups and creative personalities, upholds its own conception of art and creator, strives to give a contemporary image of the world, to reveal the hidden essence of things, the inner relation of the elements. According to Futurism, art is meant to change lives, but not as it seems in the writings of nineteenth-century realists: by influencing the rational and changing the mind of the reader. The development of a new artistic expression, in a new poetic language, the use of contemporary forms of artistic conditionality have become major tasks for the generation of poets and artists from the 1910s. Poet futurists reduce the language of literature to its traditional understandings, neglect its inherent rules and laws, because they accept it as something external to the subject, which impedes the expression of its essence. From the depiction of the object to its expression - this is how the break in the creative mind of the futuristic author can be characterized. The linguistic revolution, effected with poetic means by the futurists, is a desperate and utopian attempt to acquire the organic integrity of the world, thirsting for its transformation. Thanks to futurism, the register of poetic techniques was expanded in the 20th century and directions were created for the creation of new expressive means of writing poetic text.

The Parallel Roads of Glen Roy

The Geologist ◽  
1863 ◽  
Vol 6 (4) ◽  
pp. 121-133
Keyword(s):  
Work Of Art ◽  
Short Account ◽  
Geological Society ◽  
The World ◽  
The Subject ◽  
The Spectator ◽  
Statistical Survey

On each side of a long, hollow, deep valley, bounded by dark and lofty mountains, at elevations respectively of 1266, 1188, and 980 feet, three strong lines are traced on the mountain-sides, parallel to each other and to the horizon, and at levels exactly corresponding on the opposite slopes,—so extraordinary in their appearance as to impress the most unphilosophical and incurious spectator.These singular and solitary phenomena, although long known and celebrated by the Highlanders of that wild region as the traditional opposite slopes,—so extraordinary in their appearance as to impress the most unphilosophical and incurious spectator.These singular and solitary phenomena, although long known and celebrated by the Highlanders of that wild region as the traditional works of their great ancestors, remained unnoticed by science and the world at large, until that indefatigable disturber of hidden mysteries, animals, and antiquities, the tourist Pennant, published in 1769 a short account of Glen Roy, in his ‘Tour through England, Wales, and Scotland.’A second description appeared in the ‘Statistical Survey of Scotland,’ in 1793.The subject was next taken up by Macculloch, who published an admirable paper, illustrated with views, maps, and sections, in the Transactions of the Geological Society for 1817. “So rarely,” he remarks, “does nature present us in her larger features with artificial forms or with the semblance of mathematical exactness, that no conviction of the contrary can divest the spectator of the feeling that he is contemplating a work of art,—a work, of which the gigantic dimensions and bold features appear to surpass the efforts of mortal powers.

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