scholarly journals THE CRISIS OF MODERNITY OF THE ARAB-ISLAMIC WORLD

2015 ◽  
Vol 9 (3) ◽  
pp. 1-9
Author(s):  
Raul Ludovic Bereczki
Keyword(s):  
Saudi Arabia ◽  
Cold War ◽  
Islamic Fundamentalism ◽  
The West ◽  
Western Modernity ◽  
The Enlightenment ◽  
Religious Sects ◽  
Crisis Of Modernity ◽  
The Cold War ◽  
Perverse Effect

The Westernization of Islam, which began at least two hundred years ago, has two major consequences: a positive one, meaning the enlightenment of the elites which tried to reform Islam; and a negative one, "the perverse effect of contact with the West", as the experts often call it, which consists of the development of religious sects within the Muslim societies. The direct and striking conclusion, upon first analysis, is that Islamic fundamentalism is the product of Western modernity. Of course, the line of explanation has its origin in colonial times, seen as a major disappointment by those Muslims who believed in the benefits of a European-style modernity, and continues with the Cold War period, with the examples of Saudi Arabia, Pakistan and Afghanistan, where the mobilization of Islamist elements was beneficial in the fight against the Soviet enemy and the active proselytism practiced by the latter.

scholarly journals (Un-)veiling the west: Burkini-gate, Princess Hijab and dressing as struggle for postsecular integration

2017 ◽  
Vol 8 (3) ◽  
pp. 263-283 ◽  
Author(s):  
Linda Berg ◽  
Mikela Lundahl
Keyword(s):  
Human Rights ◽  
Cold War ◽  
Religious Identity ◽  
Street Art ◽  
The West ◽  
The Enlightenment ◽  
The Veil ◽  
Female Bodies ◽  
The Cold War ◽  
Secular State

The ban of the burkini in the summer of 2016 in France is the latest stage in a long political history, where the French depreciation or fear of the veil, and of Islam, has come to play a more significant role since the end of the cold war. Unveiling female bodies at the beach in Nice expose conditioned values of the French republic. In this context, drawing black veils on public advertisements becomes a performative act commenting on consumerism, religion, secularity, and the imagined Muslim woman. In this article we discuss freedom and integration in “third spaces” via an analysis of “hijabisation” in street art and the official reactions against certain types of beachwear. In line with Talal Asad (2006) we want to raise the issue on how the secular state addresses the pain of people who are obliged to give up part of their religious identity to become acceptable. Race-thinking was once an explicit part of celebrated values like modernity, secularity, democracy and human rights. However, the fact that the idea of races has been erased from articulations of Western nations and international bodies does not mean that traces of race-thinking in the heritage from the enlightenment are gone. By following Princess Hijab and the “Burkini-gate” a nationalist fantasy intertwined with the idea of the secular state reveals itself and acts of un/dressing emerge as signs of integration revealing a challenged imperialist paradigm.

Islam and the West: Coexistence or Clash?

2012 ◽  
Vol 8 ◽  
pp. 363-374
Author(s):  
Noor Mohammad Osmani ◽  
Tawfique Al-Mubarak
Keyword(s):  
Cold War ◽  
Critical Evaluation ◽  
Western Civilization ◽  
Peaceful Coexistence ◽  
The West ◽  
Comprehensive Review ◽  
The World ◽  
Islamic Civilization ◽  
The Cold War

Samuel Huntington (1927-2008) claimed that there would be seven eight civilizations ruling over the world in the coming centuries, thus resulting a possible clash among them. The West faces the greatest challenge from the Islamic civilization, as he claimed. Beginning from the Cold-War, the Western civilization became dominant in reality over other cultures creating an invisible division between the West and the rest. The main purpose of this research is to examine the perceived clash between the Western and Islamic Civilization and the criteria that lead a civilization to precede others. The research would conduct a comprehensive review of available literatures from both Islamic and Western perspectives, analyze historical facts and data and provide a critical evaluation. This paper argues that there is no such a strong reason that should lead to any clash between the West and Islam; rather, there are many good reasons that may lead to a peaceful coexistence and cultural tolerance among civilizations

‘There shall be no musical servitude’: Towards a Multitudinous Shostakovich in the West

2020 ◽  
Vol 145 (2) ◽  
pp. 495-505
Author(s):  
EIRINI DIAMANTOULI
Keyword(s):  
Cold War ◽  
Communist Party ◽  
The Other ◽  
The Political ◽  
Musical Style ◽  
The West ◽  
Political Views ◽  
Political Interests ◽  
The One ◽  
The Cold War

Ideologically motivated attempts to elucidate Shostakovich’s political views and to determine whether and how they may be coded into his compositions have come to characterize the Western reception of the composer’s works since his death in 1975. Fuelled by the political oppositions of the cold war, Shostakovich’s posthumous reputation in the West has been largely shaped by two conflicting perspectives. These have positioned him on the one hand as a secret dissident, bent and broken under the unbearable strain of totalitarianism, made heroic through his veiled musical resistance to Communism; and on the other hand as a composer compromised by his capitulation to the regime – represented in an anachronistic musical style. Both perspectives surrender Shostakovich and his music to a crude oversimplification driven by vested political interests. Western listeners thus conditioned are primed to hear either the coded dissidence of a tragic victim of Communist brutality or the sinister submission of a ‘loyal son of the Communist Party’.1 For those prepared to accept Shostakovich as a ‘tragic victim’, the publication of his purported memoirs in 1979, ‘as related to and edited by’ the author Solomon Volkov, presents a tantalizing conclusion: bitterly yet discreetly scornful of the Stalinist regime, Shostakovich was indeed a secret dissident and this dissidence was made tangible in his music.

Western welfare states watched from the East during the Cold War: condemnation, competition, and creative learning

2013 ◽  
Vol 29 (3) ◽  
pp. 241-257 ◽  
Author(s):  
Tomasz Inglot
Keyword(s):  
Cold War ◽  
Social Policy ◽  
Welfare State ◽  
Social Welfare ◽  
Welfare States ◽  
Industrial Society ◽  
Soviet Bloc ◽  
The West ◽  
Creative Learning ◽  
The Cold War

This paper examines international influences of the Western welfare state on social policy ideas, institutions and reforms in the Soviet bloc during the Cold War. It identifies three types of Eastern reactions to or interactions with the West: “condemnation” of various “bourgeois” conceptions of social welfare; “competition” or increased attention to redistribution and social needs of the population stemming from the demonstrable successes of Western welfare states; and “creative learning” or implicit acknowledgment that every industrial society, including the Soviet style centrally planned economies, had to adopt at least some elements of modernized social welfare models or policy originally developed in the West. Paradoxically, first the explicit and later more implicit rejection of the Western welfare state, including the social-democratic and various “third way” models, eventually led to the rise of neoliberal and anti-welfare attitudes among many Eastern social policy reformers during the last decade of communist rule and beyond, after 1989.

Monumental Attack: The Visual Tools of the German Counter-Monument in Two Works by Jochen Gerz and Esther Shalev-Gerz, and Horst Hoheisel

Images ◽  
2016 ◽  
Vol 9 (1) ◽  
pp. 122-139
Author(s):  
Kristine Nielsen
Keyword(s):  
Cold War ◽  
The West ◽  
Visual Tool ◽  
The Holocaust ◽  
The Cold War ◽  
Negative Form

This essay argues that iconoclasm serves as the visual tool of choice for Jochen Gerz and Esther Shalev-Gerz in their Memorial Against Fascism (1986) and for Horst Hoheisel in his Negative Form (1987). The West German historians’ debate of the late 1980s established an image prohibition by framing the representation of the Holocaust as an unimaginable and sacred event. The Counter-Monuments rely on this ban on images. They attack monumentality and visibility as both fascist and capitalist characteristics, designated as such during the Cold War. The essay argues that the formal choices inherent in conceptualizing these two Counter-Monuments comprise familiar historical modes of iconoclasm. It ultimately questions the need to rely on iconoclasm in the Counter-Monuments and contemporary German memorialization of the Holocaust.

scholarly journals Trumpeting through the iron curtain: The breakthrough of jazz in socialist Yugoslavia

Muzikologija ◽  
2012 ◽  
pp. 53-77 ◽  
Author(s):  
Radina Vucetic
Keyword(s):  
Cold War ◽  
The West ◽  
Voice Of America ◽  
Record Industry ◽  
Socialist Government ◽  
Specific Position ◽  
The 1950S ◽  
The Cold War ◽  
Hearts And Minds ◽  
The Voice

During the Cold War, jazz became a powerful propaganda weapon in the battle for ?hearts and minds?. As early as the 1950s, the American administration began its Cold War ?jazz campaign?, by broadcasting the popular jazz radio show Music USA over the Voice of America, and by sending its top jazz artists on world tours. In this specific cultural Cold War, Yugoslavia was, as in its overall politics, in a specific position between the East and the West. The postwar period in Yugoslavia, following the establishment of the new (socialist) government, was characterized by strong resistance towards jazz as ?decadent? music, until 1948 when ?no? to Stalin became ?yes? to jazz. From the 1950s, jazz entered Yugoslav institutions and media, and during the following two decades, completely conquered the radio, TV, and record industry, as well as the manifestations such as the Youth Day. On account of the openness of the regime during the 1950s and 1960s, Yugoslavia was frequently visited by the greatest jazz stars, such as Dizzy Gillespie, Louis Armstrong and Ella Fitzgerald. In the context of the Cold War, the promotion of jazz in Yugoslavia proved to be beneficial for both sides - by exporting jazz, America also exported its freedom, culture and system of values, while Yugoslavia showed the West to what extent its political system was open and liberal, at least concerning this type of music.

scholarly journals Russia living from its past

2019 ◽  
pp. 171-183
Author(s):  
Isabela de Andrade Gama
Keyword(s):  
Foreign Policy ◽  
Cold War ◽  
Soviet Union ◽  
Great Power ◽  
Ontological Security ◽  
The West ◽  
Western Countries ◽  
Inferior Status ◽  
The Cold War

Since the end of the Cold War Russia has been treated as a defeated state. Western countries usually perceive Russia not only as a defeated state but also relating it to Soviet Union. Beyond that the West has Orientalized Russia, segregating it from the “western club” of developed states. But Russia’s recovery from the collapse of the 90’s made it more assertive towards the West. It’s proposed here that this assertiveness is due to it’s orientalization, it’s inferior status perceived by the West. The inferior perception by the West has triggered a process of identity’s reconstruction which will be analyzed through a perspective of ontological security. The more Russia has it’s great power status denied, the more aggressive it becomes regarding it’s foreign policy. As the international hierarchy continues to treat Russia as that of “behind” the modern states, and the more it feels marginalized, it will double down on efforts to regain its great power status it will have to dispose power. Russia’s ontological insecurity might lead it to a path of aggressiveness.

Geopolitics of a Divided Europe

2015 ◽  
Vol 29 (2) ◽  
pp. 531-540 ◽  
Author(s):  
Mitchell A. Orenstein
Keyword(s):  
Cold War ◽  
Central And Eastern Europe ◽  
Turning Point ◽  
The European Union ◽  
The West ◽  
The Past ◽  
Russian President ◽  
Long Time ◽  
The Cold War ◽  
Two Sides

Europe is again a divided continent. When it comes to governance, political economy, or values, two contrasting poles have emerged: one Western, liberal, and democratic, another Eastern, statist, and autocratic. The dividing line between them has become ever sharper, threatening to separate Europe into two distinct worlds. This new divide in Europe arises from a clash between two geopolitical concepts for the continent: One is the Western project of a “Europe whole and free,” an enlarging zone of economic cooperation, political interdependency, and democratic values. The other is the Russian project of a “Eurasian Union” to rival the European Union. This article shows how these two sides of Europe have grown further apart in their conceptions of the European space, their values, governance, and economic models. It explores the reasons for the belated Western responses to Russian President Vladimir Putin’s program to divide Europe. The Russo-Georgian war was a turning point, but the West took a long time to recognize the full implications of Putin’s policy. The current confrontation between Russia and the West is not exactly like the Cold War. Russia’s position is weaker. And the battle will be fought out primarily with economic instruments. However, it is clear that this conflict places Central and Eastern Europe back on the front lines of a divided Europe, raising any number of demons from the past.

The Rudolf Slánský Affair: New Evidence

Slavic Review ◽  
1999 ◽  
Vol 58 (1) ◽  
pp. 160-187 ◽  
Author(s):  
Igor Lukes
Keyword(s):  
Cold War ◽  
Early Years ◽  
Socialist Economy ◽  
International Capital ◽  
The West ◽  
Intelligence Services ◽  
Party Members ◽  
The Cold War ◽  
New Evidence ◽  
General Secretary

Rudolf Slánský's arrest in November 1951 by Statni bezpecnost (StB), the Czechoslovak secret police, his Kafkaesque trial a year later, and his execution caused a sensation during the early years of the Cold War. For a full week, the trial could be followed live on the radio in Prague. The transcript of the proceedings was published and widely distributed. Yet the affair remained a mystery. Slánský, until recently the general secretary of the Communist Party of Czechoslovakia (CPC), and thirteen of his colleagues, all of them lifelong party members, confessed to crimes of high treason against the Prague government, espionage on behalf of the west, and sabotage of the socialist economy. In tired, monotonous voices, they described their lives as being motivated by their hatred of the CPC and loyalty to such sponsors as the Gestapo, Zionism, western intelligence services, and international capital. In their final speeches, all the defendants demanded that the court impose upon them the death penalty. The judge disappointed only three—they received life sentences. Slánský and ten others were executed in December 1952.

scholarly journals Protestants, Peace and the Apocalypse: The USSR’s Religious Cold War, 1947–62

2017 ◽  
Vol 53 (2) ◽  
pp. 361-390 ◽  
Author(s):  
Miriam Dobson
Keyword(s):  
Cold War ◽  
The West ◽  
Soviet State ◽  
Grass Roots ◽  
Religious Dimensions ◽  
The Usa ◽  
Capitalist World ◽  
The Cold War ◽  
Religious Actors ◽  
Dualistic Approach

In recent years historians have paid growing attention to the religious dimensions of the Cold War. These studies have largely focused, however, on the capitalist world, particularly the rise of evangelicalism and fundamentalism in the USA. This article turns the spotlight on the communist adversary, asking whether the USSR also participated in a ‘religious Cold War'. Given the atheist convictions on which the Soviet state was founded, this might appear counter-intuitive, but religious dynamics were of growing importance in the USSR too. Soviet officials sought to create what was called an ‘ecumenical movement', inviting religious actors to become advocates for the Soviet peace message. Protestants, in particular, were important figures on the international stage because of the large communities of co-believers in the West. At the same time, however, the authorities were alarmed about various grass-roots phenomena at home which seemed to be on the rise as the Cold War escalated, such as pacifism and apocalyptic prediction. Faced with such threats, state tactics included the arrest of believers and hostile press campaigns. Even though the inconsistencies were readily visible to all, this dualistic approach was not abandoned and the ultimately self-defeating engagement with the ‘religious Cold War' continued.

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