Reproduction and Queer Theory: Between Lee Edelman's No Future and J. M. Coetzee's Slow Man

PMLA ◽  
2017 ◽  
Vol 132 (1) ◽  
pp. 86-100 ◽  
Author(s):  
Anca Parvulescu

In a queer-theory reading of Charles Dickens's A Christmas Carol in the 2004 polemic No Future: Queer Theory and the Death Drive, Lee Edelman relied on a narrow concept of reproduction as procreative heteronormativity anchored in heterosexual sex. He left untold the other story of reproduction: our daily reproduction in the service of capitalism. Marxist and materialist feminist theories of reproduction remind us that we all engage in reproductive work and that women have traditionally been considered natural providers of this work. A reading of J. M. Coetzee's Slow Man, in which a male protagonist depends on the domestic labor of a migrant woman, provides a counterpoint to No Future.

Author(s):  
Patrick Colm Hogan

The introduction first sets out some preliminary definitions of sex, sexuality, and gender. It then turns from the sexual part of Sexual Identities to the identity part. A great deal of confusion results from failing to distinguish between identity in the sense of a category with which one identifies (categorial identity) and identity in the sense of a set of patterns that characterize one’s cognition, emotion, and behavior (practical identity). The second section gives a brief summary of this difference. The third and fourth sections sketch the relation of the book to social constructionism and queer theory, on the one hand, and evolutionary-cognitive approaches to sex, sexuality, and gender, on the other. The fifth section outlines the value of literature in not only illustrating, but advancing a research program in sex, sexuality, and gender identity. Finally, the introduction provides an overview of the chapters in this volume.


1998 ◽  
Vol 16 (4) ◽  
pp. 387-400 ◽  
Author(s):  
Felicity J Callard

Geographers are now taking the problematic of corporeality seriously. ‘The body’ is becoming a preoccupation in the geographical literature, and is a central figure around which to base political demands, social analyses, and theoretical investigations. In this paper I describe some of the trajectories through which the body has been installed in academia and claim that this installation has necessitated the uptake of certain theoretical legacies and the disavowal or forgetting of others. In particular, I trace two related developments. First, I point to the sometimes haphazard agglomeration of disparate theoretical interventions that lie under the name of postmodernism and observe how this has led to the foregrounding of bodily tropes of fragmentation, fluidity, and ‘the cyborg‘. Second, I examine the treatment of the body as a conduit which enables political agency to be thought of in terms of transgression and resistance. I stage my argument by looking at how on the one hand Marxist and on the other queer theory have commonly conceived of the body, and propose that the legacies of materialist modes of analysis have much to offer current work focusing on how bodies are shaped by their encapsulation within the sphere of the social. I conclude by examining the presentation of corporeality that appears in the first volume of Marx's Capital. I do so to suggest that geographers working on questions of subjectivity could profit from thinking further about the relation between so-called ‘new’ and ‘fluid’ configurations of bodies, technologies, and subjectivities in the late 20th-century world, and the corporeal configurations of industrial capitalism lying behind and before them.


2006 ◽  
Vol 52 (1) ◽  
pp. 252-256
Author(s):  
Andrea Fontenot
Keyword(s):  

2021 ◽  
Vol 10 (6) ◽  
pp. 477-491
Author(s):  
Philip Gong ◽  
◽  
Eunjin Kim
Keyword(s):  

2014 ◽  
Vol 42 (4) ◽  
pp. 755-771 ◽  
Author(s):  
Richard A. Kaye

Much of the critical writingon Queer Theory and Sexuality Studies in a Victorian context over the last decade or so has been absorbing, exploring, complicating, and working under the burden of the influence of Michel Foucault's theoretical writings on erotic relations and identity. The first volume of Foucault'sThe History of Sexuality(1978), in fact, had begun with a gauntlet thrown down before Victorian Studies, a chapter-long critique of Steven Marcus'sThe Other Victorians(1966), a work that had offered an entirely new and at the time, quite bold avenue of exploring nineteenth-century culture – namely, through the pornographic imagination that Marcus taxonomized with precise, clinical flair as a “pornotopia” in which “all men . . . are always infinitely potent; all women fecundate with lust and flow inexhaustibly with sap or both. Everyone is always ready for everything” (276). In Foucault's telling, however, Marcus demonstrated a theoretically impoverished faith in Freudian models of “repression” in Marcus's examination of “underground” Victorian sexualities. It was Marcus's reliance on the “repressive fallacy,” his conviction that there existed a demarcated spatial and psychic Victorian counter-world thatThe History of Sexualityhad so forcefully undermined.


2021 ◽  
Author(s):  
Yuan Mai Elaine Cheong

This major research paper relates my experiences as a Chinese woman to those of other East Asian women while exploring why East Asian women continue to be sexualized and ethnicized. My paper is based on the feminist standpoint and anti-racist feminist theories, and feminist and post-modern methodologies. The focus is on the Chinese immigration experience to North America, and on Chinese women's lives, with some consideration of Korean and Japanese women because the latter two share similarities in experiences of homogenization of East Asian women. I argue that the experiences of every woman are unique because of their race, migration and settlement experiences. I borrow Ang's (2001) term "togetherness in differences" to describe our experiences. The stereotypes of East Asians and East Asian women are not created in a vacuum; rather they are the direct result of the dominant culture oppressing the "other" in the effort to subordinate them.


2010 ◽  
Vol 28 (1) ◽  
pp. 209 ◽  
Author(s):  
Elaine Craig

The notion that queer theory and feminism are inevitably in tension with one another has been well developed both by queer and feminist theorists. Queer theorists have critiqued feminist theories for being anti-sex, overly moralistic, essentialist, and statist. Feminist theorists have rejected queer theory as being uncritically pro-sex and dangerously protective of the private sphere. Unfortunately these reductionist accounts of what constitutes a plethora of diverse, eclectic and overlapping theoretical approaches to issues of sex, gender, and sexuality, often fail to account for the circumstances where these methodological approaches converge on legal projects aimed at advancing the complex justice interests of women and sexual minorities. A recent decision from the Ontario Court of Justice addressing a three-parent family law dispute involving gay and lesbian litigants demonstrates why recognition of the convergences between feminist and queer legal theories can advance both queer and feminist justice projects. The objective of this article is to demonstrate, through different and converging interpretations of this case that draw on some of the theoretical insights offered in a new anthology called Feminist and Queer Legal Theory, one rather straight-forward claim. The claim advanced here is that activists, advocates, litigants and judges are all well served by approaching complex legal problems involving sex, sexuality and gender with as many “methods” for pursuing and achieving justice as possible.La notion que la théorie homosexuelle et le féminisme sont inévitablement en conflit l’un avec l’autre a été bien développée à la fois par les théoriciens et théoriciennes homosexuels et féministes. Les théoriciens et théoriciennes homosexuels ont critiqué les théories féministes les qualifiant d’être anti-sexe, trop moralistes, essentialistes et étatistes. Les théoriciens et théoriciennes féministes ont rejeté la théorie homosexuelle la qualifiant d’être pro-sexe sans esprit critique et dangereusement protectrice du domaine privé. Malheureusement, ces descriptions réductionnistes de ce qui constitue une pléthore d’approches théoriques aux questions de sexe, de genre et de sexualité qui sont diverses, éclectiques et qui se chevauchent manquent fréquemment de tenir compte de circonstances où ces approches méthodologiques convergent sur des projets légaux visant à faire avancer les intérêts juridiques complexes des femmes et des minorités sexuelles. Une décision récente de la Cour de justice de l’Ontario portant sur un litige en droit de la famille entre trois parents et impliquant des parties homosexuelles et lesbiennes démontre pourquoi la reconnaissance des convergences entre les théories juridiques féministes et homosexuelles peut faire avancer à la fois les projets légaux homosexuels et féministes. Le but de cet article n’est pas de suggérer qu’une seule «théorie juridique féministe homosexuelle» convergente soit possible, ou même désirable. Plutôt, le but est de démontrer, par le biais d’interprétations différentes et convergentes de ce cas qui s’inspirent de certaines intuitions théoriques présentées dans une nouvelle anthologie intitulée Feminist and Queer Legal Theory, une proposition assez simple. La proposition avancée ici est que les activistes, les avocats, les parties à un litige et les juges sont tous bien servis en abordant des problèmes légaux complexes au sujet de sexe, de sexualité et de genre avec autant de «méthodes» que possible pour considérer la justice dans tous ses détails.


2021 ◽  
Vol 43 (1) ◽  
pp. 51-69
Author(s):  
Adam F. Braun

Abstract This paper argues that the operative force in Luke’s parable of The Rich Fool is negativity. Moreover, negativity is as common in Lukan parables as status reversals. As the parable warns against securing the future, this paper reads Lee Edelman’s No Future: Queer Theory and the Death Drive to show how negativity, towards reproductive futurism in particular, activates Luke’s pessimism. This pessimism is grounded in the crucifixion and is not resolved in the resurrection. Luke’s pessimism is not only one which expresses his affective diasporic context, but it also invokes doubt on whether Jesus is messiah.


Author(s):  
Sophie Noyé ◽  
Gianfranco Rebucini

Since the 2000s, forms of articulation between materialist and Marxist theory and queer theory have been emerging and have thus created a “queer materialism.” After a predominance of poststructuralist analyses in the social sciences in the1980s and 1990s, since the late 1990s, and even more so after the economic crisis of 2008, a materialist shift seems to be taking place. These recompositions of the Marxist, queer, and feminist, which took place in activist and academic arenas, are decisive in understanding how the new approaches are developing in their own fields. The growing legitimacy of feminist and queer perspectives within the Marxist left is part of an evolution of Marxism on these issues. On the other side, queer activists and academics have highlighted the economic and social inequalities that the policies of austerity and capitalism in general induce among LGBTQI people and have turned to more materialist references, especially Marxist ones, to deploy an anticapitalist and antiracist argument. Even if nowadays one cannot speak of a “queer materialist” current as such, because the approaches grouped under this term are very different, it seems appropriate to look for a “family resemblance” and to group them together. Two specific kinds of “queer materialisms” can thus be identified. The first, queer Marxism, seeks to theorize together Marxist and queer theories, particularly in normalization and capitalist accumulation regimes. The second, materialist queer feminism, confronts materialist/Marxist feminist thought with queer approaches and thus works in particular on the question of heteropatriarchy based on this double tradition.


Author(s):  
Peta Mayer

Silence and rereading are key discursive practices of Miriam and Beatrice Sharpe, the sister protagonists of Falling Slowly. Their forms of absence and excess cause critics to herald the decline of Brookner’s powers in her early reception.The sisters also share a number of behaviours with the aesthetes and Decadents labelled degenerate in Max Nordau’s Degeneration including Joris-Karl Huysmans, Baudelaire and Stéphane Mallarmé. Such behaviours include dullness, decline, ennui, inactivity, boredom, invisibility, anxiety, restlessness and absence. This chapter spins the hierarchical figure of the degenerate across the sister relationship of the domestic fiction to produce a queering of the domestic fiction. Rejecting the normative impulse of the figure, it instead engages its deconstructive capacity to render transparent the mechanisms of epistemological production and expose the way in which subjects and objects attain status as real or unreal, healthy or sick, visible or invisible, literal or figurative, heterosexual or lesbian. Inspired by Lee Edelman’s No Future: Queer Theory and the Death Drive, it mobilises a ‘no future’ narrative as the narrative form of the degenerate. The rhetorical form of syllepsis, which governs shifts between the literal and figurative, is reappropriated from the male canon to underscore the open-ended nature of signification.


Sign in / Sign up

Export Citation Format

Share Document