TOURISM PROMOTION IN NINETEENTHCENTURY WALES: IMAGE DEVELOPMENT AND MARKETING ON THE CAMBRIAN COAST

2021 ◽  
Vol 30 (4) ◽  
pp. 559-590
Author(s):  
John Hirst
Keyword(s):  
Nineteenth Century ◽  
Railway Network ◽  
Tourism Promotion ◽  
Changing Attitudes ◽  
Insight Into ◽  
A Share ◽  
The Way

This article examines how small seaside towns in Meirionnydd and Caernarfonshire positioned themselves to benefit from increased tourism during the nineteenth century, and it shows how an image was developed for the region as a whole. Based on romantic scenery, this image evolved and was sensitive to growing emphasis on comfortable accommodation, changing attitudes to health, family and recreation and to local concerns for propriety and respectability. It illustrates how local and regional marketing was linked to the railway network and provides insight into the way in which a range of interests worked together to challenge larger resorts elsewhere for a share of the growing tourism market in the nineteenth century.

Advertising for Love

2017 ◽  
Author(s):  
Pamela Epstein
Keyword(s):  
Nineteenth Century ◽  
Middle Class ◽  
Urban Growth ◽  
Men And Women ◽  
Personal Interaction ◽  
Matrimonial Advertisements ◽  
Insight Into ◽  
The Way

This chapter discusses how matrimonial ads give a new and unique insight into the way that rapid urban growth and capitalism of the nineteenth century affected people's intimate lives and their approach to experiencing love. Matrimonial advertisers provide an excellent window into how these upheavals in society were negotiated; they were ordinary men and women who wanted nothing more than to conform to a middle-class lifestyle but felt forced to find traditional relationships in an unconventional fashion. Matrimonial advertisements provided a space, for urban dwellers in particular, in which to experiment with a new kind of personal interaction. Matrimonials revealed individuals who were on the move—both geographically and socially—circulating themselves in public in an attempt to find intimacy.

Changing Attitudes Towards Women's Madness in Nineteenth-Century Egypt

Hawwa ◽  
2005 ◽  
Vol 3 (3) ◽  
pp. 293-308
Author(s):  
Hoda El-Saadi
Keyword(s):  
Nineteenth Century ◽  
Mental Illness ◽  
Mentally Ill ◽  
Local Norms ◽  
Definition Of ◽  
Changing Attitudes ◽  
The Way

AbstractMental illness in Egypt had undergone significant changes by the end of the nineteenth century. European norms and definitions of mental illness, deriving their origins from the new psychiatry, began to infiltrate the country as an outcome of European intervention. Such norms replaced local norms, leading to a change in the definition of mental illness and the way society viewed and dealt with the mentally ill. In pre-modernist societies, the prevailing outlook on the mentally ill was mainly characterized by tolerance and acceptance, and tended to equate the mentally ill with any other patient who could be cured. Such an outlook changed into a more stringent and isolating one that dealt with the mentally ill cautiously and fearfully and considered them a liability to society that, like any contagious patient, needed to be expelled. Mental asylums in the early and middle Islamic ages were a place for the treatment of the mentally ill, rather than institutions for locking up and isolating them from societies. These asylums were usually built in the heart of the cities to make it easier for relatives to visit their loved ones.

Golden-Age Thinking: Updated Stagings of Gianni Schicchi and the Popular Historical Imagination

2013 ◽  
Vol 25 (2) ◽  
pp. 185-201 ◽  
Author(s):  
ALEXANDRA WILSON
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Popular Culture ◽  
Golden Age ◽  
Music History ◽  
Historical Imagination ◽  
Historical Time ◽  
The 1950S ◽  
Changing Attitudes ◽  
The Way

AbstractSince 2000 a notable trend has emerged in the way in which Italian comic operas by composers from Donizetti to Puccini are staged. In British and American productions, such works are consistently updated to the mid-twentieth century, usually the 1950s. This article explores what such stagings – and their implied intertextual references to wider representations of the era in popular culture – can tell us about the reception of opera today and the ways in which opera is used to create romanticised notions of historical time. Specifically, the article considers the implications for Puccini historiography of updating Gianni Schicchi, an opera whose Renaissance setting might at first glance seem essential. Considering changing attitudes towards historicism from the nineteenth century to the present, the article proposes that ‘retro’ mid-twentieth-century stagings of Gianni Schicchi compel us to hear the opera itself in new ways and to rethink deeply ingrained assumptions about Puccini's place in music history.

Clothing in Context — Nineteenth-Century Dress and Textiles in the Thomas Hardy Archive

Costume ◽  
2018 ◽  
Vol 52 (2) ◽  
pp. 261-284 ◽  
Author(s):  
Lucy Johnston
Keyword(s):  
Nineteenth Century ◽  
Working Class ◽  
Thomas Hardy ◽  
Famous People ◽  
Tess Of The D'urbervilles ◽  
Textiles And Clothing ◽  
Insight Into

This article will consider how dress, textiles, manuscripts and images in the Thomas Hardy Archive illuminate his writing and reveal the accuracy of his descriptions of clothing in novels including Far from the Madding Crowd and Tess of the D'Urbervilles. Rural clothing, fashionable styles, drawings and illustrations will shed new light on his writing through providing an insight into the people's dress he described so eloquently in his writing. The textiles and clothing in the Archive are also significant as nineteenth-century working-class dress is relatively rare. Everyday rural clothing does not tend to survive, so a collection belonging to Hardy's family of country stonemasons provides new opportunities for research in this area. Even more unusual is clothing reliably provenanced to famous people or writers, and such garments that do exist tend to be from the middle or upper classes. This article will show how the combination of surviving dress, biographical context and literary framework enriches understanding of Hardy's words and informs research into nineteenth-century rural dress.

Remembering the Past in Nineteenth-Century Scotland

2014 ◽  
Author(s):  
James J. Coleman
Keyword(s):  
Nineteenth Century ◽  
National Identity ◽  
19Th Century ◽  
21St Century ◽  
Collective Memories ◽  
The Past ◽  
Prevailing View ◽  
The Way

At a time when the Union between Scotland and England is once again under the spotlight, Remembering the Past in Nineteenth-Century Scotland examines the way in which Scotland’s national heroes were once remembered as champions of both Scottish and British patriotism. Whereas 19th-century Scotland is popularly depicted as a mire of sentimental Jacobitism and kow-towing unionism, this book shows how Scotland’s national heroes were once the embodiment of a consistent, expressive and robust view of Scottish nationality. Whether celebrating the legacy of William Wallace and Robert Bruce, the reformer John Knox, the Covenanters, 19th-century Scots rooted their national heroes in a Presbyterian and unionist view of Scotland’s past. Examined through the prism of commemoration, this book uncovers collective memories of Scotland’s past entirely opposed to 21st-century assumptions of medieval proto-nationalism and Calvinist misery. Detailed studies of 19th-century commemoration of Scotland’s national heroes Uncovers an all but forgotten interpretation of these ‘great Scots’ Shines a new light on the mindset of nineteenth-century Scottish national identity as being comfortably Scottish and British Overturns the prevailing view of Victorian Scottishness as parochial, sentimental tartanry

A Distinction No Longer of Use: Evolutionary Discourse and the Disappearance of the Trope/Figure Binarism

1993 ◽  
Vol 11 (3) ◽  
pp. 321-342 ◽  
Author(s):  
Shirley Sharon-Zisser
Keyword(s):  
Nineteenth Century ◽  
Rhetorical Theory ◽  
Common Part ◽  
The Way

Abstract: The concem with progress and utility is shared by nineteenth-century scientists, philosophers, and rhetoricians, leading to significant correspondences among their discourses. This concern is manifest, for example, in the way in which several rhetorical treatises of the nineteenth century regard the distinction between a figure and a trope, which had been a common part of rhetorical theory since the time of Quintilian, as useless and anachronistic. By examining three nineteenth-century articulations of the justifications for erasing the trope/figure distinction from the cultural repertoire, this essay reveals structural and semantic parallels between these rhetorical treatises and the discourses of evolution and utilitarianism. Thus, the essay locates the source of the synonymity which the terms “trope” and “figure” have acquired in contemporary critical metalanguage in Victorian ideologies of progress and of the unprofitability and consequent discardability of the ancient.

Teacher digital competence: bringing education to the next level

2020 ◽  
Vol 11 (1) ◽  
pp. 22-26
Author(s):  
S.V. Tsymbal ◽  
Keyword(s):  
Deep Learning ◽  
Learning Experiences ◽  
Digital Competence ◽  
Digital Revolution ◽  
Access Information ◽  
Set Up ◽  
Insight Into ◽  
The Way

The digital revolution has transformed the way people access information, communicate and learn. It is teachers' responsibility to set up environments and opportunities for deep learning experiences that can uncover and boost learners’ capacities. Twentyfirst century competences can be seen as necessary to navigate contemporary and future life, shaped by technology that changes workplaces and lifestyles. This study explores the concept of digital competence and provide insight into the European Framework for the Digital Competence of Educators.

Women and Agency in Bankim’s Rajmohan’s Wife and Tagore’s The Home and The World

2020 ◽  
Vol 12 (5) ◽  
Author(s):  
Manju Dhariwal ◽  
Keyword(s):  
Nineteenth Century ◽  
The Self ◽  
Indian English ◽  
Colonial India ◽  
English Novel ◽  
The World ◽  
The Status ◽  
Insight Into ◽  
Status Of Women

Written almost half a century apart, Rajmohan’s Wife (1864) and The Home and the World (1916) can be read as women centric texts written in colonial India. The plot of both the texts is set in Bengal, the cultural and political centre of colonial India. Rajmohan’s Wife, arguably the first Indian English novel, is one of the first novels to realistically represent ‘Woman’ in the nineteenth century. Set in a newly emerging society of India, it provides an insight into the status of women, their susceptibility and dependence on men. The Home and the World, written at the height of Swadeshi movement in Bengal, presents its woman protagonist in a much progressive space. The paper closely examines these two texts and argues that women enact their agency in relational spaces which leads to the process of their ‘becoming’. The paper analyses this journey of the progress of the self, which starts with Matangini and culminates in Bimala. The paper concludes that women’s journey to emancipation is symbolic of the journey of the nation to independence.

Standing up to the Demos

2018 ◽  
Author(s):  
Andrew Erskine
Keyword(s):  
Athenian Democracy ◽  
Parallel Lives ◽  
Standing Up ◽  
A Minor ◽  
Insight Into ◽  
Gaining Insight ◽  
The Way

Plutarch wrote twenty-three Greek Lives in his series of Parallel Lives—of these, ten were devoted to Athenians. Since Plutarch shared the hostile view of democracy of Polybius and other Hellenistic Greeks, this Athenian preponderance could have been a problem for him. But Plutarch uses these men’s handling of the democracy and especially the demos as a way of gaining insight into the character and capability of his protagonists. This chapter reviews Plutarch’s attitude to Athenian democracy and examines the way a statesman’s character is illuminated by his interaction with the demos. It also considers what it was about Phocion that so appealed to Plutarch, first by looking at his relationship with the democracy and then at the way he evokes the memory of Socrates. For him this was not a minor figure, but a man whose life was representative of the problems of Athenian democracy.

The Well-Mannered Auditor

2018 ◽  
Author(s):  
James Deaville
Keyword(s):  
Nineteenth Century ◽  
English Language ◽  
The Self ◽  
Modern World ◽  
Music Making ◽  
Social Events ◽  
Drawing Room ◽  
The Way

The chapter explores the way English-language etiquette books from the nineteenth century prescribe accepted behavior for upwardly mobile members of the bourgeoisie. This advice extended to social events known today as “salons” that were conducted in the domestic drawing room or parlor, where guests would perform musical selections for the enjoyment of other guests. The audience for such informal music making was expected to listen attentively, in keeping with the (self-) disciplining of the bourgeois body that such regulations represented in the nineteenth century. Yet even as the modern world became noisier and aurally more confusing, so, too, did contemporary social events, which led authors to become stricter in their disciplining of the audience at these drawing room performances. Nevertheless, hosts and guests could not avoid the growing “crisis of attention” pervading this mode of entertainment, which would lead to the modern habit of inattentive listening.

Sign in / Sign up

Export Citation Format

Share Document