A Study on the Relationship Between the Visual Experience and the Style of Chinese Ancient Artifacts

2015 ◽  
Vol 15 (3) ◽  
pp. 1-8
Author(s):  
동이준 ◽  
Lee Myung ki
Author(s):  
Berit Brogaard ◽  
Dimitria Electra Gatzia

This volume explores questions not only related to traditional sensory perception, but also to proprioceptive, interoceptive, multisensory, and event perception, expanding traditional notions of the influence that conscious non-visual experience has on human behavior and rationality. Some essays investigate the role that emotions play in decision-making and agential perception and what this means for justifications of belief and knowledge; analyze the notion that some sensory experiences, such as touch, have epistemic privilege over others, as well as the relationship between perception and introspection, and the relationship between action perception and belief; and engage with topics in aesthetics and the philosophy of art, exploring the role that artworks can play in providing us with perceptional knowledge of emotions.


SLEEP ◽  
2019 ◽  
Vol 42 (7) ◽  
Author(s):  
Leonie Kirszenblat ◽  
Rebecca Yaun ◽  
Bruno van Swinderen

Abstract Sleep optimizes waking behavior, however, waking experience may also influence sleep. We used the fruit fly Drosophila melanogaster to investigate the relationship between visual experience and sleep in wild-type and mutant flies. We found that the classical visual mutant, optomotor-blind (omb), which has undeveloped horizontal system/vertical system (HS/VS) motion-processing cells and are defective in motion and visual salience perception, showed dramatically reduced and less consolidated sleep compared to wild-type flies. In contrast, optogenetic activation of the HS/VS motion-processing neurons in wild-type flies led to an increase in sleep following the activation, suggesting an increase in sleep pressure. Surprisingly, exposing wild-type flies to repetitive motion stimuli for extended periods did not increase sleep pressure. However, we observed that exposing flies to more complex image sequences from a movie led to more consolidated sleep, particularly when images were randomly shuffled through time. Our results suggest that specific forms of visual experience that involve motion circuits and complex, nonrepetitive imagery, drive sleep need in Drosophila.


1979 ◽  
Vol 44 (1) ◽  
pp. 31-38
Author(s):  
Robert Deitchman ◽  
Patrick Maloney ◽  
Ralph A. Alexander ◽  
Richard H. Haude

The value of using multivariate techniques in categorization of behaviors derived from naturalistic observations was examined. It is suggested that these techniques are superior to the traditional methods of forming categories based on a priori conceptualizations, simply correlating the measures, or leaving the categorization of a multitude of behaviors to the reader. The present study used factor analytic techniques to identify both the number and nature of dimensions of rodents' social behaviors observed in the open field. Predictions as to the relationship between these derived categories and visual behaviors were then made. It was shown that rodents' social behavior is not unidimensional and is related to visual experience. Also, the utility of using multivariate statistics for both analyzing and categorizing a large number of behaviors was shown.


Leonardo ◽  
2011 ◽  
Vol 44 (2) ◽  
pp. 144-151 ◽  
Author(s):  
Sara C. Robinson

Recent Western preference for functional wooden objects has promoted an ideal of clear, smooth, straight-grained lumber. However, wood does not need to be free of defects to be functional. This paper explores the relationship between decay and functionality in terms of parergonal aesthetics by presenting the use of fungi to alter surface texture and color on wooden bowls. In addition, the bowls' altered but functional state forces the viewer to reconsider modern views on the role of defect-free wood within a functional context.


1992 ◽  
Vol 9 (3-4) ◽  
pp. 303-312 ◽  
Author(s):  
Paul G. Shinkman ◽  
Brian Timney ◽  
Michael R. Isley

AbstractThe relationship between the behavioral and physiological consequences of rearing with optically induced cyclotropia was assessed. Beginning at the age of 4 weeks, kittens wore goggles that rotated the visual field in opposite directions in each eye for several hours each day over a period of several weeks. The amounts of interocular rotation were 0 deg (control), 16 deg, and 32 deg. Subsequently, they were tested to determine their monocular and binocular depth thresholds and, in some cases, visual acuity. In several kittens recordings were also made from the visual cortex. Binocular performance of all kittens in the 0-deg condition and three out of six kittens in the 16-deg condition was comparable to, although slightly lower than, that of normally reared kittens. In contrast, none of the 32-deg kittens showed any evidence of the binocular superiority that would suggest the presence of stereopsis. Extracellular unit recordings from the visual cortex confirmed our earlier results with goggle-reared kittens. In 16-deg kittens, the distribution of the cells' preferred interocular disparities (IOD) in receptive-field orientation showed a compensating shift so that the mean matched the experienced rotational disparity. In the 32-deg kittens, binocularity was greatly disrupted and there was no compensatory shift in the IOD distribution. Two 32-deg kittens were afforded 3 years of subsequent normal visual experience. Both the behavioral and the physiological findings were unaffected by normal visual exposure in adulthood. Control measurements of acuity indicated that any deficits in depth perception were not due to reduced spatial-resolution abilities. The data indicate that the kitten visual system is able to maintain functional binocularity sufficient to subserve a moderate level of stereoacuity with interocular rotations of up to at least 16 deg.


2018 ◽  
Author(s):  
Shuai Chang ◽  
Joel Pearson

AbstractThe constructive nature of vision is perhaps most evident during hallucinations, mental imagery, synesthesia, perceptual filling-in, and many illusions in which conscious visual experience does not overtly correspond to retinal stimulation: phantom vision. However, the relationship between voluntary and involuntary phantom vision remains largely unknown. Here, we investigated two forms of visual phantom color, neon phantom color spreading and voluntary color mental imagery and their effect on subsequent binocular rivalry perception. Passively viewing neon phantom color induced time sensitive, suppressive effects on spatially non-overlapping subsequent binocular rivalry. These effects could be attenuated by rotating the color-inducers, or like color imagery, by concurrent uniform luminance stimulation. The degree of neon color induced rivalry suppression predicted the degree of voluntary color imagery facilitation, both on subsequent rivalry perception. Further, these suppressive and facilitative effects were additive when experienced successively. Our results suggest potential sensory mechanistic commonalities between voluntary and involuntary phantom vision.


2021 ◽  
Author(s):  
Marco Gandolfo ◽  
Hendrik Naegele ◽  
Marius V. Peelen

Boundary extension (BE) is a classical memory illusion in which observers remember more of a scene than was presented. According to predictive accounts, BE reflects the integration of visual input and expectations of what is beyond the boundaries of a scene. Alternatively, according to normalization accounts, BE reflects one end of a normalization process towards the typically-experienced viewing distance of a scene, such that BE and boundary contraction (BC) are equally common. Here, we show that BE and BC depend on depth-of-field (DOF), as determined by the aperture settings on a camera. Photographs with naturalistic DOF led to the strongest BE across a large stimulus set, while BC was primarily observed for unnaturalistic DOF. The relationship between DOF and BE was confirmed in three controlled experiments that isolated DOF from co-varying factors. In line with predictive accounts, we propose that BE is strongest for scene images that resemble day-to-day visual experience.


Author(s):  
Amra Latifić

This text presents an analysis of the relationship between Kino-Eye, the Russian montage technique that was most clearly demonstrated by Dziga Vertov in his 1929 film The Man with a Movie Camera, and Russian Formalist theory, which underwent an intensive period of development during the 1920s. Russian Formalism, established primarily as a theory of literature, was likewise applied in film and the visual arts. A dominant characteristic of Soviet film authors and theorists from the avant-garde period was a preoccupation with linguistic aspects and an understanding of film itself in terms of language. Transposing Viktor Shklovsky’s notion of defamiliarization [остранение, ostranenie] to the visual experience of Vertov’s film contributes to an additional understanding of the usage of unconventional camera angles, diagonal camera positions, as well as to the interpreting of the Kino-Eye montage procedure. The experimental montage procedure of Kino-Eye is posited as an attempt to decode the world through the lens of a film camera, while understanding this procedure is linked to the impact of Shklovsky and Russian Formalism on Russian 1920s cinema. Article received: December 15, 2017; Article accepted: December 30, 2017; Published online: April 15, 2018; Original scholarly paper How to cite this article: Latifić, Amra. "The Kino-Eye Montage Procedure as a Formal Experiment." AM Journal of Art and Media Studies 15 (2018): . doi: 10.25038/am.v0i15.227


Proglas ◽  
2021 ◽  
Vol 30 (2) ◽  
Author(s):  
Anastasiya Petrova

The article focuses on the semantics of the Bulgarian lexeme глух, examined on a wider Slavic, Balkan and Indo-European background. The emphasis is on the phenomenon of verbal synaesthesia, which allows the manifestation of the cross-modal character of many image schemes that gave rise to its semantic structure. The analysis is an opportunity to verify the established models of metaphorical projections from lower to higher modalities with respect to the Bulgarian lexeme глух. The relationship between perception and conceptual structure is being studied with particular interest in contemporary linguistics, so the study of the role of non-visual experience in structuring a semantic system in a language complements the general idea of linguistic synaesthesia and its role in all languages.


PLoS ONE ◽  
2021 ◽  
Vol 16 (9) ◽  
pp. e0257676
Author(s):  
Giorgia Bertonati ◽  
Maria Bianca Amadeo ◽  
Claudio Campus ◽  
Monica Gori

Multisensory experience is crucial for developing a coherent perception of the world. In this context, vision and audition are essential tools to scaffold spatial and temporal representations, respectively. Since speed encompasses both space and time, investigating this dimension in blindness allows deepening the relationship between sensory modalities and the two representation domains. In the present study, we hypothesized that visual deprivation influences the use of spatial and temporal cues underlying acoustic speed perception. To this end, ten early blind and ten blindfolded sighted participants performed a speed discrimination task in which spatial, temporal, or both cues were available to infer moving sounds’ velocity. The results indicated that both sighted and early blind participants preferentially relied on temporal cues to determine stimuli speed, by following an assumption that identified as faster those sounds with a shorter duration. However, in some cases, this temporal assumption produces a misperception of the stimulus speed that negatively affected participants’ performance. Interestingly, early blind participants were more influenced by this misleading temporal assumption than sighted controls, resulting in a stronger impairment in the speed discrimination performance. These findings demonstrate that the absence of visual experience in early life increases the auditory system’s preference for the time domain and, consequentially, affects the perception of speed through audition.


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