Optimal Control of Transition Processes of Objects on Quick-Speed in a Multi-Criteria Environment

2020 ◽  
Vol 21 (4) ◽  
pp. 200-207
Author(s):  
T. G. Rzaev
Keyword(s):  
Optimal Control ◽  
Performance Criterion ◽  
Necessary Condition ◽  
The Maximum Principle ◽  
The Third ◽  
Multicriteria Problem ◽  
The Subject ◽  
Optimal Values ◽  
The One ◽  
Additional Constraints

We analyze the known problems of optimal control of speed (OCS) and methods for their solution. It is shown that the use of the one criteria in these tasks (the speed criterion) does not sufficiently reflect real situations. The solution of the OCS problem in real situations leads to a deviation from the nominal or optimal values of a number of other indicators. Proceeding from this, a generalization of the OCS problem is considered taking into account other indicators as a criterion for optimal control. In this aspect, three generalized statements of the OCS problem are analyzed, where in the first formulation, the OCS task is expanded with additional constraints on other indicators; in the second setting, other indicators were used as criteria alongside with the performance criterion; and in the third formulation, the expansion of the formulation is considered with the introduction of restrictions also on the criteria themselves, formed from other measured indicators. In the article, the most general — the third multicriteria problem is considered as the subject of research and the necessary condition for optimality of its solution in the form of the maximum principle is obtained. A traditional and iterative scheme for solving the generalized by OCS problem is presented, based on the obtained necessary optimality condition, in contrast to the traditional criteria, which are also dependent on the degree of preference. 

scholarly journals Near Optimality of Linear Delayed Doubly Stochastic Control Problem

2021 ◽  
Vol 2021 ◽  
pp. 1-13
Author(s):  
Jie Xu ◽  
Ruiqiang Lin
Keyword(s):  
Optimal Control ◽  
Time Delay ◽  
Control Problem ◽  
Delay System ◽  
Necessary Condition ◽  
Linear Quadratic ◽  
The Maximum Principle ◽  
Doubly Stochastic ◽  
Convex Control ◽  
Near Optimality

In this paper, we study a kind of near optimal control problem which is described by linear quadratic doubly stochastic differential equations with time delay. We consider the near optimality for the linear delayed doubly stochastic system with convex control domain. We discuss the case that all the time delay variables are different. We give the maximum principle of near optimal control for this kind of time delay system. The necessary condition for the control to be near optimal control is deduced by Ekeland’s variational principle and some estimates on the state and the adjoint processes corresponding to the system.

scholarly journals THE AUTHORITY OF VILLAGE CREDIT UNION AS THE SUBJECT OF LIABILITY RIGHTS

Acta Comitas ◽  
2016 ◽  
Author(s):  
I Gusti Ngurah Wairocana ◽  
Putu Gede Arya Sumerthayasa ◽  
Jeanne Wiryandani Ratmaningrum
Keyword(s):  
Credit Union ◽  
Normative Study ◽  
Legal Subject ◽  
Legal Norms ◽  
The Third ◽  
The Status ◽  
The Subject ◽  
The One ◽  
Legal Discovery ◽  
The Village

According to the Bali Provincial Regulation No. 8 concerning Village Credit Union (hereinafter referred to as LPD) Article 2 paragraph (1) states that: LPD is a village-owned financial union conducting business in the village and for the benefit of the villagers. This is confirmed by the presence of the Decision of the Third Big Meeting by Village Assembly (MDP) Bali No. 009 / SK-PA III / MDP Bali /Vffl /2014 Article I paragraph (1), namely, the Village Credit Union is one of the possessions of the village. This type of research used in this thesis is a normative study. Normative study is the one that examines the level of legal norms, finding the non-existence of the LPD status as a legal subject of liability rights, so there is a legal vacuum in which the status of the LPD as the subject of a liability rights is not stipulated in the legislation and these problems will be a legal discovery. LPD is the possession of the village, so LPD cannot be the legal subject of liability right because the village itself has not been the subject of law. So the security liability agreement made by LPD is invalid because it does not qualify his legitimate agreements written in Article 1320 paragraph (4) of Civil Code regarding lawful cause or legal cause.

scholarly journals СРАВНИТЕЛЬНАЯ ХАРАКТЕРИСТИКА ИЗДАНИЙ РОМАННОГО ТВОРЧЕСТВА МИР ДЖАЛАЛА

World Science ◽  
2018 ◽  
Vol 3 (7(35)) ◽  
pp. 15-18
Author(s):  
Гусейнова Айтен Казанфар кызы
Keyword(s):  
Comparative Analysis ◽  
Open Book ◽  
The Third ◽  
The Subject ◽  
New City ◽  
The One ◽  
Modern Era

In the article, the author of advanced ideas, explores published copies of novelist Mir Jalal's novels "The Resurrection Man (1936)", "The Open Book (1945)", "People of the Same Age,1948", "The New City (1951)", "Where are we going” (1957) comparative analysis. The repeated publication of the novels of the Soviet in the Soviet era or in the modern era, always proves the relevance of the talented creator. Two of the five novels of Mir Jalal, the one we talked about, have been the subject of past and the third one.

Szaber Frenzy

2010 ◽  
pp. 173-203
Author(s):  
Marcin Zaremba
Keyword(s):  
Ethnic Difference ◽  
Necessary Condition ◽  
Power Structures ◽  
Culture Of Poverty ◽  
The Third ◽  
The Subject ◽  
Northern Territories ◽  
Post War

The subject of this article is war, and especially post-war, szaber – a phenomenon of mass looting of unattended property. The text is divided into three parts. In the first part, I attempt to explain theoretically the origin of szaber, indicating (among other things) its links with the culture of poverty and a necessary condition for the szaber to take place – a moment of chaos and a temporary decline of the power structures. In the second part, I formulate a hypothesis that ethnic difference was a necessary condition for szaber to emerge. I illustrate it with examples from September 1939, when first we faced a phenomenon of mass looting of unattended property. The article also deals with the pillage of the ghettos by Poles in 1942. The third part is devoted to the highest wave of looting, which took place mostly in the Regained Western and Northern Territories, immediately after the war. The text is constructed in such a way that at the end I return to the origin of the phenomenon, formulating a thesis that it created a certain szaber culture

Deleuze and Kuki: The Temporality of Eternal Return and ‘un coup de dés’

2014 ◽  
Vol 8 (1) ◽  
pp. 94-110
Author(s):  
Tatsuya Higaki
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
The Other ◽  
Western Philosophy ◽  
Eternal Return ◽  
Kyoto School ◽  
The Third ◽  
European Philosophy ◽  
The Subject ◽  
The One

Shuzo Kuki is a Japanese philosopher, belonging to the Kyoto school, who lived about a hundred years ago. He learned philosophy in Europe and developed an original theory of contingency, by accommodating the Asiatic way of thinking on the one hand, and Western philosophy (Bergson, Heidegger and neo-Kantianism) on the other. In this article, I show that we can find similarities between his theory of contingency and the philosophy of Deleuze, especially in regard to the subject of temporality and eternal return. Needless to say, the theory of the third time is a crucial theme in Difference and Repetition, and is closely related to the time of eternity, and the original or primitive contingency. Taking into consideration these aspects of time is indispensable in examining in depth the concepts of difference and virtuality. Kuki's theory of contingency, which incorporates early twentieth-century European philosophy, elucidates these concepts in an unexpected way. Therefore, my aim in this article is not to attempt a comparison between Eastern and Western thought by quoting Deleuze, but to illustrate a hidden lineage of thought, which runs from the nineteenth century (neo-Kantianism, Bergsonism, and so on) into the philosophy of virtuality of the twentieth century. This same lineage appears in Japan in Kuki's theory, and Deleuze's thought is, at least in one aspect, a modern manifestation of the same roots.

Art. VI.—The Chinese Secret Triad Society of the Tien-ti-huih

1841 ◽  
Vol 6 (11) ◽  
pp. 120-158
Author(s):  
Newbold ◽  
Wilson
Keyword(s):  
Early Period ◽  
Prominent Feature ◽  
Water Lily ◽  
The Third ◽  
The Subject ◽  
White Water ◽  
Straits Of Malacca ◽  
The One ◽  
Almost All

Various associations have long existed in China, of which secrecy was at an early period the prominent feature, since the jealousy of the imperial government declares the association of even five persons to be illegal, and punishes the crime of belonging to these associations with death. Among these fraternities may be enumerated—1st, the Great Ascending Society; 2nd, the Society of Glory and Splendour; 3rd, the Union of the Three Great Towers, viz., Heaven, Earth, and Man; 4th, the White Jackets; 5th, the Red Beards; 6th, the Short Swords; 7th, the White Water-Lily; 8th, the Sea and Land Society; 9th, the Righteous Rising Society, &c. The third of these associations, which, from all that can be gathered, assimilate in their origin, is the one that prevails in Canton, and obtains almost exclusively in the Straits of Malacca, and the vast islands of the Indian Archipelago; and which will principally form the subject of this notice. It is commonly known under the terms of Tien-ti-huih, or San-ho-huih, and is sometimes divided into two branches—the Canton and Fokien, to which provinces most of the Chinese emigrants belong. Those from Canton, are, I believe, by far the most numerous. Other societies or Kongsis exist, with the benevolent object of raising funds for the assistance and support of those among their number in distress; but they are almost all subject, more or less, to some of the objections that exist against the Tien-ti-huih.

scholarly journals LE Test Du Dessin De Famille (Symbolisation par un animal des tendances interdites)

1964 ◽  
Vol 9 (5) ◽  
pp. 417-430
Author(s):  
Louis Corman
Keyword(s):  
The Other ◽  
The Third ◽  
The Family ◽  
The Subject ◽  
The One

The application of psychoanalytic rules to the family drawing permits an interpretation in depth which leads to the understanding of conflicts in the child's mind. In this work, the author has limited himself more particularly to the study of the projection of forbidden tendencies to an animal symbol, as this projection enables the subject to gratify 'by proxy' his instincts without feelings of anguish or without being punished. This is surely a theory and it will be necessary, in each case, to check it by means of an extensive clinical and projective analysis. It was possible, however, to support this theory with several arguments. The first is that the familiar animal which is supposed to assume the forbidden tendency is emphasized by the place it occupies, the care with which it is drawn and the comment describing its action. Sometimes even, it has human features which indicate its intimate collusion with the subject. Secondly, in such a case, the subject himself is absent from the drawing; he has not depicted himself. One is led to wonder under what other person's features he appears and when the super-added animal is set out, it may be assumed that it is representing the subject in the drawing. The third argument is inferred from identification. It is quite obvious that, when the subject claims to be identified with the animal, no doubt is possible. However, more often than not, as we have seen, the child evades the question, and when he is invited to identify himself, he is either the father or he is someone absent. This is quite understandable, as we have seen that the person assuming the forbidden action is also the one who will have to accept punishment. Therefore, in one case, the adder is chased away; in other cases, the aggressor animal is killed. In all those cases, it will be necessary to establish identification in an indirect manner, outside of the statements of the child. Identification will be based in the first place on the signs of emphasis given to the animal shown, as we have said; secondly, on the convergence of indices which are brought out by the other tests or psychodramas, as has been illustrated in those observations.

Contemporary Relevance of Nehru

2012 ◽  
Vol 19 (1) ◽  
pp. 149-168
Author(s):  
Baljit Singh
Keyword(s):  
World View ◽  
Cultural Nationalism ◽  
The Body ◽  
The Other ◽  
Washington Consensus ◽  
Fourth Section ◽  
The Third ◽  
Third Phase ◽  
The Subject ◽  
The One

The subject contemporary relevance of Nehru is unfolded into five sections. First section introduces the subject by contextualising Nehru’s ideas in the contemporary scenario. Nehruvian ideological system and its utility in the age of globalisation constitute the body of this article. His nationalism, socialism and world view are located and discussed in the second, third and fourth sections, respectively. Nehru’s idea of composite culture, contested by cultural nationalism from the one end and ethno-nationalism from the other end of spectrum comprises the second section. The third section discusses the conception, consolidation, retreat and revival of Nehruvian model of economic development in the light of Washington Consensus and Post-Washington Consensus. His idea of socialism and the mixed economy are debated in liberal, neoliberal and post-neoliberal scenario. His world view faced rough weather during the second and third phase of India’s foreign policy. The former was set in motion after his death, whereas the latter started taking shape in the Post-Soviet world, which has acquired the hegemonic overtones. Contemporary significance of Nehru’s world view in the hegemonic world is probed in the fourth section. The last section sums up the discussion in the form of concluding observations.

scholarly journals Türk ve İslam Eserleri Müzesi

2021 ◽  
pp. 339-336
Author(s):  
Zeynep Atbaş
Keyword(s):  
Islamic Art ◽  
Book Illustration ◽  
The Third ◽  
The Arts ◽  
The World ◽  
The Face ◽  
History Of ◽  
The Subject ◽  
The Veil ◽  
The One

"Ottoman sultans showed a great interest in books; on the one hand, they had their palace workshops prepare manuscripts ornamented with unique illustrations and illuminations; on the other hand, they collected books created in other locations of the Islamic world through various means, such as, gifting, looting, and purchasing. The subject of this article involves the artistic manuscripts from the Ilkhanid era that entered the Topkapı Palace Treasury. Most manuscripts in the Topkapı Palace Library consist of copies and sections (juz’) of the Koran. With their illumination and binding, these large-format books designed by the skillful illuminators and bookbinders of the Ilkhanid era are early fourteenth-century masterpieces of Islamic art of the book. Among these are Koran sections prepared for the famous Ilkhanid ruler, Sultan Uljaytu Khodabanda, and the renowned vizier, Rashid al-Din. Some examples were written by the most illustrious Islamic calligraphers, Yaqut al-Musta’simi and Arghun Kamili, illuminated by the famous artist of the era who worked in Baghdad, Muhammad b. Aybak b. Abdallah, and bound by bookbinder Abd al-Rahman. The Ilkhanid era was also a time when fascinating and important manuscripts were prepared in terms of book illustration. Two of the three Mongol-era manuscripts in the Topkapı Palace collection are copies of the Jami’at-Tawarikh—a general history of the world prepared by a commission led by the vizier Rashid al-Din under the order of the Ilkhanid ruler Ghazan Khan— while the third is a copy of the Garshaspnama. In addition, some paintings that appear in one of the palace albums belong to a volume of the Jami’at-Tawarikh on the history of Mongol khans, which has not survived. The significant and unique paintings of the Ilkhanid era are the Miʿrajnama paintings made by Ahmed Musa featured in the album prepared for Bahram Mirza, the brother of the Safavid sultan, Shah Tahmasp. The preface of the album written by Dust Muhammad refers to the famous painter Ahmed Musa, who lived in the era of the Ilkhanid ruler Abu Said, to have “removed the veil from the face of painting and invented the painting that was popular in that era.” In addition, the author states that he illustrated a Miʿrajnama. However, only the eight album pages with miʿraj images have survived this work. Through their bindings, illuminations, calligraphy, and illustrations, Ilkhanid era manuscripts from the Topkapı Palace constitute a vital collection that demonstrates the advanced level reached by the arts of the book during this era. "

scholarly journals “Cultural-historical meanings of the Third Rome”

2021 ◽  
pp. 111-127
Author(s):  
Tamara Totazovna Tedeeva
Keyword(s):  
Historical Context ◽  
The Other ◽  
Cultural Artifacts ◽  
Cultural Meanings ◽  
Historical Process ◽  
The Third ◽  
The Subject ◽  
Imperial Ideology ◽  
The One ◽  
Semantic Aspect

In theoretical and sociopolitical discourses, the semantic construct “The Third Rome" is often used in denotative meaning of imperial ideology. At the same time, it has multivariate connotation, the disclosure of which in the cultural-historical context on the one hand allows deeper understanding of the semantic aspect of the construct, while on the other – more precisely characterizing the culture of different epochs. The object of this research is the historical process of saturation of the semantic construct “The Third Rome" with meaningful content. The subject of this research is the basic cultural- historical connotations the concept “The Third Rome”. The goal of this work is to establish correlation between the basic connotations of the concept under review and the historical cultures by means of culturological attribution. Alongside the general theoretical philosophical-analytical toolset, the author tests the method of culturological attribution in relation to cultural-historical meanings of the concept “The Third Rome" as intangible cultural artifacts. The novelty of this article consists in elucidation of the historical subjectivity of cultural meanings of the concept “The Third Rome”. Attribution of this concept to several historical cultures allows determining its multiple connotation, which at times are antipodal. The most common interpretation (“The Third Rome” as an empire) is applicable only to certain historical cultures.

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