Time and space in the motor aesthetics of A. Volynsky

2019 ◽  
pp. 100-113
Author(s):  
O.V. Shalygina
Keyword(s):  
Time And Space ◽  
Philosophical Concept ◽  
Problem Of Time ◽  
Philosophical Foundations ◽  
Literature And Philosophy ◽  
History Of ◽  
Theater Criticism ◽  
Classical Ballet ◽  
Relationship Of ◽  
First Time

The article describes the original aesthetic and philosophical concept – the motor aesthetics of Akim Volynsky. Volynsky uses the concept of «motor aesthetics» in the Kniga likovanii, describing the value of circular lines for the «all aesthetics, visual, sound and motor», and particularly pirouette for motor aesthetics. The term «motor aesthetics of Akim Volynsky» is used in this article for the first time and is studied by the author from an interdisciplinary perspective. Motor aesthetics is developed by Volynsky for plastic art as a language of description of classical ballet, he introduces the basic concepts, formulates the laws, defines the basic philosophical categories that underlie it. The importance of Volynsky's work on the formation of the language of classical ballet description is recognized in the professional environment and theater criticism. The study of the motor aesthetics of Akim Volynsky is relevant in connection with the study of the philosophical foundations of intermedial analysis. The article deals with the problem of time and space in the motor aesthetics of Akim Volynsky for the first time. The direct connection of Volynsky's later works on ballet with his early article on Kant is revealed, the conclusion about the originality of Volynsky's philosophical position in relation to the categories of time and space is made. Using the thesaurus of Kant's transcendental aesthetics, Volynsky defines the two-act structural relationship of time and space according to the «par coupe» (fr) principle, which he regards as universal. It was concluded of Volynsky's motorial aesthetics value not only in the history of classical ballet and theatre criticism, the history of of the Russian literature and philosophy of the late 19th - early 20th century, but also in the modern philosophical anthropology and ontology.

scholarly journals “About a Symbol”: Genesis and Parallels. Article Two. Dostoevsky as a Symbolist

2021 ◽  
pp. 238-259
Author(s):  
Anna I. Reznichenko
Keyword(s):  
100Th Anniversary ◽  
Ontological Status ◽  
200Th Anniversary ◽  
History Of ◽  
Relationship Of ◽  
First Time ◽  
The Relationship

The article is devoted to the literary and philosophical origins of Sergei Durylin’s report “On a Symbol in Dostoevsky” (the report was read in 1926 at a meeting of the Commission for the Study of Dostoevsky at the Literary Section of GAKhN). The history of the report in the context of the Literary Section is considered. Аbstracts and debates on the report are published for the first time. The relationship of Durylin’s ideas with the complex of Dostoevsky’s interpretations, developed by both the Symbolists (G.I. Chulkov) and Russian religious philosophers (P.A. Florensky, A.F. Losev) is shown. Both the report “On a Symbol in Dostoevsky’s” and the subsequent report “Landscape in Dostoevsky’s” are devoted to an anthropological and Christological story, connected with the symbolism of the setting sun, the symbolism of “oblique rays”, and its embodiment in Dostoevsky’s novels. Both texts are a continuation and a development of the same theme. A landscape is an artist’s mapping of nature, the created world; interiors are the artist’s image of the anthropomorphic world, the human space. The ontological symbol receives its sociocultural projection: a landscape or an interior. The problem of the relationship between the mapping/image and the object of the image, the problem of the ontological status of reality and its embodiment in the artistic/mythopoetic language, reflected in the report, corresponded to the focus of GAKhN on the development of a new “language of things” and a new concept of the humanitarian knowledge. The article is timed to coincide with the 200th anniversary of F.M. Dostoevsky, the 135th anniversary of S.N. Durylin, and the 100th anniversary of GAKhN.

Charming but Villain

2021 ◽  
pp. 104-111
Author(s):  
Lale Kabadayı
Keyword(s):  
Black And White ◽  
White Film ◽  
Turkish Cinema ◽  
The Two Cultures ◽  
History Of ◽  
The Difference ◽  
Relationship Of ◽  
First Time ◽  
The Relationship ◽  
Made In

In the history of cinema, bad girl/boy characters are less common than other villain characters. However, these characters have a lot of influence on the audience. The Bad Seed movies, which are important book adaptations, are remarkable for the evil done by a charming, pretty little girl. The audience watched the story of this eight-year-old-girl for the first time with the adaptation made in 1956. The book was adapted as a television movie in the US both in 1985 and 2018. However, it was made in Turkey, too. This adaptation was shot in 1963 by director Nevzat Pesen. This black-and-white film is considered one of the best thriller-horror films of Turkish Cinema. In this study, the relationship of the little girl with evil will be examined in terms of differences in US and Turkish adaptations. Thus, the difference between the two cultures regarding the relationship between child and villainy will be evaluated from the point of cinema.

scholarly journals Inspection of the Monastic Hegumens of Lviv Union Eparchy in 1724

2021 ◽  
pp. 93-103
Author(s):  
Andrii Pavlyshyn ◽  
Keyword(s):  
Xviii Century ◽  
History Of ◽  
Monastic Communities ◽  
The Right ◽  
Relationship Of ◽  
Historical Methods ◽  
First Time ◽  
The Relationship ◽  
The Church ◽  
Real State

The aim of the research is to introduce an important source of the history of the church, in particular the monasticism of the Lviv Union eparchy of the first half of the XVIII century into scientific circulation – “Inspection of the hegumens of the Lviv eparchy in 1724”. The methodology of the researchis based on the principles of historicism, analytical and synthetic critique of sources. Comparative and typological general historical methods are also used.The scientific noveltyis in the introduction of the source, which most fully reflects the real state of monasticism of the Lviv eparchy in the first quarter of the XVIII century into wide circulation for the first time. Conclusions: As a result of archival searches, a historical source “Inspection of the hegumens of Lviv eparchyin 1724”was discovered and put into scientific circulation. It is the first complete description of the existing monasteries of the Lviv dioceseand allows to recreate their detailed network at the first quarter of the XVIII century. For the first time, the document also reliably outlines the number of monastic communities in the eparchy. Onthebasisofinspection it can be stated that the Lviv Union diocesein 1724 had 62 monasteries with 341 monks. The source also allows us to trace the power of bishops over monasteries, in particular the mechanism of hegumens subordination to bishops. The document contains valuable information about the relationship of monasteries, in particular the subordination of smaller monastic communities to larger ones. No less important are the sources about the economic situation of the monasteries.In 1724, only 34 out of 62 monasteries, showed documents for the right to own some land plots, which allows us to speak of a relatively modest monastic farming. “Inspection of the hegumens of the Lviv eparchy in 1724”, is a key source that allows us to characterize not only the state of monasteries, but also the Lviv eparchy in general in the first decades after the adoption of the Brest Union by the diocese.

scholarly journals Age estimation for Asian Cymbidium (Orchidaceae: Epidendroideae) with implementation of fossil data calibration using molecular markers (ITS2 & matK) implying phylogeographic inference

2013 ◽  
Author(s):  
Devendra K Biswal ◽  
Jean V Marbaniang ◽  
Pramod Tandon
Keyword(s):  
Land Plants ◽  
Tropical Regions ◽  
The Public ◽  
Plant Group ◽  
History Of ◽  
Bayesian Relaxed Clock ◽  
The Tropics ◽  
Fossil Data ◽  
Relationship Of ◽  
First Time

Abstract: Intercontinental dislocations between tropical regions harboring two-thirds of the flowering plants have always drawn attention from taxonomists and bio-geographers. The focus had always been on woody land plants rather than on herbs. Orchidaceae is one such family belonging to angiosperms, with an herbaceous habit and high species diversity in the tropics. Here, we investigate the evolutionary and bio-geographical history of the genus Cymbidium, which represents a monophyletic subfamily (Epidendroideae) of the orchids and comprises 50 odd species that are disjunctly distributed in tropical to temperate regions. A relatively well-resolved and highly supported phylogeny of Cymbidiums was reconstructed based on sequence analyses of internal transcribed spacer (ITS2) regions and maturaseK (matK) from the chloroplast region available on the public domain in GenBank at NCBI. Crassulacean acid metabolism (CAM) is one of the photosynthetic pathways regarded as adaptation to water stress in land plants. Hardly any information exists on correlations among the level of CAM activity, habitat, life form, and phylogenetic relationship of a plant group from an evolutionary perspective. This study examines a genus level analyses by integrating ITS and matK data to all fossil data available on orchids in a molecular Bayesian relaxed clock employed in BEAST and assessed divergence times for the genus Cymbidium with a focus on evolutionary plasticity of photosynthetic characters. Our study has enabled age estimations for the genus Cymbidum (12Ma) for the first time using BEAST by addition of previously analyzed two internal calibration points.

scholarly journals Genetic Diversity and Discrimination of Chimonanthus praecox (L.) Link Germplasm Using ISSR and RAPD Markers

HortScience ◽  
2007 ◽  
Vol 42 (5) ◽  
pp. 1144-1148 ◽  
Author(s):  
Kai-Ge Zhao ◽  
Ming-Qin Zhou ◽  
Long-Qing Chen ◽  
Donglin Zhang ◽  
Gituru Wahiti Robert
Keyword(s):  
Genetic Relationship ◽  
Rapd Markers ◽  
Random Amplified Polymorphic Dna ◽  
Similarity Coefficients ◽  
Flower Plant ◽  
History Of ◽  
The Difference ◽  
Relationship Of ◽  
First Time ◽  
Chimonanthus Praecox

Chimonanthus praecox (wintersweet) is endemic to China. It has been cultivated there for more than 1000 years as a garden, potted, and cut-flower plant. Many cultivars have been developed during its long history of cultivation, and recently many germplasms were collected in Wuhan and Nanjing, China. The identification and genetic relationship of these resources were studied based mainly on morphological traits. In the current study, intersimple sequence repeat markers (ISSR) and random amplified polymorphic DNA markers (RAPD) were used for the first time to investigate 72 wintersweet clones from the two regions. Eleven ISSR primers amplified 115 bands, 90 (78.26%) of which were polymorphic. Nineteen RAPD primers amplified 165 bands, 105 (63.63%) of which were polymorphic. Either ISSR or RAPD markers were sufficient to distinguish all the clones surveyed. A Dendrogram based on Jaccard's similarity coefficients indicated that the distribution pattern of the 72 clones was coherent with their geographical origins. Most of the genetic variation (85.68% with ISSR data; 86.75% with RAPD data) occurred among clones within each region. However, the difference between Wuhan and Nanjing groups is statistically significant (ΦST = 0.143, P < 0.001, with ISSR data; ΦST = 0.132, P < 0.001, with RAPD data). Morphological variation and classification of wintersweet cultivars were also discussed compared with the genetic relationship based on ISSR and RAPD markers. This is the first report of the partitioning of genetic variability within and between different cultivated wintersweet regions, and it provides useful baseline data for optimizing sampling strategies in breeding. These results are important for future genetic improvement, identification, and conservation of Chimonanthus praecox germplasm.

scholarly journals MYRHOROD DOCUMENTS FROM THE “BOOK-ARCHIVE” OF THE SAVIOR-TRANSFIGURATION MGARSKY MONASTERY OF THE XVII-XVIII CENTURIES

2020 ◽  
Vol 11 (2) ◽  
pp. 125-130
Author(s):  
Yurii Mytsyk
Keyword(s):  
City Government ◽  
Historical Sources ◽  
Central State ◽  
Archival Documents ◽  
History Of ◽  
Relationship Of ◽  
First Time ◽  
The Relationship ◽  
The City ◽  
The Church

This article presents archival documents of the Cossack era from the Central State Historical Archive of Ukraine in Kyiv. These are the universals of hetmans and colonels concerning the Mhar Monastery, its estates, its relations with Lubny and Zaporizhzhia Sich. The immediate task is the introduction into scientific circulation, the actualization of hitherto unknown historical sources that are important for the history of Ukraine, especially for the history of such a region as Poltava region. In the above-mentioned archives, hitherto unknown documents were discovered and published for the first time. The vast majority of documents belong to other categories of act documents — gifts, merchants, wills, court rulings. They shed light on the city government of Lubnу, the history of the relationship of general and regimental power with the Church, especially with the Mhar Monastery, the mechanism of increasing its land ownership. In general, the documents published here shed additional light on the history of Poltava region of the last third of the 17 — early 18 centuries. The article also contains previously unknown documents concerning the past of Poltava region of hetman times, towns and villages of Lubny, Myrhorod and Poltava regiments, Mhar monastery, their socio-economic, political history.

scholarly journals “General Face-hitting”: The Travel in Time and Space

2021 ◽  
pp. 88-107
Author(s):  
Valeriy Korniychuk
Keyword(s):  
Documentary Evidence ◽  
Time And Space ◽  
History Of ◽  
First Time

The article under studies traces the formula of “general face-hitting” from the poem “The Dream” (“U vsiakoho svoya dolia...”) by Taras Shevchenko in the world’s socio-political and folklore-literary contexts. It analyzes Ivan Franko’s essay “Reasons for Evaluating Taras Shevchenko’s Poetry”, where this catchphrase has been used for the first time, as well as describes some dramatic facts from the life of the court Russian poet Vasily Trediakovsky. Special emphasis has been laid on the concept of supreme violence in the history of dictatorial regimes (on the examples of the works of various genres by foreign authors). In particular, fictional and documentary evidence of characteristic abuse of subordinates during the reign of the Empress Anna Ioannovna, as well as numerous cases of assault by the Russian Tsar Peter I and the Prussian King Frederick William I have been revealed. Some expository episodes that remind of a grotesque scene of a brawl are regarded in the History of the Ruthenians, in oriental parables, in the works by Voltaire, Alexander Pushkin, Alexander Herzen, Valentin Pikul, Peter Aleshkovsky, Dmitry Mamin-Sibiryak, and others. The relevance of this disgusting phenomenon, inherent in any totalitarian system, has been outlined.

scholarly journals Review of a Case on Constitutional Changes of 2020 by the Constitutional Court of the Russian Federation: Substantive and Procedural Peculiarities

2021 ◽  
Vol 1 ◽  
pp. 34-38
Author(s):  
Oleg V. Brezhnev ◽  
Keyword(s):  
Russian Federation ◽  
Constitutional Court ◽  
Public Authorities ◽  
Legal Provisions ◽  
History Of ◽  
Constitutional Justice ◽  
The Russian Federation ◽  
Relationship Of ◽  
First Time ◽  
The Relationship

For the first time in the history of Russian constitutional justice the Law of the Russian Federation on the amendment to the Constitution of the Russian Federation of March 14, 2020 No. 1-FKZ “On improving the regulation of certain issues of the organization and functioning of public authorities” provided for as part of the mechanism for its entry into force a special authority of the Constitutional Court of the Russian Federation related to mandatory checking the new constitutional regulation for compliance provisions of chapters 1, 2 and 9 of the Constitution of the Russian Federation. The article reveals substantive and procedural features of this authority of the Constitutional Court of the Russian Federation, concerning the subject and criteria for checking the legal provisions under consideration, the organizational form of constitutional proceedings used in this case, the legal force of the decision of the Constitutional Court of the Russian Federation, etc. Disclosed the relationship of this regulation and already formulated legal positions of the Constitutional Court of the Russian Federation on certain aspects of the implementation of constitutional justice. In the prognostic plan, the need for more detailed legislative regulation of the procedure for exercising powers associated with mandatory constitutional control is shown.

scholarly journals MOTIFS TRANSFORMATION OF M. DESBORDES-VALMORE LYRICS IN THE WORKS OF MARINA TSVETAEVA

2021 ◽  
Vol 7 (1) ◽  
pp. 128-143
Author(s):  
Ekaterina M. BELAVINA
Keyword(s):  
French Literature ◽  
Poetic Voice ◽  
European Culture ◽  
French Writer ◽  
Marina Tsvetaeva ◽  
History Of ◽  
The Moment ◽  
Relationship Of ◽  
First Time

The influence of French culture on the poetry of M. Tsvetaeva was noted by her contemporaries (B. Pasternak, S. Bobrov), and also became the subject of scientific research (for example, N. Strelnikova). However, the relationship of her poetry with the French writer work of the romanticism era, M. Desbordes-Valmore (1786-1859), which is almost forgotten in our days, is analyzed for the first time, which seems relevant in light of the growing interest in the role of women in European culture. The article uses a biographical method, with the involvement of the poetics of the rhythm of H. Meshonnik. The article examines the mentions of M. Desbordes-Valmore in M. Tsvetaeva’s poetry and in correspondence with B. Pasternak, provides a brief comparison of biographies in terms of their influence on the formation of a poetic voice. Their tragic fates have a lot in common: both survived revolutions, as a consequence the ruin of the family nest, extreme poverty, the loss of loved ones. The main similarity between M. Tsvetaeva and M. Desbordes-Valmore lies in the auditory imagination, in intonational rhythmic expressiveness and in vivid metaphor. Both M. Desbordes-Valmore and M. Tsvetaeva left evidence of a moment preceding the moment of writing, “music” preceding verbal expression. They often rely on the song as a precedent text (O. Revzina), a precedent rhythm. The autobiographical nature of the lyrics and the musicality bring together so dissimilar authors at first glance. M. Tsvetaeva read M. Desbordes-Valmore in the original, probably having become acquainted with her work at the summer courses in the history of French literature at the Sorbonne. The analysis of the transformations of M. Desbordes-Valmore’s poems motifs in M. Tsvetaeva’s lyrics clearly show not only a deep knowledge and understanding of the French romantic tradition, but also the innovation of her own poetic language.

scholarly journals Τοιχογραφίες ρωμαϊκών χρόνων στην Ελλάδα

2013 ◽  
Author(s):  
Νικόλαος Βαβλέκας
Keyword(s):  
Wall Paintings ◽  
Construction Technique ◽  
Imperial Period ◽  
Starting Point ◽  
History Of ◽  
And Function ◽  
Relationship Of ◽  
First Time ◽  
Wall Decoration

The thesis "Roman wall paintings in Greece. From the time of Augustus until the era of Constantine the Great"presents for the first time in an overall scale the wall paintings of Roman imperial era that have come to light in the areas of modern Greek territory.The thesis focuses on the nature and function of the material in question, as well as on the construction technique and its iconography. Specifically, the present study examines for the first time the relationship of iconography with the decorated interiors, the frequency of wall paintings within a building as well as the relations of wall decorations with the types of buildings. Moreover it focuses on a number of other issues, such as whether and to what extent the material in question had any meaning for the ancient owners who ordered it, to what extent the agenda of projects was dictated by personal preferences, economic or social status, the current dominant artistic trends of the time, the existence of a single common art for mural decorations throughout the empire, as well as the detection and further developments of certain Italian styles in the provinces of Greece. Also it tries to decipher to what extent we are able today with the limited resources, sources and data that we have to understand this material. This study includes six chapters each of which determines the material in question in a different light. The first chapter is an introduction to Roman wall paintings in general, while the second examines the technique of wall decoration during the imperial period. The third chapter presents briefly the history of wall paintings in the Greek area until the late Hellenistic era. In this chapter, having as a starting point the early Greek times, an effort has been made to determine the nature and function of the mural decoration in the Greek world before the advent of the Romans, as well as the dominant artistic trends of wall decoration until the late Hellenistic era. The fourth chapter examines in general the wall decorations during the imperial period in the area of modern Greece, having as a basis, locations that present more frequently mural decorations. The fifth chapter deals with the iconography of the Roman wall paintings in Greece. Despite the fragmentary state of preservation of the material in question it can be detected the common iconographic trends between the Greek and Italian wall decoration, although it can not be expressed any definite conclusion as far as the prevalence of the new artistic trends in mural decorations is concerned. The last chapter examines through statistics and comparative conclusions the nature and the function of the material in question, as well as in what kind of buildings (private / public) and spaces (character and function of the rooms) the mural decoration is appeared.

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