scholarly journals MOTIFS TRANSFORMATION OF M. DESBORDES-VALMORE LYRICS IN THE WORKS OF MARINA TSVETAEVA

2021 ◽  
Vol 7 (1) ◽  
pp. 128-143
Author(s):  
Ekaterina M. BELAVINA
Keyword(s):  
French Literature ◽  
Poetic Voice ◽  
European Culture ◽  
French Writer ◽  
Marina Tsvetaeva ◽  
History Of ◽  
The Moment ◽  
Relationship Of ◽  
First Time

The influence of French culture on the poetry of M. Tsvetaeva was noted by her contemporaries (B. Pasternak, S. Bobrov), and also became the subject of scientific research (for example, N. Strelnikova). However, the relationship of her poetry with the French writer work of the romanticism era, M. Desbordes-Valmore (1786-1859), which is almost forgotten in our days, is analyzed for the first time, which seems relevant in light of the growing interest in the role of women in European culture. The article uses a biographical method, with the involvement of the poetics of the rhythm of H. Meshonnik. The article examines the mentions of M. Desbordes-Valmore in M. Tsvetaeva’s poetry and in correspondence with B. Pasternak, provides a brief comparison of biographies in terms of their influence on the formation of a poetic voice. Their tragic fates have a lot in common: both survived revolutions, as a consequence the ruin of the family nest, extreme poverty, the loss of loved ones. The main similarity between M. Tsvetaeva and M. Desbordes-Valmore lies in the auditory imagination, in intonational rhythmic expressiveness and in vivid metaphor. Both M. Desbordes-Valmore and M. Tsvetaeva left evidence of a moment preceding the moment of writing, “music” preceding verbal expression. They often rely on the song as a precedent text (O. Revzina), a precedent rhythm. The autobiographical nature of the lyrics and the musicality bring together so dissimilar authors at first glance. M. Tsvetaeva read M. Desbordes-Valmore in the original, probably having become acquainted with her work at the summer courses in the history of French literature at the Sorbonne. The analysis of the transformations of M. Desbordes-Valmore’s poems motifs in M. Tsvetaeva’s lyrics clearly show not only a deep knowledge and understanding of the French romantic tradition, but also the innovation of her own poetic language.

Augustine

2021 ◽  
Keyword(s):  
Middle Ages ◽  
Augustine Of Hippo ◽  
Divine Grace ◽  
European Culture ◽  
Starting Point ◽  
History Of ◽  
Doctrine Of Creation ◽  
The Moment ◽  
The Mind ◽  
First Time

Augustine of Hippo (Thagaste, b. 354–Hippo, d. 430 ce) brings the very person of the thinker onto the philosophical scene for the first time in the history of philosophy, with his existential vicissitudes, his spiritual travails, and his incessant search for truth. Augustine is the ancient figure we know better than anyone else, thanks to the fact that he himself has narrated in the Confessions the external and internal events of his life, from his childhood spent in Roman Africa to his conversion to a radical and demanding form of Christian existence in 386. His conversion also marks the moment in which faith is consciously and programmatically assumed as the starting point of a rational itinerary that aims at understanding the most important truths about God and the human being. Augustine’s contribution to philosophical and theological thought is broad and manifold, from the theory of knowledge and language to the conception of evil and freedom, from the doctrine of creation and time to the analysis of the mind and its acts, from the most difficult questions concerning divine grace and the Trinity to the reading of human history as the interweaving of two mystical ‘cities’. Fundamental terms of the intellectual language of the West—such as ‘sign’, ‘free will’, ‘original sin’, ‘predestination’, ‘relation’—bear the indelible imprint of Augustine’s reflection. Especially sensitive to the influence of Plotinian and Porphyrian Neoplatonism, the gigantic work of this Father of the Church—an essential link between Antiquity and the Middle Ages—has in turn influenced Western Christianity like few others, and through it European culture, right up to modern and contemporary times. Although in Augustine’s thought one cannot clearly distinguish between philosophy and theology, in this article only his works and themes that have greater philosophical prominence today are considered. Therefore, purely theological topics such as the doctrine of divine grace are excluded. Only books published or republished after 1970 are cited, with a few rare exceptions. The remaining bibliography (earlier books, essays contained in collective volumes, and journal articles) can be found by consulting the section Bibliographies.

scholarly journals The Symbolism of the Caravaca Cross in the Work “Crux Christi Salva Nos” by Szymon Godziemba-Trytek

2021 ◽  
pp. 139-151
Author(s):  
Szymon Godziemba-Trytek
Keyword(s):  
Choral Music ◽  
European Culture ◽  
The People ◽  
External Feature ◽  
Mixed Choir ◽  
History Of ◽  
Listening Experience ◽  
Musical Listening ◽  
First Time

Relevance of the study. The author’s commentary of Szymon Godziemba-Trytek concerns the role of sacred symbol in his work “Crux Christi Salva Nos” for mixed choir, soloists, horns, double basses and percussion (2017). This study for the first time acquaints the Ukrainian audience with the creativity of a modern Polish composer, who fruitfully works in the field of symphonic, chamber, and especially vocal and choral music. Main Objective of the article is to show the author’s way of interpreting sacred symbols in the composition and drama of his work; to reveal the role of a symbol as a tool for integrating a composition into an intercultural context that arises on the basis of musical and extra-musical listening experience. Methodology/How the study was done. The empirical and analytical methods used in the research reflect the two sides of the author’s activity — he is a composer and a scientist. From the Christian symbol of Caravaca Cross that inspired him — to the compositional idea and its implementation in sounds: these are the stages of the creative process described in the article. Results/Findings and Conclusions. The composition of the work «Crux Christi Salva Nos» was determined by two aspects of the European Christian symbol Caravaca Cross — its graphics and the history of its existence in culture. The external feature of the Caravaca Cross is the mnemonic signs applied to its surface, they fix the sequence of prayer lines. The sequence of the placement of these signs forms the architectonics of Godziemba-Trytek’s musical work. The symmetry in the arrangement of the signs corresponds to the symmetry of the music composition. In the history of the existence of Caravaca Cross in European culture, the composer is most attracted by the emergence of various religious cults associated with it. They origins often are in folklore. Reflections on the process of acceptance of theological ideas among the people led the composer to some decisions in the field of drama, performing resources, stylistics. Specially, composer use the text of the Polish traditional Lent Song as the epilogue of his work. This epilogue becomes the quiet climax of the composition. The choir’s location and the way haw it is used in the work are also symbolic: within each subsequent movement, the choir is situated closer to the listener. Stylistic means reflect the idea of giving the dogmas of faith a human dimension.

scholarly journals “Troops without Banners”: History of 5th Infantry Corps of Russian Army during Reign of Nicholas I

2021 ◽  
pp. 249-271
Author(s):  
S. V. Andriainen
Keyword(s):  
Russian Empire ◽  
Military Operations ◽  
Crimean War ◽  
The Crimea ◽  
History Of ◽  
Entire History ◽  
The Russian Empire ◽  
The Moment ◽  
First Time

The history of the 5th Infantry Corps of the Russian Imperial Army in 1831—1853 is considered in the article. The novelty of the research lies in the fact that for the first time a comprehensive analysis of the entire history of the 5th Corps, from the moment of its formation to the beginning of the Crimean War, was carried out. The author notes that the 5th corps solved the widest range of problems. The question is raised that the 5th corps carried out the tasks of the strategic reserve of the Russian Empire on the southern borders. The role of corps units in construction work in the Crimea, participation in the landing forces on the Bosporus, military operations in the Caucasus and Transylvania are analyzed. The author notes that in the early 1830s the corps had a dubious reputation. In particular, the infantry regiments of the fifth corps were accused of “Polish spirit” and cowardice in the battles of the Russian-Polish war of 1830—1831. It is emphasized that the reputation of the corps in the eyes of Emperor Nicholas I was gradually improving. The author claims that since the 1840s, the 5th Corps was already a reliable army unit in the eyes of the emperor. The author argues that the involvement of the “bad reputation” corps in solving strategic problems demonstrates the limited resources of the Russian Empire in the 1830s and 1840s.

(Re-)Racializing “The Charge of the Light Brigade”

2019 ◽  
pp. 45-75
Author(s):  
Daniel Hack
Keyword(s):  
African Americans ◽  
Cultural Tradition ◽  
African American Culture ◽  
The Arts ◽  
History Of ◽  
The Moment ◽  
A Site ◽  
Relationship Of ◽  
The Relationship

This chapter discusses the African Americanization of “The Charge of the Light Brigade” by Alfred, Lord Tennyson. It argues that what makes “The Light Brigade” an inspired choice for this kind of task is its history and historicity. There exists a history of placing Tennyson's poem in relation to African American culture, and this history is one in which this relationship has been variously construed and vigorously contested. As the chapter shows, from the moment it was published, “The Charge of the Light Brigade” was mobilized, especially though not exclusively by African Americans, as a site or tool to address certain issues. These include: the relationship of African Americans to the dominant cultural tradition; the nature and politics of interracial cultural rivalry, mimicry, and appropriation; and the role of poetry and the arts—and violence—in the fight for racial empowerment and equality.

scholarly journals EXPRESS: Pulmonary Hypertension Associated With Neurofibromatosis Type 2

2021 ◽  
pp. 204589402110295
Author(s):  
Hirohisa Taniguchi ◽  
Tomoya Takashima ◽  
Ly Tu ◽  
Raphaël Thuillet ◽  
Asuka Furukawa ◽  
...  
Keyword(s):  
Pulmonary Hypertension ◽  
Neurofibromatosis Type ◽  
Pulmonary Vascular Remodeling ◽  
Life Threatening ◽  
History Of ◽  
Pulmonary Arterial ◽  
First Time

Although precapillary pulmonary hypertension (PH) is a rare but severe complication of patients with neurofibromatosis type 1 (NF1), its association with NF2 remains unknown. Herein, we report a case of a 44-year-old woman who was initially diagnosed with idiopathic pulmonary arterial hypertension (IPAH) and treated with PAH-specific combination therapy. However, a careful assessment for a relevant family history of the disease and genetic testing reveal that this patient had a mutation in the NF2 gene. Using immunofluorescence and Western blotting, we demonstrated a decrease in endothelial NF2 protein in lungs from IPAH patients compared to control lungs, suggesting a potential role of NF2 in PAH development. To our knowledge, this is the first time that precapillary PH has been described in a patient with NF2. The altered endothelial NF2 expression pattern in PAH lungs should stimulate work to better understand how NF2 is contributing to the pulmonary vascular remodeling associated to these severe life-threatening conditions.

Interpersonal Conflicts in the Relationship of Twins

1998 ◽  
Vol 47 (3-4) ◽  
pp. 153-160
Author(s):  
S. A. Gruszewska
Keyword(s):  
Social Life ◽  
Interpersonal Conflict ◽  
The Other ◽  
Psychological Space ◽  
Interpersonal Conflicts ◽  
Educational Methods ◽  
The Moment ◽  
Relationship Of ◽  
The Relationship

AbstractTaking into consideration two facts: that the structure of social life forces twins to part and that the presented roles in a pair are not equal, (one of the twins plays the role of a leader (L) and the other, the subordinate (P.)), one can ask the question — what meaning does the moment of parting have and what are its consequences?In order to do that, a survey was conducted, (a sample of 31 pairs of twins above the age of 30), in which every pair was asked the question: “Which one of you made the decision about parting?” The answer had two options: A – I, B – brother/sister. Out of 31 pairs of twins, 16 pairs chose the variant different from his brother or sister – that is A, B, admitting that the interpersonal conflict was the result of the parting. In 7 pairs, both twins chose the B variant – they withdrew from the conflict; and in 8 pairs they chose the A variant – looking for a compromise as the means of agreement.When analyzing the results of the survey, we can state the following:– in the relationship of twins, there is an interpersonal conflict;– the decision about parting is difficult with prevalent feelings of sadness and sorrow;– after parting, at least one of the twins has problems with preserving his identity and integrity of psychological space.Since the moment of parting is necessary and difficult, specialists and mainly parents are required to consciously change their position towards the relationship of twins. It has to be the result of applied educational methods which aim at creating subjectivity and equality of each of the twins before the moment of parting.

scholarly journals Authorial Self and Modernity as Reflected in Diaries and Memoirs. Three 19th-Century Hungarian Case Studies

2019 ◽  
Vol 9 (1) ◽  
pp. 85-97
Author(s):  
Béla Mester
Keyword(s):  
Intellectual History ◽  
Social Role ◽  
Public Intellectual ◽  
Self Reflection ◽  
Individual Character ◽  
History Of ◽  
New Type ◽  
The Moment ◽  
The One

Abstract The role of the diaries and memoirs in the process of the conscious self-reflection and their contribution to the emergence of modern individual personalities are well-known facts of the intellectual history. The present paper intends to analyze a special form of the creation of modern individual character; it is the self-creation of the writer as a conscious personality, often with a clearly formulated opinion about her/his own social role. There will be offered several examples from the 19th-century history of the Hungarian intelligentsia. This period is more or less identical with the modernization of the “cultural industry” in Hungary, dominated by the periodicals with their deadlines, fixed lengths of the articles, and professional editing houses on the one hand and the cultural nation building on the other. Concerning the possible social and cultural role of the intelligentsia, it is the moment of the birth of a new type, so-called public intellectual. I will focus on three written sources, a diary of a Calvinist student of theology, Péter (Litkei) Tóth, the memoirs of an influential public intellectual, Gusztáv Szontagh, and a belletristic printed diary of a young intellectual, János Asbóth.

scholarly journals Features of positioning of German university libraries on official websites

2021 ◽  
pp. 43-52
Author(s):  
N. Khymytsia ◽  
M. Kuchma
Keyword(s):  
Rock Music ◽  
Music Programs ◽  
University Libraries ◽  
Sound Recordings ◽  
Cultural Phenomenon ◽  
Creative Music ◽  
History Of ◽  
Historical Phenomenon ◽  
First Time

The problem of space music as a special cultural phenomenon requires scientific understanding. The purpose of the article is to study the features of the emergence and development of space rock as a specific trend in modern popular culture using the history of the “HAWKWIND” group as an example. The chronology of sound recordings of the “HAWKWIND” group as one of the founders of the “Space Rock Music” is established. The role of Dave Broсk, Bob Kalvert and other group participants in the creation of creative music programs is noted. It is proved that these musicians are the principles of the historical phenomenon, which received popularity as “Space Rock”. For the first time, the analysis of “HAWKWIND” sound documents through the prism of the history of space music development has been proposed.

scholarly journals «Мертвые Цари всегда должны по смерти своей быть судимы»: Посмертная судьба одного древнеегипетского обычая в русской и европейской словесности XVI – XIX вв. [“Dead Kings Must Always be Judged after Their Demise”: The Afterlife of an Ancient Egyptian Custom in the Russian and European Literature of the 16th to 19th Centuries]

2021 ◽  
Vol 8 ◽  
pp. 9-47
Author(s):  
Maria Neklyudova
Keyword(s):  
Literary Criticism ◽  
French Literature ◽  
History Of Ideas ◽  
Ancient Egyptian ◽  
Diodorus Siculus ◽  
History Of ◽  
Generous Support ◽  
The Subject ◽  
The Right

In his Bibliotheca historica, Diodorus Siculus described a peculiar Egyptian custom of judging all the dead (including the pharaohs) before their burial. The Greek historian saw it as a guarantee of Egypt’s prosperity, since the fear of being deprived of the right to burial served as a moral imperative. This story of an Egyptian custom fascinated the early modern authors, from lawyers to novelists, who often retold it in their own manner. Their interpretations varied depending on the political context: from the traditional “lesson to sovereigns” to a reassessment of the role of the subject and the duties of the orator. This article traces several intellectual trajectories that show the use and misuse of this Egyptian custom from Montaigne to Bossuet and then to Rousseau—and finally its adaptation by Pushkin and Vyazemsky, who most likely became acquainted with it through the mediation of French literature. The article was written in the framework (and with the generous support) of the RANEPA (ШАГИ РАНХиГС) state assignment research program. KEYWORDS: 16th to 19th-Century European and Russian Literature, Diodorus Siculus (1st century BC), Jean-Jacques Rousseau (1712—1778), Alexander Pushkin (1799—1837), Prince Pyotr Vyazemsky (1792—1878), Egyptian Сourt, Locus communis, Political Rhetoric, Literary Criticism, Pantheonization, History of Ideas.

scholarly journals Restoration of the military self-administration in the Terek cossak army in spring of 1917

Kavkaz-forum ◽  
2021 ◽  
pp. 90-100
Author(s):  
Ф.С. Киреев
Keyword(s):  
Historical Analysis ◽  
Historical Event ◽  
Practical Implementation ◽  
Self Administration ◽  
Political Situation ◽  
History Of ◽  
The Moment ◽  
Intellectual Potential ◽  
The Military ◽  
First Time

В статье анализируются причины возвращения войсковой системы самоуправления Терского казачества и показан сам процесс создания выборности войсковой власти. Актуальность исследования казачьего самоуправления обусловлена необходимостью теоретического обоснования и практического осуществления самоорганизации казачества России. Исторический анализ процесса организации самоуправления Терского казачества на войсковом уровне может послужить фундаментом для лучшего понимания и оценки современных процессов и явлений в казачьей среде и поможет выстраиванию государственной политики в отношении казачества в современной России. В отечественной историографии отсутствуют работы, посвященные конкретно восстановлению выборности власти в Терском казачьем войске. Поэтому научная новизна исследования определяется тем, что впервые предпринята попытка хронологической реконструкции истории создания войсковой системы самоуправления Терского казачества. Методологической основой исследования является принцип историзма, что предусматривает изучение момента возникновения исторического события и этапы его развития. Анализ событий на Тереке в 1917 г. показывает, что терские казаки смогли самоорганизоваться, создать полноценное административно-территориальное образование, и лишь изменение социально-политической ситуации в России в целомпомешало укрепить и продолжить это начинание. Еще необходимо отметить, что терские казаки к моменту восстановления войскового самоуправления подошли уже с готовыми проектами соответствующих документов, что позволило Терскому войску первым среди других войск создать свою выборную власть. Это говорит о высоком интеллектуальном потенциале в среде терских казаков. The article analyzes the reasons for the restoration of the military system of self-government of the Terek Cossacks and shows the very process of creating the elective military power. The relevance of the study of Cossack self-government is due to the need for theoretical justification and practical implementation of the self-organization of the Cossacks of Russia. Historical analysis of the process of organizing self-government of the Terek Cossacks at the military level can serve as a foundation for better understanding and assessment of modern processes and phenomena in the Cossack environment and will help to build state policy towards the Cossacks in modern Russia. In the Russian historiography, there are no works devoted specifically to the restoration of the election of power in the Terek Cossack army. Therefore, the scientific novelty of the research is determined by the fact that for the first time an attempt was made to chronologically reconstruct the history of the creation of the military system of self-government of the Terek Cossacks. The methodological basis of the research is the principle of historicism, with its focus on the study of the moment of occurrence of a historical event and the stages of its development. An analysis of the events on the Terek in 1917 shows that the Terek Cossacks were able to organize themselves and create a full-fledged administrative-territorial entity and only a change in the socio-political situation in Russia as a whole was placed, strengthened and continued this initiative. It should also be noted that the Terek Cossacks, by the time of the restoration of military self-government, came up with ready-made drafts of relevant documents, which allowed the Terek army to be the first among other troops to create their own elected power. This indicates a high intellectual potential among the Terek cossacks.

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