scholarly journals Critical Remarks on the Question of a “Moscow School of Metaphysics”

2021 ◽  
pp. 37-46
Author(s):  
A.А. Ermichev
Keyword(s):  
Nineteenth Century ◽  
Developmental Pattern ◽  
Russian Philosophy ◽  
Russian Society ◽  
Philosophical Concept ◽  
Philosophical Education ◽  
Systematic Philosophy ◽  
Scientific Metaphysics ◽  
Moscow School ◽  
Selection Of

The article analyzes the concept of the “Moscow School of Metaphysics,” an expression proposed by S.L. Frank in 1932 referring to the institutionalization of the initial advancement of Russian thought in the form of a “scientific metaphysics.” S.L. Frank held the rationalism of L.M. Lopatin and the transcendentalism of S.N. Trubetskoy to be the chief methodologies of this movement. S.L. Frank’s institutional identification is judged to be one episode in the search for a general developmental pattern within Russian thought – a movement toward a scientific and systematic philosophy. In his book Russian Philosophy around S.L. Frank. Selected articles (2020) the contemporary investigator of Russian philosophy, G.E. Alyaev turned his attention to the “Moscow School of Metaphysics” as a historical and philosophical concept. Agreeing with Frank, G.E. Alyaev names the alleged participants in the school, excluding V.S. Solovyov considering him a “religious thinker.” Referring to the material in the journal Problems of Philosophy and Psychology and to the speeches of N.Ya. Grot and V.S. Solovyov, the author shows that the philosophical education of Russian society, and in particular of professional philosophers, was not at a level that allowed for the emergence of the school as a scientometric unit. With the final two decades of the nineteenth century in mind, the author prefers to speak not about the school, but about the direction of the philosophical sympathies of Russian educated society toward either positivism or metaphysics. Within the bounds of the latter, there took place a selection of methodological techniques that allowed Russian thought to move toward a scientific metaphysics. The author mentions V.S. Solovyov, with his final articles, as among those who persistently sought the principles of theoretical philosophy. The author also shows that S.L. Frank, who proposed the concept of the “Moscow Metaphysical School,” is far from precise in its application

scholarly journals Early Slavophilism and European philosophy: the problem of correlation

2018 ◽  
Vol 55 ◽  
pp. 05003
Author(s):  
Marina Shirokova
Keyword(s):  
Nineteenth Century ◽  
National Identity ◽  
Moral Values ◽  
Related Question ◽  
Western Philosophy ◽  
Russian Philosophy ◽  
The West ◽  
Philosophical Concept ◽  
European Philosophy ◽  
Classical Philosophy

The article examines the question of the degree of influence the Western philosophy has on the philosophical concept of the founders of Slavophilism and the related question of the degree of independence of the philosophy of the Slavophils. The view is expressed that the problem of national identity, which became key to the Slavophile authors, was actively discussed at the beginning of the nineteenth century in the countries of Europe and from there penetrated into the Russian thought. It is said that the Slavophiles used the categorical apparatus and methodology of German classical philosophy, primarily the ideas of Hegel and Schelling. A comparison of the views of representatives of Slavophilism and Western European romanticism is conducted. The author concludes that the influence of Western philosophy on the concept of Slavophiles is undeniable, but the complex of Slavophilism ideas cannot be considered secondary to European ideas. The Slavophiles saw their task in creating an independent Russian philosophy, in which the synthesis of the cultures of Russia and the West on the basis of common moral values could be achieved.

Veiling Esther, Unveiling Her Story

2018 ◽  
Author(s):  
Adam J. Silverstein
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Case Studies ◽  
Muslim World ◽  
Historical Narratives ◽  
Modern Times ◽  
Religious Background ◽  
Literary Context ◽  
Shed Light ◽  
Selection Of

This book examines the ways in which the biblical book of Esther was read, understood, and used in Muslim lands, from ancient to modern times. It zeroes-in on a selection of case studies, covering works from various periods and regions of the Muslim world, including the Qur’an, premodern historical chronicles and literary works, the writings of a nineteenth-century Shia feminist, a twentieth-century Iranian dictionary, and others. These case studies demonstrate that Muslim sources contain valuable materials on Esther, which shed light both on the Esther story itself and on the Muslim peoples and cultures that received it. The book argues that Muslim sources preserve important, pre-Islamic materials on Esther that have not survived elsewhere, some of which offer answers to ancient questions about Esther, such as the meaning of Haman’s epithet in the Greek versions of the story, the reason why Mordecai refused to prostrate himself before Haman, and the literary context of the “plot of the eunuchs” to kill the Persian king. Furthermore, throughout the book we will see how each author’s cultural and religious background influenced his or her understanding and retelling of the Esther story: In particular, it will be shown that Persian Muslims (and Jews) were often forced to reconcile or choose between the conflicting historical narratives provided by their religious and cultural heritages respectively.

Viktor Vasnetsov’s New Icons

Experiment ◽  
2019 ◽  
Vol 25 (1) ◽  
pp. 131-144
Author(s):  
Wendy Salmond
Keyword(s):  
Nineteenth Century ◽  
Popular Culture ◽  
National Culture ◽  
Russian Society ◽  
Late Imperial ◽  
Imperial Period ◽  
Paris Exposition ◽  
The Many ◽  
Modern Orthodox ◽  
Human Hands

Abstract This essay examines Russian artist Viktor Vasnetsov’s search for a new kind of prayer icon in the closing decades of the nineteenth century: a hybrid of icon and painting that would reconcile Russia’s historic contradictions and launch a renaissance of national culture and faith. Beginning with his icons for the Spas nerukotvornyi [Savior Not Made by Human Hands] Church at Abramtsevo in 1880-81, for two decades Vasnetsov was hailed as an innovator, the four icons he sent to the Paris “Exposition Universelle” of 1900 marking the culmination of his vision. After 1900, his religious painting polarized elite Russian society and was bitterly attacked in advanced art circles. Yet Vasnetsov’s new icons were increasingly linked with popular culture and the many copies made of them in the late Imperial period suggest that his hybrid image spoke to a generation seeking a resolution to the dilemma of how modern Orthodox worshippers should pray.

scholarly journals Theoretical and Methodological Approaches to the Study of Social Structure: Western Ideas in Domestic Practice

2020 ◽  
Author(s):  
Iuliia Nikolaevna Soloveva
Keyword(s):  
Social Structure ◽  
Social Stratification ◽  
Russian Society ◽  
Accurate Analysis ◽  
Factors Influencing ◽  
Structure Changes ◽  
The Social ◽  
Domestic Practice ◽  
Methodological Approaches ◽  
Selection Of

The study of the social structure of society involves the selection of features that determine social stratification. The variety of these features contributes to the emergence of a large number of theoretical and methodological approaches. The article examines the most significant approaches for studying the social structure of Russian society based on the ideas of representatives of Western sociology: from class theories to theories of social stratification. In the process of transformation of society, not only the structure changes, but also the factors influencing it, which leads to the emergence of new approaches for the most complete and accurate analysis.

scholarly journals Host Society and Migrants / Searching for the Languages of Mutual Description

2020 ◽  
pp. 612-622
Author(s):  
Konstantin V. Grigorichev ◽  
Natalia P. Koptseva
Keyword(s):  
Point Of View ◽  
The Other ◽  
Russian Society ◽  
Host Society ◽  
The One ◽  
Migrant Groups ◽  
Selection Of

The article provides a selection of studies on the problem of developing languages for the mutual description of migrants and the host society. The authors consider the problem, on the one hand, through the prism of heterogeneity of the language for describing migrants in the host society, and on the other, through the absence of legitimate representatives of migrants representing them in the dialogue with the Russian society. It offers a point of view on the reasons for the dominance of ethnic discourse in the description of migrants and the migration situation, and wide pluralism in the use of ethnic categories in describing migration. It is shown that migrants do not participate in the development of rhetoric of organisations recognised by the authorities as their legitimate representatives. The article raises the question about the formation of new representatives of migrant groups, whose legitimacy is based not on powers delegated by the authorities, but on recognition by horizontal communities. It is assumed that, on the basis of the network representations, a mechanism is being formed for the humanisation of the image of migrants through the return of subjectivity in communication with the host society

scholarly journals Synthesis of Cultures of the East and West in the Philosophy of B.D. Dandaron

2020 ◽  
Vol 24 (3) ◽  
pp. 502-511
Author(s):  
Mergen Sanjievich Ulanov
Keyword(s):  
Practical Aspect ◽  
Philosophical Tradition ◽  
Western Philosophy ◽  
Russian Philosophy ◽  
Russian Society ◽  
Religious Philosophy ◽  
Philosophical System ◽  
Western Philosophical Tradition ◽  
East And West ◽  
East West

The article deals with the phenomenon of synthesis of East and West cultures in the religious philosophy of B.D. Dandaron - one of the most famous representatives of Russian Buddhism in the XX century. The beginning of the spread of Buddhist teachings in Russian society is also connected with his extraordinary personality. Dandaron was engaged in active yoga, tantric practice, and also gave instructions to those who were interested in Buddhism. As a result, a small circle of people began to form around him who tried to study and practice Buddhism. Dandaron was also engaged in Buddhist activities, studied Tibetan history and historiography, and described the Tibetan collection of manuscripts. It is indicated that Dandaron not only made an attempt to consider Buddhism from the perspective of Western philosophy, but also created his own teaching, which was called neobuddism. As a result, he was able to conduct a creative synthesis of Buddhist philosophy with the Western philosophical tradition. In fact, he developed a philosophical system that claims to be universal and synthesized Buddhist and Western spiritual achievements. Trying to synthesize the Eastern and Western traditions of philosophical thought, Dandaron turned to the well-known comparative works of the Indian thinker S. Radhakrishnan and the Russian buddhologist F.I. Shcherbatsky. The author also notes the influence on the philosophy of neobuddism of the ideas of V.E. Sesemann, a neo-Kantian philosopher with whom Dandaron was personally acquainted. The idea of non-Buddhism had not only a philosophical and theoretical, but also a practical aspect, since the consideration of Buddhism from the perspective of Western philosophy helped to attract people of Western culture to this religion. In General, Dandarons desire to create a universal synthetic philosophical system was in line with the philosophical and spiritual search of Russian philosophy, and was partly related to the traditional problem of East-West, which has always been relevant for Russia.

‘Good Translations’ or ‘Mental Dram-Drinking’? Translation and Literacy in Nineteenth-Century Ireland

2019 ◽  
pp. 139-156
Author(s):  
Michèle Milan
Keyword(s):  
Nineteenth Century ◽  
Careful Selection ◽  
Literary Marketplace ◽  
Good Reading ◽  
Selection Of

While Irish newspapers and magazines such as the Nation and the Dublin University Magazine featured a variety of both ‘original’ and reprinted translations, a number of Irish printers and publishers also contributed to the dissemination of translated works. This chapter illustrates the role played by translators and other actors in the process such as printers, publishers and booksellers. Throughout the nineteenth century, Irish printers and publishers such as Richard Cross, James Duffy and M. H. Gill and Sons contributed to the dissemination of what they identified as ‘good reading’ – an undertaking which also involved a careful selection of ‘good translations’. Translation in the nineteenth-century Irish literary marketplace was therefore inextricably interconnected with discourses of morality, education, and national virtues.

From Home to Hospital

2021 ◽  
pp. 23-43
Author(s):  
Agnes Arnold-Forster
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Lived Experience ◽  
Cancer Patients ◽  
Early Nineteenth Century ◽  
Patient Voice ◽  
Middlesex Hospital ◽  
The Senses ◽  
Selection Of

This chapter explores the senses and emotions that attended living with and dying from cancer in the early nineteenth century. The archives of The Middlesex Hospital consist of registers of cancer patients from 1792 through to the twentieth century, and a potted selection of casebooks. This chapter, therefore, tells the stories of sixty patients from 1805 to 1836. From these case notes, flesh and blood can be added to the lived experience of cancer and go some way towards recovering the patient voice. We can follow in their footsteps from home to hospital, and in multiple literal and metaphorical ways appreciate the distances they travelled in their ‘cancer journeys’.

Epilogue

2021 ◽  
pp. 228-232
Author(s):  
Laurie McManus
Keyword(s):  
Nineteenth Century ◽  
New York ◽  
New York Times ◽  
Music Criticism ◽  
The Relationship ◽  
Selection Of

This brief epilogue addresses the relationship—historical and present—between the exclusivity of the priestly performing persona and the development and perpetuation of canonical compositions. The author suggests that the two reinforce each other; Clara Schumann’s status as a priestess was informed by her selection of certain repertoire, but at the same time her “restrained” performance of the pieces helped mark them as serious works worthy of preservation. Jumping to today’s world of performance, the author analyzes the rhetoric in a New York Times article by Anthony Tommasini comparing two young pianists. The juxtaposition of these sources suggests that some nineteenth-century values of priestly performance, such as “seriousness” and “modesty,” still inform music criticism today.

scholarly journals Victims as Prosecutors: England 1800–1835

Societies ◽  
2019 ◽  
Vol 9 (2) ◽  
pp. 31 ◽  
Author(s):  
Reynolds ◽  
Liston
Keyword(s):  
Nineteenth Century ◽  
New South ◽  
Female Offenders ◽  
Police Force ◽  
Public Prosecutor ◽  
Historical Records ◽  
South Wales ◽  
National Police ◽  
Selection Of

This paper examines the role of the victim through the prism of prosecutor in the first third of the nineteenth century when England did not have a public prosecutor or national police force and most crimes were prosecuted in the courts by the victim. The selection of cases is drawn from a larger investigation of female offenders punished by transportation to New South Wales, Australia. The cases demonstrate the diversity of victims, the power they held as prosecutors and highlight the process from apprehension to conviction. Historical records of regional English Assizes and Sessions were investigated to identify the victim and record the prosecution process.

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