scholarly journals IMAGES OF ANACHARSIS AND SCYLES IN THE ANCIENT LITERATURE

Author(s):  
K. Kuminova

The article is dedicated to the images of Anacharsis and Scyles in ancient literature. It says in detail about the formation of the image of a noble barbarian in the ancient literature of the 4th century BC. It is analyzed written reports of ancient authors of the 5th cent. BC – 3rd cent. AD in the article. The author described in short, the political and economic situation in Greece and Rome of this period. The first mention of Anacharsis and Scyles we find in «The History» of Herodotus (5th century BC). Anacharsis became a popular literary character. Scyles was forgotten and was not mentioned after Herodotus. This is connected with the peculiarities of the historical process in the ancient Greece of the 4th cent. BC. The Peloponnesian War (431-404 BC) and the crisis of the post-war period made philosophers to think a place of a man in this world. The noble barbarian became the new ideal of ancient philosophy. It is shown that Anacharsis became the ideal image of a noble barbarian for the ancient world. He was a sample of wisdom and purity. Anacharsis became famous for the simplicity of his way of life and his acute observations on the institutions and customs of the Greeks. Scyles is a sample of excessive pleasures. In the following centuries Anacharsis is becoming increasingly popular. The image of a noble barbarian was used also roman authors. Conclusions are drawn that the popularity of Anacharsis and the wise barbarian is the reaction of ancient authors to crises in ancient times. As a conclusion it must be emphasized, that close study of the ancient sources confirmed an idea that had been expressed by Ch. Schubert about two stages of the formation of the image of Anacharsis.

Author(s):  
K. Kuminova

The paper analyses the "Athenian plot" in the ancient biographies of Anacharsis. The main objective of the paper is to date the emergence of stories about Anacharsis’ meeting with Solon in Athens. It is analysing written reports of ancient authors of from the 8th century BC to 3rd century AD. The first mention of Anacharsis we find in "The History" of Herodotus (5th century BC). It is spoken in detail about Diogenes Laërtius and the primary source of his «Lives and Opinions of Eminent Philosophers». The fact that Diogenes Laërtius uses the works of Sosicrates of Rhodes and Hermippus of Smyrna, who are the ancient authors of the 3rd and 2nd centuries BC, is stressed. This makes it possible to date the appearance of the «Athenian plot» in ancient biographies of Anacharsis precisely this period. The author described in short, the political and economic situation in Greece and Rome of this period. It is shown that Anacharsis became an ideal image of a noble barbarian for the ancient world. The Peloponnesian War (431-404 BC) and the crisis of the post-war period made philosophers to think a place of a man in this world. The noble barbarian became the new ideal of ancient philosophy. It is concluded that the popularity of Anacharsis and the wise barbarian is a reaction of ancient authors to crises in ancient times. He was a sample of wisdom and purity. Anacharsis became famous for the simplicity of his way of life and his acute observations on the institutions and customs of the Greeks. None of the works ascribed to him in ancient times, if indeed they were written by him, have survived.


1934 ◽  
Vol 1 (3) ◽  
pp. 167-178 ◽  

The death of William Gawthorne Unwin marks the end of a significant phase in the history of modern engineering. He was one of the last of that distinguished band of pioneers who by example and by teaching helped to bridge the gulf that had for ages existed between the study of abstract science and its practical application in engineering. His career covered the whole period during which engineering became gradually recognized as a branch of science. It is difficult now to realize that at the time when Unwin’s engineering studies began, informed opinion was inclined still to regard as “ vulgar and sordid ” the application of science to practical engineering. Such a state of affairs at so recent a date may well astonish us, although Rankine, in the celebrated introduction to his volume on Applied Mechanics, describes how wide was the gulf fixed between the ideal and the practical by the philosophers of ancient times.


Author(s):  
Sitti Rahmah ◽  
Yusnizar Yusnizar ◽  
Tuti Rahayu

Tatak Moccak is one of the traditional dances in the Pakpak community which originates from pencak silat or martial arts. Moccak is a term of pencak silat or martial arts which is an element of art that is present in the daily activities of the people. Martial at the beginning of its appearance was closely related to human self-defense against nature. Moccak is adopted from the history of the way of life of the Pakpak people in ancient times who lived in the jungle in a nomadic manner, making humans often encounter wild animals in the forest.This research is an effort to preserve the Tatak Moccak from the Pakpak area through written documentation that discusses in detail the Moccak tatak from a dance point of view. The focus of discussion in this study is the Tatak Moccak in the Pakpak Society analyzed through textual studies. Textual analysis is a method used to obtain and analyze information in academic research. In this case, Moccak's tatak is seen as a text that can be read like a writing. Textual studies in the Moccak style include choreographical, structural, and symbolic studies. Choreography discusses dance movements, movement techniques, movement styles, number of dancers, gender and body posture, space in Moccak's style, time, dance accompaniment music, dramatic analysis, and stage techniques (lighting, make-up, and fashion) . includes the structure of the motion and structure of the presentation of the Moccak layout. Symbolic discusses symbols in movement, costumes, and make-up.


2020 ◽  
Vol 74 (4) ◽  
pp. 311-314
Author(s):  
Zh. Sarbasov ◽  
◽  
Z. Kdyralieva ◽  

The scientific article deals with the image of a tree in the literary heritage of ancient times. Speaking of the heritage of ancient literature, we must first take into account that the works are common not only to the Kazakh people, but also to the literature of other peoples of Turkic origin, written in the ancient Turkic language. One of such common heritages is the target symbol of the mykan tree, which has become a symbol of the legends on which our article is based. There are many legends about the giant tree, the saying "My giant tree has fallen" about the tree, which reflects the roots of the deep-rooted Turkic peoples. This word has a long history of its own meaning, as well as legends, and to this day it has found its place in history as a sacred tree, which is described in detail in the article with specific examples.


2017 ◽  
Vol 22 (2) ◽  
pp. 259-267
Author(s):  
Paul Duffy

This article provides a close study of the University of Iowa Electronic Music Studios. The point of such a detailed account of one studio is to shed light on activity within the field of electronic music that previously did not occupy a place in the literature. Few of the studios listed in Hugh Davies’s International Electronic Music Catalog have received detailed attention. Until a wider range of close studies that pay attention to the particularities of individual cases becomes available, it will be difficult to do the comparative work necessary to gain an appropriately textured overall account of the development of electronic music in the post-war period. As these detailed studies, based largely on first-hand documentation, increase the resolution of electronic music’s history, they may highlight significant but previously unnoticed, or at least under-appreciated, patterns in the development of electronic music and act as an effective barometer of changing trends.


Author(s):  
Rajabova Marifat Baqoevna

There are a number of traditions formed by our ancestors in ancient times and preserved for thousands of years, which, despite all obstacles, are becoming more and more firmly ingrained in the way of life of new generations. One of such living, ancient and young, beautiful traditions is Navruz. It is based on man's attitude towards nature. The history of the origin of Navruz dates back to very ancient stages of development of society.


Author(s):  
Л.А. Чибиров

В статье исследуются истоки культа коня, возникшего в среде индо- ариев в глубокой древности. Конь в быту скифов и осетин, конь – помощник и друг всадника, крылатые кони и конь-птица, кони – ангелы и полубоги, кони волшебные и бессмертные, солнечная природа коня, имена, цвет и символика чисел – эти и другие разноаспектные позиции, рассмотренные в сравнительно-этнокультурном ракурсе, позволяют заключить: а) доместикация коня стала поворотной страницей в истории мировой цивилизации, в том числе в судьбе ираноязычных племен степей Евразии; б) высокое положение, которое занимал культ коня в среде индоевропейских народов, блестяще иллюстрируют и анализируемые в статье реликты из быта и культуры осетин, унаследованные ими от их этногенетических предшественников. The article considers the origins of the cult of the horse that emerged among the Indo- Aryans in ancient times. The horse in the everyday life of the Scythians and Ossetians, horse is a helper and a friend of the rider, winged horses and a horse-bird, horses-angels and demigods, magic horses and immortal ones, the sunny nature of the horse, names, the colour and symbolism of numbers – these and other issues of different aspect is considered in a comparative ethno-cultural perspective, allows to conclude: a) the domestication of the horse became a turning point in the history of world civilization, being crucial as well in the fate of Iranian-speaking tribes of the steppes of Eurasia; b) the high position which was held the cult of the horse among the Indo-European peoples, is brightly illustrated and analyzed in the article relics from the way of life and culture of the Ossetians inherited from their ethno-genetic predecessors.


Author(s):  
Mary Harvey Doyno

This book investigates the phenomenon of saintly cults that formed around pious merchants, artisans, midwives, domestic servants, and others in the medieval communes of northern and central Italy. The book uses the rise of and tensions surrounding these civic cults to explore medieval notions of lay religiosity, charismatic power, civic identity, and the church's authority in this period. Although claims about laymen's and laywomen's miraculous abilities challenged the church's expanding political and spiritual dominion, both papal and civic authorities, the book finds, vigorously promoted their cults. It shows that this support was neither a simple reflection of the extraordinary lay religious zeal that marked late medieval urban life nor of the Church's recognition of that enthusiasm. Rather, the history of lay saints' cults powerfully illustrates the extent to which lay Christians embraced the vita apostolic—the ideal way of life as modeled by the Apostles—and of the church's efforts to restrain and manage such claims.


Author(s):  
Viktor Belozorovich ◽  

The article analyzes the process of creating a concept of the history of Belarus in the process of developing generalizing works on the history of the BSSR. The publication reveals the experience of coordinating historical research related to the most important phenomena of the socio-political, socio-economic and cultural life of Belarus, unique for the post-war period of development of the national historical science. For the first time in historiography, the scientific and organizational activities for the creation of a concept-scheme of the history of Belarus from ancient times to the mid-1950s have been studied. The idea of ​​subordination of historical science to the interests of party politics is being carried out. The article was prepared on the basis of unpublished archival sources of the Central Scientific Archive of the National Academy of Sciences of Belarus, the National Archives of the Republic of Belarus, which were introduced into scientific circulation for the first time.


2020 ◽  
Vol 25 (1) ◽  
pp. 91-100
Author(s):  
Irina N. Arzamastseva ◽  
Yang Liping

This article is the first try to research the connection between the art of ceramics and word in the work of children's writer and artist E.Ya. Danko. The relevance of the study is due to the need to expand the idea of the image of China in Soviet children's literature of the 1920s. Compared to the history of Russian poetry, the poems “Ceramic Cup”, “Chinese Secret” and the novel “Vase of Chinese Khan” are considered diachronically, and synchronously - in the context of the indestructible myth of Ancient China and the Chinese proletarian revolution. Special attention is paid to the genesis of the ideal image of China in the work of E.Ya. Danko, which traces back to the ideas of F.M.A. Voltaire, M.V. Lomonosov and Russian poets of the XIX - early XX centuries. Works by E.Ya. Danko meets the idea of A.M. Gorky - to create literature on factories, crafts, and technology. In her works about China, upholding the classical understanding of Chinese culture and admiring the talent and hard work of the Chinese people, E.Ya. Danko found a way out of the chaos of the 1920s.


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