scholarly journals EVERYDAY LIFE OF VOLHYNIANS: FOOD, CLOTHES AND ETERTAINMENT (late 14th – mid-16th centuries)

Author(s):  
M. Tarasiuk

In the article some aspects of the everyday life of Volhynia burghers and peasants of the Grand Duchy of Lithuania at the end of the 14th and mid-16th centuries are considered. The variety and variations of food, the types of clothing available to ordinary people, the concept of body care and health care, as well as the entertainment of the common people and places of rest such as taverns and baths are explored. It was discovered that the Volhynians’ diet was rich and included meat products, such as fish like carp, pike, sturgeon, beluga and even Danzig herring, flour products, seasonings and natural preservatives, which were bought at city auctions and grown on their own. By the middle of the 16th century, Volhynians formed separate ideas about medicine, where approaching Jewish or Welsh doctors were common. Usually, medicines were herbal drinks and ointments Examination of the body was carried out to identify the causes of the disease. Activities of local people were analyzed, such as dice, chess, dance, communication with other residents of Volhynia cities and villages, usage of prostitutes. In fact, depending on the success of the production sphere, the citizen or the peasant could afford a standard of living. It was found out that the everyday life of the Volhynian was relatively bright and filled with events and included the choice of products for dinner, the selection of a new wardrobe item, the discussion of local news after work, participation in lawsuits in ham, playing games and taking the glass of a strong drink. The Volhynians’ ideas of «unprofitable people», which had analogies in Western European countries, were singled out.

2021 ◽  
pp. 016344372110034
Author(s):  
Dang Nguyen

This article explores the temporality of liveness on Facebook Live through the analytical lens of downtime. Downtime is conceptualized here as multiscale: downtime exists in between the micro action and inaction of everyday life, but also in larger episodes of personal and health crises that reorient the body toward technologies for instantaneous replenishment of meaning and activity. Living through downtime with mobile technology enables the experience of oscillation between liveness as simultaneity and liveness as instantaneity. By juxtaposing time-as-algorithmic against time-as-lived through the livestreaming practices of diện chẩn, an emergent unregulated therapeutic method, I show how different enactments of liveness on Facebook Live recalibrate downtime so that the body can reconfigure its being-in-time. The temporal reverberation of downtime and liveness creates an alternative temporal space wherein social practices that are shunned by the temporal structures of institution and society can retune and continue to thrive at the margin of these structures and at the central of the everyday.


Author(s):  
Åsa Trulsson

Contemporary spiritualties are often portrayed as a turn to a subjective and individualized form of religion, consisting of individually held truth claims or private peak experiences that are generated sporadically at retreats and workshops. The portrayal is ultimately related to a perception of everyday life in contemporary Euro-America as mundane, rationalized, and secular, but also the exclusion of practices centered on the body, the home and the everyday from what is deemed properly religious. This article explores the sacred technologies of the everyday among women in England who identify as Goddess worshippers. The purpose is to further the understanding of religion and the everyday, as well as the conceptualization of contemporary Goddess-worship as lived religion. Through examining narratives on the intersection between religion and everyday activities, the technologies of imbuing everyday life with a sacred dimension become visible. The sacred technologies imply skills that enable both imagining and relating to the sacred. The women consciously and diligently work to cultivate skills that would allow them to sense and make sense of the sacred, in other words, to foster a sense of withness through the means of a host of practices. I argue that the women actively endeavor to establish an everyday world that is experienced as inherently different from the secular and religious fields in their surroundings; hence it is not from disenchantment or an endeavor with no social consequences. The women’s everyday is indeed infused with different strategies where the body, different practices, and material objects are central in cultivating a specific religious disposition that ultimately will change the way the women engage with and orient themselves in the world.


2021 ◽  
Author(s):  
McKenzie Wark

It's time to recognize Kathy Acker as one of the great postwar American writers. Over the decades readers have found a punk Acker, a feminist Acker, a queer Acker, a kink Acker, and an avant-garde Acker. In Philosophy for Spiders, McKenzie Wark adds a trans Acker. Wark recounts her memories of Acker (with whom she had a passionate affair) and gives a comprehensive reading of her published and archived works. Wark finds not just an inventive writer of fiction who pressed against the boundaries of gender but a theorist whose comprehensive philosophy of life brings a conceptual intelligence to the everyday life of those usually excluded from philosophy's purview. As Wark shows, Acker's engagement with topics such as masturbation, sadism, body-building, and penetrative sex are central to her distinct phenomenology of the body that theorizes the body's relation to others, the city, and technology.


2019 ◽  
Vol 23 (1) ◽  
pp. 95-104
Author(s):  
Leszek Koczanowicz

Somesthetics, somapower, and microphysics of emancipationThe aim of the article is to analyze the resistance to the oppressive power in the everyday life with the stress on bodily practices which become the vehicle of emancipation. The article explores two important, but never adequately researched, theoretical fields: the body as a vehicle of social critique and the relation between everydayness and politics. I would like to address these two issues by discussing the debates on them unfolding in the contemporary social sciences and humanities. This will enable me to identify the existing gaps and suggest how they could be bridged. The main argument of the article is that we need an adequate concept of the relations between the body and power, which can emerge from the pragmatist tradition, developed and improved in this respect by Richard Shusterman’s neo-pragmatism.


Conatus ◽  
2017 ◽  
Vol 1 (1) ◽  
pp. 41
Author(s):  
Θάνος Κιοσόγλου (Thanos Kiosoglou)

In his seminal Discipline and Punish: The Birth of the Prison, Michel Foucault aims at outlining the historical course that led to the promulgation and consolidation of the institution of imprisonment as a means of punishment as well as narrating how the corresponding human type, i.e. the contemporary disciplined subject, has been shaped. Obviously, the disciplined subject gradually took the place of the tormented subject. Consequently, this study aims at describing the sequential mutations of the imposed punishment as it progressively shifted from the spectacular slaughtering of the body to the strictly scientific manipulation of the non-material dimension of the human being. The reformation of the punitive practices “constructs” a docile body. It must be noticed, however, that this body is not necessarily guilty, since the disciplinary schemes concern everybody, even the most innocent sides of the everyday life as for example the hospital, the school or the barracks. Additionally, discipline is imposed through the division of the space, what Foucault calls the “art of allocation”, so that every working person is easily seen and supervised by the eye of the authority, while the disciplined subject is being forged gradually through the sense of responsibility before the flowing time. Foucault highlights the “political technology of the body”, that is its usurpation by the authorities, who aim at imposing to it adictated activity that produces palpable results in a binding frame of time. Although selective and brief, the present account of the punitive concepts of the three last centuries clarifies the fact that the authoritarian strategies are indissolubly interwoven with the different connotations of the human body, through the use of which they subdue human beings.


2020 ◽  
pp. 136754942091986
Author(s):  
Shaun Moores

In this article, I have three key aims. Firstly, I want to offer a particular definition and a bold defence of ‘non-representational theories’, indicating the importance of their anti-rationalist and anti-structuralist tendencies, and also pointing to their positive assertion of the primacy of practices or movement. Although a non-representational theoretical approach is closely associated today with contemporary geographic thought, I make a case here for an understanding of non-representational theories as a far broader cross-disciplinary project. Secondly, in the light of non-representational theories, I will be revisiting an old debate between culturalists and structuralists on matters of experience and representation. I consider, in a spirit of re-evaluation, Stuart Hall’s now classic essay on two paradigms in the development of cultural studies, as well as a selection of related interventions made by Hall. Thirdly, I will look to potential future directions for empirical research that is informed by a non-representational theoretical approach, in an area which I call ‘quotidian cultural studies’. My recommendations are for work that might explore, for example, acquired habits or ways of the hand in the uses of new media technologies (among other skills of tool use), and paths that are trodden along the ground on foot and through narrative or other media settings. A critical appropriation of Tim Ingold’s writings in anthropology leads me to describe such work as ‘linealogical’ investigations of everyday life.


Kulturstudier ◽  
2012 ◽  
Vol 2 (2) ◽  
pp. 45
Author(s):  
Aske Juul Lassen

<span style="font-family: MeliorLTCE; font-size: x-small;"><span style="font-family: MeliorLTCE; font-size: x-small;"><p>The article focuses on the role of insulin in the everyday life of the type 2 diabetic. The diagnosis of type 2 diabetes is not merely the establishment of a chronic disease, it also alters the patient’s conception of his own body and his everyday life. For many patients, the diagnosis is their first encounter with the interiors of their bodies. It is attempted to regulate the diabetes by a number of practices; in the article, this is viewed as a bio-medical disciplinization, which deals with the body and life as objects. The biomedicine conquers the diabetic body and becomes part of the diabetic’s everyday life. Thereby, the body is problematized as a natural and delimited category. The limits of the body are broken down by the recurring penetration of the skin, when the blood sugar is measured or the insulin injected. Insulin is analysed as a trickster figure which exerts a boundary work on the body, plays with its categories and inverts the relations between poison and medicine, freedom and constraint, artificiality and naturalness, security and risk. Everyday life is changed and future put into perspective by the trickster, which at the same time makes both everyday life and the future possible by its blood sugar reducing properties.</p></span></span>


Arts ◽  
2019 ◽  
Vol 8 (1) ◽  
pp. 39
Author(s):  
Lauri Kitsnik

In his work, the filmmaker Shindō Kaneto sought to employ various, often seemingly incongruous, cinematic styles that complicate the notions of fiction and documentary film. This paper first examines his ‘semi-documentary’ films that often deal with the everyday life of common people by means of an enhanced realist approach. Second, attention is paid to the fusion of documentary and drama when reenacting historical events, as well as the subsequent recycling of these images in a ‘quasi-documentary’ fashion. Finally, I uncover a trend towards ‘meta-documentary’ that takes issue with the act of filmmaking itself. I argue that Shindō’s often self-referential work challenges the boundaries between fiction and non-fiction while engaging in a self-reflective criticism of cinema as a medium.


2021 ◽  
Vol VI (I) ◽  
pp. 43-56
Author(s):  
Muneeba Khusnood ◽  
Muhammad Bilal ◽  
Tasmia Jahangir

The present research explores the phenomenological reflections on the everyday life of madrasah students to comprehend their life-worlds in the context of growing media technology in Pakistan and how religious personalities on media influence the lifeworlds of madrasah students? This ethnographic research was conducted in Ahl-e-Hadith Madrasah, located in Rawalpindi. The research design employed participant observation (PO) and in-depth interviews of madrasah students and teachers belonging to diverse socio-economic and educational backgrounds. The findings suggest that the teachings and principles of the Ahl-e-Hadith sect taught in madrasah profoundly influence the life-worlds of female madrasah students. The major areas of students' life-worlds that are influenced by madrasah discourses include sectarian associations, selection of spouse, dressing patterns, media aesthetics, the configuration of entertainment, and the influence of ulemas on students' everyday life.


Author(s):  
Vladyslav Bezpalko ◽  
Ivan Kuzminskyi

The presented article is the first study of this kind, where the musical life of Volhynia of the mid 16th - early 17th century is specially considered. In the study, we almost exclusively focused on the secular segment of musical everyday life. On the basis of the analysis of historical acts, fiscal accounting documents and other sources, three thematic sections were formed. The first section is devoted to the study of musicians in Volhynia. In the fiscal accounting documents, initially the Grand Duchy of Lithuania, and later the Polish–Lithuanian Commonwealth (Lesser Poland Province of the Polish Crown), various terms are used to refer to musicians and related professions: "dudari", "skomorokhy", "skrypali", "trubachi", "medwednyky" "muzyky", "hudky". From these and other documents we learn about the number of musicians in different small settlements. Among the nicknames that were given to musicians, the "dudnyk" and "skrypka" prevail, sometimes there is a "hudka". Separately, in the act documents other music specialties are mentioned: "Jews Cantors", "organist", "pyshchyk", "trubach", "bubnist". Also, in the documents of such kind, one could find some episodes from the everyday life of the musicians. Musical instruments are discussed in the second section of the article: "kobza", "turkish kobza", "lute", "quintar lute", "violin", "italian violin", "cithara", "duda", "smyk", "truba", "bubon". The last section deals with two separate phenomena of Volhynia musical culture - music in dance and Volochebnyy ceremonies. The lack of study of Volhynia musical culture in previous years encouraged the emergence of various myths, in particular, about the poverty of the musical culture of the Volhynia autochthonous population. According to the myth, the pipe organs of the Catholic temples were brought to these territories by the Polish colonists after the Union of Lublin. However, as it is shown in the article, the first mention of the Lutsk organist dates back to the time before the Union of Lublin and the name of organist indicates his Ruthenian origin. Thus, the obtained results allow us not only to fill the gaps in Ukrainian historical musicology of the mid 16th - early 17th century, but also to hope for the appearing of similar studies of other Ukrainian lands.


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