scholarly journals SEMANTIC SHIFT FUNCTIONAL ARCHITECTURE (part 1)

2019 ◽  
pp. 17-20
Author(s):  
O. Y. Pavlova

The article is devoted to analyze of the signification mode of symbolic architecture. An attempt is carried out to detect the difference between the symbolic form of the ritual and the symbolic architecture, as well as the semantic shift that this distinction causes the organization of symbols to generate. Application of strategies of semantic analysis to the material of aesthetics G. Hegel allows not only to expand the horizons of applied semantics, but also to understand the patterns of formation of artistic culture and aesthetic process in general. Using strategies of semantic analy- sis to the material of G. Hegel’s aesthetics allows not only to expand the horizons of applied semantics, but also to understand the patterns of formation of art and aesthetic process in general. Symbolic architecture does not serve anything, in contrast to the functional one. It is self-sufficient in the sense of human self-production as a cultural entity in the process of the signification regime reorganizing of early forms of culture and the implementation of the semantic shift of the Neolithic revolution. Self-sufficient architecture has such irrationally gigantic sizes, since the form of monumentality was designed to "localize the Numinous". The sav- age efforts of the cyclopean clutches were a kind of Potlatch, curbing the evil force of the "The Accursed Share", reducing the conflict potential of the community, whose conditions of survival were changing in the agrarian wave movement. The gift magic could no longer cope with the new situation, and therefore the sacrifice of production time, and just the human sacrifice (René Girard), was the answer to the new civilization challenge. Nevertheless, the monumental architecture remained a signification mod of symbolism. After all, the latter was a non-differentiation of material, cultural and social, as well as production-consumption-pleasure. That was, self-sufficient architecture was a cultural practice of mimetic restoration of itself (without primacy of contemplation). What actually was expressed in the semantic shift of the symbolic order, which did not involve poly-ontology, the presence of the referent. It was not a reflection, but part of the very action mode. The special part that concentrated, localized the scattered sacred in the pre-civilization state of affairs. The semantic shift manifested itself in another way of organizing the very symbol, primarily in another dominant order of signs. After all, symbolic architecture is still syncretic cultural prac- tice, but which itself was the medium of other cultural practices. The development of symbolic architecture became a basic ritual that pro- vided a balance of other cultural practices.

2020 ◽  
pp. 72-77
Author(s):  
O. Y. Pavlova

The article is devoted to analyze of the signification mode of symbolic architecture. An attempt is carried out to detect the difference between the symbolic form of the ritual and the symbolic architecture, as well as the semantic shift that this distinction causes the organization of symbols to generate. Application of strategies of semantic analysis to the material of aesthetics G. Hegel allows not only to expand the horizons of applied applied semantics, but also to understand the patterns of formation of artistic culture and aesthetic process in general. Using strategies of semantic analysis to the material of G. Hegel's aesthetics allows not only to expand the horizons of applied semantics, but also to understand the patterns of formation of art and aesthetic process in general. Symbolic architecture does not serve anything, in contrast to the functional one. It is self-sufficient in the sense of human self-production as a cultural entity in the process of the signification regime reorganizing of early forms culture and the implementation of the semantic shift of the Neolithic revolution. Self-sufficient architecture has such irrationally gigantic sizes, since the form of monumentality was designed to "localize the Numinous". The savage efforts of the cyclopean clutches were a kind of Potlatch, curbing the evil force of the "The Accursed Share", reducing the conflict potential of the community, whose conditions of survival were changing in the agrarian wave movement. The gift magic could no longer cope with the new situation, and therefore the sacrifice of production time, and just the human sacrifice (René Girard), was the answer to the new civilization challenge. Nevertheless, the monumental architecture remained a signification mod of symbolism. After all, the latter was a non-differentiation of material, cultural and social, as well as production-consumption-pleasure. That was, self-sufficient architecture was a cultural practice of mimetic restoration of itself (without primacy of contemplation). What actually was expressed in the semantic shift of the symbolic order, which did not involve poly- ontology, the presence of the referent. It was not a reflection, but part of the very action mode. The special part that concentrated, localized the scattered sacred in the pre-civilization state of affairs. The semantic shift manifested itself in another way of organizing the very symbol, primarily in another dominant order of signs. After all, symbolic architecture is still syncretic cultural practice, but which itself was the medium of other cultural practices. The development of symbolic architecture became a basic ritual that provided a balance of other cultural practices.


2018 ◽  
pp. 33-38
Author(s):  
O. Y. Pavlova

The article is devoted to the analysis of the functional architecture signification mode. The distinction between functional architecture and symbolic one is determined on the basis of Hegelian approach. This shift generates not only another way of organizing signifiers, but the emergence of a fundamentally different way of relations with the signified, which actually forms a marked semantic shift. Using strategies of semantic analysis to the material of G. Hegel’s aesthetics allows not only expand the horizons of applied semantics, but also understand the patterns of formation of art and aesthetic process in general. In our opinion, G. Child’s definition of monumental architecture as a criterion for the emergence of civilization (in the evolutionary sense of the term), requires Hegelian refinement concerning classic architecture. In the latter one, in comparison with the symbolic one, the following semantic shift is carried out: organization of syndicators already has a greater degree of freedom in it (even before the cultivation of the forms construction), and therefore their artistic transformation becomes possible. Also, the classic culture has a referent, and therefore it has a significant implementation structure. The measure of differentiation of the symbolic value and utilitarian one shows the possibility of its seniority in the logic of cultural development. Exchange measurements of buildings become possible only in the era of a high degree of cultural differentiation in general (and therefore the architecture remains in the conditions of redistribution, and not just as an exchange of goods). Also, for a long time it remained the subject of "demonstrative consumption". Consequently, functional architecture is the result of complex cultural synthesis, in contrast to the syncretism of the symbolic architecture cultural practice. Their organizational separation marks an important semantic shift that we have been trying to describe. In particular, the construction of the Egyptian pyramids of the Ancient kingdom as burial chambers testifies to the cessation of the existence of its own symbolic architecture, according to G. Hegel. It is in the aesthetic analysis of the differences in symbolic architecture that this classic of philosophical thought departs from the speculative nature of its absolute idealism and understanding of art as the first stage of an absolute spirit, as well as it opens the methodological perspectives of semantic analysis.


2020 ◽  
Vol 6 (1) ◽  
pp. 5-11
Author(s):  
Bala Augustine Nalah ◽  
Azlinda Azman ◽  
Paramjit Singh Jamir Singh

Harmful cultural practices have psychosocial implications on stigmatization and vulnerability to HIV infection among HIV positive living in North Central Nigeria. To understand this, we conducted qualitative interviews with purposively selected 20 diagnosed HIV positive to explore how culture influences stigmatization and HIV transmission. Data was collected using audio-recorder, transcribed, and analyzed through thematic analysis using ATLAS.ti8 software to code and analyze interview transcripts. The coded data were presented using thematic network analysis to visualize the theme, sub-themes, and quotations in a model. The findings reveal that lack of education was a significant determinant for the continual practice of harmful cultural rites, thereby increasing the risk of HIV infection and stigmatization. Hence, six cultural facilitators have been identified to include female genital mutilation, lack of education, tribal marks and scarification, postpartum sexual abstinence during breastfeeding, sexual intercourse during menstruation, and gender inequality, polygamy, and inheritance law. We conclude that educational teachings and advocacy campaigns be organized in rural schools and public places on the implications of harmful cultural practice to health and psychological well-being. We recommend that the social workers and behavioral scientists should collaborate with other agencies to employ a behavioral-based intervention in eliminating cultural practices and HIV stigma.


2021 ◽  
pp. 174997552199830
Author(s):  
Antonio Ariño Villarroya ◽  
Ramon Llopis-Goig

Since the 1990s, the central references of the sociology of cultural practices have been the theoretical frameworks developed by Pierre Bourdieu and Richard A. Peterson around the concepts of distinction and omnivorousness. This article is based on these frameworks; it revises them together with those of Donnat and Lahire and postulates that the terms of cultural classification and especially those of the upper classes (distinguished and omnivorous) require revision. The article also claims that there are diverse socio-cultural profiles due to the fact that there is never a single logic of differentiation of tastes, and that the results of the present research demand a new conceptual framework capable of showing the operation of diverse logics of differentiation and hierarchy. In order to do this, an analysis of the socio-cultural profiles of the cultivated groups in Spanish society is carried out on the data obtained from the Survey of Cultural Habits and Practices in Spain 2018/19. This work proves the existence of three types of cultivated population – classical, modern and syncretic – with notable differences in their cultural interests and practices, as well as in their underlying sociodemographic features and aesthetic logics, and concludes by posing the need to delve into the latter in what it defines as the study of cultural practice regimes.


Al-Qalam ◽  
2018 ◽  
Vol 15 (2) ◽  
pp. 317
Author(s):  
Andi Agustang

<p>As stated by Berger, Hajj as religious practice is attached to cultural<br />context and meaning dialecticism. The difference of hajj symbol as cultural<br />product construction from others laid on its transcendence and its<br />religious dimension. Its cultural meaning has also changed overtime.<br />This change can be looked on the newly hajj interpretation which has<br />deviated from its true meaning written in Islamic texts, and implicated<br />to the current Buginese community social and cultural practice and<br />inter relation. As the symbol of hajj relatively attached more to the female<br />hajj, the number of female hajj, as its implication, is more higher<br />than male hajj.</p>


2020 ◽  
Vol 6 (99) ◽  
pp. 117-129
Author(s):  
NATALIA V. KOZLOVSKAYA ◽  
ALINA S. PAVLOVA

The article deals with the semantic analysis and reveals the peculiarities of the adaptation and functioning of the adjective neologismsderived from a borrowed stemby adding a Russian derivational affix.In the course of the first-stage researchthe thematic classification of the above-mentioned “hybrid” adjectivesis made (the current samplecomprises approximately 200 lexical units).The investigation of the lexical data has shown that the majority of “hybrid” adjectives are derived from English stems and mainly consist of relative adjectives. The article analyses the main derivational patterns in the word-formation of adjectives derived from borrowed nouns and adjectives, and the most productive suffixes are revealed. It is stated that the tendency for adjective derivation from the English stems ending in -ing (the trend which was first observed in the 1990s) has been growing rapidly at the beginning of the 21st century.The analysis of variedlexical data has shown that the functioning of “hybrid” adjectives in the texts different in genre and styleis connected with the phenomenon of variationwhich consists in the difference in root spelling, as well as in the competition between the adjective suffixes. In the concluding part of the article, the authors describe peculiar properties of semantic adaptation which are typical of adjective neologisms derived from loan-word stems.


2022 ◽  
pp. 188-205
Author(s):  
Erkan Çiçek ◽  
Uğur Gündüz

Social media has been in our lives so much lately that it is an undeniable fact that global pandemics, which constitute an important part of our lives, are also affected by these networks and that they exist in these networks and share the users. The purpose of making this hashtag analysis is to reveal the difference in discourse and language while analyzing Twitter data and to evaluate the effects of a global pandemic crisis on language, message, and crisis management with social media data. This form of analysis is typically completed through amassing textual content data then investigating the “sentiment” conveyed. Within the scope of the study, 11,300 Twitter messages posted with the #stayhome hashtag between 30 May 2020 and 6 June 2020 were examined. The impact and reliability of social media in disaster management could be questioned by carrying out a content analysis based totally on the semantic analysis of the messages given on the Twitter posts with the phrases and frequencies used.


Author(s):  
Domino Pérez

In the young adult novels Shadowshaper (2015) by Daniel José Older and Labyrinth Lost (2016) by Zoraida Córdova, Sierra Santiago and Alejandra Mortiz are the inheritors of great power in their respective cultural communities: shadowshaping, the ability to provide spirits with a physical form through drawing, murals, sculpture, or storytelling; and the Deathday, a ceremony to celebrate a bruja (or brujo) receiving her particular ability, including elemental control, healing, and/or defense, among others. Yet initially, through acts of refusal, the young women are outside of the material, ritual, and cultural practices of their communities.


1997 ◽  
Vol 20 (2) ◽  
pp. 189-190
Author(s):  
Angus Gellatly

In adult humans, conscious visual experience – including that of colour – is shaped by particular cultural practices, as evidenced in the cross-cultural literature. In addition, the practices of our own culture already inform attempts to assess the “natural” experience of newborns or other animals.


Insects ◽  
2020 ◽  
Vol 11 (12) ◽  
pp. 843
Author(s):  
Hannah R. Talton ◽  
Elena M. Rhodes ◽  
Carlene A. Chase ◽  
Marilyn E. Swisher ◽  
Justin M. Renkema ◽  
...  

The strawberry seed bug, Neopamera bilobata (Say), is an emerging pest of organic and conventional strawberries in Florida. There is limited information on this Rhyparochromidae species. Thus, the type of injury caused is not clearly documented and management recommendations are lacking. In this study, we evaluated the effect of strawberry cultivars, cover crops, and the presence of runners on N. bilobata populations and yield. We also investigated the effect of select cultivars and the presence of runners on N. bilobata injury levels. In addition, we used fruit bagging experiments to investigate the effects of N. bilobata population and life stage (nymph vs. adult) on strawberry fruits. There was no effect of cover crop or cultivar on N. bilobata populations. In the 2017–2018 season, strawberry plots with runners contained higher N. bilobata populations compared with plots without runners, and adult infestation was significantly higher than nymphal infestation. In the 2018–2019 season, the trend was reversed with higher numbers of N. bilobata collected in plots with runners removed. In the 2019–2020 season, there was no significant difference in N. bilobata populations in plots with and without runners. In both 2018–2019 and 2019–2020, nymphal infestation was higher than adult infestation. Less injury was recorded in “Florida Brilliance” compared with the other cultivars tested. In the 2019–2020 season, less injury was recorded from plots without runners while the difference was not significant in 2017–2018 or 2018–2019. Releasing five and ten adult N. bilobata on ripe (red) fruit produced a similar level of injury while no injury to unripe (green) fruit was observed. Both adults and nymphs cause injury to ripe fruit. These findings can help contribute to the development of an integrated pest management program for strawberry N. bilobata.


Sign in / Sign up

Export Citation Format

Share Document