scholarly journals NÓS SOMOS OS MORTOS: A ESTÉTICA DO PROGNÓSTICO NA LITERATURA REALISTA DISTÓPICA DE ALDOUS HUXLEY, GEORGE ORWELL E YEVGENY ZAMYATIN

Author(s):  
RAFAEL DA CUNHA DUARTE FRANCISCO
Keyword(s):  
2019 ◽  
Vol 23 ◽  
Author(s):  
Kelton Bruno Sabatke

Em 1940, o escritor George Orwell publicou no jornal Tribune de Londres um artigo intitulado Prophecies of Fascism [Profecias do Fascismo] que continha revisões bibliográficas de romances distópicos publicados anos antes por Aldous Huxley, H.G. Wells, Jack London e, pelo hoje menos ilustre, Ernest Bramah. Apesar de suas diferenças e peculiaridades, todas possuíam em comum certa “pretensão premonitória”, cujos méritos foram reconhecidos por Orwell, especialmente, à medida que a marcha do fascismo tornava-se cada vez mais evidente e ameaçadora na Europa. Dentre as obras analisadas, Orwell dedica especial atenção a The Iron Heel [O Tacão de Ferro], de London. De acordo com ele, o que faz o livro de London parecer mais preciso do que os demais é o fato de o autor possuir o que Orwell intitulou “centelha fascista”.


2020 ◽  
Vol 20 ◽  
pp. 7-22
Author(s):  
Anna Alsztyniuk ◽  

The article analyses Zamyatin’s novel We (1921) and Hihiewicz’s story Martian Journey (1990). Zamyatin is considered to be the father of the anti-utopian genre, and We became a source of inspiration for many writers, including George Orwell and Aldous Huxley. Hihiewicz, in his works, repeatedly portrayed the society of the future, completely subordinated to the system of state power. Similar issues and kinds of narration are the main features that link both analysed works. However, the transformation of Zamyatin’s protagonist is only temporary, as a consequence of which he returns to the initial situation, to the life absolutely subordinated to the state power. On the other hand, Hihiewicz’s protagonists solve existential problems by choosing between life in captivity and death.


Linguaculture ◽  
2021 ◽  
Vol 12 (2) ◽  
pp. 33-44
Author(s):  
Niculae Liviu Gheran

Within the present paper, I aim to discuss how Aldous Huxley and Ira Levin have employed the peripheral symbolic geography of their two works (Brave New World and This Perfect Day) to articulate their debate between different sets of social values. Unlike other authors of negative utopias such as George Orwell or Yevgeny Zamyatin, neither Huxley nor Levin idealized pre-modern values. In order to highlight how the two articulated their views with the help of symbolic geography, I will also make use of Michel Foucault’s theoretical concepts of heterotopias, heterochrony as well as the ideas developed by the critics Michael Lowy and Robert Sayre in their seminal work Romanticism against the Tide of Modernity. My purpose is thus firstly to point out how and why Huxley and Levin divided the symbolic geography of their works in two parts as well as how they employed the Romantic critique of modernity. Secondly, I aim to show how despite using this analytical tool, they also employed symbolic geography with the purpose of turning the critique on its head, thus unveiling both its strong points as well as its shortcomings.


2020 ◽  
Vol 10 ◽  
pp. 673-695
Author(s):  
Darío Villanueva

Na nossa sociedade pós-moderna, um novo conceito surgiu com força: o de pós-verdade. Segundo o Dicionário Oxford, post-truth é um adjetivo que qualifica circunstâncias que denotam que os factos objetivos têm muito menos influência na formação da opinião pública do que os apelos à emoção e às crenças pessoais. Não parece plausível que Donald Trump tenha sido leitor de filósofos como Jacques Derrida ou Michel Foucault. É, contudo, evidente a ligação entre a pós-verdade e um clima de pensamento pós-moderno por eles propiciado. À parte os embustes de Trump e dos Brexiters, não deixa de denunciar-se a intensificação de campanhas desinfomativas noutros países como a Rússia, Hungria ou Turquia. E em Espanha, olhe-se para o chamado processo em Catalunha. O género romanesco das distopias conta já com um corpus considerável. Este assunto da pós-verdade encontra a sua primeira fundamentação distópica no romance 1984 de George Orwell, publicado em 1949, embora a primeira obra da série tenha sido Nós de Evgueni Zamiatin, de 1924. Entre ambas as distopias, Aldous Huxley tinha publicado Admirável Mundo Novo, de 1932, cujo título, tomado de Shakespeare, sugere uma tirania aparentemente amável. Porém, nela funciona já a pós-verdade.


1982 ◽  
Vol 10 (2) ◽  
pp. 181-202
Author(s):  
Syzmon Chodak

Many writers, among them Alexis de Toqueville, George Orwell, Aldous Huxley, Jose Ortega y Gasset and, more recently, Jacques Ellul, have predicted that as a result of technological and political development, the mass societies in which we now live will be fully transformed into distopian regimes by the end of this century. They foresaw the emergence of vast, regimented systems in which people would live lonely, dehumanized lives under the tutelage of all-providing and all-pervading hierarchies made up of functionaries and intellectuals, pitifully subservient to the ruling elite.


2019 ◽  
Vol 9 (1) ◽  
pp. 427-441
Author(s):  
Hassan Bin Zubair

This research explores the transition towards the modern era from the brutal scenario of World Wars I &II. Different kind of fiction was produced in this context and every writer has tried his/her level best to present that dilemma in his/her own way. It pre-sents a clear picture that which sort of elements were there to bring that specific change and transition towards the modern era in 20th century. It has brought the ur-ban settlements and rapid growth in the industrial deeds. During that specific time, fascism, consumer culture, surveillance, anti- intellectualism, media influence com-munism and totalitarianism were on the peak. All these factors lead the writers to create dystopian fiction and it formed a striking literary movement. This research is limited to the three dystopian novels of 20th century including Brave New World by Aldous Huxley, Lord of the Flies by William Golding and 1984 by George Orwell. This research is qualitative in nature, Marxist, Althusserian and Freudian theories support this research as a primary theoretical framework. This research is helpful to know about the Pre and Post World Wars scenario and to know about the socio-political scenario of the present day world.


2019 ◽  
Vol 9 (1) ◽  
pp. 103-122
Author(s):  
Beata Polanowska-Sygulska

On manipulating the meaning of words: the strategy of distorting the meaning of concepts in order to redirect people’s attitudes has been put in practice by ideologists and politicians for years. the paper focuses on the refections of selected thinkers and men of letters on this phenomenon. intellectual contributions of isaiah Berlin, Friedrich a. Hayek, leszek Kołakowski and charles l. stevenson on the one hand, and the considerations of george orwell, aldous Huxley, ayn Rand, sławomir mrożek and małgorzata musierowicz on the other hand are analysed. some recent incarnations of the tactics of perverting the meaning of words in recent political discourse in poland are critically examined. special attention is given to the manipulating the meaning of “paedophilia” in the context of the nationwide discussion on child sexual abuse in the catholic church. it is concluded that the dishonourable practice of verbal misrepresentation used under communism is at work again, this time in even more sophisticated form.


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