scholarly journals The development of photography in Samara in the middle of the 19th – beginning of the 20th centuries

2020 ◽  
Vol 9 (4) ◽  
pp. 246-251
Author(s):  
Anastasiya Andreevna Androsova
Keyword(s):  
20Th Century ◽  
Political History ◽  
Central State ◽  
Cultural Life ◽  
Regional State ◽  
History Of ◽  
State Archives ◽  
The City

The paper deals with the development of photography in Samara and the Samara province during the period of the Samara province establishment to the beginning of the 20th century. The history of the photography as a technology is briefly presented. The paper also contains the data on the chronology of photo workshops appearance in Samara and the province as well as of the first photo business organizers. The author also describes methods of photography lovers organization in Samara at the turn of the 19th20th centuries. The main categories of photographs of the period under review are considered. Having appeared almost simultaneously with the establishment of the province, the photographic business in Samara became an integral part of cultural life at the beginning of the 20th century. Photography in pre-revolutionary Samara developed from individual wealthy citizens entertaining to the establishment of the Samara Photographic Society. By 1917 photographic establishments had spread throughout the Samara province and were accessible to most residents. The analysis of the photographic documents used allows us to say that the Samara photography of the period under review was dominated by photographic portraits and photographs, photographic postcards with views of the city. The paper is based primarily on documents and photographs of the Central State Archives of the Samara Region and the Samara Regional State Archives of Socio-Political History, most of which have not been included in scientific circulation.

scholarly journals The Kyiv City Association of the Greeks: History and Modernity

2017 ◽  
pp. 248-272
Author(s):  
Vladyslava Piskizhova ◽  
Keyword(s):  
Institutional Development ◽  
Intercultural Dialogue ◽  
Central State ◽  
Scientific Communities ◽  
National Minorities ◽  
Cultural Life ◽  
History Of ◽  
State Archives ◽  
Full Volume

The article is devoted to the history of the formation and activity of one of the first in the history of independent Ukraine public organizations of the national Greek community, i.e. the Kyiv City Association of the Greeks. After all, in today’s world, public associations of national minorities are an extremely important structural component of the civil society, which can play both a consolidating role and serve as a source of aggravation of interethnic conflicts. The grounds of the source base of the research were the materials of the current archive of this organization (the Statute, protocols of meetings, resolutions, agreements, etc.), part of which in 2017 was already transferred to the funds of the Central State Archives of public associations of Ukraine. However, up to now, these documents have not become available yet to the general public concerned. Taking this into consideration, we find it appropriate to publish some of them in the full volume as an annex to this research, especially those that most clearly highlight the main achievements of the organization in the development of national and cultural life of the Greek community of Kyiv and Ukraine in general, and show the dynamics of the establishment of the Ukrainian-Greek intercultural dialogue. Important information on the activity of the Kyiv City Association of the Greeks is found on the pages of its printed edition, the newspaper “Elpida”, as well as on the organization site operating since 2016. The importance of recording and systematization of information on the current institutional development of national minorities in Ukraine is preconditioned by the necessity to form a conscious evaluation of the role of associations of national minorities in the process of forming public associations and the establishment of national Ukrainian culture in opinion of public and scientific communities.

Fond of Raissa Gourevich-Kroll-De Chirico-Calza (Raissa Lork) in the Library of Humanities, Siena

2018 ◽  
pp. 294-305
Author(s):  
Anna V. Uriadova ◽  
Keyword(s):  
Everyday Life ◽  
20Th Century ◽  
Scientific Work ◽  
Russian History ◽  
Cultural Relations ◽  
Historical Events ◽  
Central State ◽  
History Of ◽  
State Archives ◽  
Private Collections

The article strives to describe the fond of Raissa Calza (1897–1979) in the Library of Humanities of Siena and documents in it. For this purpose, the author has carried out the following tasks: she has studied Russian and foreign historiography on the issue; she has analyzed sources on the issue; and drawing on these, she has studied the biography of Raisa Calza; she has reviewed the archival fond and analyzed its documents. Having reviewed the historiography, the author comes to the conclusion that the fate of Raisa Calza, her creativity, and scientific work has been poorly studied, especially by Russian historians. There are few articles dedicated to the Calza collection in the Library of Humanities. Studying the sources (personal and business letters, diary, notebooks, memoirs, photographs, scientific works) associated with Raisa and her connections allows to identify their nature and main features and to supplement, clarify, and flesh out the biography of Raissa Calza. These documents are sources on more than everyday life and microhistory. They can be used in studying the history of Russian emigration, of Russian-Italian cultural relations, of archeology. The fate of Raisa Calza is interesting in itself, as a fate of a woman, an individual, amidst historical events of the 20th century. The chronological frameworks of the study coincide with the chronology of Raisa Calza’s documents preserved in the Siena’s library (1900s-1970s). The article includes an overview of the creation of the archive in the Library of Humanities of Siena and that of the Raissa Calza fond, which came into existence when she donated her documents to the Library in 1970s. The article studies the structure of the Raissa Calza fond: boxes I, VI – letters, postcards, telegrams, dairy, history of Gourevitch, Tumarkin and Frenkley families; II-IV – ‘Ostia’ containing materials on the excavations of Antic Ostia; V – various documents, boxes of photos. The author concludes that these sources should be introduces into scientific use. The collection proves that documents on Russian history are available not only in central state archives and private collections, but also in universities. It challenges historians to start researching universities libraries and archives. The article also names other foreign archives containing documents of Raissa Calza.

scholarly journals Sources to the History of the Education Society ‘Prosvita’ in Sumy (1917-1918)

2019 ◽  
pp. 33-46
Author(s):  
Vyacheslav O. Artyukh ◽  
Hennadiy M. Ivanushchenko
Keyword(s):  
Local State ◽  
State Archive ◽  
Central State ◽  
Educational Work ◽  
Education Society ◽  
Cultural Life ◽  
History Of ◽  
The City ◽  
State Language

This work is dedicated to the publication and analysis of 15 previously unknown documents from the history of ‘Prosvita’ society during the Ukrainian Revolution (1917-1918). Some of the documents are now stored in the funds of the State Archive of Sumy Oblast and the Central State Archive of Supreme Authorities and Governments of Ukraine, the another section are newspaper publications in rare editions and a memoir. The contents of the documents testify that in Sumy the ‘Prosvita’ Society was established on April 9, 1917, and already on May 21 strongly declared itself, becoming the organizer of the Shevchenko festival. At the same time, the Society made proposals to name one of the city streets by the name of Taras Shevchenko, and erect a monument in memory of him. Sumy ‘Prosvita’ took an active part in the Ukrainianization of the local state administrations when the Hetman Pavlo Skoropadskyj was a ruler of Ukraine. At ‘Prosvita’, courses in Ukrainian Studies and Ukrainian were opened for civil servants, teachers, and all who were interested. In October 1918, during the discussion around the introduction of two state languages in Ukraine – the Ukrainian and Russian, congresses of the ‘Prosvita’ societies of Sumy district unambiguously had spoken in favor of the Ukrainian language as the only state language and a resolution was sent to Hetman Skoropadskyj. Also, ‘Prosvita’ constantly had organized literary meetings and concerts, lectures, most often in its premises. Here, the famous Ukrainian writer Hnat Hotkevych had lectured on the history of Ukraine from October 15, 1918. In addition, lectures on national issues here were read by Yakiv Mamontov, V. Kolomiets, Mykola Yukhnovsky. On October 3, 1918, a concert of the famous kobzar Ivan Kuchuhura-Kucherenko was scheduled in the premises of ‘Prosvita’. Also, theatrical activity was one of the main activities of ‘Prosvita’. Prosvita in Sumy had staged performances at the Korepanov Theatre, which they rented. A Ukrainian choir also performed at the ‘Prosvita’. In 1918, at the time of the Ukrainian State of Hetman P. Skoropadskyj, the most significant in the activity of Sumy ‘Prosvita’ was the opening by virtue of his efforts, Ukrainian grammar schools. Grammar schools were started to act in Sumy and in Nyzhnia Syrovatka and Yunakivka villages. The documents provided make it possible to carry out a reasoned reconstruction of national and cultural life in Sumy during the Ukrainian Revolution, they will undoubtedly interest historians and local historians and will stimulate further research in this direction, as they shed additional light on the history of cultural and educational work in Sumy, as well as wider the role of “Prosvita” in the processes of modern Ukrainian national formation. Keywords: Sumy, “Prosvita”, revolution, Ukrainianization, education, Ukrainian language, theatre, Taras Shevchenko.

scholarly journals Lviv as the cradle of Polish independence organizations

2021 ◽  
Vol 201 (3) ◽  
pp. 534-545
Author(s):  
Janusz Zuziak
Keyword(s):  
Twentieth Century ◽  
20Th Century ◽  
Early 20Th Century ◽  
Social Activists ◽  
The Past ◽  
Independence Movement ◽  
Political Orientations ◽  
History Of ◽  
The Right ◽  
The City

Lviv occupies a special place in the history of Poland. With its heroic history, it has earned the exceptionally honorable name of a city that has always been faithful to the homeland. SEMPER FIDELIS – always faithful. Marshal Józef Piłsudski sealed that title while decorating the city with the Order of Virtuti Militari in 1920. The past of Lviv, the always smoldering and uncompromising Polish revolutionist spirit, the climate, and the atmosphere that prevailed in it created the right conditions for making it the center of thought and independence movement in the early 20th century. In the early twentieth century, Polish independence organizations of various political orientations were established, from the ranks of which came legions of prominent Polish politicians and military and social activists.

scholarly journals Cultural Policy and Cultural Life: Québec’s Experience

AmeriQuests ◽  
2012 ◽  
Vol 9 (1-2) ◽  
Author(s):  
Andrée Tremblay
Keyword(s):  
20Th Century ◽  
Cultural Policy ◽  
Cultural Life ◽  
French Speaking ◽  
History Of

The object of this article is draft a brief history of cultural policymaking in Québec through various initiatives adopted by successive governments in the largely French-speaking province since the middle of the 20th century. These initiatives have been instrumental in the development of an amazingly rich and diversified cultural life within Québec.

scholarly journals Alternative Modernity of the Princely states- Evaluating the Architecture of Sayajirao Gaekwad of Baroda

2018 ◽  
Vol 5 (2) ◽  
pp. 59-70
Author(s):  
Niyati Jigyasu
Keyword(s):  
20Th Century ◽  
Urban Form ◽  
Turn Of The Century ◽  
Positive Contribution ◽  
Urban Planner ◽  
Built Form ◽  
History Of ◽  
Princely State ◽  
The City ◽  
Lasting Influence

The first half of the 20th century was a turning point in the history of India with provincial rulers making significant development that had positive contribution and lasting influence on India’s growth. They served as architects, influencing not only the socio-cultural and economic growth but also the development of urban built form. Sayajirao Gaekwad III was the Maharaja of Baroda State from 1875 to 1939, and is notably remembered for his reforms. His pursuit for education led to establishment of Maharaja Sayajirao University and the Central Library that are unique examples of Architecture and structural systems. He brought many known architects from around the world to Baroda including Major Charles Mant, Robert Chrisholm and Charles Frederick Stevens. The proposals of the urban planner Patrick Geddes led to vital changes in the urban form of the core city area. New materials and technology introduced by these architects such as use of Belgium glass in the flooring of the central library for introducing natural light were revolutionary for that period. Sayajirao’s vision for water works, legal systems, market enterprises have all been translated into unique architectural heritage of the 20th century which signifies innovations that had a lasting influence on the city’s social, economic, administrative structure as well as built form of the city and its architecture. This paper demonstrates how the reformist ideas and vision of an erstwhile provincial ruler lead to significant architecture at the turn of the century in Princely state of Vadodara.

scholarly journals Passeism in the Musical Culture of France

2019 ◽  
Vol 16 (2) ◽  
pp. 171-182
Author(s):  
Galina A. Eremenko
Keyword(s):  
20Th Century ◽  
Cultural Influences ◽  
Young Generation ◽  
Musical Culture ◽  
Self Identity ◽  
The Past ◽  
Cultural Life ◽  
Opposite Trend ◽  
History Of ◽  
French Composers

The specialists note and highly appreciate the openness to creative dialogue with different European and regional cultures in their works about the artistic history of France. In the introductory section, the article is focused on the importance of the opposite trend, developed in the 19th — early 20th century in all spheres of art. The purpose of the new movement is “national revival”, interest in the ori­gins of the great heritage of the French masters of past epochs. The author concentrates on the peculiarities of interaction between leading composers, musicians-performers and teachers with the traditions of music professionalism of the French compo­ser school. Furthermore, she explains the main reason of “back to the past” addiction by desire to preserve the unique distinction of artistic thinking in the terms of intensive cultural influences in Italy, Germany and Russia. The article provides the facts of creative activity of the leaders of “national renewal”. There are presented some journalistic statements of the leading French composers to confirm their unanimous recognition of the actual value of national classics to the future of French culture. There is explicated the pa­norama of creative experiments (C. Franck, C. Saint-Saëns, E. Satie, impressionists and composers of the “young generation”) on reconstruction of national traditions of distant epochs. The coverage of events and display of artistic phenomena of musical and cultural life of France allowed the author to form a context to consider the problem of aesthetic and stylistic character: new understanding of the phenomenon of “artistic tradition” and “dialogue with tradition” in the epoch of modernism. The comparison of diffe­rent forms of “dialogue with the past” in the Russian culture of the beginning of the 20th century and in creative works of the leader of European retrospectivisme I.F. Stravinsky gave grounds to use the concept of “passeism” to characterize the special French type of inheritance of the “lessons” of the predecessors. Introducing the concept of “passeism” in contrast to the accepted in Russian musicology “musical neoclassicism” and giving reasons of the effectiveness of its application, the author seeks to identify the idea of preser­ving soil foundations of tradition as a way of national self-identity (prosody, rhetoric, form) pertaining to the French composer school.

scholarly journals El discurso del civismo en Pereira o la "sacralidad" de lo público durante el siglo XX

2009 ◽  
Vol 1 (2) ◽  
pp. 7-31 ◽  
Author(s):  
John Jaime Correa Ramírez
Keyword(s):  
Twentieth Century ◽  
20Th Century ◽  
Public Spaces ◽  
Moral Values ◽  
Local History ◽  
Civic Discourse ◽  
History Of ◽  
Rotary Club ◽  
Siglo Xx ◽  
The City

La referencia constante al civismo es uno de los rasgos más distintivos de la historia urbana de Pereira. Al igual que en muchas ciudades colombianas, la ideología del civismo asume la necesidad de establecer una especie de simbiosis entre la ciudad, sus espacios públicos y sus ciudadanos, tanto en lo material como en lo espiritual. En el caso de Pereira se busca identificar los aspectos más relevantes del discurso cívico que desarrollaron entidades como la Sociedad de Mejoras y el Club Rotario a través de diferentes medios escritos, poniendo especial énfasis en los valores morales que debían exhibir los ciudadanos cívicos o los "ciudadanos de bien" de la ciudad, en el proceso de transformación y modernización vivido a lo largo del siglo XX.Palabras clave: discurso, civismo, prensa, clubes y sociedades, historia local, siglo XX.The discourse of civism in Pereira, or The “sacredness” of public matters during the 20th century AbstractThe constant reference to civism is one of the most distinct characteristics of the urban history of Pereira. Similar to many Colombian cities, the ideology of civism assumes that there is a need to establish a kind of symbiosis between the city, its public spaces, and its citizens, in material as well as spiritual matters. In the case of Pereira, the author seeks to identify the most relevant aspects of the civic discourse which developed entities like the Improvement Society and the Rotary Club, through different written means, putting special emphasis on the moral values which the civic citizens (or ciudadanos de bien) must have exhibited in the process of transformation and modernization experienced throughout the 20th century. Keywords: discourse, civism, press, clubs and societies, local history, twentieth century.

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