scholarly journals Illuminating the Vulnerability of Hegemonic Masculinity through a Performance Analysis of Physically Disabled Men’s Personal Narratives

2014 ◽  
Vol 34 (1) ◽  
Author(s):  
Julie-Ann Scott
Keyword(s):  
Performance Analysis ◽  
Physical Disability ◽  
Hegemonic Masculinity ◽  
Personal Narratives ◽  
Gender Performance ◽  
Relationship Status ◽  
Human Beings ◽  
Physically Disabled ◽  
And Gender ◽  
Cultural Components

<p>This performance analysis traces the emergence of masculinity in the open-ended narratives of 14 men who self identify as &ldquo;physically disabled.&rdquo; The participants range in physical ability, age, relationship status, build, and socioeconomic status. They also range in their responses to the interaction of their ability and gender: mourning, resisting, accepting, and/or embracing their daily performances of physically disabled masculinity. Through bodies defined as the negation of &lsquo;normal,&rsquo; they attend to and expose the nuances of the interacting cultural components of hegemonic masculinity that all human beings negotiate, interpret, create and re-create through our interactions. Their stories and insights offer opportunities for us to understand the impossibilities of ideal gender performance all humans co-imagine, reiterate, and pursue but can never realize.</p><p>&nbsp;</p><p>Keywords:&nbsp;<span>Performance Analysis, Masculinity, Physical Disability, Personal Narrative</span></p>

Attending to the disembodied character in research on professional narratives

2011 ◽  
Vol 21 (2) ◽  
pp. 238-257 ◽  
Author(s):  
Julie-Ann Scott
Keyword(s):  
Performance Analysis ◽  
Personal Narratives ◽  
The Body ◽  
Physically Disabled ◽  
Tragic Hero ◽  
Insight Into

This essay provides a rationale of how Performance Analysis and Narrative Positioning within research on Physically Disabled Professionals’ Personal Narratives can provide insight into the role of the body in the analysis of professional narratives. Through analyzing the participants’ open-ended narratives as performances in which the narrators draw upon performativities to reconcile the absurdity associated with their deemed ‘unprofessional’ bodies legitimately occupying a professional space, the author traces the emergence of embodied professional heroes in four variations: the Super Hero, Warrior Hero, Tragic Hero, and Rogue Hero, each which illuminates the importance of the body in the construction of personal narratives of professionalism. In conclusion, the author calls for attention to the potential performance of the Anti Hero across personal narratives that emerge in unmarked bodies in order to attend the underlying performativities and discourses of power within all narratives of professionalism.

Feminist Perspective in Shashi Deshpande's “That Long Silence”

2018 ◽  
Vol 6 (1) ◽  
pp. 8
Author(s):  
Mohammad Ahashan ◽  
Dr. Sapna Tiwari
Keyword(s):  
Gender Equity ◽  
Social Life ◽  
Fundamental Rights ◽  
Feminist Movement ◽  
Human Beings ◽  
Simone De Beauvoir ◽  
Equal Rights ◽  
And Gender ◽  
Set Up ◽  
Key Aspects

Man has always tried  to determine  and tamper the image of woman and especially her identity is manipulated and orchestrated. Whenever a woman is spoken of, it is always in the relation to man; she is presented as a wife , mother, daughter and even as a lover but never as a woman  a human being- a separate entity. Her entire life is idealized and her fundamental rights and especially her behaviour is engineered by the adherents of patriarchal society. Commenting  on the Man-woman relationship in a marital bond Simone de Beauvoir wrote in her epoch-making book entitled The Second Sex(1949): "It has been said that marriage diminishes man,  which is often true , but almost always it annihilates women". Feminist movement advocates the equal rights and equal opportunities for women. The true spirit of feminism is into look at women and men as human beings. There should not be gender bias or discrimination in familial and social life. To secure gender justice and gender equity is the key aspects of feminist movement. In India, women writers have come forward to voice their feminist approach to life and the patriarchal family set up. They believe that the very notion of gender is not only biotic and biologic episode but it has a social construction.

Social Science's Need for a Cultural Symbols Paradigm

2002 ◽  
Vol 19 (1) ◽  
pp. 1-28
Author(s):  
Mahmoud Dhaouadi
Keyword(s):  
Cultural Norms ◽  
Human Beings ◽  
Science Knowledge ◽  
Cultural Symbols ◽  
Norms And Values ◽  
Cultural Components

The thesis of this paper is that human beings are remarkably dis­tinct from other living beings (animals, birds, insects, etc.) and Artificial Jntelligence (Al) machines (computers, robots, etc.) by what we would like to call cultural symbols. The latter refers to such cultural components as language, science, knowledge, reli­gious beliefs, thought, myths, cultural norms and values.

scholarly journals The influence of role models on trans men's identity development

2021 ◽  
Author(s):  
◽  
Jennah Strathausen
Keyword(s):  
Identity Development ◽  
Role Models ◽  
Minority Stress ◽  
Protective Factor ◽  
Personal Narratives ◽  
Community Based Participatory Research ◽  
Future Research ◽  
Positive Role ◽  
Trans Men ◽  
And Gender

Transgender and gender nonconforming (TGNC) individuals face significant stigma and discrimination stemming from negative societal attitudes toward their experienced gender incongruence. Much of the LGBTQ literature on TGNC health disparities and gender minority stress focuses on the influence of overt acts of violence and oppression, often leaving more subtle and ubiquitous stressors, like invisibility, unexplored. In addition, there is a limited amount of literature on the experiences of transgender men, particularly those residing in the central U.S. Research suggests that the influence of positive role models can mitigate many of the stressors experienced by TGNC people. This study aimed to explore the influence of role models on trans men's identity development. Using Photovoice Methodology situated in Community-Based Participatory Research, this project collaboratively explored the needs, assets, and concerns of trans men living in Mid-Missouri. Twelve participants (MdnAge = 31.5 years-old) and the researchers separately grouped the participant-generated photographs and personal narratives into eight themes, including Authenticity, Acceptance, Inaccessibility, Isolation, and "Trans Enough?" Results supported the idea that access to positive role models serves as a protective factor for TGNC people. Results additionally highlight that trans men possess significant characteristics of resilience. Several implications for practice, public policy, and future research are provided.

scholarly journals “Un estado de la conciencia contemporánea”: género y moral en La sirena negra de Emilia Pardo Bazán

Neophilologus ◽  
2021 ◽  
Author(s):  
Susana Bardavío Estevan
Keyword(s):  
Gender Studies ◽  
Gender Performance ◽  
Fin De Siecle ◽  
The Novel ◽  
Emilia Pardo Bazan ◽  
Sexuality And Gender ◽  
Fin De Siècle ◽  
And Gender ◽  
Emilia Pardo Bazán ◽  
Decadent Aesthetics

AbstractDespite Emilia Pardo Bazán’s prominent feminism, La sirena negra has been strangely overlooked by gender studies. When the novel was published in 1908, Gómez de Baquero judged it “non feminist” due to its superficial heroines and the centrality of its complex masculine characters. Academic studies of La sirena negra have not refuted this idea, since they have elided gender approaches to focus on its decadent aesthetics. This article argues, on the contrary, that the novel’s androcentrism can be read as a Pardo Bazan’s strategy to appropriate the patriarchal discourse and hold it responsible for national degeneration. Emilia Pardo Bazán was harshly affected by the fin-de-siècle crisis. In her opinion, Spanish decay came from a lack of solid morality. Thus, Catholic principles should be restored because they would provide the autoregulation mechanisms to regenerate and reassemble the country. Literature should show the new reality, and the French roman psychologique provided her with an appropriate model. La sirena negra sets out the problem of the moral anomie through its protagonist, Gaspar de Montenegro. The analysis of his sexuality and gender performance reveals the danger of this amoral behavior for the degeneration of society, attributed ultimately to the patriarchal order and the androcentric discourse.

The Role of Women in Hobbes's Economic Thought

2021 ◽  
pp. 1-17
Author(s):  
Joanne Boucher
Keyword(s):  
Gender Politics ◽  
Economic Thought ◽  
The State ◽  
Human Beings ◽  
State Of Nature ◽  
Role Of Women ◽  
And Gender

Abstract This article examines the role of women in Hobbes's economic thought. First, I frame Hobbes's economic thought in relation to his philosophical materialism so as to underscore the extent to which Hobbes's materialism entails the insight that human beings are, by definition, productive, economic creatures. I argue that his description of the economy, even without explicit acknowledgment, necessarily positions women as crucial economic actors. I then consider the implications of this in relation to the feminist possibilities of Hobbes's gender politics. I conclude that when deliberating on this question, we face the same conundrum that is evident in all literature considering Hobbes and gender. His radical comments about women in the state of nature are undermined by his seeming indifference to the state of women in commonwealths once they are founded.

Giving Hegemonic Masculinity a Face Lift: Masquerade in John Woo's Face/Off and the Somatechnics of Masculinity in Crisis

Somatechnics ◽  
2021 ◽  
Vol 11 (1) ◽  
pp. 10-26
Author(s):  
Kate Bowen
Keyword(s):  
Civil Rights ◽  
Plastic Surgery ◽  
American History ◽  
Hegemonic Masculinity ◽  
Sex And Gender ◽  
Ontological Security ◽  
Face Lift ◽  
White Masculinity ◽  
New Man ◽  
And Gender

In 1990s America, the question of what made a ‘real’ man was at the forefront of debates about sex and gender. During this pivotal moment in American history, hegemonic masculinity in particular was experiencing numerous threats to its ontological security. For instance, masculinity was infamously pronounced in crisis, the advent of the ‘new man’ betrayed anxieties about an image-conscious and feminine performance of masculinity, and there was mounting social pressure from civil rights, feminist, and queer groups for straight, white, masculinity to be challenged as the centre of the patriarchal stage. In short, the issue for masculinity in the 90s was that of legitimacy. The response from Hollywood was an influx of films which featured leading men in costume, disguise, or masquerade. John Woo's Face/Off is one such film that betrays anxieties about the constructedness of hegemonic masculinity. Face/Off does so through the motif of plastic surgery. In this article, I will explore how Face/Off uses the image of plastic surgery to represent the masculinities of its male protagonists as masquerades. I will demonstrate how plastic surgery in Face/Off is a device which transforms hegemonic masculinity so that it may adapt to the climate of crisis and secure its continuation. Face/Off demonstrates that masculinity is a construct which masquerades as an ontology.

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