scholarly journals Polish Literature in Israel: Between the Memory of Europe and a New Life

2019 ◽  
Vol 67 (1 SELECTED PAPERS IN ENGLISH) ◽  
Author(s):  
Eugenia Prokop-Janiec

The Polish version of the article was published in Roczniki Humanistyczne vol. 64, issue 1 (2016). The article presents Polish literature in Israel as literature written by migrants: a response to the experience of being relocated and of functioning between different cultures. The subject of the analyses are the paraphrases, travesties and parodies of works by Adam Mickiewicz that are present in Polish-Israeli literature. Referring to the canon texts of Polish literature in them serves the recording of life in Israel. Using Polish literary patterns in stories about the new life and inscribing the Israeli world, as well as signs of Hebrew culture, into them is interpreted as a peculiar correlate of the experience of migration.

2021 ◽  
Author(s):  
Bogusław Dopart

The title of the present monograph refers to one of the most fundamental traits of the oeuvre and literary life of Adam Mickiewicz. While constantly occupied with invigorating and broadening the subject- -matter of his works, Mickiewicz is careful to follow a steady track of ideas, concepts, and truths. In constructing successive models of poetic worlds and varying them even within single works, he incessantly integrates them into a dynamic, open universe of the ‘man of transformations’ (in Wacław Borowy’s phrasing) in accordance with the ontic position and experience of a Romantic writer. Diversity and variance of poetic forms in Mickiewicz is counterbalanced by his leaning towards regularity and structural connectedness: cycles. As early as his first critical manifesto, he opposes a schematic labeling of his creative output; he presents the history of European poetry in terms of overlapping traditions and gradual differentiation of national literatures.


2014 ◽  
Vol 16 (1) ◽  
pp. 66-76
Author(s):  
Martyna Kokotkiewicz

Abstract Leena Lehtolainen belongs to the most appreciated Finnish authors of crime fiction. One of the significant features of her works is that she discusses some most alarming social issues in them. The problem concerning immigration and its different aspects can definitely be considered as an example of such an issue. Since the problem of cultural antagonisms, racial hatred and xenophobia has been widely discussed by many other Scandinavian authors of crime fiction as well, it is worth analyzing how Lehtolainen herself approaches the problem. The aim of this article is to discuss some aspects concerning the problems of immigrant societies in Finland, basing on one of Leena Lehtolainen’s novels, Minne tytöt kadonneet, which main subject could be described as a collision of two completely different cultures and attitudes to the reality. Its aim is not, however, to discuss any formal aspects of the text, since such a kind of detailed analysis cannot be the subject of one article only. That is why the article concentrates on the plot of the novel and its possible relations to some actual problems the Finnish society faces. Taking it all into consideration it may be seen as an introduction to a wider analysis of Leena Lehtolainen’s works.


2019 ◽  
Vol 66 (1 SELECTED PAPERS IN ENGLISH) ◽  
pp. 93-103
Author(s):  
Agnieszka Czechowicz

The Polish version of the article was published in “Roczniki Humanistyczne,” vol. 56 (2008), issue 1. The paper is a hidden polemic with the texts that have recently been published (not quoted by their names or indicated in the footnotes). These texts have brought forth a diagnosis that there is a delay in terms of methodology with regard to the studies on Old-Polish literature and have postulated their application to the studies on ancient literature. The author formulates her belief that traditional philology is indispensable in the studies on Old-Polish literature with an awareness that there should be a free choice in selecting the method of its interpretation. The text emerges from a protest against the rhetoric of methodological directives formulated under the influence of fashion, ideology, or fatigue with the object of research and from radical distrust to methodological directives as such, and the majority of directives in general.


2020 ◽  
Vol 11 (1) ◽  
pp. 231-240
Author(s):  
Nadiya Balandina ◽  
Alla Bolotnikova

The subject of the study is the Polish version of the song “Hej, sokoły!” regarded as a multi-dimensional intercultural communicative phenomenon from the point of view of the external and internal contexts and correlations of its individual and social aspects. The analysis has been undertaken using the method of sociocultural interpretation of the external context, the method of information decoding for identifying the author’s intentions and functions of textual symbols. For the systemic and incremental study of the song the author uses the modeling method, in particular, the linear model of communication with considering the constituents: w h o – w h a t – b y w h a t m e a n s – t o w h om. In the framework of this model the article has studied the motives of writing the song, its genre peculiarities. The ways of verbalizing its semantic dominants and the addressee of the song have been determined. The conclusion states that “Hej, sokoły!” is not just a romantic ballad tinged with grief for the lost, but a certain intercultural Ukrainian-Polish phenomenon that teaches not to forget history and given a lesson in patriotism.


2019 ◽  
pp. 83-94
Author(s):  
Jarosław Ławski

The subject matter of the present article is the image of library and librarian in a forgotten short story by a Polish-Russian writer Józef Julian Sękowski (1800−1858). Sękowski is known in Polish literature as a multi-talented orientalist and polyglot, who changed his national identity in 1832 and began to write only in Russian. In the history of Russian literature he is famous for Library for Reading and Fantastic Voyages of Baron Brambeus, an ironic-grotesque work, which was precursory in Russian prose. Until 1832 Sękowski was, however, a Polish writer. His last significant work was An Audience with Lucypher published in a Polish magazine Bałamut Petersburski (Petersburgian Philanderer) in 1832 and immediately translated into Russian by Sękowski himself under the title Bolszoj wychod u Satany (1833). The library and librarian presented by the author in this piece are a caricature illustration proving his nihilistic worldview. Sękowski is a master of irony and grotesquery, yet the world he creates is deprived of freedom and justice and a book in this world is merely a threat to absolute power.


2018 ◽  
Vol 63 (3 (249)) ◽  
pp. 57-73
Author(s):  
Dorota Turska ◽  
Urszula Oszwa

The importance of the stereotypes and teachers’ beliefs about mathematics as the male domain, for the students’ perception of their competences and achievements is the subject of extensive research. It is generally assumed that teachers – as guardians of socialisation – replicate this stereotype. An attempt to measure the stereotypical teachers’ assumptions has been offered only by J. Tiedemann (2002). It has become an inspiration to design the authors’ own research programme in which the relationship between increased stereotype beliefs and teachers’ asymmetry of female and male students’ abilities is sought. The paper presents the results of the study of the Polish version of the Gender Stereotypes Scale among 120 mathematics teachers (95 female, 25 male) from junior high schools. It has been shown that a) the stereotype is irrespective of the teacher’s gender, b) its profile is different in the sample of male and female respondents, c) the length of employment does not differentiate it. The educational implications of the obtained data have been presented in the paper.


2009 ◽  
Vol 49 (2) ◽  
pp. 238-240
Author(s):  
Franz-Michael Konrad

As a historian of early childhood education in German-speaking Europe, I am struck by the outstanding role that Friedrich Froebel, or rather his ideas, played in all the countries described in the six essays. This is not really new since even the first historiographic articles in German-speaking countries already pointed out Froebel's role internationally. The worldwide spread of Froebel's educational teachings remains the subject of German research to this day. And yet it is still so remarkable to see how Froebel's philosophy of education—which had its origins in the spirit of romanticism and which seems strange even to German audiences—has succeeded in establishing itself in different cultures and for different reasons. Just think of Italy in the second half of the nineteenth century (James C. Albisetti), of post-revolutionary Russia ruled by the Bolsheviks (Yordanka Valkanova), of Great Britain, France, and the United States. Even in Asian countries we can find evidence of Froebel's influence, for example, in Korea and in Japan (on Japan, Kathleen Uno). In spite of the differences between these countries and their cultures, Froebel's pedagogy has succeeded in playing an influential role in all of them. Extant institutions for the care and education of preschool children developed into modern kindergartens under the influence of Froebel's teachings. In the end it was always about making it possible for young children to learn and, at the same time, taking into account the very special way learning occurs in these early years as an active, action-based and almost effortless kind of learning. Froebel found an answer to this problem. With his gifts he gave the answer in a simple and yet brilliant manner which was, despite its origins in German idealism, apparently unrelated to culture.


2021 ◽  
pp. 294-313
Author(s):  
Irena Fedorowicz

In Vilnius that was considered as spiritual capital of Grand Duchy of Lithuania in the period of inter-war, and mainly in ’20s of the XX century still was very living romanticism tradition. The important person and symbolic messenger of this tradition was Adam Mickiewicz, the most famous polish-lithuanian poet, polish national prophet. Very noticeable was the fact that the best known literary scientists, like: J. Kallenbach, S. Pigoń, K. Górski were employed in Polish Literature Department, in Faculty of Humanities of Stefan Batory University. Wladysław Mickiewicz – son of the poet Adam Mickiewicz, also his biographer visited Vilnius and university in 1922. In 1926 was published collection of poems named Wiwlasy. Jamb na stulecie filomatów by Edward Walewski. It consists of 48 sonnets that describe the activity of „Filomaci and Filareci“ Society members. The lyrics refer also to people (J. Lelewel, K. Kontry, E. Groddeck), and places (Nowogródek, Tuhanowicz, Bolcienik) related to some meaningful locations connected with „Filomaci“ trial case. The other significant literary event was the attempt to issue due to efforts of some teachers K. Adamska-Roubina, S. Szemitówna-Cywińska and O. Zambrzycka-Swianiewiczowa, in Vilnius in 1929, the school newspaper „Filomatka“. Till our times only one archival copy is left, there is no evidence if there were more copies. It is necessary to mention that both literary events, despite their weak response, are interesting and worth mentioning examples of still alive tradition of „Filomaci“ in Vilnius.


2018 ◽  
Vol 64 (1) ◽  
pp. 39-66
Author(s):  
Piotr Krzysztof Marszałek

In Polish literature on the subject, the military governor’s office is usually associated with the organisation of the administrative system that prevailed in the partitioning states (Poland’s Partitions 1791-1918). However, the governor’s office had already been known in Poland during the Duchy of Warsaw (1807-1815), when it was, like many other solutions of administrative and military law, imported directly from France. In the structure of Polish public organs, the office of governor was created for the first time during the Polish-Austrian war in 1809. Although no documents have survived from which we could learn of the competences of a Polish governor in those times, what is known is that the description of his authority followed closely the model set out by the French legislation. It was not before the Polish-Russian war in 1830-1831 that first attempts were made to independently set out the authority o f a governor of the Polish state, but even then, at least initially, the solutions set forth by the regime o f the Napoleonic decree were directly referred to and copied. In the second half of the 19th century, shortly before the collapse of the November Uprising, a draft describing the office and competences of a Polish governor was finally ready to be put forward for parliamentary discussion, but it was already too late for the Sejm to deal with it.


Author(s):  
S.V. SAVCHENKO ◽  
K.A. PROKOFIEVA ◽  
O.M. RESHETILOVA

Ukrainian historical thought of the seventeenth century is an interesting intellectual phenomenon, the genesis and social and cultural functioning of which took place against the background of political, geopolitical and interfaith confrontation in Eastern Europe. In Ukrainian historiography, this period of cultural and intellectual development was called “the first Ukrainian national and cultural revival”. Its characteristic feature was the growing interest of society in historical memory, in particular, in the memory of the Ancient Rus era as the origins of Rus-Ukraine, which is trying to find its place among other peoples of Europe. The question of reflecting the ancient n era in the historical thought of Ukraine in the late sixteenth − seventeenth centuries. in historiography it is elaborated in fragments, within the framework of side plots, at best, at the level of coverage of the views of individual authors (Feodosii Sofonovych, Inokentii Hizel, author of the Ukrainian Chronograph, some Polish writers, etc.). Among the monuments of historical thought of this tame period, the “Hustynskyi Litopys” attracts attention, the authorship of which is still the subject of discussion. The problem of authorship of the monument is quite old, but this issue has not been finally resolved. There is an assumption that y 20s of the seventeenth century. Zacharii Kopystenskyi worked on the chronicle. The list of Mykhailo Losytskyi, the hieromonk of the Hustyn monastery, made in 1670, is considered to be the final edition of the monument. This editing preserves the conceptual identity and consistency of presentation. The chronicle, despite its conceptual dependence on Polish literature, is based on its own concept, within substantiates the peculiarities of Rus' historical path among neighboring peoples, and explains the genesis of the Cossack factor, which became decisive in Eastern European politics of the sixteenth and seventeenth centuries. Ukrainian historical thought in the form of a chronicle of the 16−17th century needs further meticulous research.


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