Enacting a Museum

Author(s):  
Kathleen C. Oberlin

In order to understand whether or not visitors to the Creation Museum ‘buy’ the message or think of it as a museum, this chapter unpacks how Answers in Genesis went about making choices to try and achieve its desired effect. It relies on primary data from fieldwork observations including walk-alongs with visitors, internal organizational documents, and interviews with key movement stakeholders to provide insight into how social movements use particular sites to leverage their claims and develop an oppositional stance. Being attuned to how multi-sensory engagement is activated and the material culture is wielded—everything from auditory cues and lighting choices to color palette and the spatial arrangement of each room—underscores how all of this is created to be ‘read’ by visitors at the Creation Museum.

2020 ◽  
pp. 146954052092623 ◽  
Author(s):  
Cornelia Mayr

This article explores the creation process and the subsequent meaning development of vibrators within a framework consisting of various theories of material culture. The conceptual scheme is based on the view that four underlying junctures of meaning creation and vibrator consumption, namely (1) vibrators as a medical implement, (2) vibrators as a household appliance, (3) vibrators as a liberating political object and (4) vibrators as a post-feminist ‘toy’, interact to (re)produce and change the meaning of this sexually imbued product. First, existing research is reviewed on the history and consumption of vibrators, and findings are synthesized concerning product functions. Theories of material culture and product meaning are then incorporated as a means to gain ontological and epistemological insights into the nature of this sexual product. Finally, a framework is presented that builds on these foundational theories, including a discussion of its benefits for the sociology of consumption. The article concludes that the meaning of vibrators can be seen as being intricately bound up with processes of social movements, individual interpretation and identity politics as well as with historical, economic and cultural phenomena.


Author(s):  
Hannah Cornwell

This book examines the two generations that spanned the collapse of the Republic and the Augustan period to understand how the concept of pax Romana, as a central ideology of Roman imperialism, evolved. The author argues for the integral nature of pax in understanding the changing dynamics of the Roman state through civil war to the creation of a new political system and world-rule. The period of the late Republic to the early Principate involved changes in the notion of imperialism. This is the story of how peace acquired a central role within imperial discourse over the course of the collapse of the Republican framework to become deployed in the legitimization of the Augustan regime. It is an examination of the movement from the debates over the content of the concept, in the dying Republic, to the creation of an authorized version controlled by the princeps, through an examination of a series of conceptions about peace, culminating with the pax augusta as the first crystallization of an imperial concept of peace. Just as there existed not one but a series of ideas concerning Roman imperialism, so too were there numerous different meanings, applications, and contexts within which Romans talked about ‘peace’. Examining these different nuances allows us insight into the ways they understood power dynamics, and how these were contingent on the political structures of the day. Roman discourses on peace were part of the wider discussion on the way in which Rome conceptualized her Empire and ideas of imperialism.


2021 ◽  
Vol 51 (1) ◽  
pp. 4-14
Author(s):  
Robert Gnuse

Psalm 104 is a majestic hymn to creation, a dynamic corollary to the more formal presentation of the creation of the world in Genesis 1. Reflection upon some of the passages provides us with insight into the biblical author’s appreciation for nature, an attitude that needs to inspire us in this age of ecological crisis. Though the biblical text is unaware of such an ecological crisis; nonetheless, passages shine forth that can speak to us in our modern age of global warming and environmental collapse.


1970 ◽  
Vol 4 ◽  
pp. 223-234
Author(s):  
Prakash Prasad Sapkota

Human- plant relation is tightly attached on life of human beings. From the beginning of civilization, people used many plants and their products for different purpose to adopt with their environment. The essential and valuable materials including plant species are gathered, used, saved and always remain hunger for knowledge yet now. They developed different kinds of ceremonies and rituals and include valuable materials and plants within it to protect and remains as indigenous knowledge in particular communities and groups. In this context, I want to raise the issue of material culture to search why people used plants in their rituals with reference to a plant species the Jhakro the Magars inhabitant of Baglung district, western Nepal. The research was carried out by using descriptive and exploratory research design. Observation, interview and group discussion were used in the field for primary data collection. The Magars are rich in their rituals among them death and kul pujane rituals are significant for cohesive and solidarity of the group; within these rituals a shrub plant species with special type of smell remains in central position for purity and soul. They believed that in death ritual all the polluted activities are purified and in kul pujane Jhakro acts as purity as well as help to join their ancestors with them. Unfortunately, they are unknown of the materialistic meaning of it due to lack of transferring knowledge. In etic aspect, this plant has important medicinal properties and the Magar preserved by keeping it in important rituals within their community. Keywords: Ritual; Jhakro; the Magars; ethno-botany; ancestors DOI: 10.3126/dsaj.v4i0.4522 Dhaulagiri Journal of Sociology and Anthropology Vol.4 2010 pp.223-234


Author(s):  
Panji Suroso ◽  
Rahmat Riswan Aidil Syahputra Siregar

This research tittle ‘work in progress on the creation of the three-stringed kulcapi’ wanted to examine how the work process of the creation of the kulcapi music instrument and can be explained descriptively. The kulcapi musical instrument which is considered to still have limitations in terms of producing its notes, and only having 2 strings, seems to be the cause of the less than optimal function in exploring the notes. In addition, the form of the kulcapi instrument is seen to be still very plain and very simple, this is felt to be one of the issues that must be overcome to be able to explore the kulcapi musical instrument to be more functional, both in producing tones and adding aesthetic value to the form of the kulcapi music instrument. In this research, a qualitative descriptive method is used. The process of tracing data and information is done diachronically to find out in full and complete about the kulcapi music instrument. The data collected comes from two sources, they are primary and secondary data. Primary data obtained through in-depth interviews and participant observation that aims to collect data followed by focus group discussions. This research produces findings including: a) The creation of three-stringed kulcapi instruments has a wider range of tone areas. b) can be functioned more flexible and can be explored in playing pentatonic and diatonic tones. c) The shape has the characteristic of the Karo people with the presence of ethnic Karo ornaments on the kulcapi’s body.


Author(s):  
Mark Goodman ◽  
Stephen Brandon ◽  
Melody Fisher

<p>In 1968 social movements sparked rhetorical discourses which occurred in many nations and on hundreds of colleges and in communities across the United States.  These rhetorical discourses ultimately changed the direction of human events.  Sometimes these points of ideological protests shared views on specific issues, especially demonstrations against the Vietnam War, but each conflict was also its own local conflict.  There is no evidence that any specific group organized the protests, or that speakers motivated demonstrations, or that the rhetoric of one protest caused other protests.  Yet, the protests were not just spontaneous fires that happened to occur in the same year. So, how is it that so many protesters shared the desire for change and shared rhetoric, but each protest was sparked by local issues?  Answering that question provides insight into how the rhetoric of social movements occurred in 1968. </p><p>               Many scholars call for the study of the social movements of the 1960s.  Jensen (1996) argues, “The events of the 1960s dramatically increased the interest in studying social movements and forced rhetorical scholars to reconsider their methods for studying public discourse” (p. 28). To Lucas (2006), “Words became weapons in the cultural conflict that divided America” (x). Schippa (2001) wrote, “Many accounts identify the 1960s as a turning point. For better or for worse, there was a confluence of changing rhetorical practices, expanding rhetorical theories, and opportunities for rhetorical criticism. The cultural clashes of the 1960s were felt perhaps most acutely on college campuses. The sufficiency of deliberative argument and public address can be said to have been called into question, whether one was an antiwar activist who hated LBJ's war in Vietnam or a pro-establishment stalwart trying to make sense of the rhetoric of protest and demonstration. Years later, scholars would characterize war itself as rhetorical. What counted as rhetorical practice was up for grabs”(p. 261).</p>               First, this paper will frame the protest movement of 1968.  Then, we will search for the common factors that shaped the protests of 1968, focusing on the role of music. This analysis will provide insight into how music became a rhetorical force in a significant social movement of the 20th Century.


Author(s):  
Jesse West-Rosenthal

This chapter by Jesse West-Rosenthal examines the Revolutionary War soldiers’ material culture at Valley Forge. Much has been written of the suffering that these soldiers endured during that harsh winter, but this chapter provides insight into routines that both kept soldiers busy and helped them perform important and necessary tasks for the military effort. Archaeological explorations at the Washington Memorial Chapel, including a camp kitchen, provided evidence that soldiers kept busy by casting musket balls, by maintaining weaponry and clothing, and, interestingly, by re-purposing musket balls into gaming pieces.


Author(s):  
Anne E. Lester

The concept of linguistic “translation” helps to understand the process by which the material culture of the Byzantine empire, taken from Byzantine churches and palaces following the conquest of Constantinople by the Fourth Crusade, was interpreted in new environments in the Latin West. This was a process that required input from those invested in shaping the meaning of the relics and the creation of unique works of art in the form of new reliquaries.


Author(s):  
Dana M. Williams

Social movements are interested in the creation of alternative social practices, but must rely upon previous ideas and actions for a starting place. Ideally, anarchists seek to borrow good ideas and avoid bad ideas. This is challenging given anarchist movements’ horizontalist structures—tactics and organizational forms must be transmitted non-hierarchically in order to remain legitimate, as there is not central organization managing, authorizing, and dictating to new anarchist organizations. They key means for institutional isomorphism—how organizations tend to have comparable characteristics—with anarchist movements, is mimicry. This chapter analyses the creation and founding iterations of four “anarchistic franchise organizations”: Anti-Racist Action, Critical Mass, Earth First!, and Food Not Bombs. These tactics and organizational forms have spread through networks of activists and organizers (mainly via word-of-mouth and first-hand experience) and media (especially the Internet, as well as activist press and sometimes mainstream media).


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