The digital era challenges the school library which loses connection with generation Z who speaks a different digital language to all other generations. The underfinanced school libraries with little or no budget for new acquisitions are no longer information centers, the least “information authorities” for youngsters. We need the secret elixir to convert the museum-like school libraries into creative learning spaces. In times of budget cut our creativity enables us to welcome various forms of the digital language Generation Z is a native speaker of. By implementing simple social media like activities into our library programs we might fill the old collections with a new vibe.
The objectives of the presentation
The audience will get an insight into the possibilities and the threats Hungarian school libraries are facing with. Instead of mourning over the gloomy reality the presentation aims to focus on creative possibilities which can help school librarians to give the students a 21st century-like experience within difficult circumstances. Creative school librarians might be inspired by a collection of activities where usual social media behavior is implemented into information literacy training classes.
Participants will learn
Library instruction together with improving information literacy and reading promotion are parts of the core curriculum in Hungary. School librarians are entitled to create programs that help students to become acquainted with the library spaces, get to know the collection and to find relevant information in order to create new content. However, the outdated collections of school libraries overshadow these promising possibilities. It is a challenge to motivate students - who never lived without the internet and being deprived of their smartphone is a major threat in their life - to use the library collection of 50 to 10 years old books joyfully.
Whether we agree or not, with the definition of the selfie: as the beginning of the end of intelligent civilization, we have to admit that selfies play an important role in our lives. By encouraging students to take selfies in the library space, immediately adds a positive emotional impact on their library visit in. Selfies help to become acquainted with the library spaces especially if a group tries to reconstruct where the selfies had been taken.
The social media presence is manifested in the endless circle of likes, dislikes, and comments. If we urge students to browse the selves and select random books to like or dislike we give them the opportunity to have a say in the collection. The student’s choice might mirror the current state of mind of the society. If the selected items are on display, other visitors are also motivated to reflect on them, fostering a certain discussion over the library collection.
Reading promotion is a hard mission when the books teenagers like to read are not available at our school libraries. We can overcome this difficulty by encouraging students to present their favorite book’s trailer. The complexity of transforming a reading experience into a video or a visual presentation strengthens cognitive skills effectively. Book trailers are creative and are in line with the media consumption tendency of Generation Z whose focus moves from written resources to video content.
These simple examples show that budget cuts must not discourage librarians! On the contrary, we have to find creative ways to provide students with a 21st century-like library experience at a 20th-century school library setting. We cannot change the environment but we can update the school library programs by welcoming the digital language of Generation Z students into our routine. If we learn and apply their language, we might win them over in the end.
About the author
Teacher Librarian and Art Teacher at a Spanish-Hungarian bilingual high school (2004-). Board member of the Hungarian SLA (2016-). Experienced in creating a school library program, planning curriculum and embracing creativity in the school library. Speaker at international conferences, IFLA WLIC 2017, Detroit 2017. Participant in several international projects from Zaragoza to New York and San Diego.
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