The World is your Oyster by T. James

2012 ◽  
Vol 1 (4) ◽  
Author(s):  
David Sulz

James, Tamara. The World is your Oyster. Illus. Emma SanCartier.  Vancouver: Simply Read Books, 2009. Print. It is never a bad thing to introduce children (and other language learners) to the many fascinating idioms, metaphors, and baffling expressions that are key to really understanding English. This nicely-illustrated book strings together twenty-two such sayings, the second half giving feel-good and inspirational sayings to overcome the “feel-bad” descriptions in the first half. A few examples, however, left me scratching my head. “Some days your world is raining cats and dogs” implies in this story that the world is conspiring against you, or you are overwhelmed by the demands of the world, rather than the more common, simpler interpretation of an extremely heavy rainstorm (although, I suppose, such rain might thwart your long-anticipated plans to play outside). Another example is feeling like you want to “throw yourself to the lions;” I always thought other people were thrown to the lions. Another quibble with this book is that the extremely literal illustrations do nothing to help illuminate the real meanings of the idioms. A picture of a cute little kitty-cat yanking out a boy’s tongue might be humorous, but says nothing about being at a loss for words. The image of a child and a bull stomping on china plates implies purposeful destruction and anger rather than just being clumsy, gauche, or inconsiderate. The sayings are important and the artwork is first-rate, but without further explanation, someone unfamiliar with the sayings might be “led down the garden path.” Recommendation: 2 out of 4 starsReviewer: David SulzDavid is a librarian at the University of Alberta working mostly with scholars in Economics, Religious Studies, and Social Work. His university studies included: Library Studies, History, Elementary Education, Japanese, and Economics. On the education front, he taught various grades and subjects for several years in schools as well as museums. His interest in Japan and things Japanese stands above his other diverse interests.

2011 ◽  
Vol 1 (1) ◽  
Author(s):  
David Sulz

Kozlowski, Michal. Louis the Tiger Who Came from the Sea. Illus. Sholto Walker. Toronto: Annick Press, 2011. Print. If you are a logical thinker, as many adults are, this book just does not make sense. How could a tiger be mistaken for a carrot or a pumpkin? What do white chin-patches and nose-tickling whiskers have to do with the name Louis? Why would you put on swimsuits and snorkeling gear to nudge a bucket of breakfast cereal into a sleeping tiger’s belly with a push-broom? And, above all, what self-respecting parents would parade their family dressed up as a narwhal, dolphin, blowfish, and 6-tentacled octopus to lure a tiger back to the ocean so it can swim into the orange sunset? On the other hand, if you can appreciate whacky logic and enjoy engaging illustrations with thoughtful background details and telling facial expressions, you will find yourself reading this story over and over until it eventually almost makes sense. If you figure out why 24 words are printed in larger type and bright colours, let me know!  Recommended age from press release: 4-7 years. Recommended: 3 out of 4 stars Reviewer: David Sulz David is a librarian at the University of Alberta working mostly with scholars in Economics, Religious Studies, and Social Work. His university studies included: Library Studies, History, Elementary Education, Japanese, and Economics. On the education front, he taught various grades and subjects for several years in schools as well as museums. His interest in Japan and things Japanese stands above his other diverse interests. 


2012 ◽  
Vol 1 (3) ◽  
Author(s):  
David Sulz

MacLachlan, Patricia. Word after Word after Word. New York: Katherine Tegan Books, 2010. Print. Ms. Mirabel, a famous writer, starts visiting a grade four class regularly and has a profound impact on a group of five friends by encouraging them to write, even if it means breaking the rules that their teacher believes are essential (such as creating an outline).  Ms. Mirabel’s core message that writing “word after word after word” can change your life strikes a chord with the five friends and, as their daily discussions under a lilac tree suggest, there is a lot they would like to change.  Lucy’s mom has cancer, Evie wants desperately to find a new woman for her recently-separated dad, a new baby is entering May’s family, and Russell not only has to babysit his younger brother every day but also deal with the recent death of his dog.  In contrast, Henry discovers writing helps him not to change anything but to “save everything I have.” The last scene, an open-house highlighting the children’s writing brought a lump to my throat as the parents read their child’s inner-most feelings and realize how their actions as adults and parents have unexpected and powerful effects on their children. I have to admit, Ms. Mirabel annoyed me. She dresses flamboyantly to grab attention; she is sensitive, creative, and wise in a way no ordinary teacher could ever be; and she even encourages Russell’s annoying questions that make the real teacher sigh. Perhaps I am little sensitive about the stereotype of real teachers as boring, rule-bound, and uncreative. On another note, there is something about the kids that does not ring quite true; they come across more like how an adult might romanticize that time of life rather than what real grade four kids are like. To be fair, the real author (Patricia MacLachlan) notes she visits many classrooms and receives letters from young readers of her other books, so perhaps she has a different insight into the thoughts and emotions of that age group. In fact, as she tells us in the author’s notes at the end, this book was written to address the many questions she gets about the hows and whys of being a writer in a more entertaining way. Overall, this is an inspiring book about the joys and power of writing. Recommended: 3 out of 4 starsReviewer: David SulzDavid is a librarian at the University of Alberta working mostly with scholars in Economics, Religious Studies, and Social Work. His university studies included: Library Studies, History, Elementary Education, Japanese, and Economics. On the education front, he taught various grades and subjects for several years in schools as well as museums. His interest in Japan and things Japanese stands above his other diverse interests.


2013 ◽  
Vol 3 (1) ◽  
Author(s):  
David Sulz

Morstad, Julie. how to. Simply Read books, 2013. Print. Anyone who is a fan of creative and lateral thinking will love this book. The simple text and illustrations evoke complex connections and imagination. The title gives away that it is a “how to…” book but the things to do and learn are not your usual “… make cookies” or “… build a birdhouse.” I love that the text problems are answered by text-less illustrations. For example, “how to make new friends” is answered by an image of a child making sidewalk chalk drawings of various creatures (including people) and “how to wash your socks” is accompanied by a group of children stomping in a puddle of clean-looking water. While a few “how to’s” are answered with several possibilities, most have only one. This might be considered a weakness or, on further reflection, the multiple-answer examples suggest a pattern so the reader will search for their own variations.I’ll admit to some discomfort with the choice to make all the “how to” phrases unpunctuated and in lower case letters because I believe proper writing is learned through example. However, it is a tiny quibble about an inspirational book. I will be sure to feel the breeze and appreciate the face wash on my bike ride home in the rain.Recommended:  4 out of 4 starsReviewer: David SulzDavid is a Public Services Librarian at University of Alberta and liaison librarian to Economics, Religious Studies, and Social Work. He has university studies in Library Studies, History, Elementary Education, Japanese, and Economics;  he formerly taught in schools and museums. His interests include physical activity, music, home improvements, and above all, things Japanese.


2012 ◽  
Vol 1 (3) ◽  
Author(s):  
David Sulz

Isop, Laurie. Illustrated by Gwen Millward. How do you Hug a Porcupine? New York: Simon & Schuster Books for Your Readers, 2011. Print. A charming and hopefully harmless little book.  The variety of animals is illustrated realistically enough to be recognizable on the page and probably even in real-life. The text is nicely lyrical with a rhythm and rhyme that makes you want to sing while reading. The message, however, is not all positive. On the good side, the portrayal of animals as worthy of human attention, respect, and appreciation (although not particularly original in children’s books) is always welcome.  Also nice is the mix of familiar animals (e.g. cow, horse, pig, giraffe) with some that don’t get much attention (e.g. hedgehog, yak, ostrich) so young readers might learn something new. On the negative side, however, is the encouragement to hug any-and-all animals. Knowledge of the difference between tame (domestic) animals and wild animals should be instilled from a young age and, even if not taught explicitly, children’s authors should at least not introduce ideas that must be unlearned in real life. Pandas, yaks, porcupines, kangaroos, and dolphins should NOT, as a general rule, ever be hugged and people should NOT be convinced that everything needs a hug. For one thing, animals are unpredictable and potentially dangerous to the hugger. For another, hugging or touching a wild animal can be dangerous for the hugged - hugging a porcupine would dislodge many quills and reduce its defenses against predators. Sometimes I wonder if the national park tourists who slather honey on their child’s arm to get a picture of the cute bear licking it or approach a fully-grown elk to touch its antler velvet were maybe too exposed to this sort of book. In short, the answer to “how do you hug a porcupine?” should be, “you don’t!” Stick to hugging your own kitty-cat or puppy-dog instead that you know will probably appreciate it and not attack you. Recommended with reservations: 2 out of 4 stars (charming and lyrical but potentially dangerous in later life). Reviewer: David Sulz David is a librarian at the University of Alberta working mostly with scholars in Economics, Religious Studies, and Social Work. His university studies included: Library Studies, History, Elementary Education, Japanese, and Economics. On the education front, he taught various grades and subjects for several years in schools as well as museums. His interest in Japan and things Japanese stands above his other diverse interests.    


2012 ◽  
Vol 1 (4) ◽  
Author(s):  
David Sulz

Walters, Eric. End of Days. Toronto: Doubleday Canada, 2011. Print. T minus 24 years: Professor Sheppard is kidnapped from his bed at gunpoint and delivered to a top-secret research institute in Switzerland where he meets equally eminent astrophysicist, astronomer, and mathematician colleagues who were supposedly dead. T minus 17 years: Joshua Fitchett, world’s richest and most secretive man, calls a sudden press conference, announces that the earth will be destroyed in 17 years by a meteorite, and then “dies” the next day when his mansion compound burns to the ground. T minus 1 year: Billy, teenage leader of a gang of children surviving in the pre-collision chaos, is arrested by police and delivered to a cavernous, underground compound populated by the world’s most promising children. The connecting thread is a riveting exploration of how humans might respond if the earth were certain to be impacted by a massive meteorite in the not-so-distant future. Eric Walters has chosen four possibilities to explore in-depth. Governments and the scientific community try to keep everything secret, gather the best scientists, and collaborate on an unprecedented scale to devise a technological way to destroy the meteorite before it hits. The world’s richest man believes that a) humans deserve to know of their imminent destruction and b) that the earth will be uninhabitable for an indeterminate time. He creates a modern-day Noah’s ark and gathers only the best prospects to repopulate the world. Reverend Honey believes this is God’s Judgment Day and that salvation depends on thwarting all efforts to avert the disaster. Humanity in general gradually descends into chaos as the impact draws nearer. End of Days is a fantastic story that asks tough, but essential, questions including, “How would you act if we knew humanity’s doom to the exact minute but it was many years hence?” I hope there are more installments because the ending is just the beginning. Highly Recommended: 4 out of 4 starsReviewer: David SulzDavid is a librarian at the University of Alberta working mostly with scholars in Economics, Religious Studies, and Social Work. His university studies included: Library Studies, History, Elementary Education, Japanese, and Economics. On the education front, he taught various grades and subjects for several years in schools as well as museums. His interest in Japan and things Japanese stands above his other diverse interests.


2014 ◽  
Vol 3 (4) ◽  
Author(s):  
David Sulz

MacGregor, Roy. The Highest Number in the World. Illus. G. Despres. Toronto: Tundra Books, 2014. Print.It shouldn’t surprise you that Roy MacGregor writes a good children’s book about hockey especially if you read the Globe and Mail where he is a sports writer. Admittedly, I’m not a big fan of professional sport with little interest in stats, trades, and game results. However, Roy MacGregor always finds an interesting twist to set his stories apart.So it is with this book. On first glance, it seems to be about a hockey-prodigy; a 9-year-old girl idolizing a famous Canadian female hockey player so much she would give up playing because she has to wear #9 on her new team (not the #22 of her idol). How predictable and boring is that? BUT… her grandma sets her straight on why #9 is actually a better number to live “up” to (incidentally, “highest” in the title refers to height).The illustrations are fantastic - filled with witty references to the life of a Canadian, 9-year-old, hockey-loving girl such as drawings hung with hockey tape, embarrassing Velcro skates with toe-picks, sock-monkeys, and many more.A small quibble is the passive voice used in the first few pages; while chronologically correct, it detracts from the opening action just a little. Then again, hockey games themselves usually build up in intensity and excitement. The main reason for loving this book is the use of history to change perceptions. In a world so concerned with the desires of now, this book reminds us that the present is intimately shaped by the past (even if we don’t quite yet know how).    Highly recommended: 4 stars out of 4Reviewer: David SulzDavid is a Public Services Librarian at University of Alberta and liaison librarian to Economics, Religious Studies, and Social Work. He has university studies in Library Studies, History, Elementary Education, Japanese, and Economics;  he formerly taught in schools and museums. His interests include physical activity, music, home improvements, and above all, things Japanese.


2015 ◽  
Vol 5 (2) ◽  
Author(s):  
Sandy Campbell

Qitsualik-Tinsley, Rachel and Sean Qitsualik-Tinsley.  The Walrus Who Escaped. Illus. Anthony Brennan.  Iqualuit, NU:  Inhabit Media Inc., 2014. Print.In this book, Rachael and Sean Qitsualik-Tinsley retell another of the many Inuit legends that explain why things are the way they are.   According to this story, walruses used to have spiral tusks.  Raven, who is always a bit of a trouble maker and looking for a free meal, imprisons the walrus in ice because she wants his clams.  Imprisoning the walrus doesn’t get the raven any clams, but when the walrus gets free, the force straightens his tusks.The most interesting theme in this story is that of the “Strength in the Land”, which the authors explain variously as something that would be ill-described as “magic” and could be thought of as a “special kind of dream”.  Even in today’s Inuit culture, land strength is an important concept that is implied in many works, but is rarely directly addressed.  Qitsualik-Tinsleys deserve kudos for attempting to capture it in a children’s book.The text is overprinted on Anthony Brennan’s cartoon-like images which show the animals demonstrating human emotions such as contentment, frustration, anger and fear.  The colours are generally bright, with the light blues of the sea and the ice predominating. Highly recommended for public libraries, elementary education libraries and libraries that collect Canadian Indigenous Children’s works.Highly Recommended:  4 stars out of 4Reviewer:  Sandy CampbellSandy is a Health Sciences Librarian at the University of Alberta, who has written hundreds of book reviews across many disciplines.  Sandy thinks that sharing books with children is one of the greatest gifts anyone can give. 


2012 ◽  
Vol 1 (3) ◽  
Author(s):  
David Sulz

Mac, Carrie. The Gryphon Project. 2009. Puffin Canada. Print. A lot happens in the first 6-page chapter. We are introduced to a small and suitably multicultural clique of teenage friends with cute nicknames: Phoenix (Phee); her slightly older brother Gryphon (Gryph); his buddies Saul, Huy, Tariq; Phee’s best friend Nadia who is also Saul’s girlfriend; and Nadia’s younger brother Neko, the tag-along clique mascot. Also, we meet Phee and Gryph’s seemingly bland background of a family - a mom who spends evenings going over work files, a United Church minister Dad, and a cute younger sister. The story begins with Phoenix lamenting the souring of her formerly idyllic relationship with Gryph. While she wonders whether his sudden change from “perfect big brother” to “just an asshole who lived in her house” is because of drugs, his major athletic sponsorship contract with the Chrysalis corporation, or just being a teenager, the reader might well wonder if this will just be another generic story of teenage angst and relationship drama holding little promise of creativity or challenging ideas. Fortunately, the last sentence of Chapter One catches our attention: “fifteen years ago tomorrow, Phoenix had died. For the first time… and the Chrysalis corporation had brought her back from the dead.”   The next 275-odd pages are certainly filled with a lot of the usual teenage concerns: why does my brother hate me? Does my boyfriend really love me? My little sister is really annoying sometimes. My parents just don’t get me, etc, etc. However, there is an underlying; not-so-far-fetched technological advance called “reconning” that adds a fascinating moral and ethical tension. Carrie Mac embeds this ability to bring people back to life so deeply into this fictional society that the reader only slowly realises the main theme of the novel is actually the exploration of how death affects the way we live our lives and how the sudden discovery of a way to cheat death might be handled.   Of course, the immediate thought is that eliminating death could be nothing but good – no more sorrow, no more angst about making mistakes, endless time to iron out mistakes in relationships. But would eternal life for everyone be desirable?  And if limits were necessary, who would decide on and then control those limits (e.g. a private corporation, churches, government)? How would our actions change if we knew we had three “recons” left or that we had been born into a segment of society where the so-called “importance” of our parents’ occupations dictated whether we were allocated three, two, one, or even no recons? How would we react if we suddenly discovered that our banal family in our boring suburb and our seemingly pointless education system was actually part of the privileged elite and a whole world of poverty, violence, and a lack of recons existed just kilometres away? Would having three deaths make us more curious about death and more willing to take on risk, or would we value life even more?   The surface story in The Gryphon Project is enthralling enough as Phoenix and Nadia slowly unravel the mystery of the older boys’ strange behaviour and ominous secrecy. The underlying theme, however, makes this a thought-provoking exploration into the meaning of life and how the sudden ability to override death would change us. I suspect many readers could enjoy this book just for the surface story of adventure but anyone who even occasionally gives thought to the meaning of life and social justice would really enjoy the additional and challenging layers. Highly recommended: 4 out of 4 starsReviewer: David SulzDavid is a librarian at the University of Alberta working mostly with scholars in Economics, Religious Studies, and Social Work. His university studies included: Library Studies, History, Elementary Education, Japanese, and Economics. On the education front, he taught various grades and subjects for several years in schools as well as museums. His interest in Japan and things Japanese stands above his other diverse interests.


2013 ◽  
Vol 3 (2) ◽  
Author(s):  
Trish Chatterley

Bustos, Eduardo and Lucho Rodríguez. Going Ape! Toronto: Tundra Books, 2012. Print.There are many playful stories about monkeys available for young children, so it’s an asset to have this non-fiction picture book for the same age group where the primates are depicted as they are in nature rather than as characters in a narrative. This is an English translation of a Spanish book originally published in 2004.In two to three sentences, author Eduardo Bustos highlights a couple of unique points of interest for each of ten ape species. While jumping so quickly from one ape to another makes the text seem a little disjointed, the short length is appropriate for young readers. I appreciated that the work includes not just the commonly known apes like chimpanzees and gorillas, but also lesser known species like the Allen’s Swamp Monkey that has webbed feet! The text on the last page breaks from the format used previously; the full page highlights the variation that can be witnessed among the many ape species in the world in terms of size, coloring, and diet. Since the style already diverges significantly and seems aimed at a slightly older age group, I was left wanting more elaboration. For instance, following the statement, “It is interesting to learn about their habits,” I would have liked further details.The illustrations are the best feature of the book. The stylized images capture the recognizable looks of the various species. Each is represented by a full-page illustration of the ape’s face, as well as a smaller image of the full ape in its natural habitat on the opposing page with the text. There are over 200 species of primates in the world. The title page depicts twelve different types of apes, so I was disappointed that descriptions of only ten were included. Overall, though, it provides a nicely illustrated introduction to the world of primates.Recommended: 3 out of 4 stars Reviewer: Trish ChatterleyTrish is a Public Services Librarian for the John W. Scott Health Sciences Library at the University of Alberta. In her free time she enjoys dancing, gardening, and reading books of all types.


2012 ◽  
Vol 2 (2) ◽  
Author(s):  
Allison Sivak

Goto, Hiromi. Darkest Light. Toronto: Razorbill Canada, 2011. Print. Darkest Light is a sequel, of sorts, to Goto’s 2009 fantastic allegorical work Half World. However, Darkest Light takes on a more nuanced approach to its characters’ struggles, asking the question, ‘Can a person who has done wrong rehabilitate himself?’ Half World drew its lines of good and evil in a more traditional way, with an outcast heroine battling an evil force living in the world between the dead and the living. In contrast, Darkest Light slowly unravels the mystery of the life of its protagonist, Gee. We see the recurrence of some of the same characters from Goto’s first book in the series, including the knowledgeable wise-woman, Ms. Wei, and the outcast heroine, Melanie Tamaki. But Darkest Light turns its focus on Gee, the baby brought out from Half World by Melanie, and who is now sixteen, having lived with Ms. Wei since. Illustrator Jillian Tamaki has collaborated on this book as with the Half World, and the style of her shadowy sketches captures Goto’s descriptions of Gee. Gee has grown up lonely, his Popo (Ms. Wei) his only friend; there is something about his ghostly physical presence and his deep-black eyes that put off almost all others, humans and animals alike. After a confrontation with two classmate bullies, he meets neo-Goth, Cracker, a young lesbian who feels some kinship with Gee’s physical and emotional difference. When Ms. Wei’s life is endangered by some of the demons of Half World, Gee and Cracker enter the world to save her. Goto has taken an interesting path to investigate the question of how to atone for one’s wrong actions by going into the world of fantasy, where the most evil of all the Half World demons tries to change, tempted by his old lovers and friends, as well as by the power he used to wield. Goto’s writing can, at times, read as flat, and the demons in Half World are exaggerated enough to be more cartoonish than frightening. But the emotion she evokes between Gee and his grandmother and Cracker is quite moving, and her book is likely to appeal to young readers who recognize the struggle to find their own paths in the world that doesn’t welcome difference. Recommended: 3 out of 4 starsReviewer: Allison SivakAllison Sivak is the Assessment Librarian at the University of Alberta Libraries. She is currently pursuing her PhD in Library and Information Studies and Elementary Education, focusing on how the aesthetics of information design influence young people’s trust in the credibility of information content.


Sign in / Sign up

Export Citation Format

Share Document