“I wanted to live in that music:” Blues, Bessie Smith and Improvised Identities in Ann-Marie MacDonald’s Fall on Your Knees

2005 ◽  
Vol 1 (2) ◽  
Author(s):  
Gillian Siddall
Keyword(s):  
New York ◽  
Social Relations ◽  
The Novel ◽  
Sexual Identities ◽  
Time Period ◽  
Classical Singing ◽  
History Of ◽  
The Rich ◽  
Bessie Smith ◽  
Black Female Identity

This paper explores the link between the improvisatory nature of blues music and resistance to socially prescribed expectations for gender and sexuality in Ann-Marie MacDonald’s first novel, Fall on Your Knees (1996). When Kathleen Piper, one of the main characters in the novel, leaves her home in Cape Breton in1918 to pursue a classical singing career in New York, she finds herself transfixed, and subsequently transformed, by a performance by Jessie Hogan (a fictional character clearly modeled on Bessie Smith), in large part because of her remarkable improvised vocals. Hogan’s performance points to the rich history of the great blues women of this time period, women who, through their songs, costumes, and improvised lyrics and melodies, explicitly and implicitly tackled issues such as domestic violence and poverty, and challenged normative ideas of black female identity and sexual orientation. This history provides a critical context for Kathleen’s growing sense of autonomy and sexual identity, and this paper argues that the representation of Bessie Smith in the novel (in the guise of Hogan) enables possibilities for improvising new social relations and sexual identities.

Sick on the Frontlines:A Cross Sectional Study on COVID-19 Infection, Symptom Severity Amongst Emergency Medicine Residents and Fellows in Urban Academic Hospital Settings (Preprint)

2021 ◽  
Author(s):  
Stacey Frisch ◽  
Sarah Jones ◽  
James Willis ◽  
Richard Sinert
Keyword(s):  
New York ◽  
Emergency Medicine ◽  
Cross Sectional Study ◽  
The Novel ◽  
Academic Hospital ◽  
Cross Sectional ◽  
Time Period ◽  
High Infection ◽  
Novel Coronavirus ◽  
Specific Symptoms

BACKGROUND COVID-19, an illness caused by the novel coronavirus SARS-CoV-2, affected many aspects of healthcare worldwide in 2020. From March to May of 2020, New York City (NYC) experienced a large surge of cases. OBJECTIVE The authors aimed to characterize the amount of illness experienced by residents and fellows in 2 NYC hospitals during this time period. METHODS This was a cross-sectional observational study. An IRB-exempt survey was distributed to emergency medicine housestaff in May 2020 and submissions were accepted through August 2020. RESULTS 64 residents and fellows responded to our survey (a 62% response rate). 42% of responders tested positive for SARS-CoV-2 antibodies. Most residents experienced symptoms that could be consistent with COVID-19 however few received PCR testing. Fevers and/or chills along with loss of smell and/or taste were the most specific symptoms for COVID-19, with p-values <0.05. All 13 housestaff who reported no symptoms during the study period tested negative for SARS-CoV-2 antibodies. CONCLUSIONS Our study demonstrated that the rate of COVID-19 illness among emergency department housestaff is much higher than previously reported. Further studies are needed to characterize illness among medical staff in emergency departments across the nation. The high infection rate among emergency medicine trainees stresses the importance of supplying adequate PPE for healthcare professionals.

scholarly journals Предательство человечности. Красный террор большевиков в Крыму во время гражданской войны 1918–1920 гг. в повести Ивана Шмелева „Солнце мертвых”

2021 ◽  
Vol 12 (1) ◽  
pp. 383-396
Author(s):  
Svetlana Kravchenko
Keyword(s):  
Civil War ◽  
The Sun ◽  
The Novel ◽  
Historical Events ◽  
Extreme Situation ◽  
Human Survival ◽  
History Of ◽  
The Dead ◽  
The Rich

[Betrayal of humanity. The red terror of the Bolsheviks in Crimea during the civil war in 1918–1920 in the light of Ivan Szmielev’s novel “The Sun of the Dead”] The article analyzes the novel by the Russian writer Ivan Szmielev “The Sun of the Dead” (1923). It was written on the basis of historical events. I analyze the composition of the work, which is based on two symbols – the sun and death. The sun symbolizes the rich and beautiful Crimea, and deathis a symbol of the new power – the power of the Bolsheviks who destroyed this wonderful land of Crimea. The author of the article emphasizes the autobiographical nature of the story “The Sun of the Dead”. Its narration is based on a firstperson story by Ivan Szmielev. This is a feature of lyrical prose. Describing the tragic events of total red terror, hunger and the struggle for survival, Ivan Szmielevs howsthat death affects everyone – people, animals, birds, trees, plants. The author of the article also emphasizes the philosophical and humanistic aspect of the work, which shows the history of humanity and human survival in an extreme situation, when very few are lucky enough to resist and not become victims of brutal murders of the Bolsheviks or starvation. In the process of the story, the image of the desert appears – a metaphor with which the writer emphasizes the scale of the destructive activity of the Bolsheviks.

Opening Remarks

2003 ◽  
Vol 31 (2) ◽  
pp. 163-167
Author(s):  
S. Blair Kauffman
Keyword(s):  
New York ◽  
New York City ◽  
International Law ◽  
Islamic Law ◽  
Law School ◽  
Yale University ◽  
Sunday Afternoon ◽  
History Of ◽  
The Rich ◽  
Law Library

The papers in this issue were presented at the IALL's 21st Annual Course on International Law Librarianship, held at Yale Law School, October 20 through October 23, 2002. The program featured several of America's great scholars in international law and drew on the rich resources of Yale University and its environs. It also introduced participants to the history of legal education in America and included excursions to America's first national law school, in Litchfield, Connecticut, and to the United Nations headquarters, in New York City. A pre-conference reception was held at the nearby Quinnipiac University School of Law Library, on Sunday afternoon, October 20th, in Hamden, Connecticut, and a post-conference institute on Islamic Law, was held on October 24th, at Harvard Law School, in Cambridge, Massachusetts.

The Context of Multi-Ethnic Politics for Ethiopian American Literature

MELUS ◽  
2020 ◽  
Vol 45 (1) ◽  
pp. 117-138
Author(s):  
Steven W Thomas
Keyword(s):  
American Literature ◽  
Social Relations ◽  
Ethnic Diversity ◽  
Ethnic Politics ◽  
The Novel ◽  
Ethnic Representation ◽  
Parking Lot ◽  
Ethnic History ◽  
History Of

Abstract Considering the broad conversation among African novelists about the representation of Africans in America, this essay proposes a reevaluation of Ethiopian American literature that is attentive to the historical complexity of Ethiopia’s ethnic diversity. Situating novels and memoirs in their regional context of the Horn of Africa, it highlights how writers of the Ethiopian diaspora sometimes wrestle with and other times avoid the implications of the region’s ethnic politics. Focusing on the novel The Parking Lot Attendant (2018) by Nafkote Tamirat as a case study, it compares it to how other novelists and memoirists from the region, including Dinaw Mengestu, Nega Mezlekia, Maaza Mengiste, Meti Birabiro, Rebecca Haile, and Nurrudin Farrah, have managed the burden of multi-ethnic representation. Tamirat’s novel is somewhat unique for framing the immigrant experience within the story of a political dystopia and uncanny “loneless” social relations. By analyzing Ethiopian American literature in this way, the essay critiques scholarship that has been inattentive to the complex multi-ethnic history of the region because of its focus on the alienation of Ethiopian protagonists from cross-cultural and intracultural forms of political engagement.

KARL POLANYI AT THE MARGINS OF ENGLISH SOCIALISM, 1934–1947

2013 ◽  
Vol 10 (2) ◽  
pp. 317-346
Author(s):  
TIM ROGAN
Keyword(s):  
New York ◽  
Intellectual History ◽  
Social Relations ◽  
Industrial Revolution ◽  
Human Person ◽  
The Self ◽  
Intellectual Life ◽  
Karl Polanyi ◽  
Social Scientists ◽  
History Of

Growing interest among historians and social scientists in the work of Karl Polanyi has yet to produce detailed historical studies of how Polanyi's work was received by his contemporaries. This article reconstructs the frustration of Polanyi's attempts to make a name for himself among English socialists between his arrival from Vienna in 1934 and his departure for New York in 1947. The most obvious explanation for Polanyi's failure to find a following was the socialist historians’ rejection of his unorthodox narrative of the rise of capitalism and the Industrial Revolution inThe Great Transformation(1944). But this disappointment was anticipated in earlier exchanges revealing that Polanyi's social theory, specifically his conception of the self and its social relations, differed markedly from the views prevailing among socialists of R. H. Tawney and G. D. H. Cole's generation. As well as casting new light on the intellectual history of English socialism and variegating our understanding of the contexts in which conceptions of the human person were invoked in the interwar period, this article seeks to illuminate by example the importance of deep-seated, often tacit, commitments to particular conceptions of the self and its social relations in structuring mid-century intellectual life.

Valentin de Foronda’s Memoir on the United States of North America, 1804

1948 ◽  
Vol 4 (3) ◽  
pp. 351-362 ◽  
Author(s):  
José de Onís
Keyword(s):  
United States ◽  
New York ◽  
United States Of America ◽  
Public Library ◽  
The United States ◽  
The Other ◽  
New York Public Library ◽  
History Of ◽  
The Rich ◽  
The One

In the Rich Collection of the New York Public Library there is a manuscript, Apuntes ligeros sobre los Estados Unidos de la América Septentrional, in which a Spanish diplomat and author, Valentín de Foronda, gives his impressions about the United States of America.We cannot say with certainty what the history of this manuscript is, but from the few scattered facts which we have we can come to certain conclusions. At the time when it was written, in 1804, there must have been more than one copy. The perfection of the manuscript and the fact that ft is not in Foronda’s handwriting, tends to indicate that it was recopied several times. It is probable that there were at least three sets of copies. The original he must have kept for himself. One, in all likelihood was given to his immediate superior, who at that time was Casa Irujo. A third set might have been sent to the Spanish Minister of State. It is my belief that the manuscript that has come down to us is the one he gave to the Ambassador Casa Irujo. The reason on which I base this, is that twenty years later, long after Foronda and Casa Irujo had died, Mrs. Casa Irujo became a personal friend of Obadiah Rich, the bibliographer, and used to be a frequent guest at his house in Madrid. Rich obtained the manuscript about this time and it is very probable that he got it from her. Where the other hypothetical copies are would be difficult to say. The set sent to the Spanish Minister of State must be buried in some Spanish archive. The other one which he kept for himself was more than likely confiscated by the Spanish authorities, along with his other papers, and was probably destroyed during Foronda’s trial of 1814.

scholarly journals Review Article: Souls, Hearts and Heritage: Passing from the Danube to the Hudson. Szegedy-Maszák, Marianne. 2013. I Kiss Your Hands Many Times – Hearts, Souls and Wars in Hungary. New York: Spiegel & Grau, Random House. 345 pp; and Griesz, Katherine. 2012. From the Danube to the Hudson. Seattle, WA: CreateSpace Independent Publishing. 482 pp.

2015 ◽  
Vol 7 ◽  
pp. 21-27
Author(s):  
Evi Blaikie
Keyword(s):  
New York ◽  
Twentieth Century ◽  
World War Ii ◽  
Review Article ◽  
World War ◽  
Independent Publishing ◽  
Time Period ◽  
The Holocaust ◽  
The Rich

How did the rich and the super-rich Hungarian Jews in Budapest fare during the 1930s, World War II and the Holocaust, and beyond? Two new books deal with their stories: Marianne Szegedy-Maszák's "I Kiss Your Hands Many Times" and Katherine Griesz's "From the Danube to the Hudson". Szegedy-Maszák was able to use her journalist's profession and skills to explore and vividly present her family's story in a work that can likewise satisfy the historians, the romantics and all those who like a “good read.” Griesz’s epic family memoir encompasses the same time period and topic as Szegedy-Maszák's book in its portrayal of a multi-generational Hungarian Jewish family's fate in the crisis -full mid-twentieth century, as seen and interpreted by its female descendant decades later.

scholarly journals The Reflection of the Era of the “Roaring Twenties“ in the F.S.Fitzgerald’s Novel «The Great Gatsby»

2020 ◽  
Vol 12 (2) ◽  
pp. 7-14
Author(s):  
A. Diadechko
Keyword(s):  
New York ◽  
Life Story ◽  
Common Interest ◽  
The Novel ◽  
Jazz Age ◽  
Additional Information ◽  
Great Gatsby ◽  
The Great Gatsby ◽  
History Of ◽  
American Society

The article deals with the portraying “Roaring Twenties” which marked a legendary and unprecedented period in the history of American society. Though this era goes back to the beginning of the 20th century, it has never stopped arousing deep common interest because of its uniqueness. Having been abundantly reflected in numerous pieces of art and literature, “Roaring Twenties”, synonymously named “The Jazz Age”, go on provoking public discussion and reevaluation. If viewed in literary terms, this epoch is certainly linked with the name of Francis Scott Fitzgerald (1896-1940) and with his best known novel “The Great Gatsby” filmed five times. The writer is considered to be one of the best chronicler of the American 1920s. Fitzgerald’s masterpiece had embodied many symbols and icons of America which travelled though one hundred years and still feature contemporary society. The articles attempts to outline extra-lingual information and data that shape the temporal and cultural background of the novel. It aims at providing the readers with sufficient additional information that may significantly enlarge on the novel context grasping. It proposes a detailed description and interpretation of symbols and markers of the American 1920s which typically feature “Roaring Twenties” and the ways they are projected onto Fitzgerald’s story. In particular, the focus is made on American Dream doctrine, New York of the 1920s, the conflict between “the old money” and “the new money”, feminism and fashion, alcohol and crime, music, cars. Some parallels between the author’s life story and his characters are also specified.

scholarly journals Teju Cole's Nigeria and the open cities of New York and Brussels

2013 ◽  
Vol 46 (1-2) ◽  
pp. 3-11
Author(s):  
Igor Maver
Keyword(s):  
United States ◽  
New York ◽  
New York City ◽  
The United States ◽  
The Novel ◽  
The Past ◽  
History Of ◽  
History Of Violence ◽  
Past Experiences ◽  
The City

The novel Open City (2011) by the Nigerian-born and raised author Teju Cole isset in New York City, where he has lived since 1992. The narrator and protagonist of the book, the young Nigerian doctor Julius in is a veritable flâneur in the Big Apple, who is observing the rapidly changing multiethnic character of the city and meditating on (his) history and culture, identity and solitude, and the world beyond the United States, with which it is interconnected through the global history of violence and pain. He is juxtaposing the past and the present, the seemingly borderless open city of New York, Nigeria, and the various European locales, particularly Brussels.Thenovel, although set in the United States, is constantly interspersed with his recollections of his past experiences conditioned by hiscomplex hybrid Nigerian-European-American identity.

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