scholarly journals Liberation Theology According to Abdurrahman Wahid and Gustavo Gutierrez

2020 ◽  
Vol 31 (1) ◽  
pp. 21
Author(s):  
Sangkot Sirait

<p>This paper tells the thoughts of two religious figures who are concerned with talking about religion and humanity. These two figures are Abdurrahman Wahid and Gustavo Gutiérrez. The question that will be answered here is how the concept of the liberation of the two figures and where the difference lies and their implications for real life. The issues discussed here are related to theology, more popularly called liberation theology. The method used in this research is to read and examine the work of each of the two figures, both works that are called primary or secondary. After that, the concepts are compared according to their respective contexts. From the results of research on their works, an understanding is obtained that the theology of liberation is inspired by the real conditions of society that are of concern, both in terms of poverty and opportunity. Therefore, according to the two figures, religion must be able to solve the problem, it means that religion practised not only as a doctrine but also humanity. Action work of people who profess religion is needed to solve community problems. There are differences in the approaches of the two figures, namely Gutiérrez is more focused directly involved, while Wahid besides being directly involved, but also with a cultural approach and changing the way people think. The difference between the two approaches has implications for the process of change, namely Gutiérrez is more revolutionary mechanistic, while Wahid is more cultural and evolutionary</p>

2020 ◽  
pp. 152-179
Author(s):  
Hélène Landemore

This chapter assesses the real-life case study of Iceland to illustrate some of the principles of open democracy. It closely examines the 2010–13 Icelandic constitutional process from which many of the ideas behind this book originally stem. Despite its apparent failure — the constitutional proposal has yet to be turned into law — the Icelandic constitutional process created a precedent for both new ways of writing a constitution and envisioning democracy. The process departed from representative, electoral democracy as we know it in the way it allowed citizens to set the agenda upstream of the process, write the constitutional proposal or at least causally affect it via online comments, and observe most of the steps involved. The chapter also shows that the procedure was not simply inclusive and democratic but also successful in one crucial respect — it produced a good constitutional proposal. This democratically written proposal indeed compares favorably to both the 1944 constitution it was meant to replace and competing proposals written by experts at about the same time.


Author(s):  
David Brancaleone

In 1945 Roberto Rossellini’s Neo-realist Rome, Open City set in motion an approach to cinema and its representation of real life – and by extension real spaces – that was to have international significance in film theory and practice. However, the re-use of the real spaces of the city, and elsewhere, as film sets in Neo-realist film offered (and offers) more than an influential aesthetic and set of cinematic theories. Through Neo-realism, it can be argued that we gain access to a cinematic relational and multidimensional space that is not made from built sets, but by filming the built environment. On the one hand, this space allows us to “notice” the contradictions around us in our cities and, by extension, the societies that have produced those cities, while on the other, allows us to see the spatial practices operative in the production and maintenance of those contradictions. In setting out a template for understanding the spatial practices of Neo-realism through the work of Henri Lefèbvre, this paper opens its films, and those produced today in its wake, to a spatio-political reading of contemporary relevance. We will suggest that the rupturing of divisions between real spaces and the spaces of film locations, as well the blurring of the difference between real life and performed actions for the camera that underlies much of the central importance of Neo-realism, echoes the arguments of Lefèbvre with regard the social production of space. In doing so, we will suggest that film potentially had, and still has, a vital role to play in a critique of contemporary capitalist spatial practices.


2018 ◽  
Vol 4 (2) ◽  
Author(s):  
Sappeami Sappeami

This paper examines the mental revolution in applying the Islamic economics system which is expected to open the horizon of humans’ thought, especially Muslims, so as they are always careful in carrying out all economics activities. The significance embodied in the idea of the mental revolution is the transformation of the ethos, namely the fundamental change in the mentality, the way of thinking, the way of feeling, and the way of believing that is proven in daily behavior and actions. The mistake which occurs in the economics system of this modern era vastly needs a mental revolution to restore the consciousness of economics actors that the world is only an intermediary towards the real life in hereafter so that the economics activities will constantly be performed with good and correct actions dealing with Al-Qur’an and As-Sunnah.


2017 ◽  
Vol 4 (1) ◽  
pp. 41
Author(s):  
Kiki Rahmatika

This choreography is started from Practice based Research. The research is about Dajang Rindoe’s manuscript which is deconstructed. In the process of cultivation of this work, the foundation of creation used text deconstruction, creativity, and choreography. Text deconstruction is implemented in finding the new point of view of the women freedom. Creativity approach is used for the reason that the artwork creation is not separated from the thinking process and work creatively. By this approach, the way of thinking and working creatively will be developed. The third approach that is choreography is used as the foundation in creating the dance aesthetic that involving the body movement, composition, unity, harmony, behaviour and other visual aspects. CONSISTENCY dance work is a description about woman toughness to get her freedom in order to maintain her integrity. The freedom that need the full struggle for her to get. Because the freedom itself has the meaning to be able to live independently and responsibly. In the real life, the freedom women who able to preserve her firmness independently and responsibly are very scarce. The imbalance of this firmness then fades the women integrity.


Author(s):  
Divya Walia

<p><em>The world of media today is undergoing substantial transformation and advancement with various media forms making the most of it to attract the audience. Digital cinematography since 2010 has been enhancing not only the visual impact of the movies but also redefining the way they are produced and created. Silver screen, the most popular form of media too keeps resorting to new innovations to increase the marketing value of its productions by exploiting the technological advancements be it in the form of graphic effects or animations to appeal the watchers. Moreover, the digital world has revolutionalized the way movies are captured thus rendering refinement to its projection on the screen. Even the distribution of the movies, these days, is done via Internet or hard drive.</em><em> </em></p><p><em>In the genre of cinema, Hollywood animated movies amply exemplify the improvement that has resulted because of the contribution of the digitized world. The animated movies have now come a long way from being mere caricatures to real life characters, from being conception to concrete and surreal to real, so much so that these graphic projections are admired as well as emulated as the real life actors.</em><em> </em></p><p><em>One of the masterpieces of digitised visual effects that left the world awestruck was Ang Lee's Life of Pi, a 2012 American Adventure. It was soon perceived as a visual wonder by audiences all over the world for the use of animated technology and the realistic scenes created in 3D. The paper would be an attempt to examine the way visual effects have been exploited by the makers of this movie to create a successful story and a realistic depiction of imaginary on the screen. <br /></em></p>


2017 ◽  
Vol 45 (1) ◽  
pp. 88-102 ◽  
Author(s):  
Kim Lamberty

Today’s missionary, whether long-term or short-term, church-based or part of a faith-based NGO, is faced with grinding poverty and the extreme isolation and marginalization of vulnerable populations. This article will develop a theological foundation that calls missionaries to address the root causes of poverty as a key element of proclaiming the Good News, and will conclude with specific and concrete recommendations for doing so. The article places liberation theology in dialogue with Catholic Social Teaching and with the experiences of faith-based development agencies. Particular attention is given to the work of Gustavo Gutiérrez and Pope Paul VI’s document, Populorum Progressio. The article will illustrate the ways that liberation theology has challenged Catholic Social Teaching in its thinking about how to respond to economic marginalization, insisting that charitable aid is insufficient and highlighting the difference between “development” and “liberation.”


Author(s):  
А. Denisenko

The subject of the new kind of theology which arose in 1960’s and 1970’s been and still is much disputed issue. Here I mean liberation theology and the most influential book in this particular kind of theology, A Theology of Liberation by Gustavo Gutierrez. Time clamed this book as "The movement's most influential text.This book is a classical historical and theological study. It represents the new fresh wind in the history of theological study.


2012 ◽  
Vol 3 (1) ◽  
pp. 63
Author(s):  
Aida Fouad Elnabalawi

In this study, we try to look at the Child’s Rights Act from a sociological angle by discussing the social and organizational infrastructure and the challenges faced and how to provide a suitable environment to fulfill/ implement the articles of the Child’s Rights Act taking into consideration the characteristics of the Omani society. The study covered the five following aspects: The regulatory frameworks to protect children by conducting a historical constructive analysis, classifying the contents of the Child’s Rights Act and explaining the articles meant to protect and take care of children in Omani Laws and Legislations either in the regulatory frameworks or in the implementation procedures, the observation of the real life of Omani children, the main challenges and how to address them, and finally the real life of handicapped children. The study concluded that the Omani Laws Legislations paved the way to implement some changes to grant and ensure child’s rights, whereas we – in Oman – are faced with challenges related to the implementation of the legislations concerning children and their parents. In addition, some families are faced with challenges that prevent them from playing their role as effective social institutions to protect their children. Also, some social institutions such as Education and Media face other challenges related to child’s rights. 


2018 ◽  
Vol 12 (4) ◽  
pp. 417-438 ◽  
Author(s):  
Michiel Baas

Abstract This article focuses on the way Indian bodybuilders negotiate spatial and temporal constraints offline (in “real” life) as well as online. These bodybuilders, who often make a living as personal trainers, display and advertise their bodies online in various stages of being and becoming, ranging from off-season/bulking stage to on-season/cutting stage when they start making the body ready for competition. This article discusses what it means to have an offline body that represents one temporal stage while at the same time maintaining a plethora of such (previous) stages online, to be consulted by others (e.g., aspiring bodybuilders, clients, and admirers). This article shows how these bodily representations and realities interact with various expectations and idealizations of the male body. The article proposes to think through the (re)presentation of these bodies via the dyad of im/mortality. The immortal body here is one that is multiple and can be accessed/consulted online by others at all times. The mortal body, in contrast, exists in or represents reality offline, referencing a state of becoming and eventual unbecoming. This article explores the tension produced through this opposition between questions of mortality offline and the quest for immortality online. While this article takes this oppositional structure as its point of departure, its ultimate aim is to upset the various dyads it builds on to show that the (bodybuilder’s) body always occupies multiple spheres across time and space, ultimately producing a hybridization of the real.


2016 ◽  
Vol 1 (2) ◽  
pp. 189
Author(s):  
Anwar Masduki

The social construction of sainthood lies in a broad-based understanding of Sufism and mysticism in Java. It appears in the way people recognize an individual as a saint in the real life; from fulfilling the role of Islamic propagators and the exercise of magical power as an extraordinary ability to do something. Nowadays, this understanding has apparently flourished, turning into new perceptions and understandings. The case of Gus Dur could be used as an example of the modern constructions of the sainthood in Java. Although there are widespread acceptances this sainthood, but this phenomena remains controversial and debatable. Therefore, this paper focuses on the social construction of new phenomenon called the Wali Sepuluh (the ten saints), to examine the issue of Gus Dur as the tenth saint and its impact on the realities of life in Tebuireng.KeywordsSainthood, social construction, and pilgrims


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