scholarly journals Inscriptions in the Artistic Structure of the Items of Medieval Silversmiths. Works of Church Art from Tikhvin in the State Russian Museum

2021 ◽  
Vol 11 (3) ◽  
pp. 467-493
Author(s):  
Anna A. Makarova ◽  
◽  
Olga V. Klukanova ◽  
Nadezhda V. Pivovarova ◽  
◽  
...  
Keyword(s):  
The State ◽  
Applied Art ◽  
Art Works ◽  
State Museum ◽  
The Subject ◽  
Technical Features ◽  
Church Art ◽  
The Temple ◽  
The Church ◽  
Made In

The article presents the results of studying inscribed and dated objects of applied art of the 16th–17th century from the State Russian Museum in St. Petersburg. The subject of the research is the set of church plates from the monasteries of the Dormition of Our Lady and the Presentation of the Virgin in the Temple in Tikhvin and the precious tsata from the Tikhvin icon of the Mother of God (Stockholmskaya) from the Tikhvin Cathedral of the Transfiguration. In 1928, the items were given to the State Russian Museum from the department of ecclesiastical property of the State Museum fund. The majority of these items were made in the Moscow workshops. The study provided an opportunity to identify the items fabricated by Tikhvin silversmiths. The authors analyze the iconography, style, structural and technical features of a number of art works including liturgical vessels, a church lamp and several altar Gospels. The study substantiates new attributions of the chalice and the church lamp from the Cathedral of Dormition of Our Lady. Attention is given to the inscriptions on the items. The authors examine the specifics of the forms of inscriptions and cite new data on the donors such as Ivan Nikitich Romanov, Ivan Ivanovich Shuiskii and the Mikhalkov family.

Seven Sacraments Compositions in English Medieval Art

1929 ◽  
Vol 9 (2) ◽  
pp. 83-100 ◽  
Author(s):  
G. McN. Rushforth
Keyword(s):  
Fifteenth Century ◽  
Old Testament ◽  
Religious Art ◽  
Medieval Art ◽  
Christian Art ◽  
The Subject ◽  
Great Tradition ◽  
Speculum Humanae Salvationis ◽  
Church Art ◽  
The Church

Émile Mâle says that medieval Christian art in its last period had lost touch with the great tradition of symbolism which had been so important in the twelfth and thirteenth centuries, and still largely dominated the art of the fourteenth. But there was one great symbolical idea which survived, and that was the harmony of the Old and New Testaments; and so we find among the most popular subjects of fifteenth-century Church art the concordance of the Apostles and Prophets in the Creed, and the series of parallels between the life of Jesus and episodes of Old Testament history, which were summed up and digested in the Biblia Pauperum and the Speculum Humanae Salvationis. The reason for the popularity of these subjects was, no doubt, their didactic value, and though Mâle does not develop this side of the subject, we may say that one, though not the only, characteristic of the religious art of the fifteenth century was that, instead of being symbolical, it became didactic. We find in this period a whole series of subjects which reduced the articles of Christian faith and practice to pictorial form, and seem to have been intended to illustrate the medieval catechism by which the teaching of the Church was imparted.

Relations between the Russian Empire and the Orthodox Church of the East as Exemplified in the Collection of Greek Engravings of The Church Archaeological Museum at the Moscow Theological Academy

2020 ◽  
pp. 61-77
Author(s):  
Анна Леонидовна Краснова
Keyword(s):  
Russian Empire ◽  
Orthodox Church ◽  
Church Of The East ◽  
Holy Places ◽  
The Subject ◽  
The Russian Empire ◽  
The 19Th Century ◽  
The Relationship ◽  
The Church ◽  
Made In

В XVIII в. на основании общего интереса к святыням Востока, а также единой тенденции для крупных монастырей изготавливать гравюры на память для паломников, многие греческие гравюры свидетели русско-афонских отношений попадают на территорию Российской Империи. Сохранились такие гравюры и в Церковноархеологического кабинете Московской духовной академии, собрание которых насчитывает 29 эстампов. Пять гравюр из этого собрания имеют надписи на греческом и на славянском языке. Надписи свидетельствуют о месте и времени создания гравюры, о граверах и заказчиках, являются источниками кратких исторических сведений. В статье приведены выявленные дополнительные факты об этих гравюрах, которые свидетельствуют о наличии церковных, экономических и политических отношений на базе культурных связей между Российской Империей и странами православного Востока. The Russ has always been supporting the relationship with the Orthodox Church of the East. As a result of these connections, we have a lot of icons and other gifts from The Mount Athos, The Saint Catherine’s Monastery and others holy places. There are five Greek engravings in the collection of The Museum of Church Archaeology at the Moscow Theological Academy, which have inscriptions in Greek and Slavic. These engravings were to be spread in Slavic countries. They are dated from the 17th to the 19th century. Some of them were made in Moscow. The images and the inscriptions of the engravings are the subject of a research presented in this article.

scholarly journals FAZENDO GÊNERO NA EDUCAÇÃO PROFISSIONAL: notas epistemológicas a partir do estado de conhecimento sobre educação profissional e gênero na Biblioteca Digital Brasileira de Teses e Dissertações (2008-2019)

2019 ◽  
Vol 26 (4) ◽  
pp. 235
Author(s):  
Larissa Maia de Souza ◽  
Avelino Aldo de Lima Neto
Keyword(s):  
Digital Library ◽  
Professional Education ◽  
Doctoral Degree ◽  
Gender Issues ◽  
Scientific Production ◽  
The State ◽  
The Subject ◽  
And Gender ◽  
Theses And Dissertations ◽  
Made In

O presente artigo objetiva esboçar algumas considerações epistemológicas acerca das questões de gênero no contexto da produção científica da Educação Profissional. Para tanto, inicialmente, serão feitas algumas provocações ao campo epistêmico em questão a partir de contribuições das teóricas feministas. Em seguida, será mapeada e descrita a quantidade dos trabalhos de pós-graduação disponíveis na Biblioteca Digital Brasileira de Teses e Dissertações cujos objetos tangenciam o assunto, no período de 2008 a 2019. Posteriormente, será explicitado o recurso ao estado do conhecimento como procedimento metodológico para coleta de dados, seguindo-se a apresentação dos resultados. Estes revelaram a existência de apenas treze manuscritos centrados sobre a temática, indicando a escassez de estudos. Face a essa constatação, serão tecidas algumas apreciações finais com vistas a proporcionar à Educação Profissional ferramentas capazes de contribuir para a expansão epistemológica da área e para a continuidade da efetivação de sua proposta político-pedagógica de formação humana integral.Palavras-chave: Gênero. Educação profissional. Epistemologia. Estado do conhecimento. Feminismo.DOING GENDER IN PROFESSIONAL EDUCATION: epistemological notes from the state of knowledge on professional education and gender in the Brazilian Digital Library of Theses and Dissertations (2008-2019)AbstractThis article aims to outline some epistemological considerations about gender issues in the context of the scientific production of Professional Education. To this end, initially, some provocations will be made to the epistemic field in question based on contributions from feminist theorists. Next, it will be mapped and described the amount of master’s and doctoral degree works availables in the Brazilian Digital Library of Theses and Dissertations whose objects tangentiate the subject, in the period from 2008 to 2019. Subsequently, the use of the state of knowledge as a methodological procedure for data collection will be explained, followed by the presentation of the results. These revealed the existence of only thirteen manuscripts centered on the theme, indicating the scarcity of studies. In view of this finding, some final considerations will be made in order to provide Professional Education with tools capable of contributing to the epistemological expansion of the area and to the continuity of the effectiveness of its political-pedagogical proposal of integral human formation.Keywords: Gender. Professional education. Epistemology. State of knowledge. Feminism.HACIENDO GÉNERO EN LA EDUCACIÓN PROFESIONAL: notas epistemológicas a partir del estado del conocimiento sobre educación profesional y género en la Biblioteca Digital Brasileña de Tesis y Disertaciones (2008-2019)ResumenEste artículo tiene por objetivo esbozar algunas consideraciones epistemológicas sobre las cuestiones de género en el contexto de la producción científica de la Educación Profesional. Para eso, inicialmente, se harán algunas provocaciones al campo epistémico en cuestión a partir de las aportaciones de las teóricas feministas. Seguidamente, se mapeará y describirá la cantidad de trabajos de maestría y doctorado disponibles en la Biblioteca Digital Brasileña de Tesis y Disertaciones cuyos objetos tangencializan el tema, en el período de 2008 a 2019. Posteriormente, se explicará el uso del estado del conocimiento como procedimiento metodológico para la recogida de datos, seguido de la presentación de los resultados. Estos revelaron la existencia de sólo trece manuscritos centrados en el tema, lo que indica la escasez de estudios. En vista de este diagnóstico, se harán algunas consideraciones finales para dotar a la Educación Profesional de herramientas capaces de contribuir a la expansión epistemológica del área y a la continuidad de la efectividad de su propuesta político-pedagógica de formación humana integral.Palavras claves: Género. Educación profesional. Epistemología. Estado del conocimiento. Feminismo.

Paul of Samosata, Zenobia and Aurelian: the Church, Local Culture and Political Allegiance in Third-Century Syria

1971 ◽  
Vol 61 ◽  
pp. 1-17 ◽  
Author(s):  
Fergus Millar
Keyword(s):  
Roman Empire ◽  
Third Century ◽  
Semitic Languages ◽  
Architectural Styles ◽  
The People ◽  
Fertile Crescent ◽  
Actual Movement ◽  
The Temple ◽  
The Church ◽  
Made In

What we call the ‘Eastern frontier’ of the Roman Empire was a thing of shadows, which reflected the diplomatic convenience of a given moment, and dictated the positioning of some soldiers and customs officials, but hardly affected the attitudes or the movements of the people on either side. Nothing more than the raids of desert nomads, for instance, hindered the endless movement of persons and ideas between Judaea and the Babylonian Jewish community. Similarly, as Lucian testifies, offerings came to the temple of Atargatis at Hierapolis-Bambyce from a wide area of the Near and Middle East, including Babylonia. The actual movement to and fro of individuals was reflected, as we have recently been reminded, in a close interrelation of artistic and architectural styles. Moreover, whatever qualifications have to be made in regard to specific places, it is incontestable that Semitic languages, primarily Aramaic in its various dialects, remained in active use, in a varying relationship to Greek, from the Tigris through the Fertile Crescent to the Phoenician coast. This region remained, we must now realize, a cultural unity, substantially unaffected by the empires of Rome or of Parthia or Sassanid Persia.

The Submission of the Clergy

1965 ◽  
Vol 15 ◽  
pp. 97-119 ◽  
Author(s):  
Michael Kelly
Keyword(s):  
Eighteenth Century ◽  
The State ◽  
Henry Viii ◽  
The Commons ◽  
The Subject ◽  
The Church ◽  
Uniform Treatment

The concessions presented by Archbishop Warham and representatives of Convocation to Henry VIII on 16 May 1532 have been the subject of endless controversy, while the background and circumstances of the enactment have received remarkably uniform treatment from later generations. Despite the proliferation of Reformation and Convocation histories since the eighteenth century, historians have, by and large, been content to repeat or elaborate an outline of the event first found in Wake's The State of the Church (1703). According to this interpretation, the King and Cromwell employed the Commons Supplication against the Ordinaries presented in March 1532 to compel the clergy's approval of the articles of 16 May.

scholarly journals THE MANUSCRIPT BY S. A. AVIZHANSKAYA ON THE BASHKIR WEDDING

2021 ◽  
Vol 17 (49) ◽  
pp. 187-203
Author(s):  
Farida Galieva ◽  
Keyword(s):  
20Th Century ◽  
Food Systems ◽  
Field Research ◽  
The State ◽  
Research Center ◽  
Economic Activities ◽  
Federal Research ◽  
Applied Art ◽  
State Museum ◽  
Academy Of Sciences

Sofia Aleksandrovna Avizhanskaya is known for her research in the field of decorative and applied art of the Bashkirs and the Bashkir collections she collected for the State Museum of Ethnography of the Peoples of the USSR. However, her contribution to ethnographic science is not limited to this. The proposed publication introduces into scientific circulation Avizhanskaya’s manuscript about the Bashkir wedding, discovered in the Scientific Archives of the Ufa Federal Research Center of the Russian Academy of Sciences in the 1956 field diary of Rail Gumerovich Kuzeev. The author supplements these materials with the information contained in Avizhanskaya’s expeditionary report, and highlights their novelty and uniqueness using our own field records of recent years. Archival sources indicate that during joint field research, Kuzeev often served as Avizhanskaya’s translator from Bashkir into Russian, including the story of a wedding, and shared his knowledge of the history and life of the Bashkirs. This helped Avizhanskaya to study the territorial features of the national costume, economic activities, food systems and other areas of the ethnography of the Bashkirs. For her part, she passed on the experience of expeditionary work. A record of the Bashkir “red wedding” made jointly by Avizhanskaya and Kuzeev fills in the source gap in the study of the Bashkir ritual of the mid-20th century. The manuscript presents the local features of the northeastern Bashkirs, preserved traditions, including the institution of “planted parents”, as well as other ethnic and Soviet customs that have penetrated into ritualism.

scholarly journals To the Problem of Attribution of the Albums Ten Landscapes and Travelling Along the River [Painted by] Shitao

2021 ◽  
pp. 122-139
Author(s):  
P.S. Odinokova ◽  
Keyword(s):  
20Th Century ◽  
Qing Dynasty ◽  
Original Work ◽  
The State ◽  
Point Of View ◽  
Visual Evaluation ◽  
Scientific Discussion ◽  
The Qing Dynasty ◽  
State Museum ◽  
The Subject

The article is devoted to the albums Ten Landscapes and Travelling Along the River [Painted by] Shitao, attributed to Shitao (1642–1707), a famous Chinese artist and theorist of painting in beginning of the Qing dynasty (1644–1911). The aim of the article is to estab- lish authenticity of the albums. The album Ten Landscapes is in the collection of the State Museum of Oriental Art (Moscow). In 2015 one leaf from it was displayed at the exhibition Classical Painting of China. After visual evaluation and the analysis of painting, calligraphy and seals the author came to conclusion that the album Ten Landscapes could not be the original work of Shitao. It is probably the copy of another album Travelling Along the River [Painted by] Shitao. The latter was very famous among the connoisseur’s circles at the beginning of the 20th century. Therefore, its authenticity is also the subject of scientific discussion. Some of Chinese experts and researchers regard the album Travelling Along the River [Painted by] Shitao as the best example of Shitao’s painting. Others question its authenticity. The author of the article gives arguments to confirm the latter point of view.

scholarly journals The Art of Recycling Fresco-Icons. At the Roots of the Cult of Images.

2019 ◽  
Vol 30 ◽  
pp. 237-248
Author(s):  
Per Jonas Nordhagen
Keyword(s):  
Eighth Century ◽  
Strict Adherence ◽  
The Individual ◽  
Church Art ◽  
To Receive ◽  
The Church ◽  
Made In

Of the observations made during the author’s research in S. Maria Antiqua (1957-1960), the most baffling were some which indicated that efforts had been made in the early eighth century A.D. to preserve and safeguard the older fresco-images in the church. The procedure discovered here, which had served to incorporate important earlier iconographical matter into the program designed for Pope John VII (A.D. 705-707), was a phenomenon then wholly unknown from church art of the period. However, that a systematic labor of image-reuse according to such principles had been carried out, could be established with certainty on the basis of some very precise archaeological facts. These facts had to do, above all, with the absence on many of the earlier fresco panels in the church of the hatchings or indentures thickly applied to frescoed walls wherever they were to receive new coats of mortar. As proved by meticulous study of the panels in S. Maria Antiqua on which no chisel marks are found, none had had newer strata of painting applied to them. Evidence of these picture-protecting exerts is abundant in the church and prompted conclusions like the following (1968): ”Now it becomes possible also to gauge the fervor with which the individual frescoes were worshipped. The reluctance to obliterate a picture, the efforts made to preserve it, and also the eventual repainting of it with strict adherence to the original subject, all reflect an attitude characteristic of the cult of the icon”. Nordhagen 1968, 90.

scholarly journals Exegesis Integrative Review of Salvation Because The Love Of God Is The Basic of The Church As The Unity of The Body of Christ (Ephesians 2:11-22)

2020 ◽  
Vol 3 (1) ◽  
pp. 20-29
Author(s):  
Tonny Andrian
Keyword(s):  
Jesus Christ ◽  
Church History ◽  
The Body ◽  
Body Of Christ ◽  
Shed Blood ◽  
Major Subject ◽  
The World ◽  
The Subject ◽  
The Temple ◽  
The Church

The subject of the unity of the church has appeared several times during the period of church history as a major subject. Even in the 20th century, differences of opinion on the subject of unity led to divisions. This point cannot be ignored. That is why the researcher conducted an integrated exegessa study on the meaning of the Church as the unity of the body of Christ Ephesians 2: 11-22. Ephesians 2: 11-22 is not a separate passage, but integrative, with other passages in the book of Ephesians. (this would be integrative both with Ephesians 2: 1-10 and Ephesians 4: 1-6) The conjunction "therefore" in Ephesians 2.11, describes the preceding verses that speak of grace. The suffering of Jesus Christ and His sacrifice on the cross, and His shed blood, are manifestations of grace that saves sinners. A demonstration of grace, which is free gift. It is the grace that saves people from sin. Thus Ephesians 2: 11-22 must be seen as a context that comes from grace. The saving or salvation based on the grace of God, as a building body of Christ, which is a union, which was previously "distant", ie those who are without Christ, not belonging to the citizens of Israel, become one body of Christ as intended by God. Ephesians 2: 11-22 explains that the unification of the body of Christ is a reflection of the journey of a Christian individual who has been saved by the grace of Christ God, is united or united with other Christian individuals to move towards the unity of building the body of Christ, as the Temple of God. the church as the unified Body of Christ, is built on the teachings of the Apostles and Prophets. Thus, the church, which has a government, a doctrine that may not be the same as one another, but the church is a unity in the bonds of the Spirit of peace, one faith, one Baptism, one god, one GOD the FATHER of all God, as salt and The light of the world, brings transformation and restoration for the world, through the carrying out of the task of the grace of Christ, namely the preaching of the gospel of the kingdom of heaven, so that all knees will kneel and all tongues confess that Jesus Christ is Lord to the glory of the heavenly Father.

scholarly journals On the state of the Abbey Church of Holyrood subsequently to the devastations committed by the English Forces in the years 1544 and 1547

1854 ◽  
Vol 1 ◽  
pp. 101-115
Author(s):  
David Laing
Keyword(s):  
17Th Century ◽  
The State ◽  
Privy Council ◽  
Historical Account ◽  
Charles I ◽  
History Of ◽  
The Subject ◽  
The Church

David Laing presents a historical account of this church from its founding in 1128 to the proposed visit of Charles I in the 17th century. He includes a series of original letters and Acts of Privy Council from 1626-1641 relating to the alterations and repairs made for this visit. He then briefly outlines the later history of the church that led to its ruined state. Laing concludes by arguing that there is no point in the Society proposing a restoration of the old edifice or the construction of a new one, but that clearing the soil and grass from the original foundations and installing a gravel path around them would allow visitors to view what is left of the site. His proposal that the Society present a Memorial on the subject was accepted by those present and a committee was appointed to draft the Memorial.

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