scholarly journals On Double Narration in Wuthering Heights

2021 ◽  
Vol 7 (1) ◽  
pp. 1-4
Author(s):  
Mr. Omar Ezzaoua
Keyword(s):  
Structural Study ◽  
Narrative Structure ◽  
Theoretical Framework ◽  
The Novel ◽  
Wuthering Heights ◽  
Complex Organization ◽  
The Status ◽  
Narrative Time ◽  
Narrative Techniques

Emily Bronte's Wuthering Heights is characterized by the narrative mechanisms and techniques it employs. Building on its structure, the novel is obviously rich in its underlying elements that are worth examining. One of these elements is the choice of multiple narrators and the complex organization of narrative time. This theoretical framework deals mainly with narration and narrative techniques as approached by structuralist narratology. As an approach that examines narration and its major hybrids, narratology delves into a structural study of Wuthering Heights allowing for a deep examination of the underlying narrative elements in the novel. Having said that, it is believed that the study of narratology is pertaining in the sense that it sheds light on how the narrative structure of the novel puts into question the status of the narrators as reliable sources. This structure also mystifies the story giving the reader a chance to decipher the intent of the characters involved as both narrators and characters. Without taking such structure into account, the readers are missing some key elements in understanding and interpreting the stories told by the narrators

scholarly journals Tradition Versus and Modernity in Laila al-Juhani’s The Waste Paradise: An Intertextual Approach

2021 ◽  
Vol 11 (10) ◽  
pp. 1197-1202
Author(s):  
Mohammed Abdullah Abduldaim Hizabr Alhusami
Keyword(s):  
Cultural Heritage ◽  
Short Story ◽  
World Literature ◽  
Narrative Structure ◽  
The Novel ◽  
Saudi Women ◽  
The Core ◽  
The World ◽  
The Status ◽  
Story Writer

The aim of this paper is to investigate the issue of intertextuality in the novel Alfirdaws Alyabab (The Waste Paradise) by the female Saudi novelist and short story writer Laila al-Juhani. Intertextuality is a rhetoric and literary technique defined as a textual reference deliberate or subtle to some other texts with a view of drawing more significance to the core text; and hence it is employed by an author to communicate and discuss ideas in a critical style. The narrative structure of Alfirdaws Alyabab (The Waste Paradise) showcases references of religious, literary, historical, and folkloric intertextuality. In analyzing these references, the study follows the intertextual approach. In her novel The Waste Paradise, Laila al-Juhani portrays the suffering of Saudi women who are less tormented by social marginalization than by an inner conflict between openness to Western culture and conformity to cultural heritage. Intertextuality relates to words, texts, or discourses among each other. Moreover, the intertextual relations are subject to reader’s response to the text. The relation of one text with other texts or contexts never reduces the prestige of writing. Therefore, this study, does not diminish the status of the writer or the text; rather, it is in itself a kind of literary creativity. Finally, this paper aims to introduce Saudi writers in general and the female writers in particular to the world literature.

scholarly journals Breaking the Circle

Prism ◽  
2021 ◽  
Vol 18 (1) ◽  
pp. 89-113
Author(s):  
Bozhou Men
Keyword(s):  
Narrative Structure ◽  
The Novel ◽  
The West ◽  
Literary Naturalism ◽  
Narrative Perspective ◽  
Narrative Time ◽  
Sociohistorical Context

Abstract First appearing in 1892 as a serialized novel, Han Bangqing's Haishanghua liezhuan 海上花列傳 (The Sing-Song Girls of Shanghai) demonstrates the problematic of an “atypical” novel and the challenges it poses to the notion of the Chinese literary “modern.” This article examines Haishanghua's departure from the traditional circular narrative in terms of its narrative perspective, narrative time, and narrative structure and further notes that this circle-breaking pattern on the technical levels is repeated on the more profound semantic/thematic level of the novel as well. By exploring the sociohistorical context that gives rise to such modern narratives, this article draws links between Han's pioneering experimentations with Haishanghua and the rise of literary naturalism in the West. In this way, the author sheds light on the significance of this atypical novel in the periodization of the Chinese literary modern.

scholarly journals THE STUDY OF FEMINISM IN THE NOVEL NAYLA BY DJENAR MAESA AYU

2019 ◽  
Vol 3 (1) ◽  
pp. 27
Author(s):  
Ni Ketut Veri Kusumaningrum ◽  
I Wayan Rasna ◽  
Gde Artawan
Keyword(s):  
Narrative Structure ◽  
The Novel ◽  
The Public ◽  
Library Research ◽  
The Social ◽  
Show Business ◽  
The Status ◽  
Role Of Women ◽  
Relationship Of

This research aims to determine (1) the narrative structure of novel Nayla by Djenar Maesa Ayu, (2) the role of women figure in the novel Nayla by Djenar Maesa Ayu, (3) the struggle of women figure in the novel Nayla by Djenar Maesa Ayu. This research uses feminism study with qualitative research. The data was collected by using library research. The library method was used at finding out the data in the novel Nayla by Djenar Maesa Ayu and in other literature which supports this research. The analyzed data are narrative structure, the role of women figure and the struggle of women figure in the novel Nayla by Djenar Maesa Ayu. The data were analyzed through the stage of reduction, presentation and data collection. The subject of this research is the novel Nayla by Djenar Maesa Ayu, the object of this research is the narrative structure, the role of women figure and the struggle of women figure in the novel Nayla by Djenar Maesa Ayu. The result of this research refers to (1) The Narrative structure in the novel Nayla by Djenar Maesa Ayu was include figure, characterization, plot and background. (2) The role of women figure in the novel Nayla by Djenar Maesa Ayu was found in the social domain, domestic and public. (3) The struggle of women figure in the novel Nayla by Djenar Maesa Ayu was manifested by struggling in maintaining in the status as women, the struggle in maintaining the gender. The form of feminism was described in the novel Nayla as never surrender, not dependent to the parents, and behaves deviate. Novel Nayla to present the relationship of gender that leads to a superior. Novel Nayla as the main character show business to make a women who has the dignity of which is equivalent to the men. Based on the results of analysis and advice for women in order to improve the quality of the field of education, domestic, and the public so that gender equality can be achieved.

Threads of Transmission in Muḥammad Barrāda’s Luʿbat al-nisyān

2019 ◽  
pp. 141-158
Author(s):  
Hoda El Shakry
Keyword(s):  
Mikhail Bakhtin ◽  
Narrative Structure ◽  
Historical Narrative ◽  
The Other ◽  
The Novel ◽  
Literary Critic ◽  
Theological Discourse ◽  
Narrative Time ◽  
The One ◽  
Critical Writings

Literary critic and novelist Muḥammad Barrāda’s (b.1938) experimental 1987 Luʿbat al-Nisyān [the Game of Forgetting] is considered the Arabic postmodernist novel par excellence. The “nuṣ riwāʾī” [novelistic text] oscillates between historical, narrative, and meta-narrative time, as well as between diegetic and meta-textual narrators. Rather than aligning its authorial decentering and rhizomatic narrative structure with the collapsing of theological discourse as a totalizing force, this chapter reads Luʿbat al-Nisyān through Qurʾanic narratology and intertextuality. It situates the novel, on the one hand, in relation to Barrāda’s extensive critical writings on literary experimentation [tajrīb] and translation of Mikhail Bakhtin. On the other, it theorizes the work through narrative and formal modes and inflected by the Qurʾan—such as iltifāt, or rhetorical code-switching. Moreover, Luʿbat al-Nisyān’s use of multiple narrative perspectives and genealogies critically interrogates the hermeneutical practices surrounding the documentation, verification, and transmission of the apostolic tradition of hadith.

The end of the affair: Catholic plots and sinful detectives

2020 ◽  
Vol 6 (1) ◽  
pp. 31-45
Author(s):  
Simão Valente
Keyword(s):  
Detective Fiction ◽  
Narrative Structure ◽  
The Novel ◽  
Divine Intervention ◽  
Human Choice ◽  
Double System ◽  
Private Detective ◽  
Clear Link ◽  
Narrative Time ◽  
The One

AbstractThe first paragraph of Greene’s The End of the Affair establishes a clear link between two of the major themes of the novel: storytelling and Catholicism. Maurice Bendrix, the first-person narrator, considers whether it is his craft as a professional writer that leads him to begin telling his story the way he does, or, were he a believer, whether the hand of God played a role in organizing the events that he retells. The order in which a story is told is pitted against the chronological order of the events depicted, this contrast in turn masking the one between human choice and divine intervention. The gist of the story is the affair Bendrix conducted with Sarah Miles, and its unexpected and unexplained end at her behest a year before the opening scene, at the height of the Blitz. That mystery is the crux of the plot, for Bendrix’s obsession with uncovering it leads him to hire a private detective, Parkis, whose exploits allow Greene to appropriate the narrative structure of detective fiction to frame his work, especially in what concerns what Franco Moretti called a “double system of meanings”, following Todorov’s work on detective fiction: the superficial level of investigation hides the deeper level of the crime which is only revealed at the end. My suggestion is that Greene’s novel operates under this system, superimposing it to his concerns with jealousy, religion, and how to tell it. The concern with God, however posits issues of authorship and narrative that go beyond the classical detective story. The interplay between narrative time and experienced time expressed in the novel’s initial paragraph is in this way rendered more complicated by a detective story’s reliance on its conclusion for it to “work”. Although the The End of the Affair opens by emphasizing its own opening, both title and structure point to the source of meaning: the end.

scholarly journals Narratological Analysis of Temporality in Novel

2021 ◽  
Vol 2 (1) ◽  
pp. 13-19
Author(s):  
Nasr M. A. Abdulrraziq ◽  
Ayman E. M. Geedallah
Keyword(s):  
Structural Analysis ◽  
Charles Dickens ◽  
General Idea ◽  
The Novel ◽  
Great Expectations ◽  
Narrative Time ◽  
Narrative Techniques ◽  
Gerard Genette

This paper definitely attempts to intermingle them with regard to structural analysis. It adopted the theory of Gerard Genette,  the analysis of the famous novel  Great Expectations  by Charles Dickens, the main discussion concerns order and duration whereas frequency is ruled out. Consequently, order can be presented by two different narrative techniques; through the profound analysis of analepsis and prolepsis to show the chronological and anachronological order of the novel. A further analysis of the novel also includes the alternation of the four narrative movements of duration which are divided into techniques of deceleration; descriptive pause and scene whereas techniques of accelerations; ellipsis and summary. The diagrams and tables of the study aim to reach semi-statistical deduction for the chronological techniques of anachronism and its effect on the structure of the narrative time of the novel as whole, which gives a general idea about the system of the time in novel.

A Compact Embodiment of Pluralities and Denial of Origins: Atwood’s The Year of The Flood

2016 ◽  
Vol 1 (3) ◽  
pp. 141
Author(s):  
Rana Sağıroğlu
Keyword(s):  
Science Fiction ◽  
21St Century ◽  
Social Order ◽  
Margaret Atwood ◽  
Rapid Change ◽  
The Novel ◽  
The World ◽  
Narrative Techniques ◽  
Why Questions ◽  
Near Future

Margaret Atwood, one of the most spectacular authors of postmodern movement, achieved to unite debatable and in demand critical points of 21st century such as science fiction, postmodernism and ecocriticism in the novel The Year of The Flood written in 2009. The novel could be regarded as an ecocritical manifesto and a dystopic mirror against today’s degenerated world, tending to a superficial base to keep the already order in use, by moving away from the fundamental solution of all humanity: nature. Although Atwood does not want her works to be called science fiction, it is obvious that science fiction plays an introductory role and gives the novel a ground explaining all ‘why’ questions of the novel. However, Atwood is not unjust while claiming that her works are not science fiction because of the inevitable rapid change of 21st century world becoming addicted to technology, especially Internet. It is easily observed by the reader that what she fictionalises throughout the novel is quite close to possibility, and the world may witness in the near future what she creates in the novel as science fiction. Additionally, postmodernism serves to the novel as the answerer of ‘how’ questions: How the world embraces pluralities, how heterogeneous social order is needed, and how impossible to run the world by dichotomies of patriarchal social order anymore. And lastly, ecocriticism gives the answers of ‘why’ questions of the novel: Why humanity is in chaos, why humanity has organized the world according to its own needs as if there were no living creatures apart from humanity. Therefore, The Year of The Flood meets the reader as a compact embodiment of science fiction, postmodernism and ecocriticism not only with its theme, but also with its narrative techniques.

STRUKTUR NARASI NOVEL CA BAU KAN, KARYA REMY SYLADO ANALISIS SEMIOTIK

2017 ◽  
Vol 4 (1) ◽  
pp. 70
Author(s):  
Sri Sabakti
Keyword(s):  
Narrative Structure ◽  
Literary Analysis ◽  
The Novel ◽  
Basic Scheme ◽  
Library Research ◽  
The Mean

This research is aimed to expose the narrative structure of the novel Ca Bau Kan by using semiotical theory. The source of the data is the novel Ca Bau kan written by Remy Silado and published by KPG, eight edition, 2004. The data is collected by doing the library research. The teory applied in this research is the emiotical theory, especially the literary analysis of Subur Laksono Wardoyo that the analysis of the text of prose can be applied by using three fases; the analysis of the basic scheme narrative, the analysis of mean signifier, and the analysis of syntagmatics and pragmatics. The result of this research showed that the narrative structure in the novel CBK that (1) the life of Tinung before being a ca bau kan, (2) the life of Tinung as a ca bau kan, and (3) the life of Tinung after not being a ca bau kan anymore. Based on the narrative structure, it was found that “ Love is only one. No measurement is needed” is the mean signifier and able to be clarified by the analysis of syntagmatics-paradigmatics based on the biner oposition of weak x strong.AbstrakPenelitian ini bertujuan mengungkapkan stuktur narasi dalam novel Ca Bau Kan (CBK) dengan menggunakan teori semiotika. Penelitian ini menggunakan sumber data novel CBK karya Remy Silado yang diterbitkan oleh KPG, cetakan kedelapan tahun 2004. Pengumpulan data dilaksanakan dengan teknik kepustakaan. Teori yang digunakan dalam penelitian ini adalah teori semiotika, khususnya analisis sastra menurut Subur Laksono Wardoyo bahwa analisis teks prosa dapat dilakukan melalui tiga tahap, yaitu: analisis skema naratif dasar, analisis signifier utama, dan analisis sintagmatik-paradigmatik. Hasil penelitian menggambarkan bahwa struktur narasi pada novel CBK adalah sebagai berikut: 1) kehidupan Tinung sebelum menjadi ca bau kan, 2) kehidupan Tinung sebagai ca bau kan, dan 3) kehidupan Tinung setelah tidak menjadi ca bau kan. Berdasarkan struktur narasi, maka didapatkan bahwa “Cinta cuma satu, kagak perlu takaran” merupakan penanda utama dan dapat diperjelas melalui analisis sintagmatik-paradigmatik yang didasarkan atas sebuah oposisi biner lemah x kuat.

PERUBAHAN NILAI BUDAYA MINANGKABAU DALAM NOVEL TENGGELAMNYA KAPAL VAN DER WIJCK KARYA HAMKA DAN NOVEL BULAN SUSUT KARYA ISMET FANANY (KAJIAN PERBANDINGAN)

Jurnal KATA ◽  
2018 ◽  
Vol 2 (2) ◽  
pp. 336
Author(s):  
Yulia Pebriani
Keyword(s):  
Modern Society ◽  
Local Culture ◽  
The Novel ◽  
Next Generation ◽  
The Status ◽  
Symbolic Leadership ◽  
Cultural Shifts ◽  
Time Lead

<em>Local culture is very diverse Indonesia became an honor and challenge to maintain and inherited to the next generation. Local Indonesian culture is very proud because it has a very varied diversity and unique. As time, lead to changes in lifestyle a more modern society. As a result, people will prefer the new culture that may be considered more practical than the local culture. Views on kinship, treasures, and wander in the novel Tenggelamnya Kapal Van Der Wijck Hamka works and novels Bulan Susut works Ismet Fanany changes and cultural shifts. Kinship, treasures, and wander in the novel Sinking Ship Van Der Wijck Hamka's work is described explicitly, whereas kinship, treasures, and wander in the novel Month Losses Ismet work Fanany described implicitly. Changes in people's lives has implications for social Minangkabau culture in Minangkabau society. A leadership that is both functional mamak transformed into symbolic leadership. Mamak originally as straps tribesmen, has changed the status and intrinsic meaning.</em>

Hierogamy versus Wedlock: Types of Marriage Plots and Their Relationship to Genres of Prose Fiction

PMLA ◽  
1976 ◽  
Vol 91 (5) ◽  
pp. 900-913 ◽  
Author(s):  
Evelyn J. Hinz
Keyword(s):  
The Novel ◽  
Prose Fiction ◽  
Wuthering Heights ◽  
Mythic Narrative

Because we conventionally think of marriage in social and moral terms, we tend to regard it as a subject practically indigenous to the novel. Hence a work like Wuthering Heights poses problems for the traditional genre critic, since while this work is concerned with marriage its conventions are not those of the novel. The usual tactic is to call Brontë's work a “romance,” but marriage is not compatible with the “romance” as the term is usually defined. It is thus important to recognize that there are two types of marriage plots in prose fiction: one indigenous to the novel, that might be called “wedlock”; another, indigenous to works like Wuthering Heights, that may be called “hierogamy.” Thus, works like Wuthering Heights should not be classified as “displaced novels” but as examples of an autonomous genre which for the present might be designated “mythic narrative.”

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