scholarly journals The Place of the Saint Ladislaus’ Monarchy in the Medieval Europe according to the Western Chroniclers at the time of the First Crusade

2019 ◽  
Vol 25 ◽  
pp. 77-84
Author(s):  
Bartłomiej Dźwigała
Keyword(s):  
Present Article ◽  
Point Of View ◽  
First Crusade ◽  
Starting Point ◽  
Medieval Europe ◽  
Western European ◽  
The Relationship

The present article examines the First Crusade’s passage through the Kingdom of Hungary. Basing on the two main narrative sources: the Historia Ierosolimitana of Albert of Aachen and the chronicle of the William of Tyre the author comments on the relationship between the king of Hungary, Coloman the Learned, and Western European crusaders, which is the starting point to discuss a wider problem of opinion on newly christianizeed Hungary from the post-Carolingian Europe’s point of view. As it has been shown, the Kingdom of Hungary at the time of the First Crusade was perceived as a member of Latin Christendom. Furthermore there is no evidence in contemporary Latin narrative sources for the chroniclers’ negative approach towards Hunagarian Monarchy. 

scholarly journals BUDDHISM AND MODERNITY: IN THE MARGIN OF DONALD S. LOPEZ JR.'S "BUDDHISM AND SCIENCE

2016 ◽  
Vol 57 (133) ◽  
pp. 323-343
Author(s):  
Bruno Lo Turco
Keyword(s):  
Present Article ◽  
Science And Religion ◽  
Point Of View ◽  
International Scholarship ◽  
The Relationship

ABSTRACT The present article aims at setting the issue of the relationship between Buddhism and science in a historical and philosophical frame wider than that one taken into account by the international scholarship so far. The historical point of view allows us to conclude that the narrative that connects Buddhism with science is not based on features intrinsic to Buddhist thought. In fact, such narrative prospered thanks to the development of a dialectic, typical of the 18th and 19th centuries, between science and religion. The philosophical point of view allows us to conclude that such narrative is backed by a metaphysical-like thought that denies the specificity of both science and Buddhism.

scholarly journals Duas fotografias em Austerlitz, de W. G. Sebald | Two photographs in Austerlitz, by W. G. Sebald

2021 ◽  
Vol 3 (2) ◽  
pp. 101-116
Author(s):  
Luciano Gatti
Keyword(s):  
Present Article ◽  
Photographic Material ◽  
Starting Point ◽  
Memory Experience ◽  
A Chain ◽  
The Relationship

O presente trabalho discute as relações entre literatura e fotografia em Austerlitz, de W. G. Sebald. Para fazer isso, como ponto de partida, observa-se a suposta oposição entre documento e ficção no emprego de material fotográfico feito por Sebald. Segundo a hipótese deste artigo, a função das fotografias deve ser compreendida a partir do mecanismo literário desenvolvido por Sebald para apresentar a investigação de seu protagonista a respeito de elementos de sua vida passada desconhecida. A pesquisa caracteriza tal procedimento como um “encadeamento de narradores” e, feito isso, debate sobre a função exercida pelas fotografias nas relações entre memória, narração e experiência.Palavras-chave: W. G. Sebald. Fotografia. Memória. Experiência.  AbstractThis article discusses the relationship between literature and photography in Austerlitz, by WG Sebald. In order to do that, as a starting point, we observe the supposed opposition between document and fiction in Sebald's use of photographic material. This study proposes that we may understand the role played by photographs in the book by means of the literary mechanism developed by Sebald to present the search of his protagonist for elements of his unknown past. The present article characterizes this procedure as a “chain of narrators” and, after that, discusses the role played by photographs in the relationships between memory, narration and experience.Keywords: W. G. Sebald. Photography. Memory. Experience. ORCIDhttp://orcid.org/0000-0003-3960-3610

scholarly journals La vinculación entre geopolítica y seguridad: algunas apreciaciones conceptuales y teóricas/ The link between geopolitics and security: a conceptual and theoretical assessment

2017 ◽  
pp. 111
Author(s):  
Lester Martin Cabrera Toledo
Keyword(s):  
Twentieth Century ◽  
Present Article ◽  
Point Of View ◽  
Theoretical Discussion ◽  
Holistic Understanding ◽  
Points Of View ◽  
Siglo Xx ◽  
The Relationship ◽  
Theoretical Assessment ◽  
The Way

El presente artículo establece una discusión teórica sobre la vinculación que existe entre la geopolítica y la seguridad. En este sentido, la discusión se aprecia desde un punto de vista en torno a la evolución que ha tenido la relación entre geopolítica y seguridad, particularmente sobre la forma en que se comprenden tanto los procesos conflictivos y los actores que se ven involucrados. Así, se establece la vinculación desde comienzos del siglo XX hasta la actualidad, donde se percibe la necesidad de comprender tanto a la geopolítica como a la seguridad desde otros puntos de vista en los que incluso sus elementos básicos se ven cuestionados. Se concluye que se requiere una comprensión holística de ambas perspectivas para entender y explicar los nuevos fenómenos conflictivos, sin descartar la totalidad de los postulados clásicos. ABSTRACTThe present article seeks to establish a theoretical discussion about the link between geopolitics and security. In this sense, the discussion is seen from a point of view on the evolution of the relationship between geopolitics and security, particularly on the way in which both conflicting processes and the actors involved are understood. Thus, it is established the linkage from the beginning of the twentieth century to the present, where it is perceived the need to understand both geopolitics and security from other points of view, in which even its basic elements are questioned. It concludes that a holistic understanding of both perspectives is required to understand and explain the new conflicting phenomena, without ruling out the totality of the classical postulates.

scholarly journals Máquinas de la memoria: Emblemática y Semiótica

2021 ◽  
pp. 71
Author(s):  
María del Carmen Fernández Galán Montemayor
Keyword(s):  
Generative Model ◽  
Point Of View ◽  
Complex Interdependence ◽  
Word And Image ◽  
Theoretical Perspectives ◽  
Starting Point ◽  
Artificial Memory ◽  
Verbal Representations ◽  
The Relationship

ABSTRACT: The relationship between word and image has been researched from different theoretical perspectives. The emblem, as a hybrid textual type, has been approached from the perspectives of iconography and epigraphy in the analysis of the variety of genres derived from the triplex model, like the heavily codified languages of mute emblems and baroque hieroglyphs. The rhetorical procedures and traditions involved in the production and reception of these symbolic machines utilize the exemplum and the allegory, going through the progymnasmata, as the main strategies in the connection of iconic and verbal representations. The purpose of this work is to describe the emblem from a semiotic point of view and explore the relationship between emblematics and the theatres of artificial memory as categories that allow the explanation of the complex interdependence between the visual and the verbal in its mnemotechnical function, where the effectiveness of the repertoire of symbol is built in museums of the imaginary. This takes the visual grammars of semiotics as well as the anthropology of writing as a starting point to propose a generative model of reading.   KEYWORDS: Emblematics; Semiotics; Symbolism; Hieroglyph; Memory.   RESUMEN: La relación entre palabra e imagen ha sido estudiada desde distintas perspectivas teóricas. En el caso del emblema, como tipo textual híbrido, se ha abordado desde la iconografía y la epigrafía en el análisis de la variedad de géneros derivados del modelo triplex, como los lenguajes altamente codificados de los emblemas mudos y los jeroglíficos barrocos. Los procedimientos retóricos y tradiciones implicados en la producción y recepción de estas máquinas simbólicas tienen como principales estrategias el exemplum y la alegoría pasando por los progymnásmata, en la conexión de representaciones icónicas y verbales. El propósito de este trabajo es caracterizar el emblema desde el punto de vista semiótico y explorar la relación entre la emblemática y los teatros de la memoria artificial como categorías que permiten explicar la compleja interdependencia de lo visual y lo verbal en su función mnemotécnica donde la eficacia de los repertorios de símbolos se erige en museos del imaginario. Lo anterior a partir de las gramáticas visuales de la semiótica y de la antropología de la escritura para proponer un modelo generativo de lectura.   PALABRAS CLAVES: emblemática; semiótica; jeroglífico; memoria.

scholarly journals Jacek Hugo-Bader in the footsteps of Ryszard Kapuściński and Svetlana Alexievitch in the former USSR (White Fever. From Moscow to Vladisvostok, 2009)

Slovo ◽  
2021 ◽  
Vol The Distant Voyages of Polish... (The distant journeys of...) ◽  
Author(s):  
Katia Vandenborre
Keyword(s):  
Soviet Union ◽  
Present Article ◽  
Former Soviet Union ◽  
Starting Point ◽  
Four Books ◽  
International Audience ◽  
Soviet Space ◽  
Mise En Récit ◽  
Former Ussr ◽  
The Relationship

International audience Of the four books which were written by Jacek Hugo‑Bader, three are held in Russia and in the territories of the former Soviet Union: In the Paradise Valley, Among the Weeds herbes [W rajskiej dolinie, wśród zielska, 2002], White Fever [Biała gorączka, 2009] and Kolyma Diaries [Dzienniki kołymskie, 2010]. This Russianness is the starting point of the present article which aims to place Hugo‑Bader’s literary personality in the Polish galaxy of travel writers. His interest for post‑Soviet space connects Hugo‑Bader with two writers who have distinguished themselves in this field: Svetlana Aleksievič and Ryszard Kapuściński. Considering the method, the collection of material, the relationship to witnesses, the vision of Russian power, the storytelling and the use of literature, the comparison will help to identify some of Hugo‑Bader’s most important specificities. Sur les quatre livres que compte l’oeuvre de Jacek Hugo‑Bader, trois se déroulent en Russie et dans les territoires de l’ex‑URSS : Dans la vallée paradisiaque, parmi les mauvaises herbes [W rajskiej dolinie, wśród zielska, 2002], La Fièvre blanche [Biała gorączka, 2009] et Le Journal de la Kolyma [Dzienniki kołymskie, 2010]. Cette prédominance russophone constitue le point de départ du présent article dont l’objet est de situer la personnalité littéraire d’Hugo‑Bader, dans la pléiade polonaise des écrivains voyageurs. L’intérêt pour l’espace post‑soviétique invite en effet à rapprocher Hugo‑Bader de deux écrivains qui se sont illustrés dans le domaine : Svetlana Aleksievitch et Ryszard Kapuściński. En prenant en compte la méthode, la collecte de matériau, la relation aux témoins, le rapport au pouvoir russe, la mise en récit et l’utilisation de la littérature, la comparaison permettra de dégager ainsi quelques‑unes des spécificités de l’auteur de La Fièvre blanche.

scholarly journals Metaphor matters

2017 ◽  
Vol 13 (24) ◽  
pp. 57
Author(s):  
Mette Skovgaard Andersen
Keyword(s):  
Business Cycles ◽  
Present Article ◽  
Point Of View ◽  
Starting Point ◽  
Context Dependent

The present article is intended as a contribution to the discussion of one of the most neg-lected themes in metaphor-research, i.e. the translation of metaphors in LSP-texts. It reports a pair of corpus space analyses, which were conducted as part of my Ph.D.-the-sis about translators’ metaphor-competence. The article takes as its starting-point the notion of context-dependent identification criteria in abstract themes such as business cycles and ends with the suggestion that we as researchers of translation should perhaps approach the problem from a more cotext-oriented point of view.

Laziness and Labor: Variations on a Malevich Theme

2019 ◽  
Vol 29 (1) ◽  
pp. 259-272
Keyword(s):  
Science And Technology ◽  
Essential Elements ◽  
The State ◽  
Point Of View ◽  
John Maynard Keynes ◽  
Economic Problems ◽  
Right To Work ◽  
Starting Point ◽  
The Right ◽  
The Relationship

What idleness, leisure, and free time have in common is that they are the opposite of labor; all three are linked with the cessation or interruption of labor. The article takes Kazimir Malevich’s provocative essay Laziness as the Truth of Mankind (1921) as the starting point for an examination of the complex and fraught issue of the balance between idleness and labor. Malevich redefines idleness as grace, as the point of labor and its peer, and as something that is not only a release from hard labor but that also leads to peace and God. The author proposes a reading of Malevich’s apologetics of idleness in juxtaposition with Marx’s early focus on the issues of human freedom and on alleviating alienation in a newly arranged society, and with Paul Lafargue’s argument that workers would do better to fight for the right to be idle than for the right to work. The comparison with Marx and Lafargue reveals a fundamental flaw in their socialist program of heroic labor, which preserved the exploitation of labor but had the state rather than the capitalists appropriate it. Malevich’s argument comes close to certain insights of John Maynard Keynes in which he envisaged science and technology resolving economic problems by enabling humanity to enter an age of idleness and plenty. Giorgio Agamben’s philosophical deliberations round out the contemporary understanding of the relationship between labor and idleness. From this point of view, laziness and idleness become essential elements of meaningful labor. The option to remain idle, to reject work, to prolong it or to delay its completion are becoming the sine qua non of creative labor worthy of a free person.

The Mind as a Theatre: Radio Drama since 1971

1985 ◽  
Vol 1 (3) ◽  
pp. 292-300 ◽  
Author(s):  
Frances Gray ◽  
Janet Bray
Keyword(s):  
Present Article ◽  
Steady Increase ◽  
Radio Drama ◽  
Inverse Proportion ◽  
Recent Advances ◽  
Starting Point ◽  
Critical Attention ◽  
The Mind ◽  
The University ◽  
The Relationship

The critical attention paid to radio drama has dwindled in almost inverse proportion to a steady increase not only in quantity but, less expectedly, in quality – though Britain has become one of the very few countries where this entirely distinctive dramatic medium is still seriously practised. As Head of BBC Radio Drama from 1963 to 1976. Martin Esslin was instrumental in developing the form, and his article in TQ 3 in 1971. ‘The Mind as a Stage’, in which he summed up his own ‘aesthetic of radio’, provides the starting point for the present article: but its authors believe that the very strength of Esslin's own artistic beliefs and authority limited his understanding of the less ‘artistic’ output of radio drama, and that it is in this area that some of the most notable of recent advances have been made. Their article thus examines not only the development of radio drama since 1971, but the way in which its changing ‘codes’ have altered the relationship between play and listener: and it analyzes two distinctive uses of the medium – to create what they call ‘alternative histories’, and a sense of ‘fragmented space’. Frances Gray, herself a radio playwright, has recently published a study of John Arden in the Macmillan Modern Dramatists series, and presently teaches at the University of Sheffield, from which Janet Bray has just received her M.Phil. degree for a study of radio drama in the 'seventies.

Modelling Fundamental Legal Change: The Paradox of Context and the Context of Paradox

2015 ◽  
Vol 28 (1) ◽  
pp. 77-96
Author(s):  
Fabien Gélinas
Keyword(s):  
Legal Reasoning ◽  
Point Of View ◽  
Constitutional Change ◽  
Legal Change ◽  
Time Dimension ◽  
Starting Point ◽  
Nuanced Understanding ◽  
The Relationship ◽  
Self Reference

The author takes the paradox of omnipotence faced by lawyers in the context of constitutional change as a starting point to explore the relationship between formal law, logic, and the “pragmatics” that inform legal reasoning. Self-reference in constitutions appears problematic because it has no representation in basic, first-order logic. But self-reference in the context of legal change effectively represents a time dimension that is essential to the practice of law. The dissolution of the paradox is then used to illuminate the relationship between formal law and the context in which it is embedded. The author concludes with a nuanced understanding of law as a semi-open system in which judges play the key role of translating fundamental constitutional change into the law’s “internal” point of view.

Some Reflections On the Relationship Magic-Religion

Numen ◽  
1991 ◽  
Vol 38 (2) ◽  
pp. 177-197 ◽  
Author(s):  
H.S. Versnel
Keyword(s):  
Early Modern ◽  
Present Article ◽  
Point Of View ◽  
Modern World ◽  
Value Judgments ◽  
Roman World ◽  
Cultural Research ◽  
Scholarly Discourse ◽  
Functionalist Approach ◽  
The Relationship

AbstractThe well-known substantialist-'Frazerian'-definitions of magic as distinct from religion by its immediate and individual goals, the concomitant manipulative and coercive attitude, the instrumental and mechanical type of action etc., have been under attack for more than half a century. Anthropologists in particular have argued that no meaningful contrast between religion and magic can be gained from this approach and that our notion 'magic' is a modern-western biased construct which does not fit representations of other cultures. Consequently, in the view of some of them, the term 'magic' should be altogether avoided. Furthermore, with respect to the ancient and early modern world, in which the opposition religion-magic is supposed to have originated, it is argued that magic and religion function exclusively as value-judgments, terms indicating 'magic' being exploited to stigmatize illegitimate or undesired (religious) behaviour of socially or culturally deviant groups. In the present article it is argued that-although admittedly this functionalist approach has yielded remarkable and lasting results-rejection of the term 'magic' will soon turn out to be unworkable and, in fact, is putting the cart before the horse. From an etic point of view-which in the view of the author is the only possible way to conduct scholarly discourse-it will be impossible to do cultural research without the aid of heuristic instruments such as-at least broad, polythetic or prototypical-definitions. And, if possible at all, it would be utterly unpractical to completely eliminate religion as one of the obvious models of contrast. This position is substantiated with some practical instances from the Graeco-Roman world. It is shown that, at least in the context of (magical) curse-tablets and-related but clearly distinct-(religious) prayers for justice or vengeance, the ancient authors were clearly aware of the very same distinctions modern people normally associate with the notions of magic and religion.

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