scholarly journals Traumatic Experiences in Eka Kurniawan's Novel Seperti Dendam, Rindu Harus Dibayar Tuntas

2020 ◽  
Vol 8 (2) ◽  
pp. 121
Author(s):  
Endang Sartika
Keyword(s):  
Traumatic Event ◽  
Healing Process ◽  
Traumatic Experience ◽  
Traumatic Experiences ◽  
The Novel ◽  
Trauma Narrative ◽  
The Media ◽  
Self Knowledge ◽  
Negative Feelings ◽  
Philosophical Understanding

The emergence of trauma study with the publication of Cathy Caruth's Unclaimed Experience: Trauma, Narrative, and History have gained significant interest in analyzing traumatic experiences in literary works. Literary trauma is seen as the media and alternative to read the wound and trauma through narration and fiction in the form of an anxiety plot. This study aims to analyze the traumatic experiences in Eka Kurniawan's novel entitled Seperti Dendam, Rindu Harus Dibayar Tuntas. This research is descriptive qualitative in nature. The objects of this research are the traumatic events and experiences in Kurniawan's novel. The data were collected by note taking and highlighting the relevant traumatic event and analyzed using the concept of trauma and memory of Cathy Caruth. The result shows that the characters in this novel respond to trauma differently such as having intrusive thoughts, re-experiencing the trauma through flashbacks and dreams, avoidance, and having negative feelings and moods. The novel shows that the socio-cultural environment can become the greatest source of trauma as well as offer the healing process for the traumatized through compassion and understanding. The characters' traumatic experience is narrated by the unknown godlike narrator. Through the portrayal of the characters, Kurniawan reveals how pain, suffering, and traumatic experiences lead the characters to gain high self-esteem, self-knowledge, and philosophical understanding of social reality.

scholarly journals SUBJEKTYVAUS TRAUMINIO PATYRIMO IR POTRAUMINIO AUGIMO BEI POTRAUMINIO STRESO SUTRIKIMO SĄSAJOS

Psichologija ◽  
2007 ◽  
Vol 35 ◽  
pp. 7-18
Author(s):  
Evaldas Kazlauskas ◽  
Irma Šimėnaitė ◽  
Danutė Gailienė
Keyword(s):  
Psychometric Properties ◽  
Posttraumatic Growth ◽  
Posttraumatic Stress ◽  
Traumatic Event ◽  
Life Time ◽  
Human Mind ◽  
Traumatic Experience ◽  
Traumatic Experiences ◽  
Impact Of Event Scale ◽  
Event Scale

Potrauminis augimas yra teigiami psichologiniai padariniai po traumos, kurie pasireiškia savęs suvokimo, požiūrio į pasaulį ir tarpasmeninių santykių pokyčiais (Tedeschi and Calhoun, 1996). Pozityvūs procesai po traumos dar tik pradedami tyrinėti, todėl nėra žinoma, kokios yra potrauminio augimo (PTA), trauminio įvykio intensyvumo ir potrauminio streso sutrikimo (PTSS) sąsajos. Siekiant įvertinti ryšius tarp trauminės patirties ir PTSS bei PTA, buvo ištirti 104 studentiško amžiaus jaunuoliai, per savo gyvenimą patyrę bent vieną trauminį įvykį. Tako analizės modelis parodė, kad subjektyvus trauminės patirties intensyvumasyra veiksnys, reikšmingai prognozuojantis tiek PTSS, tiek PTA. Kuo reakcija į trauminį įvykį yra stipresnė, tuo labiau išreikšti PTSS ir PTA požymiai. Nustatytas nestiprus teigiamas ryšys tarp PTSS ir PTA parodė, kad, norėdami geriau suprasti, kaip jaučiasi asmenys po traumos, turime atsižvelgti ir į teigiamus (PTA), ir į neigiamus (PTSS) traumos padarinius. Pagrindiniai žodžiai: trauma, potrauminis stresas, potrauminis augimas.RELATIONSHIP BETWEEN TRAUMA EXPOSURE, POSTTRAUMATIC GROWTH AND POSTTRAUMATIC STRESS DISORDEREvaldas Kazlauskas, Irma Šimėnaitė, Danutė Gailienė SummaryObjectives: The notion that traumatic experiences may have an impact on human mind is very old. Recent developments in psychotraumatology shifted the approach to a trauma from a purely negative to a more positive perspective. Research confirmed that traumatic events may lead not only to posttraumatic stress or other disorders, but also to positive changes. The present research was based on the concept of Posttraumatic Growth developed by Calhoun and Tedeschi (1996), which is widely known in the field of traumatic stress. Although the number of Posttraumatic Growth (PTG) research is growing rapidly, little is known about Posttraumatic Growth predictors. The present research was designed to find out the links between Posttraumatic Growth, Posttraumatic Stress and initial reactions to the traumatic event. We set up two goals of the study: 1) evaluation of how initial traumatic reactions predict PTG, and 2) assessment of links between PTG and PTSD.Methods: A group of 104 university students exposed to at least one life-time traumatic event participated in the study. The average time gap between exposure to a traumatic event and the time of research was 43 months. The intensity of initial reactions to a traumatic event was measured using a 10-item selfrating inventory developed by the authors of the present study. The Subjective Traumatic Experience (STE) inventory consisted of items covering cognitive, emotional and physiological reactions to a traumatic event. Posttraumatic Growth was measured using the Posttraumatic Growth Inventory (PGI) developed by Tedeschi and Calhoun (1996). Previous research showed satisfactory psychometric properties of the Lithuanian version of PGI (Gailienë & Kazlauskas, 2005). Posttraumatic Stress Disorder was measured using the Lithuanian version of Impact of Event Scale – Revised (IES-R). A recent validation of the IES-R on Lithuanian population showed its good psychometric properties (Kazlauskas et al., 2006).

‘You Felt Disembodied’: Reconfiguring Vulnerabilities Through Metalepsis in Harry Parker’s Anatomy of a Soldier

2021 ◽  
Author(s):  
Katia Marcellin
Keyword(s):  
Traumatic Event ◽  
The Novel ◽  
Trauma Narrative ◽  
To Come

Abstract Harry Parker’s first novel, Anatomy of a Soldier (2016), is a trauma narrative intermingling several timelines and told from the perspectives of forty-four object-narrators. This produces temporal and focal shifts in the narrative, which occur through stylistic metalepsis, that is, through discrepancies that blur the boundaries between causes and effects or between entities. This article proposes to examine how the use of metalepsis in this novel reconfigures the representation of trauma. Through metalepsis, Parker’s novel seeks to come as close as possible to the reality of the traumatized psyche, to materialize the space left blank by the shattering force of the traumatic event. Yet, beyond that representational issue, metalepsis also fulfils an ethical function in the novel: by performing rather than showing the workings of trauma, the narrative produces, and includes the reader in, a fragile yet tangible community of shared vulnerabilities.

scholarly journals Cyber Bullying and Traumatic Experiences: The Impact on Learning Disabilities

2018 ◽  
Vol 6 (1) ◽  
pp. 74
Author(s):  
Agathi Stathopoulou ◽  
Zoe Karabatzaki ◽  
Dionisis Loukeris ◽  
Panagiotis Mantas ◽  
Georgia Kokkalia ◽  
...  
Keyword(s):  
High School Students ◽  
School Violence ◽  
Traumatic Event ◽  
Statistical Significance ◽  
Learning Disorders ◽  
Self Report ◽  
Traumatic Experience ◽  
Traumatic Experiences ◽  
School Students ◽  
The Impact

<p class="Abstract"><em>The aim of our research is to investigate the effects of traumatic experiences that teens with learning disorders had to go through. The sample of our study is consisted of 160 high school students who were referred in a web line evaluation form, due to low school performance. The research tool that was used was ACHENBACH’s self-report questionnaire for children and teenagers and more specifically the subscales for anxiety-depression and depression-withdrawal. Frequencies, percentages of responses and means have been calculated. An analysis of variance (one way anova) to assess the differences in the averages of students' responses to the variable "experiencing a traumatic event" was also performed. The results showed that there are significant differences in the level of statistical significance p &lt;0,01 between the means of students who say they have experienced a traumatic event and those who report that they haven’t. Particularly decisive traumatic experience for the students' mentality seems to be the in-school violence received by students and the death of a loved one. Application features that have to do with the cyber bulling are also presented briefly. </em></p>

scholarly journals “You are the victims, not the perpetrators”: Narrating Violence and Trauma in Arundhati Roy’s The God of Small Things

2018 ◽  
Vol 12 (1) ◽  
pp. 244-257
Author(s):  
Anja Mrak
Keyword(s):  
Traumatic Event ◽  
Narrative Structure ◽  
Caste System ◽  
The Novel ◽  
Trauma Narrative ◽  
Arundhati Roy ◽  
Traumatic Memories ◽  
Common Goals ◽  
The Individual ◽  
Small Things

In her 1997 novel The God of Small Things, Arundhati Roy confronts the problem of caste violence, inextricably bound up with other practices of social domination such as patriarchy, racism, colonialism and neocolonialism, through a complex narrative structure. The conventional story about a tragic love between a woman from a higher caste and a member of the untouchables skilfully evades cliché patterns by employing eccentric focalisers, as we experience most of the story through the lenses of multiple-person narrators, twin brother and sister, Rahel and Estha, magical realism, and a disjointed narrative full of prolepses and analepses which subtly renders traumatic memories. The novel is structured as a prototypical trauma narrative and stages a confrontation with an unresolved traumatic event from which Rahel and Estha have been recovering since childhood. Roy deftly transposes the dualism of caste purity and impurity onto the narrative structure. The narrative is caught within a duality (symbolised already by the twins) and a perpetual repetition which represents not only the eternal return of trauma but also the constant tension which derives from the hegemony of the caste system and the violence it produces. The biopolitics of social mechanisms and structures which disciplines the individual’s body, controls his actions, rectifies and sanctions transgressions is at the heart of the novel. It raises the individual into obedience and restraint with the help of state institutions, and regulates them into an inconspicuous collective body in the name of security, unity and higher common goals. Socio-political mechanisms are legitimised and reaffirmed through violence as well, which is not understood as such, but rather as a necessary “measure” and “duty” to uphold the law.

scholarly journals Aftershock: CEO Great Famine Experience and Stock Price Crash Risk

2021 ◽  
Vol 12 ◽  
Author(s):  
Fang Cheng ◽  
Wenjuan Ruan ◽  
Guoliang Huang ◽  
Liangliang Zhang
Keyword(s):  
Early Life ◽  
Stock Price ◽  
Traumatic Event ◽  
Bad News ◽  
Traumatic Experience ◽  
Traumatic Experiences ◽  
Crash Risk ◽  
Natural Experiments ◽  
Healthy Development ◽  
Great Famine

This study examines the effect of CEOs’ early-life traumatic experience on firm-specific stock price crash risk. Drawing on the idea of natural experiments, we take the Great Famine in China as an external traumatic event which cannot be selected or controlled by human. The analysis points out that compensation psychology and irrational defense psychology after the trauma of Great Famine are important factors that cause CEOs to hoard bad news. Based on a large sample of Chinese companies from 2007 to 2017, we find evidence that CEOs who experienced the Great Famine during early-life tend to hoard bad news, which result in higher stock price crash risk. The more severe and prolonged the Great Famine that the CEOs experienced, the greater the effect of this traumatic experience. CEOs decision-making power enhances the adverse effect of CEOs’ early-life traumatic experiences on crash risk. Findings of this study contributes to the literature by providing a new explanation for the stock price crash risk, which is of great significance for the sustained and healthy development of capital markets.

scholarly journals “You are the victims, not the perpetrators”: Narrating Violence and Trauma in Arundhati Roy’s The God of Small Things

2018 ◽  
Vol 12 (1) ◽  
pp. 244-257
Author(s):  
Anja Mrak
Keyword(s):  
Traumatic Event ◽  
Narrative Structure ◽  
Caste System ◽  
The Novel ◽  
Trauma Narrative ◽  
Arundhati Roy ◽  
Traumatic Memories ◽  
Common Goals ◽  
The Individual ◽  
Small Things

In her 1997 novel The God of Small Things, Arundhati Roy confronts the problem of caste violence, inextricably bound up with other practices of social domination such as patriarchy, racism, colonialism and neocolonialism, through a complex narrative structure. The conventional story about a tragic love between a woman from a higher caste and a member of the untouchables skilfully evades cliché patterns by employing eccentric focalisers, as we experience most of the story through the lenses of multiple-person narrators, twin brother and sister, Rahel and Estha, magical realism, and a disjointed narrative full of prolepses and analepses which subtly renders traumatic memories. The novel is structured as a prototypical trauma narrative and stages a confrontation with an unresolved traumatic event from which Rahel and Estha have been recovering since childhood. Roy deftly transposes the dualism of caste purity and impurity onto the narrative structure. The narrative is caught within a duality (symbolised already by the twins) and a perpetual repetition which represents not only the eternal return of trauma but also the constant tension which derives from the hegemony of the caste system and the violence it produces. The biopolitics of social mechanisms and structures which disciplines the individual’s body, controls his actions, rectifies and sanctions transgressions is at the heart of the novel. It raises the individual into obedience and restraint with the help of state institutions, and regulates them into an inconspicuous collective body in the name of security, unity and higher common goals. Socio-political mechanisms are legitimised and reaffirmed through violence as well, which is not understood as such, but rather as a necessary “measure” and “duty” to uphold the law.

scholarly journals Situating Women in Trauma of War: An Analysis of Baghdad Burning: A Blog from an Iraqi Woman

2021 ◽  
Vol VI (II) ◽  
pp. 73-79
Author(s):  
Qurat ul Ain ◽  
Saima Anwar ◽  
Shumaila Rafiq
Keyword(s):  
Conceptual Framework ◽  
Traumatic Event ◽  
War Trauma ◽  
Living Standards ◽  
Traumatic Experience ◽  
Traumatic Experiences ◽  
Women In War ◽  
The Impact

The paper deals with situating women in war trauma in Baghdad Burning Volume 2, a girl's blog from Iraq. In the current study, the researcher attempts to reveal the rising of fundamentalism in Iraq after the war. The objective of this study is to safeguard the rights and honour of women after traumatic experiences. The study explores whether the unlashed media is doing its duties truthfully or it dishonestly manipulates the facts about the Iraqi women's traumatic experiences. The paper exposes the reason behind the hiding of the true identity of the author, pseudo-named Riverbend. The framework for the study has been taken from an article "A Conceptual Framework for the Impact of Traumatic Experiences", written by Eve B Carlson and the co-author Constance Dalenberg. The study unfolds the reality that a traumatic event becomes a nightmare, especially for a woman, and a series of flashbacks to the same traumatic experience becomes recurrent. The paper concludes the living standards, disparities and situation of women in contemporary war-stricken Iraq.

scholarly journals Metaphors of pain: the use of metaphors in trauma narrative with reference to Fugitive pieces

Literator ◽  
2009 ◽  
Vol 30 (2) ◽  
pp. 49-68
Author(s):  
J. Anker
Keyword(s):  
Trauma Theory ◽  
Traumatic Experiences ◽  
The Novel ◽  
Trauma Narrative ◽  
Specific Focus ◽  
Anne Michaels ◽  
Neurobiological Research ◽  
The Brain

This article is a contribution to the recent interdisciplinary discourse between psychoanalysis, trauma theory and narrative by discussing the traumatic experiences of characters in the novel “Fugitive pieces” by Anne Michaels, with a specific focus on the metaphorical style of this novel. The article addresses the role of metaphor in the memory of trauma while comparing the relation between trauma, narrative and memory with reference to the work of Cathy Caruth, Van der Kolk and Margaret Wilkinson. Recent neurobiological research in the working of the brain during trauma and the insights of Borbelly in the role of metaphor during therapy are discussed. Insights of Lacan, Modell and Laplanche are integrated with those of psychologists like Knox, Borbelly and Van der Hart to counter arguments against the criticism brought against some of the metaphorical themes in “Fugitive pieces”. Metaphor is seen as one possible way of saying the inexpressible and the progression in the use of metaphor by patient and character alike is seen as one of the signs of healing from trauma.

scholarly journals Collective Trauma and Mystic Dreams in Zabuzhko’s “The Museum of Abandoned Secrets”

Genealogy ◽  
2019 ◽  
Vol 3 (1) ◽  
pp. 4
Author(s):  
Mariia Lenherr
Keyword(s):  
Traumatic Event ◽  
Fractal Theory ◽  
Projective Identification ◽  
Traumatic Experiences ◽  
The Novel ◽  
Collective Trauma ◽  
Cumulative Trauma ◽  
Totalitarian Regimes ◽  
Large Groups ◽  
Psychoanalytic Theories

The 20th century of human history was overshadowed by the horrifying events of world wars and totalitarian regimes, with their traumatic experiences becoming the very focus of today’s modern globalized society. Psychoanalytic psychotherapy is one of the ways of dealing with this overwhelmingly violent phenomenon. This article will discuss an historical traumatic event through literature, using psychoanalytic theories of trauma. The problem is discussed on the level of the actual theoretical landscape including the relation between transgenerational transmitted trauma, collective trauma, and cumulative trauma inscribed in a “foundation matrix” (Foulkes). As a clinical vignette, the novel “Museum of Abandoned Secrets” by modern Ukrainian writer Oksana Zabuzhko is used. The author addresses the functions of dreams, scrutinizing the psychodynamics of the novel using concepts of projective identification, mourning, the need for repair, and epigenetic and fractal theory. It is suggested that the novel facilitates the characters’ journey through trauma and its integration by the large groups (of readers).

scholarly journals Narrating the Indescribable: Psycho-Traumatic Persona of the She in Rahimi’s The Patience Stone

2021 ◽  
Vol 5 (1) ◽  
pp. 401-412
Author(s):  
Saleem Akhtar Khan ◽  
Muhammad Uzair Khan
Keyword(s):  
Healing Process ◽  
Trauma Theory ◽  
Female Character ◽  
Traumatic Experiences ◽  
Collective Consciousness ◽  
The Novel ◽  
Traumatic History ◽  
History Of ◽  
Different Dimensions ◽  
Talking Cure

The paper critiques Rahimi’s novel with reference to the representation of the traumatic experiences of the protagonist. Conversing with relevant postulates of trauma theory, the researchers have identified different dimensions of the excruciating encounters and, also, their ramifications. With the purpose to look for traces of both collective and individual trauma in the novel, the article negotiates the portrayal of the female character to expose multiple layers of the agony triggered by the sense of being victimized unjustly. The mere depiction of trauma is the problem with most literary narratives without shedding light on the healing process, despite the fact that theorists have engaged with the possible solutions for overcoming trauma. However, this novel is an exception that is why the recuperative aspect has been specifically focused. The analysis suggests that the novel is an attempt to give voice to the unspeakable, narrating the traumatic history, with the help of fiction because, in the Freudian idiom, telling a story is a ‘talking cure’ which helps in the healing process. Moreover, the act of narrating the traumatic history of a nation also proves to be palliative for the collective consciousness.

Sign in / Sign up

Export Citation Format

Share Document