scholarly journals “ACROSS TRANSBAIKALIA AND THE AMUR” BY A.P. FARAFONTOV AS A SOURCE OF STUDY OF FOLK ORTHODOXY ON THE TERRITORY OF THE FAR EASTERN FRONTIER OF THE EARLY TWENTIETH CENTURY

2021 ◽  
pp. 28-43
Author(s):  
ANNA A. ZABIYAKO ◽  
◽  
YANA V. ZINENKO ◽  

The article presents the results of the study of materials collected by A.P. Farafontov and reflecting the folk Orthodox culture of the Russian population of Transbaikalia and the Amur region of the early 20th century. A.P. Farafontov (1889, Troitskosavsk - 1958, San Francisco) is a Russian emigrant enthusiast: ethnographer, naturalist, taxidermist, writer; member of the Russian Geographical Society, The Society for the Study of the Manchurian Region. The collected data (signs, charms, life stories, past occurrences, tales, riddles) were written down by A.P. Farafontov during an expedition from Harbin to the Trans-Baikal resort of Shivanda (1916) and published in the Harbin scientific journal “Monitor of Asia” with a conceptual foreword by P.V. Shkurkin. The first part of the collection - “Among the Russian people” - is of particular interest to researchers. Its value is in fixing the local ethno-religious tradition of the Russian population of the Far Eastern frontier (Transbaikalia and the Amur region), based on folk Orthodoxy with the inclusion of elements of religious cults of local peoples (Buryats, Chinese, Nanais, Udege, etc...

2021 ◽  
Vol 201 (3) ◽  
pp. 534-545
Author(s):  
Janusz Zuziak

Lviv occupies a special place in the history of Poland. With its heroic history, it has earned the exceptionally honorable name of a city that has always been faithful to the homeland. SEMPER FIDELIS – always faithful. Marshal Józef Piłsudski sealed that title while decorating the city with the Order of Virtuti Militari in 1920. The past of Lviv, the always smoldering and uncompromising Polish revolutionist spirit, the climate, and the atmosphere that prevailed in it created the right conditions for making it the center of thought and independence movement in the early 20th century. In the early twentieth century, Polish independence organizations of various political orientations were established, from the ranks of which came legions of prominent Polish politicians and military and social activists.


ABEI Journal ◽  
2018 ◽  
Vol 20 (1) ◽  
Author(s):  
Laura Janina Hosiasson

A panorama of Chilean history is framed by three generations of the Blest family. The three characters of the saga were pioneers in their respective occupations: the first was the founder of medicine in Chile; the second was the initiator of the Chilean novel and the third was the creator of the Central Única de Trabajadores (CUT), the tenacious defenders of labour wrights in the twentieth century. Father, son and grandson describe their life stories as a sinuous and complex journey, as it generally is when history is observed in detail.Keywords: Alberto Blest Gana; Clotario Blest; the Irish in Chile.


2021 ◽  
Vol 13 (3-1) ◽  
pp. 11-34
Author(s):  
Svetlana Neretina ◽  

The purpose of this paper is to show how the thought and speech of people holding and defending directly opposite positions affect the change in the thought and speech of people of their own and subsequent generations, with different life orientations, and to find ways of this influence. The author describes the situation that arose at the end of the sixties of the twentieth century, known as the ideological dispersal of philosophical, historical and sociological trends that ran counter to the policy of the CPSU, which became especially fierce in the fight against opponents after the USSR’s invasion of Czechoslovakia in August, 1968. One of the results of such an ideological battle was the defeat of the sector of the methodology of history of the Institute of General History of the USSR Academy of Sciences, headed by M. Ya. Gefter, who published a series of books in which the so-called laws of historical development (formational approach) were questioned and the fundamental provisions of the classics of Marxism-Leninism were criticized. The subject of analysis is Gefter’s article “A Page from the History of Marxism in the Early 20th Century”, published in the book “Historical Science and Some Problems of the Modernity”, dedicated to the analysis of Lenin’s tactics and strategy development which changed the views of many, especially young, historians on the historical process, and most importantly - on the methods of seeking and expressing the truth. The differences were expressed primarily in the fact that the proponents and defenders of the Soviet regime, which was based on their own established norms of Marxism-Leninism, fearlessly used all means of pressure on unwanted opponents. Professionals, however, who tried to understand the true sense of the historical process, the sense of judgments about it, especially the sense of the revolutionary struggle against the autocracy, unfolding at the beginning of the twentieth century, were forced to use the Aesopian language, which also provoked a distortion of this sense in many ways: due to the nebulous and veiled expressions, which give the impression of theoretical blackmail, causing such consequences as speech irresponsibility.


Author(s):  
Maya Bielinski

The art manifesto, a written political, social, and artistic proclamation of an artistic movement, surged in popularity among avant‐garde art groups in the first half of the twentieth century. Many of the manifestos featured declarations for the synthesis of art and life as well as a call for social and political power for artists of both 'high' and 'low' art forms. Concurrently, new artistic interpretations of the humble teapot became suddenly ubiquitous. This inquiry explores how the teapot emerged as a dominant symbol for the goals of Modern Art movements, and includes an analysis of the teapot's socio‐political history, its ambiguous status between high and low art, and its role in the commercial sphere. By examining the teapots of Suprematism's Kazimir Malevich, Constructivism's Mariane Brandt,and Surrealism's Meret Oppenheim, this presentation will track ideas of functionality, the teapot as symbol, and aesthetics from 1923 to 1936. This small window in time offers an analysis of the extraordinary developments in teapots, and perhaps a glimpse of the paralleled momentum that occurred more generally in design, architecture, and the other arts in this time period.


2019 ◽  
pp. 84-114
Author(s):  
David Vogel

This chapter begins by exploring the conflicts over Southern California's beaches and coastal areas and then turns to efforts to protect the San Francisco Bay and the entire Pacific coast. In addition to its aesthetic value and opportunities for recreation, the coast is a major economic resource. It enhances the value of property located on or near it, and the coastal area also contains substantial deposits of oil. Precisely because the coast is a scarce and valuable resource with so many competing uses, protecting it, like the coastal redwoods, has been highly contentious. On one important dimension, the dynamics of two of the important cases described in this chapter depart from the book's explanatory framework. The campaigns to establish the Bay Conservation and Development Commission, the world's first coastal protection agency, as well as the more sweeping California Coastal Commission, received no business support. In both cases, the interests of business were not divided. Rather, their creation was made possible by extensive citizen mobilization, an outcome that reveals the important role played by public support for environmental protection in California beginning in the middle of the twentieth century.


Author(s):  
Chris Coffman

“Seeing Stein’s Masculinity” analyses the shifting significance of visual images of and written texts about Stein. Driven by recent reinterpretations of Jacques Lacan’s theory of the gaze, this chapter reads his theories against the grain to counter arguments about the visual that reproduce binary thinking about gender. Queering his account of the gaze makes it possible to register the expanded array of masculinities mobilized in photographs of Stein by George Platt Lynes, Henri Manuel, and Man Ray as well as in their recent reception during the 2011 Seeing Gertrude Stein exhibit in San Francisco. Moreover, Stein’s own comments in The Autobiography about being photographed by Man Ray queer the heteronormative gaze that drives James Agee’s review of that book in the September 11, 1933 issue of Time whose cover featured Lynes’s image of Stein in profile. Tracking changes that have taken place between the early twentieth century and the present in attitudes toward her queer sexuality and masculinity, this chapter argues that traces of abjection remain in contemporary reactions to Stein despite greater acceptance of her gender, sexuality, and innovative writing.


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