scholarly journals The emergence, development and demilitarization of the military border of the Austrian Monarchy

2008 ◽  
pp. 141-147
Author(s):  
Masa Kulauzov
Keyword(s):  
19Th Century ◽  
18Th Century ◽  
Military Force ◽  
Administrative System ◽  
Primary Function ◽  
Border Areas ◽  
The 19Th Century ◽  
The Military ◽  
Infections Diseases

Military border of the Austrian Monarchy was formed gradually in border areas for the purpose of defending the border from Turkish invasions. In time, as the international political circumstances have changed, the Border itself also modified its primary function. From the beginning of the 18th century soldiers of the Military Border together with the regular troops of Austrian army participate in all wars in which Austria took part. Thanks to those soldiers the military force of the Austrian Empire was significantly strengthened. Except for military tasks, the Military Border served to a great extent as a defensive corridor that stopped spreading infections diseases, invasions of robberies, smuggling goods from Turkey, as well as deserting and emigration to Turkish territory. Because of great importance that Military Border has had for the Austrian Monarchy, the author in this paper gives a summary review of its development in the military, territorial and administrative-political sense. Special attention was given to the administrative system that was introduced in Border in the second half of the 19th century.

scholarly journals Gubernatorzy wojskowi w systemie polskiej administracji początków XIX w ieku

2018 ◽  
Vol 64 (1) ◽  
pp. 39-66
Author(s):  
Piotr Krzysztof Marszałek
Keyword(s):  
19Th Century ◽  
Administrative System ◽  
Polish Literature ◽  
Model Set ◽  
The Subject ◽  
Military Law ◽  
The 19Th Century ◽  
The Military ◽  
First Time

In Polish literature on the subject, the military governor’s office is usually associated with the organisation of the administrative system that prevailed in the partitioning states (Poland’s Partitions 1791-1918). However, the governor’s office had already been known in Poland during the Duchy of Warsaw (1807-1815), when it was, like many other solutions of administrative and military law, imported directly from France. In the structure of Polish public organs, the office of governor was created for the first time during the Polish-Austrian war in 1809. Although no documents have survived from which we could learn of the competences of a Polish governor in those times, what is known is that the description of his authority followed closely the model set out by the French legislation. It was not before the Polish-Russian war in 1830-1831 that first attempts were made to independently set out the authority o f a governor of the Polish state, but even then, at least initially, the solutions set forth by the regime o f the Napoleonic decree were directly referred to and copied. In the second half of the 19th century, shortly before the collapse of the November Uprising, a draft describing the office and competences of a Polish governor was finally ready to be put forward for parliamentary discussion, but it was already too late for the Sejm to deal with it.

About one rare directive formula in the text “Ustav voinskii” of 1716

2021 ◽  
pp. 46-51
Author(s):  
Tatyana S. Sadova ◽  
◽  
Elena V. Golovchenko
Keyword(s):  
19Th Century ◽  
Significant Influence ◽  
18Th Century ◽  
Personal Responsibility ◽  
Semantic Field ◽  
Lower Status ◽  
Polish Language ◽  
The Subject ◽  
The 19Th Century ◽  
The Military

The article examines the features of the functioning of the structure of duty “povinen + infinitive” on examples of its use in the “Military Regulations” of 1716. In the function of expressing obligation and directiveness, the construction "povinen + infinitive”, according to a number of studies, was borrowed from the Polish language, through the Ukrainian and Belarusian languages, at the beginning of the 18th century. Despite the rare use due to high competition with the primordially Russian formulas of the same semantic field, it is consistently used in the texts of the directive orientation of the 18th century, performing certain pragmatic tasks, one of which is the expression of the personal responsibility of the subject of “povinnost” in the military hierarchy having a lower status a modal action object. It is assumed that the extremely rare use of the formula “povinen + infinitive” can be explained by the significant influence of the original semantics of the ‘personal responsibility’ lexeme “povinen”, which depends on the deep content of the wordroot -vin- in Russian, which does not quite coincide with the strictly deontic meaning of ‘obliged, compelled’ contained in the borrowed formula. As a result, by the beginning of the 19th century in business texts the formula “povinen + infinitive” was displaced from use by other modal structures of this functional-semantic field.

Speculations on the Nature and Pattern of Opium Smoking

1979 ◽  
Vol 9 (2) ◽  
pp. 247-255 ◽  
Author(s):  
John C. Kramer
Keyword(s):  
Drug Use ◽  
Southeast Asia ◽  
19Th Century ◽  
18Th Century ◽  
The 19Th Century ◽  
Withdrawal Signs

Opium smoking began spreading slowly but steadily in China from early in the 18th Century. It grew through the 19th Century to the point that by the end of the century it became a nearly universal practice among males in some regions. While estimates vary, it appears that most smokers consumed six grams or less daily. Addicted smokers were occasionally found among those smoking as little as three grams daily, but more often addicted smokers reported use of about 12 grams a day or more. An individual smoking twelve grams of opium probably ingests about 80 mg. of morphine. Thirty mg. of morphine daily may induce some withdrawal signs, while 60 mg. daily are clearly addicting. While testimony varied widely, it appears likely that most opium smokers were not disabled by their practice. This appears to be the case today, too, among those peoples in southeast Asia who have continued to smoke opium. There appear to be social and perhaps psychophysiological forces which work toward limiting the liabilities of drug use.

THE BEGINNING (OR END) OF MOROCCAN HISTORY: HISTORIOGRAPHY, TRANSLATION, AND MODERNITY IN AHMAD B. KHALID AL-NASIRI AND CLEMENTE CERDEIRA

2012 ◽  
Vol 44 (3) ◽  
pp. 399-420 ◽  
Author(s):  
Eric Calderwood
Keyword(s):  
19Th Century ◽  
Historical Thinking ◽  
Reform Movements ◽  
Military Technology ◽  
Spanish Translation ◽  
State Apparatus ◽  
The 19Th Century ◽  
The Military

AbstractThis article analyzes two accounts of the Hispano-Moroccan War of 1859–60 in light of scholarly debates about historiography, translation, and modernity in the colonial context. The first text is Ahmad b. Khalid al-Nasiri'sKitab al-Istiqsa(1895), which explores the organization of the Spanish army in an effort to understand the military technology and state apparatus behind colonial domination. The second text, Clemente Cerdeira'sVersión árabe de la Guerra de África(1917), is framed as an annotated Spanish translation of al-Nasiri's text, but Cerdeira suppresses key passages from al-Nasiri's account in order to undermine any hint that the Moroccan historian's thinking is reformist or modern. By comparing these two accounts of the same war, the article aims to situate al-Nasiri's text within the reform movements that spread through the Muslim Mediterranean in the 19th century and to use al-Nasiri's historical thinking as a model for theorizing Moroccan modernity.

Scholars discover local history: the case of northeast Lapland in the 18th century

Polar Record ◽  
2011 ◽  
Vol 48 (3) ◽  
pp. 291-303 ◽  
Author(s):  
Maria Lähteenmäki
Keyword(s):  
19Th Century ◽  
Economic Efficiency ◽  
18Th Century ◽  
Local Information ◽  
Local History ◽  
Ordinary People ◽  
The People ◽  
New Form ◽  
The 19Th Century ◽  
Distant Region

ABSTRACTThe academic study of local and regional history in Sweden took on a quite new form and significance in the 18th century. Humiliating defeats in wars had brought the kingdom's period of greatness to an end and forced the crown to re-evaluate the country's position and image and reconsider the internal questions of economic efficiency and settlement. One aspect in this was more effective economic and political control over the peripheral parts of the realm, which meant that also the distant region of Kemi Lapland, bordering on Russia, became an object of systematic government interest. The practical local documentation of this area took the form of dissertations prepared by students native to the area under the supervision of well known professors, reports sent back by local ministers and newspaper articles. The people responsible for communicating this information may be said to have functioned as ‘mimic men’ in the terminology of H.K. Bhabha. This supervised gathering and publication of local information created the foundation for the nationalist ideology and interest in ordinary people and local cultures that emerged at the end of the century and flourished during the 19th century.

Origine et diffusion des expressions romanes du type jaune paille

2021 ◽  
Vol 133 (1) ◽  
pp. 3-27
Author(s):  
Sara Matrisciano ◽  
Franz Rainer
Keyword(s):  
20Th Century ◽  
19Th Century ◽  
18Th Century ◽  
17Th Century ◽  
16Th Century ◽  
Romance Languages ◽  
Short Discussion ◽  
Colour Term ◽  
The 19Th Century ◽  
And Diffusion

All major Romance languages have patterns of the type jaune paille for expressing shades of colour represented by some prototypical object. The first constituent of this pattern is a colour term, while the second one designates a prototypical representative of the colour shade. The present paper starts with a short discussion of the controversial grammatical status of this pattern and its constituents. Its main aim, however, concerns the origin and diffusion of this pattern. We have not found hard and fast evidence that Medieval Italian pigment compounds of the type verderame influenced the rise of the jaune paille pattern, which first appears in French in the 16th century. This pattern continued to be a minority solution during the 17th century, but established itself during the 18th century. In the 19th century, Italian, Spanish and Portuguese adopted the pattern jaune paille, while it did not reach Catalan and Romanian before the 20th century.

Brazilian Colonial Art and the Decolonization of Art History

2021 ◽  
Author(s):  
Maria Berbara
Keyword(s):  
19Th Century ◽  
Art History ◽  
18Th Century ◽  
Early Modern Period ◽  
Minas Gerais ◽  
Early 19Th Century ◽  
Art Objects ◽  
Colonial Art ◽  
The One ◽  
The 19Th Century

There are at least two ways to think about the term “Brazilian colonial art.” It can refer, in general, to the art produced in the region presently known as Brazil between 1500, when navigator Pedro Álvares Cabral claimed the coastal territory for the Lusitanian crown, and the country’s independence in the early 19th century. It can also refer, more specifically, to the artistic manifestations produced in certain Brazilian regions—most notably Bahia, Minas Gerais, and Rio de Janeiro—over the 18th century and first decades of the 19th century. In other words, while denotatively it corresponds to the art produced in the period during which Brazil was a colony, it can also work as a metonym valid to indicate particular temporal and geographical arcs within this period. The reasons for its widespread metonymical use are related, on the one hand, to the survival of a relatively large number of art objects and buildings produced in these arcs, but also to a judicative value: at least since the 1920s, artists, historians, and cultivated Brazilians have tended to regard Brazilian colonial art—in its more specific meaning—as the greatest cultural product of those centuries. In this sense, Brazilian colonial art is often identified with the Baroque—to the extent that the terms “Brazilian Baroque,” “Brazilian colonial art,” and even “barroco mineiro” (i.e., Baroque produced in the province of Minas Gerais) may be used interchangeably by some scholars and, even more so, the general public. The study of Brazilian colonial art is currently intermingled with the question of what should be understood as Brazil in the early modern period. Just like some 20th- and 21st-century scholars have been questioning, for example, the term “Italian Renaissance”—given the fact that Italy, as a political entity, did not exist until the 19th century—so have researchers problematized the concept of a unified term to designate the whole artistic production of the territory that would later become the Federative Republic of Brazil between the 16th and 19th centuries. This territory, moreover, encompassed a myriad of very different societies and languages originating from at least three different continents. Should the production, for example, of Tupi or Yoruba artworks be considered colonial? Or should they, instead, be understood as belonging to a distinctive path and independent art historical process? Is it viable to propose a transcultural academic approach without, at the same time, flattening the specificities and richness of the various societies that inhabited the territory? Recent scholarly work has been bringing together traditional historiographical references in Brazilian colonial art and perspectives from so-called “global art history.” These efforts have not only internationalized the field, but also made it multidisciplinary by combining researches in anthropology, ethnography, archaeology, history, and art history.

Afghanistan: Martial Society Without Military Rule

2021 ◽  
Author(s):  
Amin Tarzi
Keyword(s):  
World War Ii ◽  
Soviet Union ◽  
19Th Century ◽  
Democratic Party ◽  
Central Government ◽  
The United States ◽  
The Soviet Union ◽  
Military Campaigns ◽  
The 19Th Century ◽  
The Military

Since its inception as a separate political entity in 1747, Afghanistan has been embroiled in almost perpetual warfare, but it has never been ruled directly by the military. From initial expansionist military campaigns to involvement in defensive, civil, and internal consolidation campaigns, the Afghan military until the mid-19th century remained mainly a combination of tribal forces and smaller organized units. The central government, however, could only gain tenuous monopoly over the use of violence throughout the country by the end of the 19th century. The military as well as Afghan society remained largely illiterate and generally isolated from the prevailing global political and ideological trends until the middle of the 20th century. Politicization of Afghanistan’s military began in very small numbers after World War II with Soviet-inspired communism gaining the largest foothold. Officers associated with the People’s Democratic Party of Afghanistan were instrumental in two successful coup d’états in the country. In 1979, the Soviet Union invaded Afghanistan, ending the country’s sovereignty and ushering a period of conflict that continues to the second decade of the 21st century in varying degrees. In 2001, the United States led an international invasion of the country, catalyzing efforts at reorganization of the smaller professional Afghan national defense forces that have remained largely apolitical and also the country’s most effective and trusted governmental institution.

The ‘Genius of language’

2004 ◽  
Vol 31 (2-3) ◽  
pp. 367-388 ◽  
Author(s):  
Christiane Schlaps
Keyword(s):  
19Th Century ◽  
18Th Century ◽  
17Th Century ◽  
Wide Range ◽  
Dynamic Form ◽  
Text Types ◽  
Scientific Value ◽  
The 19Th Century ◽  
Static Concept ◽  
Interior Part

Summary The so-called ‘genius of language’ may be regarded as one of the most influential, and versatile, metalinguistic metaphors used to describe vernacular languages from the 17th century onwards. Over the centuries, philosophers, grammarians, trans­lators and language critics etc. wrote of the ‘genius of language’ in a wide range of text types and with reference to various linguistic positions so that a set of rather diverse types of the concept was created. This paper traces three prominent stages in the development of the ‘genius of language’ argument and, by identifying some of the most frequent types as they evolved in the context of the various linguistic dis­courses, endeavours to show the major transformations of the concept. While early on, discussion of the stylistic and grammatical type of the ‘genius of language’ concentrates on surface features in the languages considered, during the middle of the 18th century, the ‘genius of language’ is relocated to the semantic, interior part of language. With the 19th-century notion of an organological ‘genius of language’, the former static concept is personified and recast in a dynamic form until, taken to its nationalistic extremes, the ‘genius of language’ argument finally ceases to be of any epistemological and scientific value.

scholarly journals NEW SPIRITUAL LITERATURE OF THE END OF 18TH CENTURY - BEGINNING OF THE 19TH CENTURY (TO THE PROBLEM OF SEARCHING FOR UNKNOWN MANUSCRIPTS)

2019 ◽  
Vol 29 (5) ◽  
pp. 783-787
Author(s):  
K.Yu. Anders-Namzhilova
Keyword(s):  
19Th Century ◽  
18Th Century ◽  
Information Source ◽  
Russian Empire ◽  
Scientific Society ◽  
The Russian Empire ◽  
The 19Th Century

The article describes the problem of searching for unknown manuscripts in the study of new spiritual literature that occurred in the Russian Empire at the turn of 18th century. The documents of Moscow Ecclesiastical Censor’s Archive are the main information source of church and religious materials written during that period. The Moscow Ecclesiastical Censor was the first specialized authority established by Synod in 1799 for considering the religious compositions. Compositions which were banned by censors couldn’t be printed and for this reason they become unknown even for modern scientific society. However, a lot of these compositions weren’t lost: they are kept in manuscripts which are dispersed throughout different archive and library funds, that’s why they cannot be attributed without the engagement of the censor committee’s archive documents.

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