scholarly journals The role of Jazzar Pasha in the destruction of the sacral monuments on Kosovo: An example of tradition entering historiography

2018 ◽  
pp. 849-872
Author(s):  
Uros Sesum
Keyword(s):  
19Th Century ◽  
Oral Tradition ◽  
Building Materials ◽  
Local Population ◽  
Construction Materials ◽  
Historical Sources ◽  
Early 19Th Century ◽  
Inaccurate Information ◽  
Historical Fact ◽  
The 19Th Century

lore from Kosovo, regarding systematic destruction of Serbian medieval churches and monasteries, committed by the local and semi-independent Jashar pasha in the early 19th century, was introduced in Serbian historiography by way of Serbian travelogue literature during the second half of 19th and early 20th century. According to lore, Pasha destroyed monasteries Vojsilovica and Burinci, Samodreza church and several other village churches for the purpose of using building materials for his water mills. Allegedly, construction materials of destroyed church in Lipljan and several surrounding village churches were used for construction of the bridge on river Sitnica, while, also allegedly, he took the floor from Gracanica monastery for his hamam. Lead from the monastery roof was used to cover the mosque in Pristina. After a critical analysis of such lore, it can be stated that Pasha did not demolish a singe church or monastery, but in fact, for his projects, he used materials from the already destroyed temples. These writings of lore, combined with the local population?s perception of him as a cruel master, left a historic view of him as being the main destroyer of Serbian medieval churches and monasteries. Release of lore version of Serbian history, made by folklore writers, contributed to the rapid dissemination of inaccurate information. This had an encouraging affect which, as time went on, associated Pasha?s name with the large number of destroyed churches. In Serbian historiography such usage of travelogue literature from the 19th century and further developed oral tradition recorded by ethnologists as relevant historical sources, have led to the adoption of unverified data as historical fact.

scholarly journals BANDAR SUKABUMI IN THE BEGINNING OF THE 19TH CENTURY: THE ROLE OF POLITICAL AUTHORITY IN THE DEVELOPMENT OF RIVER-CITY IN KOTAWARINGIN REGION, SOUTHWESTERN KALIMANTAN

2020 ◽  
Vol 14 (2) ◽  
pp. 121-136
Author(s):  
Moh Ali Fadillah
Keyword(s):  
Urban Communities ◽  
19Th Century ◽  
Capital City ◽  
Historical Sources ◽  
Early 19Th Century ◽  
River City ◽  
The Government ◽  
In The Beginning ◽  
The 19Th Century ◽  
Pragmatic Aspects

Kotawaringin is the name of a small kingdom founded in the first half of the 17th century, centered in Kotawaringin Lama on the upper reaches of Sungai Lamandau, in southwestern Kalimantan. In the early 19th century the royal capital was moved to Pangkalan Bun. The shift of the capital city is an important factor in the history of human geography as a cause of changes in demography and urbanization. This research aimed to find clarity about the agglomeration of river cities in terms of symbolic and pragmatic aspects. Such aspects include the origin, existence, reasons for shifting capital and the type of culture that underlies the function of Kotawaringin as a center of government and trade that grew during the early colonial period. The research used methods which were carried out by observing sites indicated as capitals and ports, combining it with studies of historical sources, as well as collecting physical evidence, including a number of symbolic objects associated with royal legitimacy. Results of contextual analysis provide a set of knowledge about the growth of river city as the implementation of the spatial planning policy of the government and the support of urban communities rooted in Malay culture. The Kingdom of Kotawaringin reached a peak of progress during the reign of Prince Ratu Imanuddin, after the capital was moved to Pangkalan Bun from Kotawaringin Lama. The location of the new capital is on the lower reaches of the Sungai Lamandau, precisely on the banks of the Sungai Arut, which was formerly called Bandar Sukabumi. Kotawaringin adalah nama sebuah kerajaan kecil yang didirikan pada paruh pertama abad ke-17 Masehi, berpusat di Kotawaringin Lama di kawasan hulu Sungai Lamandau, di barat daya Kalimantan. Pada awal abad ke-19 Masehi, ibukota kerajaan dipindahkan ke Pangkalan Bun. Pergeseran ibukota merupakan faktor penting dalam sejarah geografi manusia sebagai penyebab perubahan demografi dan urbanisasi. Penelitian ini bertujuan untuk mengetahui kejelasan tentang aglomerasi kota sungai ditinjau dari aspek simbolik dan pragmatis. Aspek-aspek tersebut mencakup asal usul, keberadaan, alasan perpindahan ibukota dan jenis budaya yang mendasari fungsi Kotawaringin sebagai pusat pemerintahan dan perdagangan yang tumbuh pada masa kolonial awal. Penelitian ini menggunakan metode yang dilakukan dengan mengamati situs-situs yang diindikasikan sebagai ibukota dan pelabuhan, memadukannya dengan studi sumber-sumber sejarah, serta mengumpulkan bukti-bukti fisik, termasuk sejumlah benda simbolis yang terkait dengan legitimasi kerajaan. Hasil analisis kontekstual memberikan seperangkat pengetahuan tentang pertumbuhan kota sungai sebagai implementasi kebijakan perencanaan tata ruang pemerintah, dan dukungan masyarakat kota yang berakar pada budaya Melayu. Kerajaan Kotawaringin mencapai puncak kemajuan pada masa pemerintahan Pangeran Ratu Imanuddin, setelah ibu kota dipindahkan ke Pangkalan Bun dari Kotawaringin Lama. Lokasi ibu kota baru berada di bagian hilir Sungai Lamandau, tepatnya di tepi Sungai Arut yang dahulu dinamai Bandar Sukabumi.

scholarly journals The introduction of vaccination practice in the Orenburg Region in the early XIX century

2017 ◽  
Vol 6 (1) ◽  
pp. 117-120
Author(s):  
Diana Maratovna Mifteeva
Keyword(s):  
19Th Century ◽  
Medical Personnel ◽  
The State ◽  
Historical Sources ◽  
Early 19Th Century ◽  
Orenburg Region ◽  
Civil Resistance ◽  
Medical Institutions ◽  
Xix Century ◽  
The 19Th Century

The purpose of this work is to research the process of introduction of smallpox prevention in the Orenburg Region in the early 19th century. The author focuses the main attention on the organization and activity of subsidiary medical institutions - smallpox committees. The author shows the role of Free Economic Society, doctors, clergy, civil people in the development of smallpox prevention in the region. Based on the analysis of historical sources which are represented in the state archive of the Orenburg Region (fund 6 the offices of Orenburg military governor) the author makes an attempt to detect the main cause of civil resistance in the region. The author used chronological, historical, retrospective and inquiry learning methods. The conducted research showed that in the 19th century in the Orenburg province there was a system of vaccine prevention of smallpox among the population despite the difficult sanitary and epidemiologic situation, lack of medical institutions and shortage of qualified medical personnel. The formation of this process started in the early XIX century. Thus, effective activities of the state and public organizations during this period let to lower the general illness rate and death rates from natural smallpox among the population in the Orenburg province.

scholarly journals Pembentukan Identitas Sosial Komunitas Hadhrami di Batavia Abad XVIII-XX

2019 ◽  
Vol 14 (2) ◽  
pp. 150
Author(s):  
Ahmad Athoillah
Keyword(s):  
Social Identity ◽  
20Th Century ◽  
19Th Century ◽  
18Th Century ◽  
Historical Sources ◽  
Early 19Th Century ◽  
Historical Method ◽  
The Social ◽  
Religious Teaching ◽  
The 19Th Century

This paper discusses the process of forming identities carried out by the Hadhrami community in Batavia throughout the late 18th century until the beginning of the 20th century. The taking of the topic was motivated by the strong social identity of the Hadhrami community in Batavia, especially in religion and economy since the 19th century to the present. The problem of this research is about the form and process of forming Hadhrami social identity from the end of the 18th century to the beginning of the 20th century. To answer these problems, a critical historical method is used by using various historical sources and relevant reference studies.Some of the results obtained from this study are various historical realities, such as the formation of social religious symbols including mosques and religious teaching forum. Some important things are the formation of economic identities such as wholesale trade, shipping businesses and property businesses. In addition, there were also shifting settlements from Hadhrami over the Koja people in Pekojan in the early 19th century, as well as the shift of the Hadhrami to the inland of Batavia in the late 19th century. These various realities ultimately affected various forms and processes of forming the social identity of the Hadhrami community, such as the material aspects, language, behavior, and collective ideas of the Hadhrami community especially at the beginning of the 19th century. Generally the Hadhrami community had transformed themselves and their collective parts into colonial society in Batavia until the beginning of the 20th century.

scholarly journals Hebridean Gaels and the sea in the early 19th century

2018 ◽  
Vol 147 ◽  
pp. 261-284 ◽  
Author(s):  
Kevin James Grant
Keyword(s):  
19Th Century ◽  
Oral Tradition ◽  
Cultural Landscape ◽  
Coastal Communities ◽  
Daily Lives ◽  
Early 19Th Century ◽  
The People ◽  
The Rich ◽  
The 19Th Century

The people of the Hebrides have long been associated with a heroic tradition of seafaring – the image of the medieval birlinn or galley has become emblematic of Norse and Gaelic power. Coastal communities in the 19th century would have been familiar with this tradition as it was a common theme of the song and story which was a ubiquitous part of their lives. However, the waters around the Hebrides in the years around 1800 were largely the preserve of merchantmen or warships of friendly and enemy navies.Gaels who farmed the coasts of the Hebrides could have little influence over this largely Englishspeaking maritime world of international trade and global conflict in the surrounding seas, although it had profound and wide-ranging impacts on their daily lives. By drawing on a case study from Loch Aoineart, South Uist, this paper seeks to consider some aspects of how Gaelic-speaking coastal communities interacted with the sea. Whilst this article will serve as an introduction to some common archaeological features relating to post-medieval coastal life, it is intended to encourage archaeologists to consider the sea as part of a wider Gaelic cultural landscape. It will also argue that critical use of evidence for the Gaelic oral tradition is vital to an understanding of life in the period. This study draws on the rich and varied evidence available for the early 19th century, but it is hoped that its conclusions may be of interest to those studying coastal communities in earlier periods where the archaeological record provides little evidence.

scholarly journals Tver Zemstvo and Governor A. N. Somov: Features of Interaction

2021 ◽  
Vol 16 (3) ◽  
pp. 8-14
Author(s):  
Andreev Aleksei E. ◽  
Keyword(s):  
19Th Century ◽  
Historical Sources ◽  
Scientific Methods ◽  
Inaccurate Information ◽  
State Apparatus ◽  
Government Work ◽  
The Russian Federation ◽  
Methodological Approaches ◽  
Internal Affairs ◽  
The 19Th Century

The article analyzes the interaction of the Tver governor A. N. Somov with zemstvo institutions at the end of the 19th century. The issue of interaction between authorities and local self-government, independent from each other in accordance with the current legislation, is relevant for the work of both representative and executive authorities in the Russian Federation. The aim of the study is to determine the features of the interaction of the Tver zemstvo and the highest official of the province at the end of the 19th century. The author’s methodological approaches are traditionally determined by the principles of scientific objectivity, historicism and historical determinism. The study used both universal scientific methods and special methods of historical research, determined by the specifics of the problem posed and source material, namely: problem-chronological method, comparative analysis method, systemic method. The source base of the research is quite representative and included several groups of historical sources: legislation, office documentation, official directories, periodicals. In the course of the study, it was revealed that an employee exiled from the capital for anti-government activities worked in the provincial zemstvo statistical committee. With his help, the Zemstvo people provided the governor, and he, in turn, with the Ministry of Internal Affairs, inaccurate information in order to reduce the police apparatus. Another example of the governor’s benevolent attitude towards the anti-government-minded zemstvo is the submission to the Ministry of Internal Affairs of the dissenting opinion of the provincial zemstvo assembly on the shortcomings of state power and the need to reform the state apparatus. The facts of the reaction of the Governor of Tver A. N. Somov on the actions of the Tver zemstvo confirm the opinion about the anti-government activities of the zemstvo, which for more than 20 years was not suppressed in a timely manner by this governor, despite the latter’s significant powers. Keywords: zemstvo, governor A. N. Somov, provincial institutions, anti-government work

scholarly journals Serbian еcclesiastical chanting for the glory of god and in the service of the nation

2017 ◽  
pp. 651-664
Author(s):  
Vesna Peno ◽  
Ivana Vesic
Keyword(s):  
19Th Century ◽  
Religious Identity ◽  
Oral Tradition ◽  
18Th Century ◽  
Self Awareness ◽  
Historical Sources ◽  
Clear Tendency ◽  
Sacred Spaces ◽  
New Interpretation ◽  
The 19Th Century

Shaped in complex social circumstances and in accordance with the postulates of baroque historicism, Serbian ecclesial art has expressed clear tendency toward nationalization of Serbian religious identity during the 18th century. Due to general musical illiteracy of the clerics, the real conditions for the development of chanting art in Serbian Church were nonexistent. However, by the end of 18th and at the beginning of the 19th century the myth of authentic Serbian national Church singing, being the result of special ?Serbian folk piety?, was established. The construction of Serbian Church chanting tradition was primarily initialized by the growing distance from Greek psalmody in Serbian worship. In other words, because there was no historically relevant form of singing, the ancient singing of Fruska Gora and Krusedol, i.e. the singing of Karlovci, had to be constructed as an antithesis to Byzantine- Greek musical tradition. By comparing historical facts and critically reading the narrative of the origins of national Church music in the time of Metropolitan Stefan Stratimirovic of Karlovci, a new interpretation of common stereotype about Serbian musical reform and its main protagonists was produced. This paper offers an original analysis of the origin of: 1) the singing of Fruska Gora, in the context of the belief that Fruska Gora, with its monasteries which preserved the memory of the golden age of Serbian history, are sacred spaces - Serbian Mount Athos; as well as 2) the singing of Karlovci, where was the centre of Metropolitanate of Karlovci and first Ecclesiastical Seminary which was connected the ungrounded belief that it was nursery of a magnificent form of church chanting by the end of the 18th and the beginning of the 19th century. This paper, also for the first time, pointed the relationship between the monasteries of Fruska Gora, as Serbian sacred spaces of great importance for national identity, and their abbots Dimitrije Krestic, Dionisije Cupic and Jerotej Mutibaric, who were, according to oral tradition, the creators of singing of Karlovci. The adequate music and historical sources that would offer us an insight into the process of musical reform that was conducted by them do not exist, but their contributions in constituting national self-awareness and ?Serbian piety? are well known and documented. In conclusion, by the end of the 18th and the beginning of 19th century, but also during the entire century of ?nationalism(s)?, the prayers in Serbian Church were chanted for the glory of God, although with a clear tendency to emancipate a new religious identity of Serbian people. However, the catholic ecclesial spirit of Tradition was repressed in order to fulfill the goals of ideology of religious nationalism.

scholarly journals The Castle in Prószków as an Example of the Palazzo in Fortezza Architecture Trend in Poland

Arts ◽  
2021 ◽  
Vol 10 (2) ◽  
pp. 21
Author(s):  
Andrzej Legendziewicz ◽  
Aleksandra Marcinów
Keyword(s):  
19Th Century ◽  
Building Materials ◽  
Original Form ◽  
Innovative Solutions ◽  
The Alps ◽  
Architectural Research ◽  
The 19Th Century

This paper presents the results of a research that was carried out in a castle in Prószków, a town near Opole, Poland. The investigations were based on the conducted architectural research, including iconographic studies and the analysis of the technology, building materials, and architectural details. The conducted research demonstrated that the Renaissance structure in question was built by Baron Jerzy Prószkowski as a palazzo in fortezza, most likely in the years 1563–1571. The residence is planned around a rectangular courtyard with four bastion towers. The scope of the architectural transformations of the complex during the baroque period and the 19th century was also presented. In the summary, it was highlighted that the castle is one of the first buildings located north of the Alps that refers to the designs of Villa Farnese in Caprarolli, which was designed by Giacomo Barozzi da Vignioli. It is in the style of palazzo in Fortezza, similar to residences in Czechia, Silesia, and Poland. Here, we emphasized the uniqueness of the complex, which stands out from other residences in Silesia and areas of the former Republic of Poland due its original form and innovative solutions.

scholarly journals Variations in American marketing practices of early 19th-century ceramic importers and dealers, reflecting culture and identity

2020 ◽  
Vol 12 (3) ◽  
pp. 345-375
Author(s):  
Neil Ewins
Keyword(s):  
19Th Century ◽  
Design Methodology ◽  
Marketing Research ◽  
Early 19Th Century ◽  
Content Type ◽  
Advertising Strategy ◽  
Political Views ◽  
The Usa ◽  
Anglo American ◽  
The 19Th Century

Purpose This paper explores the advertising strategy of crockery importers and dealers in relationship to their origins and backgrounds. This is a departure from earlier ceramic-history literature which tended to focus on the Staffordshire producers, with limited awareness on how the identity of importers and dealers influenced what products were sold, and their individual approaches to marketing. Design/methodology/approach Within a context of historical marketing research, this paper analyses newspaper advertising and commentary. It combines an examination of marketing practices with a wider consideration of the cultural identities of ceramic importers and dealers. The digitalization of historical records, combined with sophisticated search engines, makes it more feasible to examine a broader range of sources. Thus, modern research methods can enhance our understanding of production and demand and reveal how marketing strategy was diverse. Findings Awareness on how advertising was influenced by the backgrounds and socio-political views of importers and dealers demonstrates ways in which Anglo-American ceramic trade could be far more market-led. More significantly, marketing approaches were not necessarily responding to American demand, but rather that importers could engage in commissioning goods which reflected their own views on politics, religion or slavery. Originality/value Examining the advertising of importers demonstrates the complex relationship between production and ceramic demand. This paper opens up debates as to how far the advertising of other merchandise in the USA shows evidence of taking a more individual approach by the 19th century.

scholarly journals Multimedia integration of cartographic source materials for researching and presenting phenomena from economic history

2016 ◽  
Vol 65 (2) ◽  
pp. 271-282 ◽  
Author(s):  
Dariusz Lorek
Keyword(s):  
19Th Century ◽  
Spatial Data ◽  
Economic History ◽  
Texture Mapping ◽  
Topographic Map ◽  
Historical Sources ◽  
Distinctive Character ◽  
Industrial Landscape ◽  
Multimedia Integration ◽  
The 19Th Century

Abstract The article presents a framework for integrating historical sources with elements of the geographical space recorded in unique cartographic materials. The aim of the project was to elaborate a method of integrating spatial data sources that would facilitate studying and presenting the phenomena of economic history. The proposed methodology for multimedia integration of old materials made it possible to demonstrate the successive stages of the transformation which was characteristic of the 19th-century space. The point of reference for this process of integrating information was topographic maps from the first half of the 19th century, while the research area comprised the castle complex in Kórnik together with the small town – the pre-industrial landscape in Wielkopolska (Greater Poland). On the basis of map and plan transformation, graphic processing of the scans of old drawings, texture mapping of the facades of historic buildings, and a 360° panorama, the source material collected was integrated. The final product was a few-minute-long video, composed of nine sequences. It captures the changing form of the castle building together with its facades, the castle park, and its further topographic and urban surroundings, since the beginning of the 19th century till the present day. For a topographic map sheet dating back to the first half of the 19th century, in which the hachuring method had been used to present land relief, a terrain model was generated. The transition from parallel to bird’s-eye-view perspective served to demonstrate the distinctive character of the pre-industrial landscape.

Brazilian Colonial Art and the Decolonization of Art History

2021 ◽  
Author(s):  
Maria Berbara
Keyword(s):  
19Th Century ◽  
Art History ◽  
18Th Century ◽  
Early Modern Period ◽  
Minas Gerais ◽  
Early 19Th Century ◽  
Art Objects ◽  
Colonial Art ◽  
The One ◽  
The 19Th Century

There are at least two ways to think about the term “Brazilian colonial art.” It can refer, in general, to the art produced in the region presently known as Brazil between 1500, when navigator Pedro Álvares Cabral claimed the coastal territory for the Lusitanian crown, and the country’s independence in the early 19th century. It can also refer, more specifically, to the artistic manifestations produced in certain Brazilian regions—most notably Bahia, Minas Gerais, and Rio de Janeiro—over the 18th century and first decades of the 19th century. In other words, while denotatively it corresponds to the art produced in the period during which Brazil was a colony, it can also work as a metonym valid to indicate particular temporal and geographical arcs within this period. The reasons for its widespread metonymical use are related, on the one hand, to the survival of a relatively large number of art objects and buildings produced in these arcs, but also to a judicative value: at least since the 1920s, artists, historians, and cultivated Brazilians have tended to regard Brazilian colonial art—in its more specific meaning—as the greatest cultural product of those centuries. In this sense, Brazilian colonial art is often identified with the Baroque—to the extent that the terms “Brazilian Baroque,” “Brazilian colonial art,” and even “barroco mineiro” (i.e., Baroque produced in the province of Minas Gerais) may be used interchangeably by some scholars and, even more so, the general public. The study of Brazilian colonial art is currently intermingled with the question of what should be understood as Brazil in the early modern period. Just like some 20th- and 21st-century scholars have been questioning, for example, the term “Italian Renaissance”—given the fact that Italy, as a political entity, did not exist until the 19th century—so have researchers problematized the concept of a unified term to designate the whole artistic production of the territory that would later become the Federative Republic of Brazil between the 16th and 19th centuries. This territory, moreover, encompassed a myriad of very different societies and languages originating from at least three different continents. Should the production, for example, of Tupi or Yoruba artworks be considered colonial? Or should they, instead, be understood as belonging to a distinctive path and independent art historical process? Is it viable to propose a transcultural academic approach without, at the same time, flattening the specificities and richness of the various societies that inhabited the territory? Recent scholarly work has been bringing together traditional historiographical references in Brazilian colonial art and perspectives from so-called “global art history.” These efforts have not only internationalized the field, but also made it multidisciplinary by combining researches in anthropology, ethnography, archaeology, history, and art history.

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